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About a year after I retired from playing, I decided that I wanted to getback to college, where I had the greatest time of my life, and to get involved with college football.
When I was 21 I stopped and got married. I tried for a while to be the perfect wife, society this, society that but it wasn't working, so after about a year I went back to work.
We played in Texas about a year ago, at Emo's, the famous country and western club in Austin. And I figured, well, if I'm finally gonna die onstage, that's where it's going to be!
I've been studying on my own. I'm not really trained. I went to school for about a year and a half. I never really studied music, but, I mean, I did. I studied for two years, maybe.
My writing process often begins with a question. I write down ideas and let them stew for about a year. Then, when I sit down to write, I make a list of characters and try to see how they fit.
I had been playing for about a year and a half when the Beach Boys formed. When our folks went to Mexico on business, we would take the food money they had left us and we would rent instruments.
Japan will help vulnerable developing nations make progress on emissions. In fact, we pledged assistance of about $16 billion over three years from 2013 and met this goal in about a year and a half.
When I finished the juniors I felt, perhaps for about a year and a half, that everything was going to be the same and that I would be able to go out there and win any match. But it wasn't the case. I struggled.
I was a vegan for about a year, and it was a great experience. And I became vegan not because of animal rights. I became vegan for a year for health purposes... It was just kind of a detox that I was going through.
Apple was our benefactor at starting General Magic, but about a year later decided they would rather BE General Magic and tried to make us blink out of existence... which we eventually did, but it took a few years.
I got married at 18 after dating my boyfriend for about a year. It was quick, I know. My husband joined the Army, and I thought I'd go to college. But we moved to Fort Hood for his job with no money, not even a car.
About a year after 'Bosom Buddies,' I was suddenly a regular on 'Newhart,' and I was there almost seven years. And then, somewhere in the mid-1990s, I ended up doing a TV series version of 'Honey, I Shrunk the Kids.'
That's why I had to leave Hair on Broadway, because I did it for about a year, and one night I was doing the show, and I realized, well, this is not real. I told the director. He says, man, it was a killer show tonight.
The Princess's so-called 'time and space speech' at the end of '93 about a year after the formal separation, looking back on it it's called her retirement from public life but we've seen in fact it's nothing of the kind.
I was typecast in 'Bonanza.' NBC officials - didn't realize this for about a year - had seen me in a 'Wagon Train' as a patriarch with a son. So when we started 'Bonanza,' they had me playing the father as a 65- year-old.
I was partners with Mil Mascaras and we were champions for about a year. We got over good because we had two different styles. The people respected his style when he was in the ring and when I came in they respected mine.
I love playing live, but our tours generally last about a year. I could never do this without the understanding and support of my wife. She's also a guitar player, and we knew each other before Dream Theater started touring.
I decided about a year ago, and I just feel like I want to see more personal style in people, and I feel like if I'm going to be out there in the public eye, they should see who I am and how I dress, and I feel like it, also.
I don't have any particular methodology, to tell you the truth. 'Silver Blue' took exactly the amount of time to write that it takes to sing it, and 'Prisoner in Disguise' took about a year and a half. So you just never know.
One of the reasons - I stopped doing films for about a year and a half because I felt that I was being somewhat used by producers that were trying to get their movies made within a certain budget range and not take care of me.
When we first started to write our first movie, 'You Are Going To Prison,' we wanted it to be crazy and unique, brand new, our voice, not like anything that'd ever been before. It took us about a year to write our first script.
My dad dying was actually a reason for me to stop music properly for about a year, because he was a big supporter. All I wanted to do was write a song about him and, you know, when something's too fresh, you can't quite word it.
My mum loves cats so I took her to see the lion cubs which at about a year old are actually quite big. She wasn't scared at all and went straight over and kissed one on the mouth! She thought they were just like her pets at home.
One of the weird things about being a designer is guessing what the world will want about a year in advance of when they will want it. It becomes almost a psychological test in a way - how do I feel now and how do I want to feel then.
I started working for the 'NY Observer' when I was 33. After I had been writing for them for about a year and a half the editor said, 'Your stories are the most talked about stories in the 'Observer'; you should have your own column.'
My father had a friend who actually had a hollow-body bass guitar and didn't work through an amp, but because it was hollow body, I could play it. So I kind of played on that for about a year, learning scales and all that. And here I am.
I hardly knew anything when I first arrived. I had to learn how to act as I went along. After about a year I got a grip on what acting was all about and it started coming straight from my heart; I wasn't just saying the words any longer.
After 'The Sisters Brothers,' I tried to write a contemporary story dealing with an investment adviser in New York City who moves to Paris. I did all this research, but after about a year and any number of pages written, I was bored stiff.
