Quotes of All Topics . Occasions . Authors
I just enjoy collaborating. I think there is always something to be learned, and I think that one could never collaborate enough - that would be impossible. So I am always excited and honored when someone wants to work with me.
I go by the "Miles Davis school of production and band-leading", where you pick the best musicians you can, you provide them with a minimum of direction, and you just let the music happen. I've seen it work time and time again.
I feel like Europe is way more advanced. They're way more open to the definition of jazz. More cool. They're like, 'You want to do that? Awesome. You want to work with a rapper? Awesome.' They're not, 'Aah, it's not real jazz.'
The Catholic Church, though I think it's important that people grow up with moral values, I just always disagreed with their tactics, which I thought were fright tactics, as opposed to sitting down and explaining the situation.
I don't understand this phrase 'I've paid my dues.' We didn't have any money and lived on peanut butter and jelly, and I loved it. I don't regret any of it. We never expected to make it this far, but we worked hard to get here.
All he cares about is going out there with his Jack Daniels bottle. Nothing has changed. That's kind of sad. If David was doing better than he used to be, then that would be different. But it was a joke and he made it that way.
I saw a lot of drugs and strange things when I was younger, but I also think it was a positive experience because I was surrounded by these really interesting, beautiful people that were trying to get their lives back on track.
I just think bad vibes and hate and Trump are getting so much airtime, we need to speak out loud for peace and equality and fairness and make sure we all know that there are a lot of us out here in the world that just want love.
I started out in the 1940s, singing around the clubs of Cleveland, Ohio, where I grew up. There was a woman in showbusiness, a contortion dancer called Estelle 'Caldonia' Young - she was named after the song Caledonia Caledonia.
I remember one night in Memphis, I'd come out of a blackout, and I didn't know where I was. I'm feeling through the darkness - I was asleep in the middle of a freeway. I went up to this car in the darkness, and it was a cop car.
Usually I'm the one who does the covers. And I just said, man, it would be nice to see what somebody else could do, outside of this thing. A fresher look. And I never, in a million years, would have come up with this. Believe me!
I have three adopted children with Phil, and for years I was fighting in court with him over being able to see my kids. I was always going back and forth to California, going to court, and I was never able to get a project going.
There is a big difference you see between privately letting someone know that you're displeased, whether they've done something they may not be aware of, and just rudeness - and you do not have to tolerate rudeness, by any means.
I love movies and I think that we wouldn't ever stop making videos just because people aren't watching them. I think that's just kinda sad. It would be cool to spend a lot of money, but we'll always make videos just for ourselves.
There's times, in certain songs, that I might be in my own world, and who cares about who's out there, you know? You have a job to do, so you do that job of singing that song or telling that story because that's what you're doing.
The B-52s, you know, our songs are about volcanoes or lobsters. Cindy and I sing them like our lives depend on them. I feel very emotional when I'm singing 'Rock Lobster,' but I've wanted to sing more about my personal experience.
I retired once but you've got to have something to retire to and I don't want to do anything. My job is like a well paid hobby, I mean not a hobby but I'm not lining up every morning at the bus queue to go to work. I'm very lucky.
Searching for nothing Wondering if I’ll change I’m trying everything But everything still stays the same I thought if I showed you I could fly Wouldn’t need anyone by my side I'm running backwards With broken wings I know I’ll die
There's these things we do that take us into the zone - and we go in that place that I feel like is the place of love that you reach when you're in love or making love, or you're having a good conversation. I feel like that is God.
My pug dog, Princess , is something else; she's my baby. I've had her for about 14 and a half years. They usually don't live any longer than 15, but I don't believe that. As long as you treat them right, they will live a long time.
I also tried to focus on songs that Billie Holiday wrote, songs that she had a hand in shaping, like "Strange Fruit"; songs that were written for her or songs that she wrote herself, like "Fine and Mellow" or "God Bless The Child."
Overall, we had about 50 meetings where the brothers would say that I couldn't do any solo records, I couldn't write for other people, I couldn't do this and I couldn't do that. These guys were trying to nail my feet to the ground.
I like a very dark house, just black. I sit there and just think. Once I'm still and quiet inside, I'll begin. It's very personal; it has to be. One song may be Bach, the next blues, a song from TV, or a nursery rhyme or jazz piece.
I grew up moving from one council flat to another and finished up in a three-bedroom semi-detached on a council estate in Cranford, a suburb of Hounslow. This was in the days when there was still rationing, and we had to be thrifty.
It's really more about the moment than it is the award. You know how trophies are, you don't really think about them after a while. It's more about the moment of being encouraged to keep doing what you're doing that keeps you going.
