Quotes of All Topics . Occasions . Authors
Look at Nicola Walker in 'Last Tango in Halifax.' She has the most wonderful face. You just want to look at her. And if she'd gone off and had Botox and facelifts, I wouldn't want to look at that face because it wouldn't express anything.
I've never been so star struck in my life as when I met President Obama and Bill Clinton... and at the same time, no less! I'm not one to be at a loss for words, and that was a moment when I really was speechless. It was a big, big night.
I just like working. I'm not good with downtime. I need to be doing something. I'm a music person, so I'll always have that going ... whether or not I'm getting paid for it . It was different to go into talk shows and performances by myself.
I moved to New York last year and I love it. It's a huge change and I've always wanted to spend time there. It's like a more intense London, and everything's up a few notches. The lights are brighter, the pace is faster and the food's better.
I earned my share same as everybody. Well, I coulda got killed same as everybody. And I'm wanted by the law same as everybody. I'm a nervous wreck, and that's the truth. I have to take sass from Miss Bonnie Parker all the time. I deserve mine.
As Ralph's character begins to discover the political thriller aspect of the film, he falls deeper in love with his wife, so the two run together. That's the beauty of this film. It has fast pace and excitement, but it also has heart and soul.
The Oscar buzz when I was nominated was totally overwhelming. I think I can cope with anything now that I've coped with that. It was huge. It makes you realize, coming from a small country like Australia, what an enormous industry it is in America.
It present to allow me to ask myself questions about what I'm doing. I think that's what visual art does - it either reminds you of something or allows you to question something. I don't know why Robert Motherwell; I love so many different artists.
If you love job, then you have to know how to let it go. If you have a bad audition, I think you're allowed 30 minutes of pain, maybe a day if it's really that bad. But to allow a whole week? No. That would be contradictory to the process, I think.
I have had big relationships. Three times in my life I have felt a special connection, but people talk about looking for love as if it's just like walking into a Starbucks and buying a coffee when you feel like it. It's rare, that special connection.
I thought, 'OK, Melissa Gilbert is playing my mom, and I'm playing her old role - no pressure.' So I went up to Melissa and said, 'It's such an honor playing your daughter,' and she smiled and said, 'Oh, shut up.' I thought, 'Great, a normal person.'
I did 'Lone Star Love' in 2007 with Randy Quaid, and that was supposed to come to Broadway at the Belasco and a marquee went up and everything... and it all fell apart, and that marquee came right down, and we got severance pay. And, it was very sad.
Every new mother wonders, 'what will I pass on to my child'? Hunger is one inheritance no mother wants to give her child, yet millions of poor women have for generations. Help the World Food Programme break this cycle. No child should inherit hunger.
I come from a strong matriarchal line. I was raised by Gypsy, her sister, Mary, and my maternal grandmother. The result of not having my father live with us meant that, when it came to understanding the opposite sex, it was like working without a map.
When you get as old as I am, you kind of believe there's nothing new under the sun, but there's always a fresh way of looking at something. That's why I love working with young people. They remind you of things you used to know and have since forgotten.
That's the thing with dementia. If you're with somebody who has a serious illness, you can usually talk to them, have a laugh every now and then - the person is still with you. With dementia, there's no conversation; there's no togetherness, no sharing.
I want to play women my own age, rather than artificially 'de-age' myself so that I can play women who are younger or much younger than I am. I want to grow into those kind of more mature parts, not try and keep them at bay for as long as I possibly can.
I was a hostess, I sold shoes, but I don't function well in jobs that don't have to do with what I love. I have cleaned bathrooms in theaters, I have sold wine in theaters, I have sold tickets, because I will do anything, anything, to stay in this world.
I do read movie blogs. I think what's really interesting - Probably everyone says this, but what's interesting is it, it takes away the power, from the newspaper magnates, so be it Murdoch or whatever. I mean, it's like the people taking it back. Isn't it?
It's really hard to make a good film; it's really, really hard. So, the director's very important, and a character that can be described with more than one or two adjectives, maybe with contradictions. Contradictions are always good because that's truthful.
I enjoy art, architecture, museums, churches and temples; anything that gives me insight into the history and soul of the place I'm in. I can also be a beach bum - I like to laze in the shade of a palm tree with a good book or float in a warm sea at sundown.
I don't think they're more temperamental people now. With social media we hear a lot more about it. The nastiness you get online, there were always mean girls - always - they didn't have such a big forum as they do now. Mean girls ought to get a life, I think.
To be embraced by Hollywood when I'd been acting professionally for almost 50 years seemed unbelievable. I've been so welcomed in such a warm, generous way - it seemed crazy not to take advantage of it. I hope for another 20 years where I can still keep going.
Even in Australia I'd say 80 percent of our television was American. I grew up watching Alfred Hitchcock Presents and The Twilight Zone. I used to sit with my mum when I was just nine years old, trying to guess what the twist would be. I love that kind of thing.
I was offered more work after the Oscar. When I was younger, I would take whatever I was offered because it was money and work and experience. In a way, choosing is the hard part. I know that's a luxury problem, but it's true. I try to go where passion takes me.
I totally let myself indulge, but I make little deals with myself. If I have an extra cupcake, I'll run a couple of extra miles. I think it's all about balance and not getting into extremes with dieting and exercising. Having a healthy attitude is important, too!
I think mystery is kind of great. I don't know anything about Bette Davis or Katharine Hepburn or Ava Gardner - not really - and I like that. I love watching their movies because they're my personal movie stars. I don't know what they eat and who their trainer is.
