I'm one of the only actresses in Los Angeles who has never waited tables - yet - and I'm so terrible at holding trays. When we shot the 'Vampire Diaries' pilot, I totally spilled water all down Nina Dobrev, and she had to get her hair and make-up redone.

People often ask me why I don't take up more heroine-oriented roles. My question is, 'Where are these roles?' I really appreciate actresses who sign only films with meaty roles. However, there aren't too many of them. The industry is simply male-dominated.

Vivien Leigh was a phenomenal actress, a very complicated woman, living on the edge of mental problems, haunted by demons and angels. And though I've never thought of myself like Marilyn Monroe, I was inspired by the tremendous risk she took - of being vulnerable.

I'm here not just as an actress but as a woman, an African-American, a granddaughter of Ellis Island immigrants, a person who could not have afforded college without the help of student loans and as one of millions of volunteers working to re-elect President Obama!

I'm 43 now. I've reached the point where I really can't care what anyone thinks. Of course, I do. I'm an actress. I'm totally insecure, but I'm trying to stick to my guns about what is important to me, and it doesn't matter what anyone thinks I should or shouldn't do.

I'm ambitious but I'm not particularly competitive. I'll try to get roles, as I think it's healthy to go for things, but... I think there's too much competition between women already. It's important to have female solidarity and support each other and other actresses.

My mom and grandmother were actresses, and I knew I was going to do this since I was super young. I would put on shows at my grandparents' house and sing 'Somewhere Over the Rainbow' in the living room. I was in drama club and chorus, and I knew every word to 'Grease.'

Before Ricky Gervais came along, I was a jobbing actress and perfectly content if a little unfulfilled: I'd just done an advert for Imodium. That year, 1999, I auditioned for four parts. 'The Office' was the only one I got. What its success gave me was freedom of choice.

Whatever it is that I feel, I express it! I am free with my joy, my laughter, my pleasure, my pain, and I am blessed in that way as an actress that I can access those feelings within myself and not be ashamed to show whatever that is that's appropriate for the character.

I'm not drawn to actresses, but I have no rules about that. I just want to be around positive people. The toughest thing will be to find a girl who will be prepared to live in the middle of nowhere in the middle of the country. I don't think L.A.'s the place to find one.

Romance-comedy films usually get led by the main actor and main actress, just the two of them. Indeed, I was not sure if I was ready to bear the responsibility before casting in '7th Grade Civil Servant,' but I started gaining more and more confidence as the drama went on.

I studied at Cathedral School, where a lot of kids go abroad after Class XII. But I was clear that I wanted to be an actress, and thus, even though I got 92% in my board exams, I applied only to Jai Hind College for Mass Communication and got in and completed my graduation.

I grew up in the Fifties, and the majority of people in my class had fathers living at home. I was very aware that I was in the minority. I had a foreign name, and my daddy didn't come and pick me up from school. I felt like an outsider, which probably helped me as an actress.

One of the best ways to change is to act as if you are the person you want to become. When you behave as if you are a different person, you change on a very basic level - even your physiology changes. When actors and actresses perform, their body chemistry is altered by the roles they play.

In some instances, I don't care what people think. In other instances, I do - especially because of the stereotype. People take a look at me and say, 'She's cute. She's blond. She's an actress. She's a bimbo.' You know? So I take great pains to show I'm intelligent, to show I'm not a twinkie.

Over the course of your life, you realize more and more who you are and how you want to spend your time. And it became clearer and clearer that I was very unhappy as an actress and didn't feel comfortable in my own skin. When I was younger, I thought it was because I wasn't successful enough.

I have a certain way of thinking where I see something, and I know that I want it and I make up my mind - and that's pretty much all there is to it. It was like, This is what I want to do, and I'm going, and everything's going to work out. I'm going to be an actress. There was no way around it.

I think someone like Khandi Alexander, who's now on 'Treme,' is one of the most extraordinary actresses I've seen in years. But she's dependent on someone brilliant like David Simon to realize that and to give her a forum. Tyler Perry's not interested in that kind of nuance because it doesn't sell.

You become very angry and depressed that you keep getting offered only these exceedingly demure and repressed roles. They're so not me. That's why films like Fight Club were so important to me because I think I confounded certain stereotypes and limited perceptions of what I could do as an actress.

I try not to get typecast in any role, any image. I feel I can do justice to every kind of role, so why not make the best of it? See, commercial films alone can get you only so far. If you want to last as an actress, then you have to put in that extra bit of investment by doing off-beat films, too.