But I've been there and done that. I'm not trying to prove anything to anybody, and if somebody wants me to come, if they can afford what I ask, it's not as much as Madonna makes; not that I want what Madonna makes, but I was saying.
I'm a rock 'n' roll baby. I was one of the last actually born into rock, in the middle of it. My mother was a promoter, so I grew up with rock stars. When I was little, people like Jimi Hendrix were walking around in the living room.
If you think of a solo artist, you normally know them by their name; you don't normally describe their kind of music. You just say, 'It's so and so, or it's so and so.' But with bands, everyone feels an obligation to categorize them.
[Dean Martin ] had this really wonderful rich, authentic, distinct vocal style. His humour in movies [and] the self-deprecation and the coolness he had could overshadow what a marvellous vocalist in the Great American Songbook he is.
And I learned a lot from working with this kid, and I think he's gonna be a big star. Remember the name, Tim Dark, because he has something about his voice that's different from all the other rappers, even though his style is similar.
I really have a lot of respect for music, the art form of music. It's my whole life. I don't care about any of that other stuff. And I have always felt that way. I'll build a career on my own merits, my own hard work and nothing else.
I think the legacy we leave is our family. I don't think it's money. I don't think it's - I'm not saying that charity isn't a great thing. I just think that it's my family. Even now I look and I think, God, I'm lucky if I lost it all.
After I had my dream, I got into numerology. Like my buddy's name is Bill, and I would say, "B is a two, and each I is a nine, and the L's are fours. And that's eight." I would figure out everybody's numerological single-digit number.
No one ever sounded like The Slits or looked like them, no matter how many people tried it, or were influenced by it. It's impossible. You can't recreate that. There will never be another Sex Pistols. There will never be another Clash.
I was brought up in a house with a lot of appreciation for music, all kinds of music, including jazz. But I never knew that it could really be a career. I didn't know any jazz singers. I never saw live jazz. I only heard these records.
Maybe I'm like acts of Congress or your favorite Chinese restaurant - you don't really want to know what's going on behind the door. I'm a real study in contrast, I expect, looking from without. But it adds up to what you get on stage.
I do ironing not only for myself but for everyone at home, everyone in the studio if they want it, and if I run out of ironing to do, I put everything back in the washing machine and get it out again clean so I have some ironing to do.
Look at Gleason in The Honeymooners. He was humorous but the way he lived wasn't really humorous. He was a bus driver. Who wants to be a bus driver? He didn't have any money and he was not famous. But despite that, the show is humorous.
I can't sit and compare my trouble to Brian Wilson but I came from a blue-collar family of fishermen. Music was an escape and a way for me to dream of better things and a better place to be. Let's just say I was an insecure, scared kid.
I can honestly say, all the bad things that ever happened to me were directly, directly attributed to drugs and alcohol. I mean, I would never urinate at the Alamo at nine o'clock in the morning dressed in a woman's evening dress sober.
When I work with Women of Faith, I probably talk to anything from 15- to 20,000 women a weekend. They are dying to hear somebody tell their story out loud and not self-combust, to bring all the secrets out of the shadow into Gods light.
When I usually use a theremin during a set, it feels...it feels good, because I get to take a break from playing guitar, it's a little rest, really, and I know that it's only five or ten minutes until the show ends and I can get a drink.
People don't really care about lyrics anymore. It's kinda really sad, like they'll listen to something musically and has a really cool beat down or something, that's great, that's good enough; but the message is the most important thing.
The music in Haiti is all tied up in voodoo and African rhythm, and so there's this funny thing: go to a voodoo ceremony, and then go to a Catholic church and tell me which music you liked better, to which one the music is more integral.
Show business has always been my life. I love it. I've shared the ups and downs. So it will still be my life. It is a big piece of your life because this is all you know. It just seems like it takes you to such great heights in your life.
I would like to be a part of a community of women, and help women be empowered, but I think I'm not necessarily political. I say that because I really hate politicians, so I don't fancy sitting around and thinking about them all the time.
I am far from an "old" person in human terms, however I've spent over half my life immersed in the punk rock and hardcore community. I am not wholly defined by that as a person, but it is something that has been part of me for a long time.
I just disagree so much with the way the Catholic Church says things like, 'If you're not a good person, you'll die and go to Hell; there's a purgatory there...' If I was talking with a Holy Ghost, it would scare the living Hell out of me.
In the early Seventies, I bought a dilapidated hotel in north Stoke for about £100,000 and spent the same amount again renovating it, putting in a guitar-shaped swimming pool, painting the bathrooms purple, and installing gold dolphin taps.
When it's all said and done, jazz with a capital J is where I'm coming from. Dexter Gordon, Billie Holiday, Miles Davis, Charlie Parker, Thelonious Monk - that's what I really studied when I was a teenager and what really fueled my passion.