Quotes of All Topics . Occasions . Authors
I've been doing magic since I was five years old, and when I was trying to get acting gigs, I found I could make a good living at it. It's great to kind of shake the cobwebs off and get the feeling of a live audience again. I love close-up magic, the card stuff, the coin stuff, the really up-close David Blaine stuff.
When I first started working, I was very aware of the fact that I'd been to university and studied Russian and French and not acting. So when I started working, I'd started working quite young, I felt like it was important to treat myself kind of like an apprentice and do as many different types of things as I could.
Well, when people talk about interrogating terrorists, they're acting like this is some sort of law enforcement function. Law enforcement is about gathering evidence to take someone to trial, and convict them. Anti-terrorism is about finding out information to prevent a future attack so the same tactics do not apply.
Singing is a way of releasing an emotion that you sometimes can't portray when you're acting. And music moves your soul, so music is the source of the most intense emotions you can feel. When you hear a song and you're acting it's incredible. But when you're singing a song and you're acting it's even more incredible.
And then in the FBI report it says that Hillary Clinton can't remember her exit interview from the FBI because of her concussion because she didn't have a memory. But she was acting as secretary of state at the time which means we had a secretary of state who was acting who doesn't have a memory of what she was doing.
When I was younger, I did work with coach. I went to this place called Actors Space in the Valley. I was pretty young, and we were doing acting and improvisation. But no, no I didn't go to RADA, I didn't do that. But I do now work with an acting coach, primarily for the initial intellectual connection to the material.
I'm one of relatively few stage-trained actors who doesn't much like acting on stage. It feels kind of like riding the Cyclone at Coney Island, which I did when I was eight. When it was all over, I was glad I had done it, but most of the time when it was actually happening, I was just kind of hanging on for dear life.
I'm really not interested in acting as a facade, I'm interested in it as an emotional expression and as a transcendent experience for an individual. I find that a lot of people, a lot of young actors, haven't gotten to the point where they're comfortable being stripped down. They're still interested in ornate jackets.
Then, at age 20, I discovered theater sort of by accident. Quite quickly, theater became more important to me than music. I began to realize that maybe my talents as a musician were quite limited, or had a ceiling to them, whereas acting seemed to sort of stretch before me. I got very passionate about it very quickly.
Music has always been something I wanted to do. I think just the idea of performing and entertaining and being in the studio is really what I wanted to know how that felt. I started to get into it around the same time I got into acting, but it turned into a side project because my movies were taking up most of my time.
Ralph Fiennes was a pivotal influence on me. He asked me, 'So what is it you want to do?' I very shyly, timidly admitted that I wanted to be an actor. He sighed, and he said, 'Lupita, only be an actor if you feel there is nothing else in the world you want to do - only do it if you feel you cannot live without acting.'
Standing up here 10 in a row, you know, like a bunch of seals waiting for somebody to throw you the next fish, is not necessarily the best way to impart your information to the American people. I'm not above acting like a seal every once in a while and waiting for the next fish, I just don't want to do it all the time.
We frequently may press forward hoping and praying—but without absolute assurance—that we are acting in accordance with God’s will. But as we honor our covenants and keep the commandments, as we strive ever more consistently to do good and to become better, we can walk with the confidence that God will guide our steps.
I needed to take a break from acting, because I really idolized it. So I came off from it, and I went on a journey to discover my relationship with God, and I became a Christian. It really just gave me so much love and light within myself. I felt secure, like I didn't need validation from anyone else, or getting a part.
I had two starts, really. The first was going to the Italia Conti stage school, aged 15. I'd gone to sing, but one day I found myself doing an improvisation and thought, 'Oh God, I quite like this acting thing.' The second start was meeting Mike Leigh when I was 22. He showed me I could play people that weren't like me.
An actor has to be very, very careful, as one of the most wonderful props - and actors love props - is a cigarette. There's so much to do with it: you can bring it up to your face, play with the smoke. It's just the greatest - ever since I was 16 and in acting school in England, I've been playing around with cigarettes.
Going into editing when I got to New York was part of that. I guess I just kind of wanted to know as much as possible. But I have a real love of the whole process, from start to finish. So right now, I fit into the acting part of the process, but I wouldn't rule anything out. I'm enamored with how the whole thing works.
