Quotes of All Topics . Occasions . Authors
You don't want to keep giving yourself a sugar spike and then crash and get exhausted and need coffee because you shoot for a long time. On set, I eat a lot of peanut butter and apples, things that have actual energy and protein in them to keep me going.
I was never afraid of failure after that because, I think, coming that close to death you get kissed. With the years, the actual experience of course fades, but the flavor of it doesn't. I just had a real sense of what choice do I have but to live fully?
Well, obviously I wanted it to sound as original as possible. I suppose the influences that we had were probably from the actual power point of view we wanted to be like the Who. Vocally we wanted to be like the Beach Boys, whatever was good at the time.
I love working with an audience. I love working with actual people who, you know, if they're moved, you see it. If you say something they're stunned by, you see their jaws drop. If they're amused, they laugh - that kind of reinforcement, I totally adore.
I became fascinated with the concept of speak no, see no, hear no evil. And - and the actual depiction of three wise monkeys. And I began collecting it over the years. And I kind of figured that I might be the - the fourth monkey, the feel no evil monkey.
The idea is that we're doing it just for the joy of the actual physical experience. We may record something just for the fun of it, but the idea is just to be truly joyful and truly fun, especially for me, because I take myself too seriously all the time.
Although it may be true that the notion of teaching virtues such as honesty or integrity arouses little controversy, it is also true that vague consensus on the goodness of these virtues conceals a great deal of actual disagreement over their definitions.
Forces that you might think are utterly unrelated to creativity can have a big impact. Technology, obviously, but environment, too. Even financial structures can affect the actual content of a song. The making of music is profoundly affected by the market.
Having a sold-out show takes a lot of the pressure off because I know that it's going to be a room full of people who are excited to be there. The worst part - or the part that I'm adjusting to - is the actual act of traveling. The hotels are pretty trash.
I hate actual newspapers. In my opinion, they are only good for wrapping up presents or cleaning mirrors. Or packing boxes. Or stuffing into knee-high boots to help retain their shape. Or using for fun crafts. Okay, I don't hate actual newspapers, I guess.
It's great being a producer! Why am I wasting my career writing and directing? Those are actual jobs in which you work. Being a producer, it's kind of like you just go to the set, yell at a couple of people, and then stay up all night dancing in nightclubs.
Playing a cop goes a long way. I have a lot of friends who are working as actors, and as soon as I started playing military characters or cops, and not the actual criminal that we're chasing on this show, they all said, 'You actually can have a career now.'
During the 1970s, inflation expectations rose markedly because the Federal Reserve allowed actual inflation to ratchet up persistently in response to economic disruptions - a development that made it more difficult to stabilize both inflation and employment.
My favorite WrestleMania moment would actually be the first WrestleMania I ever went to, and that was at WrestleMania 30 in New Orleans. I've been a fan forever but have never been able to go to an actual WrestleMania until I started working with the company.
In the World War nothing was more dreadful to witness than a chain of men starting with a battalion commander and ending with an army commander sitting in telephone boxes, improvised or actual, talking, talking, talking, in place of leading, leading, leading.
Our hubris needs to be downsized, thinking that profiteering on Earth, on whatever level - environmentally, economically, culturally - is unlimited and everybody should get as much as he wants or she wants. Humans need to be shrunk again to their actual size.
With the advancement in e-reading technology, I was curious if it were possible for readers to be able to hear the actual songs while reading the book. I contacted Amazon and discussed the idea with their Kindle team, and they were very enthusiastic about it.
Archaeology can be overlooked as a discipline, I think, but it's incredibly important to have this other way of approaching the past - not just through historical documents, but through actual physical remains - objects, buildings and the layout of our towns.
Historically, the U.S.'s big launchers fly seldom enough that their costs are dominated by annual upkeep of facilities and staff, not by the actual cost of each launch. The expensive part is maintaining the launch capability, not actually conducting launches.
I've never had an actual haunting experience, in the way you might anticipate a ghost in a movie haunting someone, but I do feel presences around me all the time, and I do feel that memories haunt us the way ghosts haunt us or might haunt characters in a film.
There are roles that are terrifying because they're large or you may feel that they're out of your line, but I'm never terrified once the actual work begins. Once you begin rehearsal, then it's small building blocks. It's solving little problems one at a time.
At first, I found the music I was making really hard to find a home for. I felt like my attitude was really British, but not the actual sounds I was making. Back in 2003, when I made 'Galang,' there were no clubs that had an 'anything and everything' attitude.
There are Christians who think there were seven actual days, or that creation was over time. They have answers for dinosaurs and things of that nature. And I don't claim to have any of those answers. And I understand people wanting to have discussions about it.
I see creative-writing classes as some sort of AA meeting. It is more of a support group for people who write than an actual course in which you learn writing skills. This support group is extremely important because there is something very lonely about writing.
Working with children is very different than the way in which I work with adults. One has to work just as much with children as with adults, but the manner of work is very different. I never tell the children the actual truth of the thing that I want them to act.
