If you're an English actor, and you're asked to do an episode - especially the Christmas episode - of 'Downton Abbey,' you can't turn it down. It's like, 'Of course!'

Like 'Twin Peaks,' '24,' 'Mad Men,' and 'The Sopranos' before it, 'Downton Abbey' enriches the iconography and collective lore of pop culture. It replenishes the stream.

When I heard I had gotten 'Downton Abbey,' I remember I was standing on a freezing cold street in Manchester where we were shooting the Manchester part of 'West is West.'

Before 'Austenland,' I got do a lead role in 'Northanger Abbey', which is Jane Austen. Growing up in England, you can't really ignore Jane Austen. It's always been there.

The women in 'Downton Abbey' don't compare to the women in 'Upstairs Downstairs.' Ours are stunning. We've got Laura Haddock, Keeley Hawes, Claire Foy... beautiful women.

'Downton Abbey' is my worst nightmare. I just hate that whole 'Upstairs Downstairs' thing, I think it's really lazy and it doesn't represent England, it's this postcard view.

Abbey Clancy is incredible. I saw a picture of her in a white suit recently, and she looked amazing. Victoria Beckham always looks classy, and I like Coleen Rooney's style too.

'Upstairs Downstairs' and 'Downton Abbey' appeal to people because they're about our history, they look so beautiful, are written by amazing writers and have high production values.

I loved my experience on 'Downton Abbey.' We shot it in six months, and it was the first time I'd ever been on TV, and I was surrounded by my friends. It was a wonderful, wonderful time.

The girls in 'Downton Abbey' do what they do so well, which is make it so natural despite the fact that you're living within these constraints and taking so much from the research aspect of it.

I first came to Abbey Road Studios in 1994. I scored 'Little Women' there. What I remember most about it was how hard it was to come to London from Los Angeles and conduct when you're jetlagged.

It is eerie being all but alone in Westminster Abbey. Without the tourists, there are only the dead, many of them kings and queens. They speak powerfully and put my thoughts into vivid perspective.

I wanted to write something visual that I could read to the children. This was when I created the idea of Redwall Abbey in my imagination. As I wrote, the idea grew, and the manuscript along with it.

I think the first time I realised 'Downton Abbey' was a hit was when I was sitting in a tea shop in New York and the couple next to me were talking about 'Downton Abbey,' and then they recognised me.

I myself downloaded and watched 'The Wire,' 'Breaking Bad,' 'Downton Abbey,' 'Mad Men' and 'The Walking Dead' on my iPad while walking on a treadmill. I never turned a TV on once. I never inserted a DVD.

I think the reason why people love 'Downton Abbey' is because all the characters are given the same weight. Some are nice, some are not, but it has nothing to do with class or oppressors versus the oppressed.

I remember wearing overcoats, hiding in the bushes outside of Abbey Road Studios, waiting for the traffic to clear. As it did, we would drop our overcoats and run out on to the cross walk and strike our poses.

Thelonious Monk was one of the musicians I most connected with early on. I'm a huge Betty Carter fan, and the way that Abbey Lincoln and Shirley Horn grew immensely from the time they were young is so inspirational.

I hate the word educational! I mean, 'Downton Abbey' is educational in that you come away from it knowing so much more about that period than when the show started, but you don't come away thinking it was educational.

'Downton Abbey' has become this huge thing, and I really enjoy the success of it, but I sometimes find myself on the outside looking in, which is sort of a healthy way to look at it so you don't get too caught up in it.

The first time I went to Abbey Road and put those headphones on, I discovered I had two voices. I no longer had to shout in the studio, but I can't knock the Cavern or the other clubs because they gave me my strong voice.

'Downton Abbey' didn't have the impact it had just because it was a good story about people. It was something about that period and that world that was fascinating to people on a level that wasn't just as an entertainment.

As I passed along the side walls of Westminster Abbey, I hardly saw any thing but marble monuments of great admirals, but which were all too much loaded with finery and ornaments, to make on me at least, the intended impression.

After spending the last few years working on a serious novel set in Chechnya, I was drawn to both the brevity and casualness of Twitter, and wrote a series of tweets titled 'The Erotic Inner Life of Mr. Bates from Downton Abbey.'

When I left 'Downton Abbey,' it hadn't yet taken off and become the phenomenon that it is, to this day. That all happened after I left. But, it was fabulous to be a part of it and to be a part of the cast. We had an absolute ball!

I actually didn't listen to the Beatles song 'Nowhere Man' when I was writing my book of the same name. What I listened to a lot was 'Abbey Road.' Its disjointedness and its readiness to confuse only to delight were inspiring to me.

The Americans think British T.V. shows are amazing, and everybody references 'Downton Abbey', and, in my genre, 'Doctor Who', which everyone is crazy for. People are always asking me and are always disappointed that I haven't been in it.

It's stupid to say that there's any comfort to be had in 'knowing your place,' but there is a sense of reassuring escapism to something like 'Downton Abbey.' There's a perceived romance and elegance that is wonderful to lose yourself in.