I started as a child, in this PBS series 'Voyage of the Mimi,' which led to driving down to New York for 'Afterschool Special' auditions, which led to moving to Los Angeles. I wanted to be an actor. But in L.A., I got into film technology, and I was building cheap editing systems and would edit my friend's acting reels.
My mom had done some TV and commercials before I was born, and so when I was born, she knew I had a really big interest in acting because I was always acting in plays with my dolls, and they were sort of boring, because I've seen them on tape; they always involved a lot of singing and dragging them around by their hair.
The summit charms us, the steps to it do not; with the heights before our eyes, we like to linger in the plain. It is only a part of art that can be taught; but the artist needs the whole. He who is only half instructed speaks much and is always wrong; who knows it wholly is content with acting and speaks seldom or late.
The spirit of revelation is available to every person who receives by proper priesthood authority the saving ordinances of baptism by immersion for the remission of sins and the laying on of hands for the gift of the Holy Ghost - and who is acting in faith to fulfill the priesthood injunction to 'receive the Holy Ghost.'
Acting is all about relating to the people on stage with you, even in plays that break the fourth wall. Clowning, for the most part, is the opposite. If somebody in the audience sneezes, I can count on it: I don't even have to look at Shiner; he'll have his handkerchief out. It's all about all of us in the room together.
I've really been sort of focused on acting and I feel really lucky because great projects sort of keep coming my way. I guess the criteria that I look for, it gets increasingly difficult because when you have the privilege of working with someone like Diane [Keaton], it's kind of like, 'Well, where do you go from there.'
'Killer Joe' was originally written in 1991 and first produced in '93 at the Next Theater's Lab - a 40 seat black box theater in Evanston, Illinois - back when I was getting started. I was just 25 and I had been acting for awhile, but it was my first play and the one that really got me noticed, especially by Steppenwolf.
I think a lot of people, when they start to become famous, they don't necessarily have the mental equipment to deal with it yet, so they try to keep it at arm's length and try to avoid it, which is fine for a while, but you can't keep pursuing a career in acting and that remain your attitude towards fame and recognition.
I was just doing bits and pieces of acting in the U.K. I'd been in the film 'Breaking and Entering' - Anthony Minghella gave me my start and I miss him dearly. Then I made the trip out to L.A., during one of their pilot seasons, which was when they were developing 'Gossip Girl,' and I auditioned, and things came together.
God has formed us moral agents... that we may promote the happiness of those with whom He has placed us in society, by acting honestly towards all, benevolently to those who fall within our way, respecting sacredly their rights, bodily and mental, and cherishing especially their freedom of conscience, as we value our own.
I have had a very physical acting career, but on 'Newsroom,' it's not about physicality, but it's about presence. I get to just be. Strong, sensitive, quiet strength can be much more intimidating than the screaming loud guy, and I'm so glad to get to show this side of me, which, to be honest, is a lot like who I really am.
I just think that the gifts that God has given me and the attention that I have, I just don't feel like acting is the limit of it. I just feel like there's so much more that I could do...And, you know, every day I wake up and I try to do a little more and I just want the world to be different and better because I was here.
I know the pleasure you get from making your films. The intense involvement in every aspect: the acting, the camera, the colors, the costumes, even the hair and makeup. Editing is thrilling. Everything to do with films is absorbing - everything but the money part, the business. But I'm deeply glad I've had that experience.
A lot of actors will complain about the green screen work, but what you do get to do is what you probably should have learned, from the beginning, on stage. You have to create it in your mind and really go there to bring it. Part of the fun of acting is those challenges. You feel goofy, but sometimes that's a good feeling.
I did a little bit of acting - some guest spots here and there. I got a job working as a therapist doing individual and group crisis intervention and family therapy. I did that for two years. I left to do 'Boston Legal.' So my psychology career has been interwoven into my acting career, and it's my safety net and fallback.
3D movie is tedious, its tedious for everybody, it's hard for the crew, it's hard for the actors. It adds more time. It's more technically complicated, so that just adds more time and takes a little more time away from he acting and that's kind of frustrating but to say "I'll never do 3D again" that doesn't make any sense.
