Quotes of All Topics . Occasions . Authors
It is a privilege that women fancy me, but I cannot sustain the chocolate boy image forever. I don't want to end up being known, like the late veteran Tamil actor Gemini Ganesan was, as the king of romance.
I went from a guy, kind of a working actor, a supporting player, to magazine covers and being offered the studio pictures really quickly. Nobody was comfortable with it. I wasn't really comfortable with it.
As an actor, every opportunity, every role, everything that I do is an opportunity to have someone have a human experience with my work. I don't just want it to be about a cute wardrobe and a high paycheck.
There was no way we were going to let this band hobble around on three legs. We chose the route that every professional actor, athlete and musician should do - leave the legend intact and bow out at the top.
The only thing we don't do together is get in front of an actor and show any indecision at all about what we think. We don't always agree, so we meet privately, then one or the other will approach the actor.
Whenever I think of the high salaries we are paid as film actors, I think it is for the travel, the time away, and any trouble you get into through being well known. It's not for the acting, that's for sure.
I loved Peter Sellers. I thought he was the perfect mix of physical comedy with out-of-the-box humor. I loved his tone; I loved his physicality; I loved everything about what he was doing as a comedic actor.
But I like some chaos on the sets which brings in spontaneity both in the cast and the crew. If the actor knows his or her spot, where the light comes from and what lines to say, it's a rehearsed performance.
I pray to God every day that he makes me the biggest superstar, but before that, I ask God to make me a good actor. Being a star is hard, but being an actor is even harder. I want to be both before I am done.
I have seen Hollywood artistes like Al Pacino, Tom Cruise and Tim Burton doing theatre and Broadway shows. Cinema actors tend to go back to theatre because it gives them an opportunity to reinvent themselves.
Whatever you do, do with determination. You have one life to live; do your work with passion and give your best. Whether you want to be a chef, doctor, actor, or a mother, be passionate to get the best result.
It's funny what actors take issue with. Some won't do parts where animals are in jeopardy; some won't ever play anyone remotely unlikable - 'Heroes only, please.' Some won't do violence. I have no such qualms.
Any older actor knows the last great mountain to climb is to play King Lear and now, if I ever play Lear, I will have done the pre-preparation because I had to go into the play and read it over and over again.
It was a dream come true working with Johnny Depp. He's always been my acting idol. Working with him and watching him work taught me a lot as an actor. He's very down to earth and a lot of fun to hang out with.
I've only ever really been in shows of friends, so I don't know exactly what happened. I think I'm incredibly cheap to hire. That can buy some traction. I'm as cheap as it's possible for an actor to be legally.
We need to realise that not everyone can take the path to overnight success. Take actors such as Rajkummar Rao and Vicky Kaushal - they have built their work and profile over the years to get to where they are.
It's funny in the U.K., where I'm not really known because I never did a soap. My English cousins in the Lake District think I'm not a real actor because they've never seen me in 'Home and Away' or 'Neighbours.'
It's extremely important just to keep things positive and happy as much as we can... I think it's important that singers, actors, or whatever use our voice to spread positive messages as much as we possibly can.
My view of actors is that basically they're all harmless lunatics who'd be on the psychiatrist's couch, except that we get this sort of catharsis every six months or so, and we go and be absolutely someone else.
I really just try to focus on my job, which is to be an actor, and outside that, the cards fall where they may, and on not getting caught up in how people react to certain things. That's a death trap creatively.
Someone I met years ago explained to me the difference between a personality and an actor, a personality being Eddie Murphy or Roseanne Barr, and an actor being Morgan Freeman and Alfre Woodard or Marlon Brando.
Even the finest actors will have great difficulty showing somebody's loneliness. To put an actor on a chair and ask him to do nothing and yet tell the viewer everything about the character, it's a difficult task.
I decided to give up the idea of being a priest before I decided I wanted to be an actor. I considered it for a couple of weeks, really. I'm a young Catholic, do you know what I mean. You're going to consider it.
The person that made me want to make movies, and the reason I do films, is Bruce Lee. He was an incredible actor, and he had a lot of charisma. Handsome, action, you know, everything was there. I loved Bruce Lee.
Sterling Holloway, the actor who had originally voiced Pooh, decided to retire in the mid-1980s. Disney decided that they wanted to continue this character with their 'New Adventures of Winnie the Pooh' TV series.
