Quotes of All Topics . Occasions . Authors
The rich nations of the world are acting like ancient usurers, lending money to the desperate poor on terms that cannot possibly be met and, thus, steadily acquiring more and more control over the lives and assets of the poor.
I've always thought of acting as a tool to change society. I watch a lot of actors and I see panic in their eyes because they don't know why they act and I know why I act. Whether I'm a good or a bad actor, I know why I do it.
Acting is a cruel enough business. One minute everyones going Hey! and the next theyre going Who?. You certainly dont need people knowing your private business, especially if you want to come out with your head still attached.
There's only two givens with choosing acting as a profession: one is you will always be unemployed, always, and it doesn't matter how much money you make, you're still always going to be unemployed; and that you have no power.
Indeed, the "whole bourgeoisie" on whose behalf the government was acting as its "committee" was a composite of a vast multitude of businessmen appearing as a conglomeration of many different and divergent groups and interests.
Over the years I've grown to love the industry, my job, and the profession itself. It's been a journey full of ups and downs. For the first few years, it was a journey of self discovery where I grew to love acting while acting.
Movie acting is about covering the machinery. Stage acting is about exposing the machinery. In cinema, you should think the actor is playing himself, if he's that good. It looks very easy. It should. But it's not, I assure you.
My first film, 'Like Minds,' was with Toni Colette, who was extraordinary. I mean it was basically a mini-masterclass for acting on film at a time when all you could probably see were my eyebrows bouncing up and down on screen.
I went to theater school in France, and when I finished I thought I would never go back to acting again. I don't want to be acting in theater. It's not for me. I'm sick of all this theater world, all these actors, and all that.
Acting is everything to me and it's at the core of every decision. Whatever importance costumes, details, lights, camera, dialogue and everything else have, if the acting is bad, cheap, or overdone everything else is just gone.
Only in acting I'm going by Joanna JoJo Levesque. In singing, just JoJo. But the reason we wanted to go with JoJo Levesque is most people know me as JoJo. People that are familiar with me would still be like, 'Oh, that's JoJo.'
I remember sitting down with my parents and telling them that I was going to put off college to study acting. I had already paid money to the college and gotten housing. I walked around the campus and it just didn't feel right.
Acting is something that I've done since I was so young. I always felt - certainly as a teenager - really cynical about acting. I definitely didn't feel like it was something I wanted to do, and so I really took it for granted.
A wonderful but kind of a terrible truth about acting is that you actually get to a point where you become content with an impossible task: it is really impossible to properly prepare. You kind of have to start over every time.
But we all must be true to our own nature. Acting as anyone other than yourself merely brings you pain and makes you appear ashamed of who and what you are. Others will feed off that shame, and soon it will be all that you are.
'She's Gotta Have It' and 'School Daze,' I really didn't know what I was doing. And the biggest indicator of that was the acting. 'Do the Right Thing' was like the first film where I really felt comfortable working with actors.
I'm an expert in hookers. I'm an expert in doormats. I'm an expert in victims. They were the best parts. And when I woke up--sociologically, politically, and creatively--I could no longer take those parts and look in the mirror.
It is so hard for musicians when they step into acting is they're not coming in as a blank slate, they're coming in with a real set idea of who they are, where they're coming from, what their politics are, what their tastes are.
I think it started since I was born, I always had a need to express myself, you know, as a human being, and I found that it felt right when I expressed myself through art, dance, through acting, so it kind of happened naturally.
I wanted to be an actor. Maybe a comic actor, but an actor. That's what got me into acting was putting on an act, because in life, I wasn't funny and I felt on stage or in the movies, I could do whatever I wanted to. I was free.
Acting can be a difficult business. When I was younger, if my mates were doing better than me, I might be a little bit envious, but as I have got older, I love to see actors cracking on and succeeding. The same goes for writers.
I grew up in St. Louis, Missouri. I lived in Grand Blanc, Michigan for a year and that's when I got involved in acting and took classes there. A manager who saw me at the agency I was at in Michigan wanted me to come out to L.A.
I think what I do in my acting world and what I do in my standup world is bring up a brand that I want to bring across. Once you figure out your brand and what you do, it's kind of easy at that. You end up getting your audience.
It was not even that long ago when my acting career was in the gutter. I was just thinking that I didn't want to live a life still going on auditions and not getting work. I wasn't inspired or anything at the time, and it sucked.
I'm a regular Canadian girl. I enjoy staying home. In the summer I've got a garden. I'm very much a homebody, a normal, family-oriented girl. But I do have this other incredible side of my life that involves acting and traveling.
