On 'Mr. Robot,' because I run the writers' room and know every decision behind every line of dialogue, I'm able to be nimble and adapt with the scripts and the moments. I never have to question what I'm doing as I'm directing the actors or going through the scenes.

If technology and communications can adapt to people's modern lifestyles, then why can't our labor laws follow suit? Private-sector businesses continue to live under an outdated federal mandate that says the only way to compensate for overtime is through cash wages.

Whatever I did in 1960, half a century ago, I couldn't do that today and enter the field. The field has changed so much, you have to adapt to the times whatever you're doing. That's the reality of life: you have to be a different person today than you had to be then.

The movie business is not about the money. Of course, you need money to make the movie. If you have a small budget, adapt yourself. Having $200 million dollars doesn't ensure that you're definitely going to make a good movie. There's so many examples that prove that.

With the House of Marley, over the years we've been trying to establish ourselves not just as a brand but a lifestyle movement. So it's been a challenge to get people to adapt to our new way of thinking. We're all about sustainability, the natural life, the eco life.

My mom has an English accent, so we always referred to the trunk as the 'boot.' And then, suddenly, we moved to Georgia and I would say things like 'open the boot' with a bit of an accent, and I quickly realized I had to adapt; that kind of thing will get you beat up!

We're always thinking of different things to be on the cutting edge of what's entertaining or what's hot on Twitter or social media or even society in general. I've had little goals here and there. But that's the main goal. Always changing, always be prepared to adapt.

When I was younger, I used to wrestle, and I feel that it contributed to my athletic ability because as a wrestler you have to be an all-encompassed athlete. You need stamina, strength, endurance and mental capacity. You also have to learn how to adapt in any situation.

I used to be so aggressive, but after a while I started learning. It's not that I know how to adapt, but I know all styles of fighting so I can change my style of fighting to whatever it needs to be. That just comes from years of training and a lot of sparring partners.

I've grown over the years and I know how to adapt to situations, where I can go into a situation where there's a crowd of people and just take over. But pretty much I'm off to myself. And I'm totally committed to the game of football. That's why I've had so much success.

As I became more interested in behavior from the standpoint of neurobiology, the stress-response became really interesting. What stress physiology is about is - when there is a new environmental challenge, how does an individual adapt? It seemed like a natural transition.

I've watched the dynamics of music completely change to where we've sold tapes, we've sold CDs, then everything started becoming 'music is free' now. In a perfect world, Napster wouldn't have come along. But the world isn't perfect, and when it changes, you have to adapt.

You can't underestimate rest. Sometimes in tennis we don't realize that to rest your body is as important as it is to practice. We are traveling so much, all year, in different conditions, different courts, different surfaces, different balls - so we always have to adapt.

I don't think that American drivers going to NASCAR are taking the easy way out because as I said, the racing is amazing; it's just that it's easier to adapt to what you grow up with. American drivers grow up with NASCAR, they know NASCAR, and that's where they want to go.

People, a lot of times, don't like what's different. When it's something different out there, the majority of people will be like 'aww, that's wack!' but if it's regular, plain or a straight through flow, it's easier for them to adapt to, because everyone likes the normal.

As an actor, there are a lot of personas and personalities that you carry. Whatever you wear, you adapt to it, and people feel that's your style. But that's not necessarily an actor's style. There are some things that are very 'you,' and some are only to suit your persona.

It's strange to play outdoors, especially in the daytime. But we're figuring it out. The rules are different for festival shows - how you talk to the crowd, how you can try to get them involved. Things are just a little different, and I think we've learned to adapt our show.

You just have to adapt to what is needed at that moment, whereas as coaches are going crazy, because they're used to having and following a schedule. Everything's laid out in front of them on when they're going to practice and when they're going to take a plane to this city.

One of the things I wanted to do in the Department for Education was open up the policy making process and run things like wikis in open formats in order to a: start off with better ideas and then b: adapt to errors much faster than is possible with normal Whitehall systems.

Web series is a new format, where everything, from the writing to storytelling is different. As an actor you have to approach it differently because you have a character which can go on for a long time. It is my duty to be on my toes, understand the new technology and adapt.

You have to adapt and find your niche, in terms of the type of player you can become, both on and off the pitch. I always knew I'd have no chance against a 1.90m, 90kg defender in a duel, so the key is to avoid these situations altogether. You have to pick your space and time.

To survive and even thrive in a changing world, nature offers another great lesson: the survivors are those who at the least adapt to change, or even better learn to benefit from change and grow intellectually and personally. That means careful listening and constant learning.

The cutest part is that both my grandparents have tried to adapt to my dream. When I sat them down and showed them a film that I did - with an intimate scene in it - I was surprised that their reaction wasn't dramatic. My grandmother even came to me to ask, 'How do you do it?'

My theory in the '90s was that I didn't want to take a Jane Austen book I loved and reduce it to a 90-minute movie. The Emma Thompson-Ang Lee 'Sense and Sensibility' was beautiful, but other ones, I didn't think justice was being done. It's not a slam dunk to adapt these books.

Whenever you're looking at new ways to get in shape, first you have to decide what you want. Do you want a more muscular look, or do you want to slim down and appear more toned and ripped? I adapt my training and diet with each role I do, depending on the image I want to convey.

The problem was Le Corbusier was a genius and an enormous artist, but he tried to resolve problems to which there is no solution. So the idea to demolish the centre of Paris in order to adapt it to the car - he drew it! - is something not even the most bloody dictators conceived.

