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That's what I love - on 'The Farewell,' we played with a lot of silence and a lot of negative space, and I really worked with the composer to create those juxtapositions of like, those awkward silences and when something comes in.
That's what I love - on 'The Farewell,' we played with a lot of silence and a lot of negative space, and I really worked with the composer to create those juxtapositions of like, those awkward silences and when something comes in.
