Quotes of All Topics . Occasions . Authors
The chief role of the universities is to prolong adolescence into middle age, at which point early retirement ensures that we lack the means or the will to enforce significant change.
For a long time in my adolescence, comedy was the only tool I had for communication and dealing with the world and dealing with people - I didn't know any other lens in which to do it.
The truth remains that, after adolescence has begun, "words, words, words," must constitute a large part, and an always larger part as life advances, of what the human being has to learn.
With any child entering adolescence, one hunts for signs of health, is desperate for the smallest indication that the child's problems will never be important enough for a television movie.
In my adolescence, I think I felt very outcast; I felt lonely. I felt great loneliness, and sometimes I wouldn't partake in Christmas, and I would go off and wander in the streets of Melbourne.
At a young age, I was very aware I was different and not perceived in a good way. For a lot of my adolescence, I struggled with that, trying to identify where I belong and who my real friends are.
In the early '90s, I was finishing up my adolescence. I visited my local comic-book store on a weekly basis, and one week I found a book on the stands called 'Xombi,' published by Milestone Media.
It's interesting because the first batch of really struggling with control and escape and all that happened when I was nearing adolescence, and the second one came with the onset of early menopause.
I had a stammer through adolescence. Any fun I'd had performing in school plays disappeared and only came back at 18, when the stammer started to go. Then I thought: 'Well, perhaps I can show off now.'
Kids are smart nowadays, they are much more aware of their surroundings than we were 20 years ago, but at the same time it is important that they are guided as a friend when they go through adolescence.
My father worked for the Foreign Office, so he was away a lot of the time. We were a very volatile family. There was a lot of love and a lot of conflict. The conflict kicked in mostly during my adolescence.
I'm quite comfortable looking at myself in movies, probably because I've been doing it for so long, since I was a kid. So I sort of watched myself grow up and go through adolescence, like, basically on camera.
I went through my adolescence having this revelatory experience - I can have any music I want, and I can get it immediately. For me and for a lot of people I know, there's this musical eclecticism that happened.
I started playing the drums when I was 10 years old, I think because it was fun. And then when I hit adolescence around 14, I sorta liked girls, so drums became more of a passion, and I started playing in bands.
During my adolescence, our family dwelt in rural Alaska. We were dirt poor, Depression-era poor. Tarpaper shack and kerosene lamps. In those days I read because that's all I had. I wrote because that's all I had.
The idea that everyone in their lives has played a video game is becoming more acceptable to the general audience. Now we just need to work on the idea that, even out of adolescence, that it's okay to still play.
I wouldn't say I'm stuck in my adolescence, but I think, like a lot of people, I carry my teen years with me. I feel really in touch with those feelings, and how intense and complicated life seems in those years.
I got a good-enough adolescence. I mean, there's a sense wherein you skip a part of childhood, too, when you start working at that age I did; I was out working and out of home at 15, paying my own way in the world.
I grew up in a country that was in a civil conflict for most of my childhood and adolescence. I saw violence and lived as a teenager through the time of a brutal dictator called Idi Amin. I fled and became a refugee.
When you have little girls, you're the coolest person in the world. I know at some point that's going to end; in their adolescence I'll become the opposite of that, especially if I'm parked outside a high school party.
Young dancers are training at a very vulnerable time in their lives, through adolescence, and while they are trying to work out who they are as people, never mind as a dancer. So train the whole person, not just the dancer.
Based on my own experience, when you're going through adolescence you don't know how the world works. You can't set a story in the world you live in because you don't know what a utility bill is, or how to budget your paycheck.
The thing about adolescence is that you are emerging from a state of obscurity. You are coming out into the world from your family. Your family can seem normal because it is your family and all you know, but in fact it is a mess.
My childhood and adolescence were filled with visiting scientists from both India and abroad, many of whom would stay with us. A life of science struck me as being both interesting and particularly international in its character.
Apart from a period of crisis during my adolescence, when my voice was changing and I could not tame it - it was like a kicking foal that does not listen to reason - I have always been told I have a pleasant and recognizable voice.
I had been afraid of breast cancer, as I suspect most women are, from the time I hit adolescence. At that age, when our emerging sexuality is our central preoccupation, the idea of disfigurement of a breast is particularly horrifying.
For me, stories were brothers, sisters and friends, filling the long hours between childhood and adolescence, holding up a true mirror in which I might find out who I was rather than a distorted reflection of who I was expected to become.
I got really good input up until the age of 11, which is perfect. That's when adolescence starts, when I would have really wanted to rebel. Up until that point, though, it didn't feel like doctrine, and it gave me a great moral structure.
