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I'm sure that Zhang Lanxin could be an outstanding action movie actress. For one thing, she wouldn't require a stand-in. As for Yao Xingtong, she might be an excellent action performer in her next life.
There's something really special for a young person to sit in an audience and discover somebody, and it's rare to do because so much of a movie's economics are based on pre-existing actors or actresses.
Being an actress wasn't a plan at all, so what's happened to me is very strange. Life isn't very normal, even though I'm still very much a normal girl. I ride the subway, I ride the bus, and all of that.
I think it was really crucial that the actress was age appropriate. There are films, such as An Education, where that wasn't the case, and I think that really affects how you receive what you're watching.
The secret is to let the audience feel through the actress, rather than having the actress feel for the audience. When you can do that, you involved the audience almost without their knowledge or awareness.
For me, my favourite actresses are like Charlotte Rampling or Gena Rowlands... people who have always stepped outside of the restraints of a certain type of woman or story. I always like those movies the best.
Marilyn Monroe gave more to the still camera than any actress, any woman I've ever photographed; infinitely more patient, more demanding of herself and more comfortable in front of the camera than away from it.
The terrible thing about being blacklisted as an actress was that even though, intellectually, you knew what was happening, you still always wondered whether you weren't being hired because you weren't any good.
To be honest, I never really considered myself to be too much of an actress. So, whenever I get the chance to do music, I'm always, like, just in it. It's like, 'Oh my God, I finally get to do this. I'm so happy.'
The kiss. There are all sorts of kisses, lad, from the sticky confection to the kiss of death. Of them all, the kiss of an actress is the most unnerving. How can we tell if she means it or if she's just practicing?
This actress named Lisa Eilbacher. I was up for the part in Shampoo and friends of mine kept telling me she was going around saying all these bad things about me. It's like we're still in the sixth grade sometimes.
Two of my favorite actresses are Meryl Streep and Angelina Jolie. So, I would love, love, love to work with them. But I also really love AnnaSofia Robb. There are a lot of great actresses I would love to work with.
Charlotte Rampling is someone I've wanted to work with for a very long time. I've always looked up to her as an actress and it's a reason why I feel brave to do a film like Melancholia. So, to me she's the ultimate.
I hope I'm thought of as not just a showbiz personality, but as someone who has lived a life and who has hopefully made a contribution to something along the way - someone who is a human being as well as an actress.
The advent of digitally enhancing images - and the fact that actresses weren't protesting against that - created an environment where big corporations felt like they had total ownership over the bodies of actresses.
I never wanted to become an actress because I'd read great literature or seen great Shakespeare. It was more just wanting to understand what the people were really like, why they said all the strange things they did.
Increasingly, stars are recruited from the ranks of professional models, with the result that today`s starlets are better dressed and better groomed than ever before, though it is doubtful if they are better actresses.
When you spend your entire life as a child actress, being told where to go and where to stand, you're performing constantly for people. It definitely breeds the kind of person who's dependent on other people's approval.
Coming from Ireland, its quite hard to do a startup because youre culturally so far away from what everyone else is doing. In the Bay Area, its much easier. Its the equivalent of an actor or actress moving to Hollywood.
I'm going to insult a whole industry here, but it seems like TV is for people who can't do film. I'm not talking about actresses; I'm talking about lighting people. Lighting on TV is just so... it's sinful, it really is.
But I would say maybe just from an actress's perspective, probably 'Woman Under the Influence' is the best movie of all time... The style of filmmaking and the performances ... you don't feel like you're watching a film.
But I've never felt that being an actress is being in a comfortable place. It's seen from the outside that we're being driven in big cars and having these gorgeous suites and all of that. But come on, it's not about that.
What I like about being an actress is that it keeps you feminine. Being a director and producer makes you manly and very masculine and I don't like that quality in a woman. But I'll do it when the film is very close to me.
Someone once told me to "be a black belt at whatever you do." In other words, don't just be good or okay - be the best you can be. Not only do I apply that to my work as an actress, but I also went out and got my black belt.
I always knew that the only thing I wanted to do was act, but it took me a long time to say it out loud to anyone, let alone myself. I am surprised by how dogged I have been in wanting to make a living as a respected actress.
I live very normally, I go out with my friends, we go to the movies, I queue, we go to restaurants. Then if something happens to remind me that I'm an actress then I become a little different and things become a little heavy.
At an early school, when I was about 5, they asked what we wanted to be when we grew up. Everyone said silly things, and I said I wanted to be an actress. So that was what I wanted to be, but what I was, of course, was a writer.
