Quotes of All Topics . Occasions . Authors
Everyone's definition of what God means can vary. But music is something that really takes you to that - 'sublime' is a great word. That thing that is greater than we are. The beauty, the magic of the universe.
My audience is a huge part of my success, so I see us as a team. They send me tons of song requests every day. Some of the songs I've never heard before, but I listen to them and then pick the ones that I love.
Whenever I play recitals, the part where I talk about music and my experiences of music, audiences always like it. They feel more involved with an artist who talks to them. It's a nice experience for me as well.
I find that Bach is appealing to a lot of different audiences. It really hits people at their core in different ways, but it also creates a meditative space. I just feel like I can play it, and it reaches people.
Perhaps our task in this shaky, fast-changing, bewildering world in which we live is to make music, at first with all that we have, and then, when that is no longer possible, to make music with what we have left.
I have a very simple philosophy. One has to separate the abilities from the disabilities. The fact I cannot walk, that I need crutches or a scooter or whatever it is, has nothing to do with my playing the violin.
In winter I go skiing on Saturdays and Sundays when the slopes are quieter due to changeover day for tourists, and in summer I hike up into the mountains at sunset, just as the village is settling down to dinner.
The moral effect of the thundering of one's own artillery is most extraordinary, and many of us thought that we had never heard any more welcome sound than the deep roaring and crashing that started in at our rear
If you're playing within your capability, what's the point? If you're not pushing your own technique to its own limits with the risk that it might just crumble at any moment, then you're not really doing your job.
The moral effect of the thundering of one's own artillery is most extraordinary, and many of us thought that we had never heard any more welcome sound than the deep roaring and crashing that started in at our rear.
Raising a small child as a woman while travelling 10 months out of the year would, I believe, be something I would not be able or even want to do, although with the amazing example of Leila, I am no longer so sure.
That's what I love about those old movies - the music is like a constant companion. Even in scenes that aren't particularly dramatic, like a woman checking her watch, you hear the music as a comment on that action.
The earlier days of the republic went into the acquisition of money and the provision for material things is now finding an outlet in the espousal of art. Now America has the leisure and the culture to foster beauty.
Suddenly, at about ten o'clock, a dull thud sounded somewhere far away from us, and simultaneously we saw a small white round cloud about half a mile ahead of us where the shrapnel had exploded. The battle had begun.
I've been touring for 25 years. I'm used to it, so I love it. Although I feel the tug of home, as I have three little kids, I don't suffer like some artists who constantly complain about how much they hate traveling.
Europe in general is a great place for me, but specifically Germany has been very good to me. Germans love classical music... Electronic dance music is massive over there, so I'm kind of the marriage between the two.
I tried so many different musics. I kind of burned out on classical and wanted to make it fun again. I started playing with indie bands and country bands and finally realized electronic music brought my style to life.
I can think and play stuff in classical music that possibly violinists who didn't have access to other types of music could never do. It means I'm more flexible within classical music, to be a servant to the composer.
The stage is the best experience in the world. It's a great compliment to be able to share the music, because people can hear my album but they don't get to make the connection in the same way as when it's one-to-one.
It's really been enlightening for me to work with composers because I used to think that everything in the music was exactly what the composer meant. Well, it's what the composer meant in that moment when they wrote it.
I met my wife in music camp. She's got great ears, and we have a relationship where she's not afraid to tell me anything. If something's going on in my playing, she will tell me about it, and that's very, very important.
I guess you never know what's going to come at you in life, but the answer is never to crawl into a box and throw in the towel. There is good that can come from anything, even if it's just a later laugh and a good story.
When my twin grandchildren, Linda and Lyeke, were born two years ago, it changed me. I felt it was the essence of what life is about, and I cried all day. When my son Pierre, their father, was born I didn't cry like that.
Before the whole world, I accuse you, German intellectuals, you non-Nazis, as those truly guilty of all these Nazi crimes, all this lamentable breakdown of a great people - a destruction which shames the whole white race.
You couldn't be performing if it weren't for the audience. I appreciate them being there. So why not applaud them? They took time out of their schedule to show up and sit in the concert hall and be part of the experience.
