Quotes of All Topics . Occasions . Authors
I told myself that I would not go back to the camps as an actor ever again, that I was very frightened of wearing a yellow star. It was fear, it was cowardice, I was.
Well, the nice thing about animation, you don't even really have to account for yourself. All of the physical stuff that you work on as an actor, you just throw away.
I also sort of find the idea that not only do actors want to please when they're onstage, I find actors really want to please off stage a lot of the time, don't they?
We did this two-week boot camp before we filmed the movie. I got to know everybody in the group and we became friends. We got really tight throughout those two weeks.
You want the actors to disappear into roles and stay under the radar, and that gets harder when someone is known for their actual personality, or who they seem to be.
For me as an actor, I find it's most creative when I'm bringing myself into the role rather than putting the role on. I feel like it's more of a cathartic experience.
Actors fall into this trap if they missed being loved for who they really were and not for what they could do - sing, dance, joke about - then they take that as love.
I know there are some actors who are just brilliant at improvising and brilliant at just being in the moment and doing it there and then. I'm not one of those actors.
I don't think I'm even close to fulfilling my potential. And I think also that, unlike a pianist or a flutist, an actor has an instrument that is constantly changing.
It's difficult working with very rich actors, because inevitably they become a little spoilt, and the managers and agents tend to control things more than is healthy.
There is always a half-malicious curiosity amongst actors to witness the shortcomings of a novice. They invariably experience strong inclinations to prophesy failure.
I guess it's a bit cliché, but as an actor, I really admire good writing. There are a lot of great ideas out there, but it's the execution that really makes it work.
The thing about romance and romantic movies is that they can be somewhat melodramatic. For a lot of actors, there's a certain cringe factor that's involved with that.
I was into writing and directing. I was a bit of a reluctant actor. I would always ask friends to shoot or direct their movies, but then they'd want me to be in them.
As an actor, I feel like I'm somebody who, when somebody gives me a mark, I don't want to hit it. I don't like that. But then, without even knowing it, I just hit it.
When you feel betrayed by someone that you trust the most... As an actor, you look for something that's going to let you express some of your inner emotions and anger.
People are really emotionally affected by actors. And it's hard to know how to behave in a way that doesn't impose or withdraw. Because everybody wants your attention.
There is always one person on the set who has a lot of anxiety, an actor who is really intense and has to stay in character and holds himself away from the rest of us.
Sigmund Freud said we act out our own dreams, but if you are only an actor you are not acting out your own dream. You are simply participating in someone else's dream.
Good directors can bring certain things out of you, with their intensity or gentleness or sensitivity or understanding. They can make an actor feel he can do no wrong.
I guess confidence is the only thing that I take from project to project, but I'm always open to learning everybody's style - the director, the actor I'm working with.
The nudity is down to the individual actor or actress. If they feel comfortable and it's done in a way that they feel comfortable doing, then who am I to say anything?
Actors I admire? Ed Harris, or course, I think he's terrific; because I know he always had to fight being what he looked like a lot, but I think he's a terrific actor.
I grew up being fascinated by accents and dialects. One of the things that interested me were actors that were doing different characters, or sort of more caricatures.
I have worked alone and with a cast and enjoy the process both ways. There is more back-and-forth with a full cast, and you can feed off the other actors' performance.
The critic is the duenna in the passionate affair between playwrights, actors and audiences - a figure dreaded, and occasionally comic, but never welcome, never loved.
I love working with actors. If you cast the right person in the right part at the right time, they make you look like a better writer and director than you really are.
When becoming a character, you have to steal. Steal whatever you see. You can even steal from other actors' characterizations; but if you do, only steal from the best.
Someone's going to put the clothes on you, and part of being an actor is wearing costumes. Costumes tell you an awful lot about who you are, so you just, it's nothing.
Actors are pretending for you, but they're not lying. They are not putting on a guise instead of themselves. They are finding things inside that they have experienced.
You can't get an actor to do something that is beyond his range, so you have to be aware of the range of the actor and, if necessary, alter the part to suit the actor.
I would have been very happy just working from job to job, paying my rent one movie at a time. I never wanted to be this famous. I never imagined this life for myself.
I don't know, I find that honestly, the stand-up thing in some ways is a little bit of a cliché to carry around, because people don't consider stand-ups really actors.
People want to see realism in action now. People want the actors to perform than the computers performing. Though I have done both, I enjoy the realism of action more.
I don't remember if I've been asked seriously to direct a picture. I understand that. I'm very good business for people as an actor and perhaps they'd rather I didn't.
I started working as an actor, semi-professionally, when I was 16, and got my first professional gig at 19. I guess I've kind of worked pretty consistently since then.
I never enjoyed my work more than when I worked with William Powell. He was a brilliant actor, a delightful companion, a great friend and, above all, a true gentleman.
I did seven indies because the independent market used to be a lot better before all the stars were doing independents. As a beginning actor, that's where you started.
Actors tend to be quite good at getting on with people. If you’re an arsehole, people don’t want to work with you. You won’t get hired Well, there are a few arseholes.
The actor is concerned with his own bit of it, but the director's somehow trying to work the whole thing into a much bigger picture. It's like conducting an orchestra.
Well, yes, as I was a rather bad actor then and I wasn't making enough money, I thought, to make enough money to not make money as an actor, I'd better do some writing.
I have always been of the mind that good work is good work, whether performed on stage, on television or in film and, like any reasonable actor, I keep my options open.
Arnold Schwarzenegger, I don't know if you'd call him a great actor, but he's amazing in terms of his presence, and he is interesting enough that you want to watch him.
The actual process of filmmaking, the many hours out of your life- it is very slow and boring. I'm not interested in that now unless an opportunity was provided for me.
Authenticity is what I've always gone after in my work, and I understand what feels emotionally right, instinctively. Working with actors has just come with experience.
Other actors like to rehearse on film-they like 30 or 40 takes. When you get an actor like that, it becomes difficult for me because I'm ready to quit after number two.
I don't think I”m a very good actor. Everything is very tentative and at a certain point you click in and just feel the spirit move you. I can be possessed really well.
What I hope is that I don't just become 'Peter from The Lion, The Witch and The Wardrobe.' I want to try and do something else to be a good actor and a respected actor.
Nowadays it seems more and more like the 'business' in 'show business' is underlined, and there are campaigns, and it's all part of getting people in to see the movies.
I had to choose between American and British actors, and it didn't take me more than a second to decide: Russians are Europeans and should be played by other Europeans.