There are actresses who've had expensive work done and look great, so I'm not holier-than-thou about it. But it wouldn't be for me, perhaps because I've already been in hospital and wouldn't want to volunteer myself for it again.
One thing I've noticed is that I can tell when a young actor or a young actress is going to become a huge star. Everybody else will say, "Oh come on, Michelle Pfeiffer, are you kidding?" and I'm pretty much always right about that.
I used to search and search for that actor or actress who's exactly what's in my head. But you have to realize you have to cast whoever's super talented and super funny, and then the character has to become at least partially theirs.
I always loved working as an actress, but I didn't understand why I couldn't just opt out of being famous. And then I realized you can, and I think I did. And eventually, I came to understand that you can do that and also keep working.
I'm friends with a lot of actresses, but my 'SNL' friends are my closest. The experience of working there is something of a battleground, a great one, but complicated. I think there's a deep connection for having survived that workplace.
The industry has died as far as modeling has gone, and I'll tell you why. Magazines are featuring the Halle Berrys and Sarah Jessica Parkers, all the actresses. Makeup companies are featuring all the celebrities. All the models have died.
The lead actress is like the host of the party, but when you're the lead actress and you're a producer, you're really throwing the party. You have so much control in making sure everyone is having a really good time and everyone is heard.
There are beauty icons that I can never be like, sorta like a Gena Rowlands - I'll never have that look. I love Giulietta Masina, the great Fellini actress. But I'm probably more Seymour Cassel. Or somewhere between Lou Reed and Nora Ephron?
I looked at a lot of photos from Hollywood in the '20s, photographs of silent movies being filmed all over the world which are very specific and very evocative. Berenice, the lead actress, is my wife. She really followed the same path with me.
The core for everything is to be grateful. It's literally as simple as that... I've always known that I'm lucky to be an actress, and I'm lucky to be a working actress. I'm lucky to have garnered attention for certain roles, and I'm grateful for it.
A very dear friend of mine great actress named Wendy Rich Stetson was very active in the theater department at Amherst and I went to all the plays she was in, and it became very clear to me that what she was doing was something I wanted to be doing.
I was always, as a younger actress, very conscious of not wanting to act sexy. I didn't see myself like that. But I think as a woman, you get older, you feel more confident in your sexuality. You're not as intimidated by it, not as embarrassed by it.
I like working with actresses, and I like women a lot, not for obvious reasons, but just in that that theres so much about what they bring to the scene that keeps it so interesting. Their instincts are so different, and they never explain them to you.
I become an actress to do things that scare the sh*t out of me and I felt like I didn't stand a chance to get this part because people have preconceived notions about me, but if they gave me the part, I would do everything in my power to not screw it up.
Sometimes I'll watch an old movie on television and, once in a while, one of mine, such as April Showers, will come on and I'll watch it. And you know something? I'm always amazed at what a lousy actress I was. I guess in the old days we just got by on glamour.
You know, the hard thing about audiences not liking what a character does is that they sometimes take it out on the actor personally. That's something that you know when you become an actor or actress, but it's always hard to deal with when it actually happens.
Before I read the script [The Following], I saw the schedule, and imagine how confusing that was. I thought it was intriguing. I'm an actress. Even if it's, by proxy, all about me, I'm all for it. It was all about me, but I didn't have to show up, so it was great.
Vivien Leigh was a phenomenal actress, a very complicated woman, living on the edge of mental problems, haunted by demons and angels. And though I've never thought of myself like Marilyn Monroe, I was inspired by the tremendous risk she took - of being vulnerable.
From the time I was very young, maybe five or six, I thought a lot about being an actress. I didn't tell my friends about my ambitions, though, especially when I got older, because I thought they would not receive them well. I never talked about what I wanted to do.
I love doing lesbian love scenes. Before I did my lesbian scenes in Gia, I talked to actresses who said love scenes are easier with another woman than a man. Bound's Gina Gershon and Jennifer Tilly said they'd lie there and discuss the sale at Barney's between takes.
I love being a mum, but it's much more intensive work than being an actress - going to work feels like you've got a day off. Not that I want a day off from being a mum; it's just perhaps I had this impression before that mums don't work. But they work more than anyone.
When you're an actor or actress in this business, usually the natural progression is to direct, but a lot of times, we don't get a chance to get to it. Myself, I really want to get into it. I want to be the person who eventually doesn't have to be in front of the camera.
Well, I had done nudity in one other thing, but nudity for an actress is a very particular thing. It has to do with the material, and making sure it's not gratuitous, that it's done in a way that's shot beautifully, and it's for a reason. And I'd never played a lesbian before.