Quotes of All Topics . Occasions . Authors
Independent film is almost nonexistent right now, because all the distributers that used to love to put out these little art films are all out of business right now, because it costs so much to open a movie.
I do know that I like to play characters that are sometimes a little on the outside - that's because it feels kind of romantic and sexier to me. I really think they are the people that we learn lessons from.
I had a very sparse comic upbringing - not because I was being whipped into reading Chekhov and Dickens, but I read Asterix on holidays when I was a kid, and Tin Tin was featured, I remember, for a few years.
I was very keen to work on the script with Scott Derrickson and [C. Robert] Cargill, and working out the important story beats, changing lines, upping the comedy, changing the pace, all of that was great fun.
If I don't get enough sleep, my brain gets fatigued, and the voice suffers. If I'm doing some retail work and trying to read and record legal copy, I start sounding like I had a few too many the night before.
I've seen and swam and climbed and lived and driven and filmed. Should it all end tomorrow, I can definitely say there would be no regrets. I am very lucky, and I know it. I really have lived 5,000 times over.
Sometimes when you do fight scenes you think, "Oh, I'll be hit in the face," because people get carried away with their vanity and want to look too cool to care, but we were all really careful with each other.
If you want to get into the business of doing voices for cartoons, you've got to be a good actor. It's all about acting. It's not about the voice. The voice is just one part of what you bring to the character.
When you get into the series, the progression is much different. You actually have breathing room and the chance to sit down with each actor, which was a part of our process, to talk to them about their pasts.
'Wings' was a blessing, but it was also very difficult. Whenever you do situation comedy, no matter how excellent the execution - and we had a great cast and great writers - but the format is somewhat limited.
For every role, you have to always find a different way to approach it, one that's specific and suits what the key is. Every role's a mystery. I think if you know what it is, you probably shouldn't even do it.
We look at science as the ultimate answer for everything yet we are really messy organisms and when the two collide in the upper echelons of medicine you think science will prevail but it's not always that way.
I am very flattered. I have also become a verb as in "I have cumberbatched the UK audience" apparently. Who knows, by the end of the year I might become a swear word too! It's crazy and fun and very flattering.
In every disagreement in your marriage, remember that there is not a winner and a loser. You are partners in everything, so you will either win together or lose together. Always work together to find a solution.
I'm probably my own harshest critic. If I get a hundred good reviews and one really bad one, it's that one out of a hundred that I remember. I think we actors are hard on ourselves, and I don't know why that is.
I always seem to be cast as slightly wan, ethereal, troubled intellectuals or physically ambivalent bad lovers. But I'm here to tell you I'm quite the opposite in real life. In fact I'm a f**king fantastic lover.
For people like me, who have blocked out a chunk of their past, you wonder - if you open that door, if you walk into that room of your memories, what will happen? Will it destroy you or will it make you stronger?
Sterling Holloway, the actor who had originally voiced Pooh, decided to retire in the mid-1980s. Disney decided that they wanted to continue this character with their 'New Adventures of Winnie the Pooh' TV series.
When you work on anything, you want to find the range of impulses - which ones get portrayed is another question, but you want to have that complexity and that fullness, even if you're playing a cartoon character.
You can perfect genius because genius is not perfection. On his level and his practice and his methodology, it's almost inhuman. So, that's been a fantastic arc to play, and boy does it go somewhere in this series.
There are other people who don't mind shouting from the pulpit and being judged for it, and they do a hell of a lot of good - real, on-the-ground, life-changing good. So I think it can sometimes be a balancing act.
I used to wonder what it would be like to see my name on a billboard. I couldn't even imagine something like that. Then you see it, and, well, it just makes billboards not as special as they used to be. It's weird.
Fight less, cuddle more. Demand less, serve more. Text less, talk more. Criticize less, compliment more. Stress less, laugh more. worry less, pray more. With each new day, find new ways to love each other even more.
It's funny, because '1600 Penn' was the first time I really started to read the reviews, because I am an executive producer and I wanted to see what people were enjoying and not enjoying as a means to an end, right?
It seems to me like all these people claim to be the victim, Acting like the whole entire world is out to get them. Stand up on your own, And prove that you are grown, Because the life that you save may be your own.
An inflated sense of self-importance? Absolutely, but I think it comes from Doctor Strange need to control things and that's what happens to all surgeons, I think. There's a huge degree of uncertainty and bafflement.
