Quotes of All Topics . Occasions . Authors
I don't claim to be some Aaron Sorkin expert, but it is like a Camelot. His shows are a place where people are trying to reach their highest potential. And I think we miss that sometimes. If I got a chance to do 'The Newsroom,' I would have done it yesterday.
I work with a stylist called Devon Nuszer and a makeup artist called Aaron Barry, and between those two, I trust them implicitly. I have the things I do over and over again and that I feel safe with, but they inspire me to take risks, and I trust them so much.
Look at guys like Tom Brady and Aaron Rodgers. Those guys have great arms, but people talk about them more as a quarterbacks and the intellectual side of the game and how they really dissect defenses - and then the arm is something else that helps them with that.
UFC is UFC, and God bless them, they have the largest roster and some amazing fighters, but there's amazing fighters everywhere. That's why I am impressed with what Bellator has attempted to do with the tournament or with Aaron Pico and some of the younger talent.
I don't think I ever got the hang of the writers' room. I love collaborating with people, but I really do my best work alone, and I think I would want to - if I did something again, I think I'd want to take total ownership the way Aaron Sorkin or David Kelley does.
Aaron and I will be joined at the hip until the day we die. We have loved and hated each other since the day he was born. He's very much a part of my heart. He's going to broadcasting college now, and he'll do fine. But he came into a world that did not welcome him.
'West Wing' was huge. Like 'Hamilton,' it pulls back the curtain on how decision-making happens at the highest level, or at least how you hope it would be. The amount of information Aaron Sorkin packs into a scene gave me this courage to trust the audience to keep up.
The way Michael Vick uses his legs and is able to throw out of the pocket really changes games. The way that Aaron Rodgers is able to sit in the pocket and make throws that not a lot of people can make - I hope I can be half what those guys are and emulate it into my game.
In a weird way, I never wanted - I don't consider myself a very good writer. I consider myself okay; I don't consider myself great. There's Woody Allen and Aaron Sorkin. There's Quentin Tarantino. I'm not ever gonna be on that level. But I do consider myself a good filmmaker.
My experience on 'The West Wing' was, I think, now rare in that I was pretty young, and I walked into this environment where Aaron Sorkin was giving me a script every week, and Thomas Schlamme and John Wells were keeping the studio off my back, at least as best as they could.
I paid my way through school doing set construction for film and television. I'm a member of Local 44. I was a construction coordinator on 'Beverly Hills 90210' for 4 1/2 years and ran their whole construction program. I did two other pilots as a coordinator for Aaron Spelling.
Names that come to mind that I've learned from are Tom Brady - the way he gets the ball out and is so decisive. You can tell he is in total control out there. Another name is Aaron Rodgers, and how he's in total command. And also, Cam Newton, the way he has fun. I love that part of it.
We have never, ever, in the history of football seen a guy that possesses what Aaron Rodgers possesses. Nobody, no quarterback in history, has the touch, the accuracy, the ability to throw the ball moving left or right, throw the ball from the pocket, throw the ball from different plains.
My interactions with Sorkin were agonisingly weird. He is by far the weirdest person I have ever met. I had dinner with him and a few hours before I got an e-mail from his assistant saying, 'Sean, this does not need to be a long conversation. Aaron is only going to use it to win your trust.'
There are a lot of hardcore 'Napoleon' fans, and they do the research and find photos of what I look like when I'm not 'Kip-ified.' Those fans recognize me. It happens maybe once a week, where someone will come up to me and be, like, 'Dude, you're Kip.' And I'm, like, 'Yeah, my name's Aaron.'
When I was right out of college, I felt competitive with some of the guys in my class over career stuff. It's funny now to think about it - that a friend getting a job or something had anything to do with me... I think that my relationship with my wife has played a pivotal role in the chilling out of Aaron.
I didn't mean to spend my life writing American history, which should have been taught in the schools, but I saw no alternative but to taking it on myself. I could think of a lot of cheerier things I'd rather be doing than analyzing George Washington and Aaron Burr. But it came to pass, that was my job, so I did it.
It's easier to do Shakespeare than Spelling, and I know that sounds crazy, because the challenge of Shakespeare is living up to Shakespeare, living up to that word, not failing, you know, where with Aaron Spelling it's like, just try to look good. Or maybe don't use Spelling there, that's bad. No - you can. He's dead.
You watch the great quarterbacks like Peyton Manning and Drew Brees and Tom Brady, Aaron Rodgers. They all play so fast, but it's under control because they know what the defense is presenting to them before it happens. It allows them to anticipate things a little quicker, and that makes all the difference in the world.
There's no question that O.J. Simpson had been a substitute white man in America. He had gained honorary white status. He was not viewed by many white Americans as black. He was not seen as the African American athlete who was rebellious: Jim Brown, Muhammad Ali, Hank Aaron... He was accepted in golf clubs that were very tony.
There's a commonality in a lot of the great quarterbacks in the league, that they have the chip on their shoulder - from something. Aaron Rodgers, Tom Brady, Patrick Mahomes, Russell Wilson - I mean, they all have something that got them to have a little chip on their shoulder, that makes you continue to work really, really hard.
Simply, if you're working with good material, then it's right there, and you don't have to try so hard as an actor; you don't have to do so much. Just let the material sit inside you and let it come out. Just say the words. That was the main thing that I learned from doing Aaron Sorkin's work - say the words, and everything else will happen.
In 'The Bourne Identity,' I wanted to give the audience the feeling of being in the car with Jason Bourne, not just watching him drive but be in the car with him, and 'The Wall' is the continuation of that immersive filmmaking style. Where you're trapped behind the wall with Aaron Taylor-Johnson - for better or worse, you're trapped there with him.