I loved reading Grimm's fairy tales and Hans Christian Andersen, and I loved to dream about other worlds and other lives. Maybe that has something to do with having an incomplete family, being an only child. All I know is I loved to pretend, and all that was in tandem with my wanting to be an actress.

If someone really takes a risk, it doesn't get dismissed. That's what happened when the Oscar was won posthumously by Heath Ledger, who did one of the definitive villain performances of all time. But it really has to be exceptional in defining everything we previously knew about the actress or the actor.

I had a pregnancy that wasn't private... A lot of people had their opinions about it. They were surprised that I came up pregnant, which was a surprise to me, because I'm a woman, and women get pregnant, and Lauren comes first before the actress, so having my son was the best thing that ever happened to me.

I think that if you know people who are performers on stage and actresses or whatever it may be, the bottom line is what you do on stage. You just take on a different persona - that's what makes her so successful. Lights come on, and suddenly, it's Britney Spears, and the lights go off, and she's just Britney.

Starting in my 20s, I couldn't wait to look like Anna Magnani or Isabelle Huppert, all these great European actresses - Charlotte Rampling - the cheekbones and the heavy lidded eyes and the dark circles under the eyes, you know. So around 42/44, I started getting a little character on my face, and I was so glad.

The characters I've played as an actress have been really challenging and emotionally rewarding, but there was just something missing. I was finding over and over again that directors were looking to me to help with troubles on set as far as characters' relationships, special effects and story points were concerned.

When I turned 50, I asked some of my girlfriends, all actresses of the same age, 'What are we going to do now?' I wanted to go live somewhere for a while, learn archaeology, or take part in healing the world on some level. I wanted to dig deep and say, 'Who am I now? What do I have to offer? What do I have to learn?'

Actresses can get outrageously precious about the way they look. That's not what life's about. If you starve yourself to the point where your brain cells shrivel, you will never do good work. And if you're overly conscious of your arms flapping in the wind, how can you look the other actor in the eye to respond to them?

I think most of us are raised with preconceived notions of the choices we're supposed to make. We waste so much time making decisions based on someone else's idea of our happiness - what will make you a good citizen or a good wife or daughter or actress. Nobody says, 'Just be happy - go be a cobbler or go live with goats.'

Technically, my first acting job was in one of my videos for a song called 'Retrospect For Life,' which Lauryn Hill directed and featured an actress by the name of N'bushe Wright, who played my girlfriend who was about to be pregnant. I remember being so nervous about it, but now I feel like I can conquer the world with it.

I remembered a long time ago when 'A League of Their Own' came out, and they had the opening sequence with an older Geena Davis. We all just thought it was amazing, but you find out it actually wasn't Geena Davis; it wasn't makeup. It was basically finding an actress that looked like her, and then Geena just dubbed her voice.

The acting part of me is not me. The music side is who I really am and what I want to talk about. It'll be hard for people to differentiate those different sides but I think it's possible. Once the music is out there, people will start to realize how serious I am about it rather than, 'Oh god, another actress making an album.'

I enjoy flitting around between hair colours. I find it fascinating when people think I'm naturally blonde, as I've only been blonde for about two seconds. People pay more attention to you as a blonde; it's also easier for people to assume you're a ditsy young actress. Of course, I am a ditsy young actress - well, maybe not ditsy.

I don't think I'm the best-looking actress around. I'm not Katrina Kaif; she is stunningly beautiful. There are some roles that might need a beautiful girl, and there would be a doubt in a director's mind whether he should cast me. But that perception will change with time. I'd like to believe actresses look better with experience.

My role models are Madhuri Dixit and Kajol. Both actresses have done a wide variety of roles. That is something I wish to do. On the other hand, I also want to be like a Hugh Jackman or an Angelina Jolie because of the lives they have outside movies. Because of the kind of balance they strike between their work and life outside of it.

The #metoo campaign picked up speed after the actress Alyssa Milano suggested that if every woman simply typed 'me too' on their platform of choice, they might give the world a true sense of the magnitude of the problem. The hope is that safety in numbers might minimize the shame many women feel in admitting that this has happened to them.

I think I've always been ambitious. It just looks different on me. You know, I have friends who are actresses who go to every party they possibly can to be photographed and really try to make every connection they can, and I admire that and sometimes I wish I had a little bit more of that. Sometimes I feel like I don't have enough ambition.

This career essentially chased me down while I was on the spoken-word scene in New York. I kept hearing that my delivery of my poetry - which was very personal and cathartic at the time- was very moving to folks. People thought that I was an actress because of my delivery, when I was just dropping into the work and really pouring out my soul.

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