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The children, each of those kids is in touch with nature and traditional aboriginal culture so a very important part of getting performances from them was just letting them be and trying to capture the unique spirituality that was in each of them.
My best friend was Aboriginal. She taught me about 'bush tucker' - the food of the land, the different things you could eat if you got lost in the bush, like grasses and berries. There's this tree called the billygoat plum - the fruit is quite nice.
A community, once it realises that its language is in danger, can get its act together and introduce measures which can genuinely revitalise. You've seen it happen in Australia with several Aboriginal languages. And it's happening in other countries, too.
One of the things non-aboriginal Canadians learned from aboriginal people over the last 400 years is you don't have to be one thing. That's a European idea. There's multiple personalities, multiple loyalties. You can be a Winnipegger, a Manitoban, a Westerner.
Some people think that there aren't many Aboriginal actors around, and if there are, they're not that good. It's stupid. There's such an incredible pool of talent out there, and they're still coming out of drama schools. People just need to take a leap of faith.
Over 120 Aboriginal communities run their own health services - some have been doing so for 30 years. They struggle with difficult medical problems. They also try to deal with counselling, stolen generations issues, family relationships, violence, suicide prevention.
In the European tradition, rivers are seen as divisions between peoples. But in the Aboriginal tradition, rivers are seen as the glue, the highway, the linkage between people, not the separation. And that's the history of Canada: our rivers and lakes were our highways.
Most Australians live in the cities on the east coast, where contact between black and white occurred as much as 200 years earlier than on the west coast - and where 95 percent of Australians are able to live 95 percent of their lives without ever seeing an Aboriginal face.
It's very easy for Australians living in big cities to either romanticise or demonise the situation in Aboriginal places - to kind of look at things through the 'noble innocents' prism or through the 'chronically dysfunctional' prism, and I suspect that is so often the case.
Native people - about two-thirds of the uranium in the United States is on indigenous lands. On a worldwide scale, about 70 percent of the uranium is either in Aboriginal lands in Australia or up in the Subarctic of Canada, where native people are still fighting uranium mining.
I lived for a couple of years when I was 9 years old on beautiful Aboriginal sacred land in a town of a thousand people in northwestern Australia. It's where the Aborigines are still very connected to their culture, the Dreamtime culture. It was really quite a special experience.
Even the Australians don't know how beautiful their own country is. Particularly where we were shooting 'The Straits.' Most of my stuff was done on an aboriginal settlement on the south shore, opposite Cairns, which I believe was the site where the last person was eaten in Australia.
The greatest stain upon this great Australian nation's character, without any question, is the great gaps that exist between our Aboriginal brothers and sisters in terms of their health, their education, their living conditions, their incarceration rates and life expectancy. It's a great stain.
We are so fortunate, as Australians, to have among us the oldest continuing cultures in human history. Cultures that link our nation with deepest antiquity. We have Aboriginal rock art in the Kimberley that is as ancient as the great Palaeolithic cave paintings at Altamira and Lascaux in Europe.
I have worked with a lot of really great women directors: Ana Kokkinos; Cate Shortland, who just recently directed a film called 'Lore;' another director, Rachel Perkins - she's an Aboriginal director, and I've worked with her three times now, and she gave me my first film role, actually, back in 1997.
At its best, Aboriginal art has been effective in translating an entire culture and the understanding of an entire continent. Indeed, the more we interpret Australia through Aboriginal eyes, through the experience of their long and epic story, the more we allow ourselves to understand the land we share.
At the close of my visit, my Hawaiian friends urged me strongly to publish my impressions and experiences, on the ground that the best books already existing, besides being old, treat chiefly of aboriginal customs and habits now extinct, and of the introduction of Christianity and subsequent historical events.
We apologise for the laws and policies of successive parliaments and governments that have inflicted profound grief, suffering and loss on these our fellow Australians. We apologise especially for the removal of Aboriginal and Torres Strait Islander children from their families, their communities and their country.
It had never occurred to me that my colour - or lack of it - was an issue for some people, but then I moved to Sydney, and apparently it was. People look at me and don't see what they think is a typical Aboriginal. Thankfully, my mother raised me well in knowing where I come from and who I am, and I'm proud of that.
It is devastating that jail is seen as a rite of passage for many Aboriginal and Torres Strait Islander people, part of the natural order of things. It is an outrage that there is an attitude that this is normal. This is not normal. We can't shrug our shoulders and say this is just a 'fact of life' in remote Australia.