I am humbled and honored to receive the Genesis Prize, recognizing not just my professional achievements and my desire to improve the world, but also my commitment to my Jewish identity, Jewish values, and Jewish culture.
Being a director or a conductor is a balance of many things. And to do it right is a very difficult tightrope to walk. I've come to the conclusion that there's really no way to be one hundred percent popular as conductor.
In all teaching there must be a fusion of authority as an adult providing a stable framework for the children in one's care, and humility as another human being ready to educate an equal who may turn out to be a superior.
I believe that music in itself heals and that everything is about the power of the mind. I thought if you are happy, you don't get ill. Your health is in your head. When you are satisfied with your work, you don't get ill.
Everybody's saying, you know, 'You're so heroic and so on despite of the polio that you had and so on.' Look, I had polio when I was four. So when you're four years old, you know, you get used to things very, very quickly.
One of the most rewarding things is meeting someone after a concert who has never been to a concert before. It is incredibly rewarding when they say, 'This is my first classical concert.' It is really exciting for everyone.
So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.
I remember performing in Russia when I was twenty, and I stayed at this hotel with 3000 rooms. There were sailors knocking on my room door, wanting to barter stuffed animals with Marlboros that I had been instructed to bring!
To bring a large audience to a piece of serious music and make it accessible does not mean reducing it in any way. And I've learned that if something is good, even if it is a little difficult, people will get that it is good.
What gives my art the most meaning is when I can connect with others through it. When people say that my music has helped them, or it makes them feel good, or it inspires them, that is what gives my art lasting meaning to me.
It is interesting that our biggest fans are the greatest names of the classical music scene, such as Julian Rachlin, Janine Jansen, Mischa Maisky and Gidon Kremer. They even make guest appearances in our concerts occasionally.
Violin for me is a great instrument because you can use it as a rhythmical instrument and also as a melodic instrument. ... You can pretty much do everything with the violin. Sometimes I feel classical music limits the violin.
Although I had resigned my commission as an officer two years before, I immediately left Switzerland, accompanied by my wife, in order to report for duty. As it happened, a wire reached me a day later calling me to the colors.
What brings a real and lasting joy is our relationships with God, and our love for His other children He has put in our lives. It's people; friends and family that fulfil us. All else, fame, popularity, beauty, is so fleeting.
The nice thing about the violin repertoire is that it's small enough that you can plan on learning everything at some point - whereas the piano repertoire is so enormous it wouldn't be possible unless you're a learning machine.
For several years I had no idea that I had become anorexic. And I'd be at places with people I cared about, but what I was thinking about was how much extra grease was on the pizza or the calories that I knew was in that shake.
I love performing. The sounds coming at me are dynamic, colorful and multi-layered. The energy from the musicians around me and from the audience is a swirl of excitement. Sometimes, I can feel the stage vibrating under my feet.
The only downside to playing the violin is that you never know when you're going to be asked to play. I could be out to dinner or having a drink at a bar, and someone could just give me a violin, and I've got to be ready to play.
Where I went to school, Eton College, we had to wear dark trousers, a tailcoat, and a stiff, starched collar every day, and that was fine with me: Part of the reason I wanted to go there was because I've always loved dressing up.
A lot of my writing comes from the themes of my life, and a lot of that stems from my faith. I also strive to be a light through which Christ can shine, whether it's through the way I dress, though my videos, or through my music.
What drew me to the violin was mastering the instrument technically, which I'm continuing to do. You want to push boundaries, to not always be in your comfort zone. If you don't, you get stale. So you have to find areas of growth.
It is very unnatural to dance while playing the violin. I had to practice so hard to learn how to do it, but now it is part of my expression, and it comes naturally. I have to know a song perfectly before I can even begin to move.
I've already done two cover albums. I don't know, maybe it wouldn't be a good idea to do another, but I just did the Led Zeppelin song for fun, and I thought I could do it kind of quick since songs that I love a lot I can do fast.
I don't have favourites, I think, when you play, you have to be like a prostitute, you have to love the piece you are playing. Even if you don't like it, you have to play it as if you would like it. Then you are a good interpreter.
It's my favorite movie score and because I had such a crush on Christopher Reeve. The music made me love him even more. You know when you hear music in a movie and it makes you fall in love with the characters? That's what happened.