Acting is one of the professions I most respect because if you tried something and you can't do it and you thought at one time in your life - and of course, I did at one time of my life want it - and you realize that you can't do it that you can't just switch your personality that way, then you are in awe of people who can.
Even though I make documentaries, everyone's acting in a way. Really. And you're creating, and you're confabulating things. You can't relive reality, you can just present it. And that's what I do. I have worked with actors and I like it very much, so maybe. I think that would be wonderful to do something like that, as well.
When you're playing the part of a saxophone or a trumpet player, both of which I have done, it would be nice to be able to play like John Coltrane, but you can't. Your job is to do something else. And I'm not sure what it is, but I don't think I'd be acting Niels Bohr any better if I went and studied physics for five years.
There are definitely things about acting that have helped me growing up and finding myself, but there are also things that make it a bit more difficult. I guess I do allow myself to explore more when I know that, at the end of the day, if I really wanted to, I could just play a different person all day and be fine with that.
I started acting when I was 9. I did smaller parts here and there as a kid, and then as I grew older I started resisting it, because I didn't like the idea of being, at the time, number four of the Skarsgård actors. So in high school I majored in science and was like, "Maybe I'll do something rebellious and become a doctor."
I think people involved in politics make good actors. Acting and politics both involve fooling people. People like being fooled by actors. When you get right down to it, they probably like being fooled by politicians even more. A skillful actor will make you think, but a skillful politician will make you never have to think.
By looking at autistic kids, you can't tell when you're working with them who you're going to pull out, who is going to become verbal and who's not. And there seem to be certain kids who, as they learn more and more, they get less autistic acting, and they learn social skills enough so that they can turn out socially normal.
Well, I kind of did the math in my head when I was like, 9. I was like, 'Well, if I want to make films' - because I want to be a director - 'I could just go on a film set and learn there.' And then I ended up falling in love with acting and the set and making friends all the time. And so I've just been doing that ever since.
Everything is a lesson, and there's always something to take and to learn. Whether you're winning championships or you have a losing season, you've consistently gotta go back to what you're passionate about and what has brought you to where you are today. For me, it's acting. It is the actual craft of it, and that takes work.
Acting's an odd profession for a young person; it's so extreme. You work, and the conditions are tough and the process is so immersive, and then it stops, and then there's nothing. So you have to find ways of making you feel productive when you're not actually producing anything. For a young person, that's really challenging.
They were all wonderful [on Andy Griffith Show], but I enjoyed Andy and Don and Ron the most. Ron played little Opie so well. He really took acting seriously and worked hard to deliver his lines well. Andy was always fun and liked to tease. Don was nothing like Barney. Don was very quiet, which shows what a good actor he was.
I think I went through my phase of feeling sort of invisible when I left my small hometown in Canada and moved to the big city of Vancouver. I kind of had to decide right there in that moment what I was going to do with the rest of my life and make a thousand decisions after finishing high school. Fortunately, I chose acting.
In acting, there's a type of courage you're recognized for all the time. You lose 100 pounds and play a guy with AIDS, and you get rewarded. But, in life, doing what is courageous is quiet, and no one knows about it. Courage is someone making sacrifices for their family or making selfless decisions for what they hope or feel.
I base my happiness on the relationships in my life. I would rather have the absolute worst acting career or, I don't know, whatever the worst job would be... picking up radioactive material? I would much rather have that and a good marriage than a horrible marriage and a brilliant career. That's just not a trade off I'd make.
My first heartbreak devastated me, but it was the support of my family and my second family, my church family, that helped me understand that it wasn't my fault, and that everything was going to be alright. That helped me tremendously later in life because in this acting business, there are a lot of things beyond your control.
The biggest thing when you're playing live is that you're sitting across from the player and can get a detailed impression of how they're acting, and whether they're expressing strength or weakness. Online, it's much more about betting patterns and you're using a much narrower range of cues to what they're holding and thinking.
It's one of those things that hits you when you're not even looking for it. It's a moment when you find those words surging through your mind - "I feel so alive right now." There's varying degrees of it. Acting definitely makes me feel so remarkably alive. Sitting on a beach or walking through nature makes me come alive always.