Always be original. Never duplicate what you've seen another actor do. Be true to the character that you've been given, and the rest will come easy.

I'm not glamorous and a bit bland, but I think that's my strength. That may be a reason behind what people say is my good chemistry with many actors.

I've probably wanted to be a rapper since I was a teenager. I was an actor and comedian and stuff, but I always wanted to rap, it was another outlet.

The biggest and the most important thing my mother told me is to be a good actor you first need to be a really good human being and an honest person.

In Germany, actors tend to be more laid-back and take orders from the director: 'Tell me what you want.' I'm more into collaboration. So are Americans.

Most actors don't like doing still photo shoots, but I love them. I'm very comfortable, and I enjoy the clothes, looking good, and freezing the moment.

I was a repertory actor, which meant that I did a play every week. I was a different character every week; for a year, I was doing 40 or 50 characters.

To go from playing Jack Startz in 'Behind the Candelabra' to playing JFK in the same year, I have now operated at the far ends of my range as an actor.

It is a satisfying feeling for an actor when one gets an opportunity to portray different shades through the character because it fulfills one's hunger.

I wanted to be an actor, like, so, so bad. I took acting classes, I auditioned for Disney, and then I realized how nervous I got with remembering lines.

I'm much more starstruck by athletes than I am by actors, and I think I saw Kobe Bryant at a basketball party, and I just kind of froze. He's monstrous.

I am glad that actors like Akshay Kumar and Salman Khan are doing justice to comedy. But in our days, nobody could beat Sunil Dutt and Amitabh Bachchan.

Most actors come from the streets, and their rise to fame is guided by a natural anger. It was harder to find that rage coming from a gentle background.

Ordinarily if an actor gets chosen for the lead in a film, he or she has already built up a repertoire, and everyone knows what he or she is capable of.

I want a space for people to feel safe and be creative. Actors want it, too. They want to feel like they're listened to, and they're safe to experiment.

Christina Ricci is amazing, the most professional actor I think I've ever met. You can be chatting with her and when they call action, she's right there.

Once you've gotten the job, there's nothing to it. If you're an actor, you're an actor. Doing it is not the hard part. The hard part is getting to do it.

My belief in God is responsible for what I am... How can I refuse to talk about something which is so much a prt of my life both as a man and as a actor?

There'll always be a difference between a star and an actor. I've nothing against stars. They've earned it and deserve it. I'm happy being just an actor.

I'm not intimidated by other actors at all - or directors. I don't care who they are. But I am intimidated by writers. I hold them in the highest esteem.

The main factor in any form of creativeness is the life of a human spirit, that of the actor and his part, their joint feelings and subconscious creation.

When an actor comes to me and wants to discuss his character, I say, 'It's in the script.' If he says, 'But what's my motivation?, ' I say, 'Your salary.'

When an actor doesn't face a conflict, he loses confidence in himself. I always want to have a struggle because I believe it will help me accomplish more.

An actor should be ready to play any role within reason. For example, I think the most ridiculous thing for me to do would be to try and play Shakespeare.

I was awestruck by the way Irrfan works, I used to keep looking at him while he delivered his scenes. He's one brilliant actor and a pleasure to work with.

I'm very much a hypochondriac, worried about dying, and not having enough time to work with the people I want to work with and being fulfilled as an actor.

If you go into something saying, 'I'm the bad guy,' you do yourself a disservice as an actor. It's always about trying to find the humanity in a character.

Acting with creatures that aren't there is kind like acting with an actor who refuses to come out of his trailer. You still have to go on and do the scene.

There are certain expectations that are put on you as a child actor, but mainly it's just turn up and say your lines with a lot of energy and a cute smile.

Black or white good parts are hard to come by. A good actor with a good opportunity has a shot; without the opportunity it doesn't matter how good you are.

I think every child actor has that moment where they're like, 'OK, I'm not the same person that I was, and you guys need to see me as something different.'

A writer can write in an attic, or on top of a bus. Or with a sharp stick in some wet cement. To act, an actor has to have words. A stage. a camera turning.

I learned physical comedy to a degree that most child actors never will. I really just became a student of it - became obsessed with it, to be quite honest.

Every TV actor wants to do a film, but the thing is that if you sign up for a film then you have to be ready to dedicate time, which can run up to 2-3 years.

Your job as an actor is to piece together whatever you've learned in your training, or whatever you have experienced in your life, to piece together a person.

My mom had me when she was 19 or 20. And my father was 22 or something. They were working on whatever they could, both of them aiming to be actors in theater.

My mother, Evelyn, was an actress and singer, and my father, Jack, was an actor. My earliest recollection of my father is being taken to see him in a matinee.

It is how you approach the role given to you, and how you relate to that character and then how you adapt and gel into that role which makes you a good actor.

You want a place where you can say that this is your show that you invested in with other actors, but there's also that flexibility of being a recurring actor.

Nothing can teach you what it's like to work on a film set, and the best education there can be for an actor is to walk up the street and observe human nature.

Our stories come from our lives and from the playwright's pen, the mind of the actor, the roles we create, the artistry of life itself and the quest for peace.

Actors do tend to get pigeonholed. People want to know who you are so they can put you in a box. It's lovely to be known for such diametrically opposite roles.

A reporter discovers, in the course of many years of interviewing celebrities, that most actors are more attractive behind a spotlight than over a spot of tea.

Every actor starting out wants to be famous. One of my dreams was always to go to Paris, walk up the Champs Elysees, and be recognized, and by God, it happened!

I used to be very controlling with visuals and editing, and I would pretty much craft the performances; now I have learned to trust the material and the actors.

What really motivates you to try to work things out as an actor is in large part fear, because you want to get into that narrative and bring the audience along.

You don't leave Australia unless you are passionate. Any Australian actor who comes to America is really committed. There are no dabblers - it's all or nothing.

My mom is an art teacher and my dad owns a women's shoe store, so they're not actors by any means. Well, I guess to sell women's shoes, you have to be an actor.

Kabir Khan is a director who goes out of his way to make his actors comfortable. He's very chilled out. He makes the environment on set very casual and friendly.

We have newsreaders behaving like actors, lowering their voices if it's a sad story, as if we didn't know it's a sad story. There isn't a single cool newsreader.

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