If you see a gaggle of teenagers walking towards you, you tend not to make eye contact, because you know they're going to recognise you. You learn to adapt: 99.999 per cent of people aren't looking to be harmful or unpleasant; they just want something, a photograph or an autograph.

As more and more Americans spend their earliest hours scrolling through news alerts and weather forecasts on their smartphones and tablets, morning shows have to adapt, too. And their biggest competitive advantage may be that, unlike an iPhone, they offer some form of companionship.

One of the things that's interesting is that the PC has always had a huge amount of scalability. It was sort of the wild dog that moved into Australia and killed all the local life because it could just adapt. There used to be these dedicated devices, like dedicated word processors.

I grew up going to bakeries in Tel Aviv; that's where we got our birthday cakes, they were always European baking and butter creams. We have such good baking in Israel, and we have the Diaspora of Jews from all over, and we learned early on to adapt and absorb flavors from all over.

As you eat more healthily, your palate changes - it's amazing. Your taste buds constantly adapt: from minute to minute, in fact. If you drank orange juice right now, it would taste sweet. But if you first ate some sweets then drank the same juice, it could taste unpleasantly bitter.

When people note that more and more voters are cutting their landline phones and that more and more people are refusing to pick up phone calls from numbers they don't know, they are identifying problems that the polling industry has long struggled with and continue to try to adapt to.

Most of the games are decided by a small margin. That shows the intensity and the competitiveness of the English league. Everyone knows here the competition is ferocious. It's a bit different than the Portuguese league. But I'm going to try to adapt to this league as quick as possible.

Every species becomes extinct; at some point, we will go extinct. The question is, as Homo sapiens, are we going to be able to adapt to the change that we're actually part of? We're causing such dramatic changes to the planet, so yes, you do stop and think, 'I wonder where we're headed.'

We should find inspiration in the senses that already exist and try to copy them and apply them to us. If we compare our senses to the senses of other animals and species that we don't have, we can get ideas for new abilities that we can adapt to humans by applying cybernetics to the body.

With every record, with each band, I just try to make a song good. I'm not so much focusing on my technique. There are a million better drummers than me. I try to adapt to the songwriter; I try to adapt to the situation and retain my sort of melodic power. My goal is for the band to be good.

When I was 16 I took the first opportunity I had to play basketball in a different country. I flew to Europe for the first time and found myself in the small town of Macon, in France. That was the first time I lived far away from my people, from my culture. I was young and had to adapt quickly.

I was brought up with a scientific outlook on life. It's the way my father deciphers the world - whether it's football, politics or hairstyles. So I don't get anxious about the future, because I was raised to believe and accept that nothing stays the same, and the best way to survive is to adapt.

The things you do early on, people don't know, but once they start studying videos and know what to plan, they know what to expect. So you have to keep on evolving, and according to situations, you have to adapt, because if you are just a one-trick pony, that won't work for a long period of time.

As a player, you get to the stage where you realise that you are not 25 anymore - and can't play the way you used to. The intelligent players adapt - and Steven Gerrard has the ability to do that. He is an excellent passer of the ball, possesses an intelligent football brain, and has great vision.

Whenever I write for television, I plan the story on whiteboard wallpaper in my office, using a system created by the American writer Dan Harmon. It's remarkably simple: a character wants something; they enter a new world and adapt to it; they get what they want, re-enter the old world and change.

Going to Watford at such a young age and leaving everyone behind and being around new people was very different for me. Adapting was a challenge. I was staying in a boarding school and in a different culture that I wasn't used to. It was very hard to adapt, build confidence and change my attitude.

'The Blacklist' was really right place, right time. I read the script and met with Jon Bokenkamp, John Eisendrath, John Fox and John Davis, and we just hit it off. They understood that I was not so much trying to adapt to television, but adapt a cinematic style to the things that we were gonna do.

But you really - I always think that a director has got to adapt to whatever the needs of the actor are. You know, so if you take someone like Eddie Murphy, who is not a big fan of rehearsal. You know he comes out of stand-up. He comes - it's all about capturing the moment - in the moment, you know.

There's more to life than being an actor in a Hollywood movie. I'm not going to adapt my life after that existence, where a lot of people do. And they get the publicist, and they get all that stuff, and it becomes them. I think it's a stupid way to live your life. A really dumb way to live your life.

For many, hair is just hair. It's something you grow, shape, adapt, adorn, and cut. But my hair has always been so much more than what's on my head. It's a marker of how free I felt in my body, how comfortable I was with myself, and how much agency I had to control my body and express myself with it.

I think when you work on fossils, and you realize that a species is there, and it's abundant for quite a long period of time, and then at some point it's no longer there - and so, when you look at that bigger picture, yes, you realize that either you change and adapt, or, as a species, you go extinct.

There are teams in England who play the football I like, keeping the ball on the ground, playing a quick game with one-twos, pressing their opponents high up the pitch. If one of these clubs were interested in me, I'd adapt to them well, and they could adapt to my way of playing, which isn't so common.

One of the first places where I started to respond to song lyrics was in reggae music. A lot of what I was responding to were references to the Old Testament. It was not that I had to adapt the lyrics to the sound. Reggae and the Old Testament are bound up together. There wasn't anything that I had to do.

We know from research that the reading circuit is not given to human beings through a genetic blueprint like vision or language; it needs an environment to develop. Further, it will adapt to that environment's requirements - from different writing systems to the characteristics of whatever medium is used.

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