Quotes of All Topics . Occasions . Authors
I try to work hard. I'm really proud of what I get to do as a living. I still pinch myself. But I also know it's a craft, and I can get better at it and learn every time I do it. So I try to work hard no matter what the task is.
When I was young I became kind of a party animal. I had a massive crash. My health suffered. I was just overdoing it. That person could not be further from the one who emerged from that earlier experience. I regressed massively.
I just want to bring people in a little bit to the idea of sitting down on a Sunday three consecutive weeks and having that water cooler moment that really was a sort of a national sensation in the U.K., 'cause it's kind of fun.
The only way to describe my involvement in Planes is that its an absolute dream come true for me. Getting to be a bad guy in any project is fun, let alone being a Disney villain. I cant imagine anything getting better than that!
If you get stuck and it feels a little stiff, then you do have to mess it up to find it. But other times it's really written and you just stick to your guns and do it as elegantly and as concentrated and as committed as you can.
I'm just trying to make up for lost times, and I have total awareness that when the work is coming it doesn't mean it's going to continue to come, so I'm taking advantage of this phenomenal period that I'm in now, to its fullest.
Do awards change careers? Well, I haven't heard of many stories where that's the case. It's a fun excuse to meet colleagues and celebrate people who've done well that year in certain people's eyes, and it's nothing more than that.
Now it's been fifteen years, nine games, and an enormous blast to undertake. If it were my choice, I would do this role forever. To hear anyone else's voice coming from Snake's battered throat, makes me a little ill, to be honest.
I, for one, am not nearly as engaged when I'm looking at something that's been completely drawn up on a computer that replaces anything that's in real time and real space. It just engages me all the less, rather than all the more.
Can I get a fork?; There were no utensils in medieval times, hence there ARE no utensils AT Medieval Times- would you like a refill on your Pepsi? ;So there were no utensils but there was Pepsi?; Dude, I got a lot of tables to wait
The only way to describe my involvement in 'Planes' is that it's an absolute dream come true for me. Getting to be a bad guy in any project is fun, let alone being a Disney villain. I can't imagine anything getting better than that!
I'm a fan of characters wherever they come from. Truth be told, I wasn't a big comic book fan growing up. Maybe that helps me bring a fresh perspective to things because I'm not trying to match anything that's been done in the past.
My kids are fanatical about 'Scooby-Doo,' and I think that the creators of 'Scooby-Doo' somehow tripped across some kind of magical hypnotic formula that lures children. It's far more fascinating to them than anything else on the air.
My kids are fanatical about 'Scooby-Doo', and I think that the creators of 'Scooby-Doo' somehow tripped across some kind of magical hypnotic formula that lures children. It's far more fascinating to them than anything else on the air.
One of the pleasures of being an actor is quite simply taking a walk in someone else's shoes. And when I look at the roles I've played, I'm kind of amazed at all the wonderful adventures I've had and the different things I've learned.
It's very hard to take a character out of nothing, and put a hook on it, especially because it's only sonic. Futurama is a sonic world, and everyone's attention is focused on that sound and that little cartoon image. You can change it.
The good thing about recording everyone separately is it gives the directors more control - they can change one character's lines in a scene without having to re-record everybody, and the story changes a lot before the movie comes out.
I think, as I've gotten older, I've been able to be more reckless with my choices, because practically speaking, you get less careful. Your choices become more instinctive, and you feel like if you make a mistake, it won't destroy you.
When you start getting jobs, and see your mates from drama school, you don't really want to talk about it, because you have this innate sense of guilt that it's not fair that others aren't doing exactly what you're doing. I do have that.
What makes a good animated movie is being able to balance adult and knowing in-jokes and also just out and out funny things that make all people laugh. The idea that it's actually something that will appeal to a family, that's the trick.
I had a very specific goal and I think kids, more than adults, don't understand obstacles and competition. I wanted to be this one cartoon character [Porky Pig], couldn't figure out why I couldn't do it, other than living in the midwest.
I love directing. I love creating things that I don't necessarily even have to be in. I like creating worlds. So I'm getting into writing movies and selling movies and television shows and creating worlds that then get to live beyond me.
I was doing community theater, and I was always interested in acting, but I was also interested in sports. I was interested in a lot of things. I was a pretty normal guy. I wasn't like a guy who grew up in a dark theater watching movies.
Even the cerebral characters I play seem to have physical quirks. They're all "physically inhabited," for lack off a better expression. For instance, Sherlock Holmes has very particular physical gestures which are drawn out in such detail.
When I was working my way up, it seemed to me that only Westerns and 'Star Treks' or sci-fi movies could afford to get away with presenting the problems - like prejudice and desegregation, for instance - that we face in our everyday lives.
It's difficult because nothing's preordained by plan and you can't control it. That's one of those joys and thrills and nerve-racking realities of being an actor. A lot has to do with luck, no matter what your talent or contribution can be.
