Quotes of All Topics . Occasions . Authors
I am the youngest of four children - three boys and one girl. I don't think becoming an actor had anything to do with seeking attention, though. My relationship with my siblings when I was growing up was close and playful.
Acting is a win-win situation. There is no risk involved. That's why I get tired of hearing actors who try to make out that there's a downside to it. Fame is an odd thing. It bugs you a little bit, but it's really not bad.
Living in London as a student is tough. And my heart goes out to every single drama student in London because, as an actor, it's a creative process that you are taking on, and if you don't get to do it every day, it hurts.
I think that among my friends I'm known as being a hard worker; I think if you want to be an actor, there can't be any compromise. You have to work all day, every day. It's not a 9-5 job. There's always something to learn.
In 2010 I had signed three big banner films with actors like Amitabh Bachchan, Tabu, Arjun Rampal. Directors like Ken Ghosh, Bela Bhansali signed me and I had got my signing amounts but those films did not take off at all.
I wanted to be cast because I'm an actor and not because of how I look or where I'm from. I'm brown. I want to be able to play a Spanish girl some day or a Mexican girl and learn the language. That's what actors do: we act.
Good evening, ladies and gentleman. My name is Orson Welles. I am an actor. I am a writer. I am a producer. I am a director. I am a magician. I appear onstage and on the radio. Why are there so many of me and so few of you?
We don't ask the actor playing James Bond what his sexual preference is. So I don't know what it is, really, with trying to out actors who portray gay characters on television. But it is some sort of fascination in society.
Painting and photography keep the creative channel open, and for an actor, it's to keep alive, it's to keep awake, it's to keep watching, it's to keep feeling, it's to keep enjoying, to keep that sensuality of feeling alive.
From 1965 to 1974, I served the best possible apprenticeship for an actor. I learned firsthand how a truck driver lives, what a bartender does, how a salesman thinks. I had to make a life inside those jobs, not just pretend.
I was a young actor who was bald, but at that time, there was a thing on television that - there was a prototype or a stereotype of a principal who was bald and mean with glasses, or there was... the angry boss who was bald.
I think good actors can sort of see into people and immediately you have a chemistry with them or not. It's like an affair with no mess. You don't actually consummate it, but you get to pretend, imagine what it would be like.
Two actors who have different motivations and skill sets can work together and be magic. Charles Grodin and Robert DeNiro technically couldn't work more differently, and yet they made 'Midnight Run,' which is a genius comedy.
That scene in 'The Purge' where my kids, Mary's kids, are in danger was really crazy for me, because I suddenly... I have my methods as an actor, so I went to the place of 'If somebody came near my children, with bad intent?'
Actors and writers need to come back to the theater because it's a place where you can learn. You have to pay your dues, and people who haven't paid their dues in the theater, I think, have a hard time creating a whole career.
Selling a movie feels like a hustle to every bone in my body. Many actors have careers dominated by modeling. They're all over the place. It turns me off. People who are good at what they do ought to practice something bigger.
My dad was an actor, and he made it all seem quite magical. It felt like a slightly subversive thing, telling stories, when all of my other friends' parents were builders or bank clerks. It's always seemed quite magical to me.
There's so much emphasis on Daniel Day-Lewis and his process, which is appropriately his own. But I was just blown away by his generosity as an actor. He's so giving as an actor that he just naturally commands the focus on set.
'She's Gotta Have It' and 'School Daze,' I really didn't know what I was doing. And the biggest indicator of that was the acting. 'Do the Right Thing' was like the first film where I really felt comfortable working with actors.
When you have 20 nominations - 20 names on the nomination list of best actor, supporting actor and actress, etc., and there's absolutely no representation of color whatsoever, I think that's a subset of perhaps a bigger problem.
I read so slow. If I have a script, I'm going to read it five times slower than any other actor, but I'll be able to tell you everything in it. It kills me that there are standardized tests geared towards just one kind of child.
While most become star struck by A-list actors, you'll only see me in awe of leaders effecting change. Politician and diplomat Madeleine Albright, U.N. Secretary General Ban Ki-moon. These are my heroes. These are my celebrities.
I've been lucky because Hollywood can be harsh and try to pigeonhole you. I've done TV, films, and comedy, done it all... I think I'm spread out evenly among the film community. I've been lucky and keep working with great actors.
It's really a testament to my parents, because I was active, curious and creative as a child, and my parents nurtured that. But I wouldn't say that I was a professional child actor at all. I was never the breadwinner of my family.
In my experience as an actor over so many years, I don't know when I have been touched so deeply on so many levels as I have been by 'The Leftovers' in my three years there. It is a profound exploration of life, of grief, of loss.