I was in Australia in about 1996 when I played some acoustic guitar for some guys at a studio down there. They were pretty happy with it, and mentioned doing an album, so about a year later I met some people who were interested in recording.
In my own life, hate has consumed me at times. Or envy. When my TV show was canceled, I didn't think it deserved to be canceled because people liked it. It was canceled for the wrong reasons, you know? I was consumed with hate for about a year.
I was actually in an iron lung for about a year, and then I was paralysed from the neck down for another year after that. So I spent a lotta time just lying down as a kid. And some of my earliest memories from then are of listening to the radio.
After I finish any film, I move to the next one. It takes about a year to write and another six months are for pre-production and other things. You need a minimum of two-and-a-half months for the shooting of a new film. Then, I also edit my own film.
When I trained for 'Creed,' I had about a year in advance to know what I was doing before. So I lived like a fighter, you know? I went through the workout routine, the diet, training with real boxers, training with real trainers, did the whole thing.
In 1949 - my father stayed on in Shanghai after the war. But in 1949, the Communists took over the whole of China, and in fact, my father was caught by the Communists in Shanghai. And he was there for about a year until he was finally able to get out.
I'd been playing Ted in the show for about a year as well as playing in the group in my spare time. Then, at the 'Scrubs' Christmas party, I offered to bring along the band to sing a song. The producers thought we were terrible - but perfect for the show.
I got signed to a development deal when I was 15. That fell through after about a year when the company merged with another label. Then I got picked up by Sony publishing. So I was writing professionally from 16 to 18. Then I started making my own records.
I never even thought of myself as deadpan until someone wrote an article about me about a year after I was doing comedy. There was a paper called the 'Boston Phoenix,' and someone wrote a description of what I was doing and that's where I first saw 'deadpan.'
Just blow in it and sound bad for about a year and then make it sound a little bit better, and you get a little band together, and then you get a few jobs. You take four guys that sound half bad, but if they're 25 percent each, they can give 100 percent, you know?
I have come a long way and learnt a lot. I read this quote about a year ago: 'Happiness must not be pursued; it must ensue.' It's made me realise that just being married again or something like that won't make me happy; the happiness ensues from how we live our lives.
'Memoryhouse' came out, and there wasn't a single review and zero sales, and after about a year, it was deleted. So I recorded The 'Blue Notebooks' on a little indie label, and my attitude was, 'Well, if nobody is listening, I might as well keep doing what I'm doing'.
For about a year, I worked for 'Daily Kos.' They were great. I mean, they allowed me to write whatever I was thinking about and feeling. 'The New York Daily News' saw it. They were making some pretty big changes. They hired a new editor in chief. I was his first hire.
For about a year, when we lived at Middlewick, I couldn't really go anywhere. But the children came and went as normal - they just got on with it - and so did great friends. I would pass the time by reading a lot - more than I'd ever have been able to in a normal life.
I'm lucky because I have a job I love. I really miss being away from home, being in my own bed, seeing my animals and siblings, having my moms cookies. I have a couple cats. I got a kitten about a year ago and now Im going on the road so I wont see him for a while. I feel bad.
I bought a tape recorder and some stuff and went to Europe for three months when I was 18. The puppeteering was only there as a hobby. I wanted to be a journalist. When I was 19, and after I had spent about a year in college, Jim Henson asked me to come out and try puppeteering for awhile.
I wrote 'Marvels,' which was about a guy who had two daughters, and I wrote 'Astro City Volume 2 #1,' which was about a guy who had two daughters. In both cases, about a year and a half or two years apart. And then after that, I had two daughters, about a year and a half or two years apart.
It feels kinda weird being back in a high school cause I haven't been in a high school for about a year. So um, it's kinda interesting coming back, and y'know seeing the lockers, with all the signs, the handmade signs, so being in high school again is a little bit strange but in a good way.
I stayed in the East for about a year after I graduated. Then, I came out to Los Angeles and started knocking on doors and working my way up. This was the '70s. I had been told how tough it was for a woman trying to make it in Hollywood, but I sort of had blinders on. I just did things anyway.
I think it was 1987 - something like that - or '86, and I thought, 'When you go equity and you're gonna get paid, you'll finally be able to make a living.' But it was not to be so. I always bartended and waited tables so I ended up not doing theater for about a year because nobody would hire me.
As soon as I gave birth, I had, like, 20 kilos, which I think is about 50 lbs., and I realized, 'Oh my gosh - in one month, I have my photo shoot.' So I had to lose a lot, and you know, it doesn't happen in one month. So it took me almost a year because I think, realistically, it takes about a year.
My parents spent an awful lot of money sending me to the best possible schools, and I came out of my exams and thought, 'I don't really want to do a degree.' I did philosophy with the Jesuits for about a year, and then I joined a bank. While I was there, I saw an ad in an Irish paper for radio announcers.