When you do a lot of acting your entire life, you see the entire set from one point of view. To have a chance to step back and pull it all together is really exciting. You want to do it all; you want to have a hand in everything.
One can't allow blind loyalty to a friendship to lead one away from acting in the public interest. If Martin [Schulz] were to propose something that was totally absurd, our friendship would not prevent me from doing the opposite.
I think having a vision can make someone an influential man. I'm not talking about acting or anything like that, I'm talking about people I admire, whether it's a writer or a musician or a sports figure or a politician, whatever.
My acting career began when I walked into a drama school class run by Anna Scher in Islington. Anna discovered a lot of people: Linda Robson, Pauline Quirke, Gary and Martin Kemp, and Dexter Fletcher were among my contemporaries.
Prior to Elephant I'd taken about six years of acting classes in Portland, but there's not a huge market there. The only thing we have is commercial stuff, and that didn't really appeal to me. So this is really a dream come true.
Although it has been said by men of more wit than wisdom, and perhaps more malice than either, that women are naturally incapable of acting prudently, or that they are necessarily determined to folly, I must by no means grant it.
I can't watch most of my work. Once I come on screen, all I can think of is 'What am I doing with my hands?' or 'Why did I lean that way?' or 'What's that look on my face?' It's too difficult to not focus on evaluating my acting.
To me, the producing falls into the same as acting. It requires so much time out of your life, and I take it very personally, I realize, so if I do something, it just has to be something I love and I don't want anyone else to do.
I think singing and acting go hand in hand. Take an R&B singer: one song says, 'I love you,' the next is, 'Baby, don't leave me', the next is, 'If you leave me I don't care.' You have to drop in and out of different perspectives.
If Romney would go ideological in explaining Obama, it would help. We gotta stop the, 'He's a nice guy' stuff. Nice guys don't do what Obama is doing. Nice guys don't say and do and act the way Obama is saying, doing, and acting.
I would love to have an ocean of love right now. That said, the number-one rule of acting is, 'Do not seek approval from the audience.' People don't realize that. You can't do stuff to get applause. You have to live in the truth.
My life is about politics, a lot of about music, and a lot about things other than acting. I like traveling the world. But, what makes me want to stay in this business and keep doing this are movies when it's a true labor of love.
When you're acting, you're subjective; when you're a director, you're more objective.You're kind of watching from the outside and helping others, and therefore I learn my mistakes through others, and also my assets through others.
If I'm directing actors, I learn about acting that way. If I'm acting, I learn about directing that way. Producing is just something that's come about because there's projects I find interesting that I would like to help get done.
Acting schools want to keep you in a position where they can still protect you, but in this industry no one's going to protect you except yourself. You've got to take care of yourself and you've got to get a great team around you.
I always had this curiosity about acting, but I was really into sports, and I never really thought about acting as a career. My senior year, I tried out for the high school production of 'The Wizard of Oz,' and that was it for me.
A lot of women do stand-up as a gateway into acting, but I love stand-up, and to be a good stand-up, you have to go on the road a lot. It means going to places in America where they've never seen a Vietnamese person in their life.
I kind of stumbled into acting, even though I've always been fascinated by people and kind of their motives, and it's been amazing to me, everything I read before about psychology, philosophy, just to put it into practice somehow.
You really want to have a back-up plan, so when you don't feel like acting, or you're getting older and settling down, you can produce your own stuff. So that's when I set about forming my own company and getting creative control.
I was one of those kids who thought I could be the president of England when I grew up if I wanted to. Then I started acting and realized life is hard, and people are mean. And there's no president of England, and I'm not British.
I keep my kids out of the whole business entirely. Allegra and Lucas are five and six and I'm not interested in them doing any acting at all. I don't want my kids in show business. I keep them as far away from my work as possible.
I think there's such a thing as a performance gene. If it's in your DNA it needs to come out. For me, it originally came out through music, then segued into acting and came out through there. I always needed to get up and perform.
So many things could go wrong, on any film. I've been out in L.A. for eight years and I've been acting professionally for a long time, and you realize that you have to prepare and work hard, but you never know what could go wrong.
I can walk into a room and create a good ambience. I was taught all about this back when I studied acting. One of the things they would teach you is how to send out positive signals when you enter a room. I am glad I learned this.
Acting, believe it or not, can get very self-involved! I feel fortunate to have been able to work on things with people who have a very specific point of view and perspective, and who feel like they're doing something very active.