Being a conservative union member is almost like being an actor in Hollywood: You don't dare say it, or you might be injured on the job, or you might be laid off, or your family might have something happen to them.
When I'm working with Red One, we all have to do everything, from making sets and costumes to tearing tickets. Forget about craft services! So when I get on a film set, it's a thrill to be just working as an actor.
The bikini scenes in 'Billa' were vital because they showed me as a seductress. I'd like to say here that outfits define a character and help an actor, say, 30 per cent, the rest depends on one's histrionic skills.
The notion of having your muse was not something that was built for women originally. That's not to say women don't have muses. I get muses in terms of actors or writers who inspire me, so I understand the concept.
I think I might have been a more interesting actor, had more of a career earlier on, if I had more formal preparation. When I see something ten years later that I was in I think, 'Boy, would I love to do that over.'
I've dressed thousands of actors, actresses and animals, but whenever I am asked which star is my personal favorite, I answer, 'Grace Kelly.' She is a charming lady, a most gifted actress and, to me, a valued friend.
The last thing on my mind was to be an actor, but I had a crush on a cute girl in the drama department, so the best thing for me to do was audition, help out, do carpentry, whatever it took to get me on that project.
Some actors actually think about what they're going to talk about during the interview - they read up and meditate and plan quotes and get all inspired. It's very smart, but it's so planned. I never think to do that.
Directing non-actors is difficult. Directing actors in a foreign language is even more difficult. Directing non-actors in a language that you yourself don't understand is the craziest thing you can possibly think of.
I don't write shows with dialogue where actors have to memorize dialogue. I write the scenes where we know everything that's going to happen. There's an outline of about seven or eight pages, and then we improvise it.
If I have enough ego to say I'm a writer, a director, a producer, and an actor, I should have the energy and the knowledge to write a scene for this great actor named Henry Fonda and direct him in it and have it work.
I was exposed to the public because my dad is an actor. My pictures went online at a young age. A lot of negativity came from there. Not just with me, but it happened with a lot of my friends who are in the public eye.
Being Latino and being an actor has been a unique struggle and opportunity. When you don't fit into what may be a more stereotypical vision of somebody whose name is Pedro is, it can be a little bit harder to navigate.
David Holdaway was my stage name. I was an actor for about eight years in the '90s. I had to change my name because there was another David Nicholls, and I thought if I changed it to my mother's name, she'd be touched.
I gained a lot of confidence after 'IP Man' as being a true actor. I went on to tackle what it is an actor is supposed to do before a film. Do a lot of research, get into the character. That's what I did with 'Dragon.'
For me, I had to overcome shyness to be an actor. But as a director, you lose your subjectivity, your self-consciousness. And instead of just your role, it's the life of the whole play that becomes a reflection of you.
Directors such as LV Prasad would enact the whole scene for the actors. He used to enact the scenes for Raj Kapoor too during the filming of 'Sharda.' But it was up to you to emulate the director's vision on the screen.
There are two schools of thought: There are those actors who explain to you that they know exactly how they're going to do the part... And then there is the other method, which is to have no method at all. This is mine.
And I think that, of course, there is some dysfunction of needing to be liked or noticed or to feel part of things, something going on there for most actors. For some there's not and I think they really struggle with it.
I did not want to put myself on the line, as an Australian playing Britain's greatest comic actor. The fans of Sellers are obsessive, possessive - and aggressive. I did not want to risk their anger - or my own reputation.
I don't like when an Asian-American actor says, 'I'm entering this business to change Hollywood.' It feels like the wrong reason - I would prefer they entered the business for artistic reasons, because they need to do it.
I remember a conversation with my parents about who the people on the TV were, and learning they were actors and they acted out this story and just thinking that was the most fantastic notion, and that's what I want to do.
Try driving the streets of Los Angeles without seeing a billboard depicting a film with a lead actor holding a gun. It's almost as if guns are harmless props used to bring out the cheekbones and jawline of the screen star.
I went to Northampton College of Further Education. I left there - when I was 16, I left Kingsthorpe Upper - and I went and did a diploma in performing arts, so it was my start in the training process to becoming an actor.
People have asked me why are Australians and Brits so good at American accents, and it's quite simple. We grew up listening to the American sound on our TV. That's why American actors have a hard time with foreign accents.