I am fully anticipating that something - perhaps many things - will not go according to plan on our actual wedding day. If some of the flowers are wilted, or there aren't enough vegetarian meals, or the priest calls me the wrong name, I will embrace these errors.
What you can do with visual effects is enhance the look of the character, but the actual integrity of the emotional performance and the way the character's facial expressions work, that is what is going to be created on the day with other actors and the director.
When AI approximates Machine Intelligence, then many online and computer-run RPGs will move towards actual RPG activity. Nonetheless, that will not replace the experience of 'being there,' any more than seeing a theatrical motion picture can replace the stage play.
Can you explore real issues as a fake character? Yes - it's called acting. Or fiction. But acting is not a method of engaging with the actual world, just as pretending to know what a character might eat does not a novel make - much less make that make-believe real.
But I grew up in a place where no one knew anyone in the entertainment business, I never knew it was an actual career. The closest I ever got to movies was going to watch them, and I thought that's the way it would be, so I never considered working in this business.
I don't think paper will go away. I do believe that the value of paper will change, and Xerox is working on changing that value. Consider a color page. Actual life is in color, but you keep reproducing it in black and white. You remove value. It's a bad thing to do.
For better or worse, we live in possible worlds as much as actual ones. We are cursed by that characteristically human guilt and regret about what might have been in the past. But that may be the cost for our ability to hope and plan for what might be in the future.
On 'Krit Wuz Here,' I had a record called 'Return Of 4eva' on it. And then that launched me into doing the actual 'Return Of 4eva' project, and 'Return Of 4eva' had a song called '4eva And A Day.' So it's like, all of my music has somehow tied into the entire story.
So I just sat in bed for six months - I literally didn't leave the house - and it was the first time that I'd actually experienced being depressed. I'd be sad on and off but I'd never experienced actual depression. Like, crying for no reason. It was really horrible.
However much some journalists may criticize me, I know that I look, feel, and behave several decades younger than my actual age, and much of that is because I believe you are what you think you are. This is called positive affirmation, and it's a really strong tool.
My wife volunteered her services as Red Cross nurse, insisting upon being sent to the front, in order to be as near me as could be, but it developed later that no nurse was allowed to go farther than the large troop hospitals far in the rear of the actual operations.
Fight choreography has far more in common with dance choreography than it does with actual martial arts. You learn martial arts techniques, but those are just the movements for the choreography. You're working with a partner in choreography. You're working on timing.
One of the questions I face when working on a book about a historical event is whether I should visit the actual place that I'm writing about. No matter how scrupulously maintained a historic house or battlefield may be, it is nothing like it was in the long-ago past.
For the first actual comedy-comedy I did, I took a comedy class in New York, which was full of slightly unhinged people. It was a pretty depressing crowd, very angry and strange people. But then I took a class at the Upright Citizens Brigade, and I loved those people.
So I was always passionate about it and felt that it was sort of the golden thread inside me in terms of what I was supposed to do in terms of work but I think I have relaxed a lot in terms of the actual experience and actually enjoy it more and enjoy the people more.
My goal is to get a real film industry started in Washington. An actual one, not where features come to town and shoot second unit for a few days. I would love to get something started here. Hire local crews. People could work year-round and raise their families here.
I think being a writer is being heavily attuned to the absolute absurdity of things you take for granted, and I think that having actual parents who lived through the Cultural Revolution who are also interested in literature, they're also very attuned to those moments.
I think people really appreciate clever commercials, as do I. I think they're very entertaining. You just have to wade through all the garbage. That's one of the reasons people watch the Super Bowl. A lot of them watch it to see the commercials and not the actual game.
Think about it: If you don't have any actual, tangible skills, then how can you do anything? You may be laughing and nodding, but do you realize how few people, when asked the basic question, 'What can you do?' stumble on the answer and have nothing to say? Most people.
When you look at the actual data on technological innovation, one thing you see is that what I call the 'low-hanging fruit' has been exhausted. So radio, flush toilets, electricity, and automobiles - a lot of very basic inventions - have spread to almost all households.
I don't like high concept movies very much, and the kind of scripts that I would occasionally get offered tended to be really high concept comedies or romantic comedies. I just don't like it. I like much more realistic movies with actual psychology and behavior in them.
During all of my writing career - this includes when I was writing plays and my other screenplays - I don't recall ever writing a negative character, which does not mean that my characters aren't flawed or do not make mistakes. In actual fact, they all are quite flawed.
Without transformation, you can assume you're at a high moral, spiritual level just because you call yourself Lutheran or Methodist or Catholic. I think my great disappointment as a priest has been to see how little actual spiritual curiosity there is in so many people.
There isn't any great mystery about me. What I do is glamorous and has an awful lot of white-hot attention placed on it. But the actual work requires the same discipline and passion as any job you love doing, be it as a very good pipe fitter or a highly creative artist.
What I realized is that it doesn't matter how big or small your film is. The actual filmmaking process, the actual storytelling, it's still the same thing. It's still all about creating characters that you like and creating moments that get you excited or get you tense.