People's hands fascinate me. It's tempting to look at a businessman's left hand and see if there's an indentation from a missing wedding ring. Or maybe there's a tan line and the skin is pressed down where's he's worked a ring off his finger.
I want to do it all. I want to climb mountains, go through jungles, fight wars in space, get the girl, shoot the bad-guy full of lead, have all the zippy one liners, bulge muscles out of a singlet, drip sweat and blood on screen, all of that.
I had a real yearning to make use of the opportunities I had at school. When I heard about the gap year of teaching English at a Tibetan monastery, I knew I had to do something about it really quickly, otherwise it was going to get allocated.
I loved journalism until the day my journalism teacher, a man I revered, came by my desk and said, 'Are you planning on going into journalism?' I said, 'Yeah.' He said, 'I wouldn't.' I said, 'Well, why not?' He said, 'You can't make a living.'
I guess I am basically most comfortable when I'm alone. As a kid, I was very much a loner. I love long distance running and long distance biking. A director once pointed out that those are all very isolated exercises you do for hours at a time.
'The Road to Wellville'... it had Anthony Hopkins, Bridget Fonda, directed by Alan Parker. I hadn't been doing all that well, and I was thrilled to get it, and it just didn't work. It was a terrible movie, but I don't think it's anyone's fault.
I've said for quite a long time I'd like him to have a different haircut. I quite like my hair being short. You know, we've been away two years, let's f*** around with his outfit, let's f*** around with his haircut, let's do something different.
Truthfully, I just try to get as much rest and drink water like a fish every day. If I don't get enough rest, exercise and water to keep my body healthy, then the voice begins to suffer and it can't repair overnight from the previous day's work.
No one's banging down my door. People see the way I look, and they don't feel threatened, but they should watch out for me. They don't know there's a steel rod that drives me. I get ticked off, and the rage just gets me going. My motor is anger.
I'm one of those people who when I go over a bridge, I want to jump. It's just this intense tickle in the back of my throat. It's like I'm on the verge the whole time I'm walking over that bridge, and I'm not going to get a release until I jump.
If someone gave me the chance to create something, I put myself into it. I just want to try to do something that will last forever and that won't leave people saying, 'Gee, it could have been better, it could've been this, it could've been that.'
I got live tweeted once by someone who was opposite my home in some rented accommodation. He was actually describing on twitter what I was doing. 'I took a shirt off, I went to the window, I put a shirt back on... ' And I've got blinds in my flat!
To me, it all comes down to things being character-driven. It's hard for me to look beyond that. CG and all this cool stuff - so be it. But to me, it pretty much begins and ends with character-driven plots rather than technologically-driven plots.
I studied voiceover, and I studied acting and I got my first series and my first agent a week out of high school. And it took me about five years of hit-or-miss auditioning and booking on occasion before I could support myself totally as an actor.
As a standup comedian, you have to develop a sense of fearlessness. It's really important for your livelihood and your well-being. And if you don't do that, you're going to fail; you're never going to be able to stand up on the cliff and jump off.
Toonami was a tremendous vehicle, delivering the art of Japanese animation to a massive audience that may have otherwise never experienced it. I feel an immense debt of gratitude to everyone involved with the show and to every fan who supported it.
It sounded nothing like the classic "That's all folks" that the character did. So everytime I'm asked to do it - and nine out of ten "Looney Tunes" shows ends with Porky coming out saying "That's all folks" - I'll say to them, which one do you want?
I started out doing multiple characters from day one, when I got my fist job in 'Dumbo's Circus.' I'm used to getting in an argument with myself, throwing myself off a cliff, patching myself up and brushing myself off with an arm around my shoulder.
The audience has realized how much money the studios make from games now. They're making more money from games than they are from feature films. I mean this is a massive industry. It's still in its infancy. So I really feel lucky to be a part of it.
'Toonami' was a tremendous vehicle, delivering the art of Japanese animation to a massive audience that may have otherwise never experienced it. I feel an immense debt of gratitude to everyone involved with the show and to every fan who supported it.
I suppose the biggest thing I learned is that I'm in it for the right reasons. I love my job as much now as when I first began. I still feel fully invested in every audition, every job - large or small, every appearance, every meeting with every fan.
[ 1600 Penn] is an ensemble comedy about a family. It just happens to utilize the fact that my character is now being forced into this world as a jumping off point. But, in no way is it the crux of the series. It's simply an introduction to the world.
I love pork. I love a good BLT. I know that sounds horrible but I do. I'm a total foodie. I love cooking and I love traveling and I love finding new places to eat and new cuisines to eat. Don't be shocked if you see me munching down on a baby back rib.
I probably wouldn't make a good accountant. I don't even understand what my accountant tells me. But the character is a sort of exaggerated version of me, he's a little more frightened than I am, everything seems so much bigger to him than it does to me.