I read one Jane Austen in college and didn't like it at all and told everyone how much I disliked it. I read 'Northanger Abbey' sophomore year in college and hated it. I didn't read good Austen until after college, maybe a couple years out.

I was already in a band, and the teachers called my mum in and said: 'Abbey's so clever, it's a total waste if she follows her dream'. But I never wanted to do a job I didn't love, and I'd always wanted to be a model or an actress or a singer.

I always have to get my U.K. fix, and 'Downton Abbey' is definitely that. I absolutely love period dramas, but this one is particularly appealing - following the ins and outs of aristocracy as well as the interaction between the rich and the poor.

My favourite TV show is... 'Downton Abbey.' The characters are wonderful, and the style is created so beautifully on screen. Everything from the table settings to the linen seem perfect to me. While I'm watching it, I'm in a totally different world.

I know that everyone wants to know about 'Downton Abbey,' but the truth is that it was only a few days out of my life. Still, you play a distinctive part on a hit series, and everyone suddenly knows who you are. Isn't it crazy how this business works?

For years, I longed to hear Armstrong describe what it was like to contemplate Earth from 238,900 miles away. Former Space Center director George Abbey once told me that many NASA astronauts felt that looking at Earth was akin to a religious experience.

I would love to be in 'Downton Abbey.' That's the thing I thing many people would have a good laugh with me saying anything like that. I feel like that's the next phase of my career. To reprove to everyone that I can do things besides the crazy characters.

Abbey Road was actually one of the first studios I ever got the chance to go to. A friend of mine won a competition and got the chance to spend a day recording there - that's when I was around 15 - and I was the only one who could engineer out of all of us.

We've got a younger fan base - and their parents. One day when we were at Abbey Road, an entire family was outside waiting for us - like, a nine-year-old, a 16-year-old, and their mother. They can agree on liking us for whatever reason. It's kind of strange.

I've built an 8-track studio in my house that's virtually identical to what they used at Abbey Road, and I also own the 16-track set-up that Led Zeppelin used to record 'Houses of the Holy.' I'm interested in producing, but I'm mostly recording my own stuff.

Sunday night is curry night. I always order a spinach paneer and a chicken tikka. There's usually something good on TV like 'Mr Selfridge' or 'Downton Abbey,' so I'll watch them before I have to think about blowdrying my hair and all the other boring stuff us girls have to do!

Westminster Abbey, the Tower, a steeple, one church, and then another, presented themselves to our view; and we could now plainly distinguish the high round chimneys on the tops of the houses, which yet seemed to us to form an innumerable number of smaller spires, or steeples.

I think people used to read 'War and Peace,' and now they don't; now they sit around with their tablets and watch 'Downton Abbey' and 'Breaking Bad' or whatever, and they want the things that they watch to be better so that they can feel better about themselves for watching it.

I tried to get people at 'South Park' into 'Downton Abbey,' and it didn't work. I think they were like, 'Downton Abbey?' What?' And I kinda made a big plea in the writer's room, like, 'Guys, you should really watch it. It's good. It's addicting. My wife and I are obsessed with it.'

Americans should be ashamed of how aflutter they get about Downton Abbey - it's unpatriotic. I seem to remember we fought a revolution so as not to put up with this nonsense, where notions of station are so unforgiving that upper and lower echelons are practically different species.

I love the Beatles, but I don't listen to them at all regularly. Most of my friends are bigger Beatles fans than I am. I respect them, and I love them - 'Abbey Road' is probably one of my favorite albums, but I don't think I've ever listened to the 'White Album' the whole way through.

'Downton Abbey' is a pageant, a cavalcade of a time when being born right is the first and most irrevocable career move, and in which an older order - whose passing 'Downton's' creator, Julian Fellowes, clearly mourns - is submerging in icy seas as surely as a grand and extravagant ocean liner.

Working on 'Downton Abbey' is amazing, but there's an ensemble cast of between 18 and 21 actors. With 'Love Life,' there are two couples and a few other key characters. As a smaller unit, you've got to take more responsibility - at the same time, you can have more ownership of the direction it's going in.

I got into this thing called the National Youth Theatre, and to me, that was all about the status quo. It seemed to me like 'Downton Abbey' - all the working-class and black people were playing servants, or the gravedigger in 'Hamlet,' and the boys from Eton and posh private schools got Hamlet, all the big roles.

It took five days to drive to Los Angeles by myself. I listened to Abbey Road for six hours at a time and watched the desert open up before me again and again. I saw the sun set and rise at the Grand Canyon, and I sang out over the cliffs, picked up tumble weeds along the way and threw them in the back of my car.

I did a great deal of research to write 'The Irish Duke.' Since all the people in this Lords of the Realm series are real historical characters, everything had to be authentic. I researched Woburn Abbey, where my heroine lived, and everything about Barons Court in Ireland, which was the ancestral home of Abercorn.

Labor, under their current leadership, want to be the Downtown Abbey party when it comes to educational opportunity. They think working class children should stick to the station in life they were born into - they should be happy to be recognized for being good with their hands and not presume to get above themselves.

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