I've been nominated twice before as actor in a leading part. Now I'm nominated as actor in a supporting part. If I don't win, I'll just wait until I'm nominated for being in the theater during the show. Do they have one like that?
Celebrity is a word that I find offensive. That's the c-word. I hate it. It means no discernible talent. It means all you want is to be famous. It doesn't mean you're a writer, an actor, a mime. I think I wanna not be a celebrity.
I'm very fortunate to have spent so much time in the industry and to have lived through several generations of filmmakers, actors and technicians. There's a huge volume of experience seeing people change and seeing content change.
You have to get through the Hamlet hoop as a young actor. Your classical qualifications are based on the quality of your Hamlet. And then, as an older actor, you have to get through the Lear hoop. And I'm approaching the Lear hoop.
You've heard the phrase 'There are no small roles, just small actors?' Well, I kind of disagree. There are small roles, but when you get a lot of them in a row, you can become a pretty successful actress, and that's what I've done.
Anthony Mackie in 'The Hurt Locker' is everything an actor can hope to be. So rock steady in his portrayal that you immediately forget every performance he may have previously given, and focus only on the character in front of you.
I don't have any training as an actor, but I guess I'm an intense pretender. When you read something over and over, it gets into you a little bit. You can't help but begin to feel it, even if you're a healthy person as I think I am.
There's sort of a very symbiotic thing that happens on good TV shows with great writers, which is that they start to sort of embrace who the actors are and try to make the roles more specific to what they bring and what they can do.
After 'Arrested Development,' I didn't know for sure if I wanted to be an actor. I was hitting this wall, where I was the 'ethnic best friend' or the 'sassy teenager.' It felt like the same note, and I didn't feel like I was growing.
I think the world's a little smaller these days. With the Internet and the availability of people, the pool of English speaking actors - not just American actors, but Brits, Australians, New Zealanders, Irish. We're all up for grabs.
In thinking about it, the villains often have a little bit more range because their morality is different. You can have just a really good time as an actor, and there is just more there that you can explore on that side of the story.
As a youngster, when I was active in church, I had a lot of fun choosing and hanging massive stars and making the cribs. I was also very involved in the Christmas plays, though not as an actor, but I took joy in setting up the props.
I have grown up watching Marlon Brando, Al Pacino, Dev Anand, Amitabh Bachchan and the likes. These are actors who have changed with time. They have no shelf-life. They have immortalised themselves because they have evolved with time.
This new movie, 'Full Moon in Blue Water,' I loved the idea of working with Gene Hackman, who is a great actor, but when I read the script, I threw it right into the trash can, because I didn't like this woman. She was just a doormat.
I have been working as an actor for 16-17 years now. The funny thing is I still feel awkward in communicating with the public as a star. It hasn't been long since my drama 'Goblin' ended, and I'm looking forward for some time to rest.
The first time I made myself up, I was looking at my reflection in the mirror and it wasn't me looking back. It allowed me to do things I couldn't do as myself. I found out how powerful that was and how much that can mean to an actor.
Desperation is the perfume of the young actor. It's so satisfying to have gotten rid of it. If you keep smelling it, it can drive you crazy. In this business a lot of people go nuts, go eccentric, even end up dead from it. Not my plan.
All actors who have been around for a long time, which I have, and have been skint for long periods, which I have, find it difficult to turn down jobs. If I turn anything down my stomach turns over. I feel sick. It feels like gambling.
What was accomplished in 'Band of Brothers' was incredible, from the writing and producing to the performances of the actors who honored all those men that fought bravely and gave the ultimate sacrifice for the freedoms we enjoy today.
Some kids are always getting into trouble or doing stuff, and I stay away from those types. I know I am no better than anyone else in this world. I'm just an actor, that's nothing special. But I'm not into anything bad. Just blackjack.
My best advice to actors is if you love acting, do it every chance you get. Success does not mean success. All that matters is whether or not you're doing your best to entertain. The way this business works is all about luck and timing.
Singers, like Frank Sinatra and myself, we interpret the songs that we like. Not unlike a Shakespearean actor that goes back to the greatest words ever written, we go back to the greatest songs and bring about my interpretation of them.
I think of Ray Harryhausen's work - I knew his name before I knew any actor or director's names. His films had an impact on me very early on, probably even more than Disney. I think that's what made me interested in animation: His work.
I take for granted that for the imaginative writer, the exercise of the imagination is part of the basic process of coping with reality, just as actors need to act all the time to make up for some deficiency in their sense of themselves.
I certainly direct with confidence even if I'm not confident. I learned early on as an actor that confidence can be faked, and it's not always a terrible thing to do. A lot of times if people feel you're confident, then they're confident.