The most challenging work is producing. The physical act of getting a production up and running is extremely taxing, and you never have any guarantee that your years of work on any given project will ever bear fruit.
I am voice actor Roger Craig Smith. You may know me as Batman, Captain America, Sonic the Hedgehog, Ezio from Assassin's Creed, Transformers: RID, or narrator of “Say Yes To the Dress” (among many other things). AMA!
The bad things about theatre get balanced by the good things in film and vice versa. So to tell you the truth, I love it when I can go back and forth - it feeds different parts of you and exercises different muscles.
I think now with fundamentalists, people who treat belief with a total lack of humor or empathy for any other viewpoint than their own - they, to me, are the enemy. And those people are born out of desperate extremes.
One of the great things about cartoons is that they're not real - you're not watching real people and it engages your imagination. One of the cornerstones of America is that we are creative thinkers. We're innovators.
I was working more on a primal, instinctive level. And it just seemed to suit me; it seemed to suit my concentration span, it seemed to suit my personal style of performance, and I have fallen in love with film acting.
Movies are designed to tell us stories, engage us on an emotional level and keep our attention. This can be done with a wide range of emotional triggers - Love, adrenaline, comedy. But fear is a highly potent sensation.
I think physical comedy is an amazing asset because it tells a story that's more universal than just language and dialogue. I grew up watching Charlie Chaplin and Buster Keaton. They're very powerful figures in my life.
'Sherlock' fans are, by and large, an intelligent breed, so they've gone through my back catalogue and got what I've done, why and how I've done it. There is some obsessive behaviour, but I worry for them rather than me.
Acting is the most pure fun as far as jobs go, but it can be limiting in terms of freedom of expression. You are never the master of the story, just a part of it. But writing and directing give you the power of the gods.
My dad read The Hobbit to me originally when I was young. So, it was the first imaginary landscape I ever had in my head from the written word. It gave me a passion for reading, thanks to my dad's performance of the book.
[on BBC's Sherlock] It's a rare challenge, both for the audience and an actor, to take part in something with this level of intelligence and wit. You have to really enjoy it. It's a form of mental and physical gymnastics.
I look for characters that offer me opportunities to explore some aspect of the human condition. I think a lot of actors would say that and would look for that. I've been lucky enough to find projects that let me do that.
Despite the fact that wanted to voice aclassic character, a majority of my day-to-day is not Porky Pig. It's commercials and original characters, promos and other aspects of the business. Porky's just kind of high-profile.
It's either I have to be in the trees or in the ocean, otherwise I lose my mind. I have to get connected with nature, otherwise I don't feel very good. And that's what life's about, feeling good, so nature knows best for me.
When you're doing a pilot, you're doing it in this bubble that almost works against the creative impulse. You don't have time to get to know the actors first, and you have three writers, as opposed to a room full of writers.
We use improv in all kinds of fun ways. Sometimes it's to invent or discover new things, sometimes it's to weird out the other actors, and sometimes it's to create a sense of fun, to find new things inside the scripted lines.
[Sherlock Holmes] has moved from being someone who was sociopathic, work-obsessed and slightly amoral, into being someone who has a certain degree of a private life, which is very, very private, with The Woman, or Irene Adler.
I love doing the voice of Batman because of the quality of the animation. The music is particularly incredible. Another bonus is getting the opportunity to work with some very respected actors who do not usually do voice work.
Couples who make it aren't the ones who never had a reason to get divorced; they are simply the ones who decided early on that their commitment to each other was always going to be bigger than their differences and their flaws.
The Ninja Turtles made me who I am today in a big way. It was my favorite show as a kid. It got me into meditation, martial arts, speed boarding, and generally like the positive person that I am today is because of the Turtles.
Every Halloween for six years, I was a Ninja Turtle, and Mikey was my favorite. The turtles really made me who I am today. They got me into martial arts, meditation, surfing, skateboarding; big time influence on who I am today.
As a kid, I just loved cartoons. And as the credits went by, I'd study those names and then try to figure how I could get hired to do what Mel Blanc and Daws Butler did. Create all of these great voices for animated characters.
I'm not confident in social situations; just going up to someone in a bar and saying 'Hi' is going to be even more difficult because they won't know the real me. They will just know me as a fictional person I play on the screen.