We have to acknowledge that adolescence is that time of transition where we begin to introduce to children that life isn't pretty, that there are difficult things, there are hard situations, it's not fair. Bad things happen to good people.
I designed 'Buffy' to be an icon, to be an emotional experience, to be loved in a way that other shows can't be loved. Because it's about adolescence, which is the most important thing people go through in their development, becoming an adult.
We know that childhood and adolescence are the most crucial times for environmental stimuli to affect breast cancer risk, but changes made during adulthood and even after diagnosis still have the potential to create positive changes in the body.
'Lives' is one of those books I should really have written when I was younger. It is the classic childhood, adolescence, breakthrough-into-maturity book. Every beginning writer has that material - and after that, you're not sure what you can do.
'Great Expectations' was an important novel in my adolescence. It was very much one of those emblematic novels that made me wish I could write like that. It helped that my models as a writer were dead over a hundred years before I began to write.
No matter how good you are, at some point your kids are gonna have to create their own independence and think that Mom and Dad aren't cool, just to establish themselves. That's what adolescence is about. They're gonna go through that no matter what.
When faced with a challenge, happy families, like happy people, just add a new chapter to their life story that shows them overcoming the hardship. This skill is particularly important for children, whose identity tends to get locked in during adolescence.
Childhood and adolescence are nothing but milestones: You grow taller, advance to new grades, and get your period, your driver's license, and your diploma. Then, in your 20s and 30s, you romance potential partners, find jobs, and learn to support yourself.
Some people become passionate readers and fans of science fiction during childhood or adolescence. I picked up on SF somewhat later than that; my escape reading of choice during my youth was historical novels, and one of my favorite writers was Mary Renault.
When the vast baby-boom generation exploded into adolescence in the 1960s, marketers exulted. Advertising consultants, always eager to coin a phrase, began happily explaining to corporations the difference between 'teenyboppers' and 'counterculture consumers.'
I'd say I'm drawn to characters that ring true to me. Adolescence is a troubled time for everyone, so a lot of those characters have been troubled, tortured people. It's been a great way to navigate my adolescence by having these more troubled kids as an outlet.
Adolescence was only recognised as a life stage in the early 20th century, when psychologists got down to work. Today's generational battle obscures the fact that adulthood is happening later. A new transitional stage has emerged after adolescence: the twenties.
Most of us were probably less than immaculately honest as teenagers; it's practically encoded into adolescence that you savor your secrets, dress in disguise, carve out some space for experiments and accidents and all the combustible lab work of becoming who you are.
I have a good memory for early life. My visual memory is good about childhood and adolescence, and less good in the last 10 years. I could probably tell you less what happened in the last 10 years. I remember what houses looked like, sometimes they just pop into my head.
College campuses are a focus of prevention efforts for meningococcal disease because of the increased incidence of the disease during adolescence and young adulthood, as well as transmission from crowded living conditions and social behaviors common among college students.
Before adolescence I had an incredible voice. Like when I was 12, 13, 14 - I was taking acting classes, I was painting, I was making music, I was taking photographs. I was kind of exploding creatively, and then something about adolescence really just ground that out of me.
When I was 14, I felt very rundown; I had a home to go to, but I felt like I was 60 or something, older than I feel now. And I don't know if it's something that happens at 14, or whether it was adolescence or whether I was gay, or closeted gay, or whatever it was, I felt that.
I'm very comfortable with the nature of life and death, and that we come to an end. What's most difficult to imagine is that those dreams and early yearnings and desires of childhood and adolescence will also disappear. But who knows? Maybe you become part of the eternal whatever.
The chief symptom of adolescence is a state of expectation, a tendency towards creative work, and a need for the strengthening of self-confidence. Suddenly, the child becomes very sensitive to the rudeness and humiliations which he had previously suffered with patient indifference.
Tina Fey, a performer and head writer for 'Saturday Night Live,' has deftly adapted Rosalind Wiseman's nonfiction dissection of teenage girl societal interaction, 'Queen Bees and Wannabes: Helping Your Daughter Survive Cliques, Gossip, Boyfriends and Other Realities of Adolescence.'
Many, many individuals will report starting to form their lifelong interests around adolescence. Why that is, researchers don't fully know. But if you can take a trip down memory lane and see what interested you, that's at least a clue as to where your interest may begin to develop.
I had the classic 40 meltdown. I did. It's embarrassing. It was pretty funny. But then I recovered. To me, it was like a second adolescence. Hormonally, my body was changing, my mind was changing, and so my relationship to myself and the world around me came to this assault of finiteness.