Well, I've been acting for 50 years now, professionally. I've been acting a lot longer. My mother reckons I was acting when I got out of the womb. But because I've been working in the theater, I've probably only done about 25 movies but I've done more than 100 plays.
I have that precious commodity - freedom. I can live my life a day at a time, and I am open to whatever the next day brings. I know I sound as if I have been off with some guru in India, but I haven't. I've come to realise the value of being able to decide for oneself.
I live for my work, apart from my family who come first. And I live to tell stories and pretend to be other people, it's something I've been doing since I was 3 years old. Maybe it's because I'm intrinsically bored with myself, and I find other people more interesting.
I try to live my life as honestly as I can, and the last thing I want is to pretend to be something I'm not. To pretend to myself I am a sex symbol would somehow be dishonest. I'd feel, in my heart, that I were behaving artificially and that's the last thing I want to do.
Can I remember exactly when I 'lost' my husband? Was it the moment when I had to start tying his shoelaces for him? Or when we stopped being able to laugh with each other? Looking back, that turning point is impossible to pinpoint. But then, that's the nature of dementia.
Well, let's say Asian. Some are Japanese. Some are Chinese. Some are Thai. Some are Vietnamese. He runs the gamut. And I actually happen to have a very dear daughter-in-law who's Japanese. I don't know what she's going to make of the film, but I say a few disparaging things.
I wear my lines like a soldier wears his medals. They've been earned. They've been fought for - so there's no reason to be ashamed of them. In your 50s, you just care less about that sort of thing. I think it's to do with what's inside you. You can't obsess about the outside.
I had never been in a New York courtroom. I think I went on a field trip when I was nine in New Jersey, but I never actually set foot as an adult and it was terrifying. It's very sterile, somehow. It seems so grand in the movies and it's so sterile when you're actually there.
I grew up in the Fifties, and the majority of people in my class had fathers living at home. I was very aware that I was in the minority. I had a foreign name, and my daddy didn't come and pick me up from school. I felt like an outsider, which probably helped me as an actress.
I just kind of muddled through in my 20s. I did whatever I got offered, to be honest, to pay the bills. I didn't really know what I was doing. There are some actors in their 20s who are very sure. I wasn't very sure what I was doing. I feel like I've only really just got going.
I had my appendix removed in my 20s. I was in the middle of a play with Helen Mirren at the Royal Court Theatre, a fabulous career break. Then two weeks in I began suffering the most horrendous pain and had to pull out. Sadly, by the time I'd recovered, the show's run had ended.
My mum - and my granny and I - would close the curtains, turn on the TV and snuggle up and watch 'Come Dancing.' It was actually my granny who was the biggest fan; she loved the show, and she passed on her passion for it to me. I loved the dancing but also the frocks and the glamour.
I love when I am not typecast. I've been acting for 50 years. I was such a baby face; I was playing children until I was in my 30s, which frustrated me enormously. Now that I am 65 and getting to play women in their 50s, I am getting paid back for having to play children for so long.
I would feel ill without theater. It's kind of a cliche, but every time you make a mistake, you really do have to learn from it to move on. When you're doing something live, there's no time to dwell. Hopefully you'll laugh it off, but if not, you can always take a day to hate yourself.
And I guess, I guess it's a humanist film. It's not really a spiritual film and it's, you know, it's saying that we're all one tribe of humans and we're on this little rock, floating through the universe and (Amenabar) has these (transitional shots of) POVs where you see humans like ants.
Emily and I have some funny scenes where we quarrel and it gets quite heated, the mother-daughter relationship. You know, film mothers and daughters adore each other. And some don't. But how could you not love Emily Blunt? But I think I'm just one of those people who's always discontented.
I don't know if a penny's dropped somewhere, but you've had 'Lark Rise to Candleford,' you've had 'Cranford,' you've had 'Last Tango in Halifax,' you've had 'Call the Midwife'... I think the largest portion of the viewing public are over 55, and they like to see people they can identify with.
It wasn't on my agenda, but the thing about getting important awards is it makes the adventure of your career have a little more possibility. I think just what's happened so far is already making the opportunities more interesting, even though I'm at the twilight of my career of like 48 years.
I got last-minute rush seats to Baz Luhrmann's 'Boheme,' and my favorite singer, Ekaterina Solovyeva, was playing Mimi that day. My face got burned off when she sang the aria 'Donde Lieta Usci.' The woman was technically sobbing and singing opera at the same time. I don't know how you do that.
A lot of the music is the kind of thing I grew up with, listening to it with my parents. So there was a band in London called the BBC Big Band, and I sang with them. And I had never done a big band before, and it was just so fantastic and I had such a good time...so that's how it all came about
Every audition is different, but I get incredibly nervous and insecure and worked up for however long I have to prep - that's when I get to spin. But you're not allowed to spin once you enter the room. Doubt really can't enter the room when you're auditioning - unless it's part of the character.
In Australia, I grew up watching 'The Mickey Mouse Club,' my son grew up watching 'Sesame Street,' my grandson's growing up watching 'Dora The Explorer.' So we are sort of saturated with American culture from the day we're born, and to those of those who do have an ear for it, it's second nature.
When I was a kid, my daily routine was playing make-believe, and I kind of created these stories throughout the day. And when it came time to go to preschool, my English wasn't really so great because my mother wanted me to learn Ukrainian, so she signed me up for these children's theater groups.