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I don't want dead paint, so I test many of my works by studying them in a dark room at twilight or even after dark to check the luminosity. If the darker forms still have resonance and luminosity, I know the painting's working.
I don't want dead paint, so I test many of my works by studying them in a dark room at twilight or even after dark to check the luminosity. If the darker forms still have resonance and luminosity, I know the painting's working.
