I'm not afraid of stereotypes. There are some truths to it - but the problem is that people keep sort of owning that one thing to be the truth.

Sometimes you get into a situation and realize that there is so much more to explore there and ask, why are we jumping off the cliff quite yet?

The thing I love about this story [The Killing] and this type of storytelling is that I don't have to know the end before I know the beginning.

People are very confused about how to do things on a computer, but generally, if you hover your cursor over things, it will tell you what it is.

Time eventually convinces most of us that forgiveness is a virtue. Conveniently, cowardice and forgiveness look identical at a certain distance.

I really understand that we have to be sensitive to people's feelings and to their sensitivities, but you also can't be muzzled to tell a story.

I think of myself more as a filmmaker or as a film person than as strictly just a writer. I don't come out of playwriting or anything like that.

Lots of people feel more alive when theyre riding a roller-coaster relationship. But while this might be fun for a while, it cant possibly last.

I think every woman has this point in her life where she's like, 'I have a great job, great outfits and great friends, but something's missing.'

When you're a writer and you're a producer, traditionally the junkets are really focused on the beautiful people and nobody wants to talk to you.

I love films where I'm looking around the world a little different now that I've seen that. I want something that nourishes my view of the world.

In any show with a character that you really love, one inclination is to cure them of all their flaws but you remember that you like those flaws.

I hope to take advantage of the Netflix organism and see if there are ways to get in new material and see if there are ways to do deleted scenes.

Being a cab river is not unlike being a magician--minus the top hat, the cape, the rabbit, an the gorgeous assistant. But you do have an audience.

... occasionally I see rich-looking women on Rollerblades gripping leashes and being towed bodily by golden retrievers. That's my kind of jogging.

Conflict is entertaining and it's the stuff of drama - or comedy - but too much conflict, or conflict that's at too high a pitch can get annoying.

The thing we look for everywhere is, you know, music that resonates with us. This is what moves me. And hopefully my music will move someone else.

It’s been a long time since Sherlock Holmes jumped off that roof - it’s time to reveal the truth about what happened between him and the pavement.

Lots of people feel more alive when they're riding a roller-coaster relationship. But while this might be fun for a while, it can't possibly last.

Well, I took ballet for many, many years, so my whole childhood really revolved around dance class. I grew up around dance; my mother was a dancer.

An apple tree is just like a person. In order to thrive, it needs companionship that's similar to it in some ways, but quite different than others.

I'll be a story in your head. But that's OK. We're all stories, in the end. Just make it a good one, eh? Because it was, you know; it was the best.

If you take most men aside when their wives are pregnant, most men are pretty frightened and worried and faintly disgusted by the whole experience.

It can be easy for an actor to go "Well I really have to do a lot" and then just saying "I don't need to do anything, I'm not bound to do anything".

I write about power, that's my real subject - how you get it, what you do with it, how you abuse it. I'm equally wary of liberals and conservatives.

It was while making newspaper deliveries, trying to miss the bushes and hit the porch, that I first learned the importance of accuracy in journalism.

The stories in 'Parenthood' are so much the stories of our lives. And the people who have worked on the show feel very connected to these characters.

I think pregnancy, like life, is what you make it. I received a good hand. I'm thankful and blessed and so peaceful and can't wait to welcome my son.

I think when it comes to television as opposed to film, the producers really are the writers. We work with people who are purely financial producers.

I was raised by a lesbian feminist who told me that shaving my legs was giving into the patriarchy. So, I consider myself to be a bona fide feminist.

We're not allowed to carry out harsh interrogations anymore, but we're allowed to fly over somebody's village, without due process, and kill them all?

At the end of the day, I think the only way to do the kind of job a writer does is push everything aside and just ultimately sit down and do the work.

Writers need restrictions. If somebody just says, "Hey, do you want to write a novel, or an article, or a movie, or a short story, you get shut down."

We started gearing our content more to what makes us laugh and stories we wanted to tell, and we had to decide, early on, to not be precious about it.

I got a call from an agent to come to New York City, and write for the 'Ford Star Revue.' Because at the time there wasn't much 'national television'.

People don't really have a relationship with great writing or great production or great art direction or great direction. They just sort of admire it.

With 'Girlfriends,' even with 'The Game,' or even with 'Being Mary Jane,' I didn't get a chance to wrap up the story and, more specifically, show love.

When I countered that Archie Bunker didn't have to put down a race of people to say that, he replied, 'and you're the dumbest white kid I've ever met.'

One of the best decisions we made on the 'Arrow' pilot was to have the Deathstroke mask. Within 30 seconds, you knew you were watching a DC comics show.

I was born in 1973, so I did not see 'Alien' when it was released theatrically. I saw 'Alien' when it was on Home Box Office. I think I was probably 10.

When I walk into a room, I know my storytelling has value and I have to sell my idea. I have to help people see the financial value and gain in my work.

I think when you do a season of television you go into it going I'd like the season premiere needs to be amazing. The season finale needs to be amazing.

'The Sixth Sense' was a very enjoyable, successful movie despite the fact that there were plenty of people, including myself, who saw the ending coming.

[On middle age:] ... the very real possibility for you of growing fat as you near death and thus being seen by everyone while you are both DEAD AND FAT.

The complete control of one party over everything - I would, I think, feel the same way if it were [the Democrats in charge]. It's not the American way.

There's something great about terrible westerns. They look like gay dancers and bad, overwrought dialogue and overacting, black and white sped up horses.

As cliched as it sounds, if you have an original voice and an original idea, then no matter what anybody says, you have to find a way to tell that story.

I feel like great TED Talks are ones that are a little bit subject to interpretation, that do provoke further conversation - and potentially controversy.

The writing of 'The Ladykillers' was fun. But once it goes out of your hands it's not fun, 'especially for someone who is used to being hands-on like me.

So when you feel this time approaching, and your comfort zones in view. Stop and think about what you're feeling, and see if what you're feeling is true.

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