Quotes of All Topics . Occasions . Authors
I've had a long association with the theater over the years but I had never produced a play and it was something that I'd always wanted to do.The movies moved away from dramas, and I think that I'm very excited by the opportunity to take smart writing that takes risks and see it on stage. It's exciting to see that engagement between the audience and the playwright.
Most of the actors that I've had the pleasure to work with are very easy to get along with. And whether they're getting paid or not getting paid doesn't necessarily make a difference. Most people are easy to work with and easy to get along with, but we mostly hear about the assholes who are really a pain in the ass, and we've all had our share of working with them.
O.J. Simpson existed in a bubble. So when Harry Edwards approached him about being involved in the Olympic Project for Human Rights, O.J.'s response was, famously, "I'm not black - I'm O.J." O.J. had ambitions to be famous, rich and liked by everyone, and I think he understood that being political and militant as a black athlete was not a way to engender universal love.
I would love to bring to light, besides just educating about Lyme in general, that it's a very complicated disease and it's very, very scary for the people who are dealing with it because your insides don't match your outsides. That can be very infuriating because people would say, "You look great." And you're like, I can't even carry on a conversation with you right now.
I'm a civilized person who obeys the law and is pretty easy to get along with, but I'm more complicated than that. I use my work as a way to get all that other stuff out and experiment with feelings and ideas, and the forbidden. That's just part of my process, I think, to identify something forbidden. That's what lures me into wanting to do the work, write the story down.
Honestly I'm excited about the possibilities of what comes next, and the funny thing is, that is sort of what "Star Wars" is kind of about. I mean, I remember being 10 years old and seeing that movie and leaving the theater and feeling like, oh, my God, anything is possible. And I feel like anything is possible right now. I don't know what's next, but I look forward to it.
There's an expression in life: "You can only make one first impression." And that first impression has to be spectacular. So, I wait, and let people see it when it's ready to go. It's not a set rule, but I think it's the better way of working. People will agree with you because of your track record, but you want people to like it because it's good, not because you found it.
It's a tale of redemption. It's a tale of a girl who is going on a journey, who makes mistakes as most young people do... the credit card companies love sending you credit cards so you exceed your limit and they can charge you interest. And this is a girl who overcomes her problems and figures a way out of her financial crisis, and hopefully the world will do the same thing.
Does Rupert like me? I think so, but it doesn't matter. When I go up to the magic room in the sky every three months, if my numbers are right, I get to live. If not, I'm killed. Our relationship isn't about love-it's about arithmetic. Survival means hitting your numbers. I've met or exceeded mine in 56 straight quarters. The reason is: I treat Rupert's money like it is mine.
The comic book, and I've said it before, is a treasure trove. It's a grab bag. We certainly have characters and story lines that we really want to do - but to get there in a TV series, you have to take your time. Sometimes you can't get right to it. They're two different mediums. So we make it our own and really own the material. I like to think of it as an alternate universe.
Writing for me is an ongoing practice of facing and countering fears. And so, in that sense, I have always been responding to phobias. I am often most surprised by the writing that comes from facing fears that strike closest to home, poems that explore internalized phobias about gender identity, sexuality, and the body, poems that struggle with a question like do I deserve love?
I'm actually a huge fan of digital as well. I appreciate how that technology opens the doors for filmmakers who never had access to that level of quality before. However, I do think film itself sets the standard for quality. You can talk about range, light, sensitive, resolution -- there's something about film that is undeniably beautiful, undeniably organic and natural and real.
The Doctor: The Fourth Great and Bountiful Human Empire. And there it is: planet Earth at its height. Covered with megacities, five moons, population 96 billion. The hub of a galactic domain, stretching across a million planets, a million species. With mankind right in the middle. [Adam faints] The Doctor: [leans towards Rose, still looking out over the Earth] He's your boyfriend.
In high school, my friend and I discovered that your cable-access station had to let you do whatever you wanted - it was like the Wild West. We made a couple weird things, like a tribute to the Zucker brothers, where we had a panel discussion about the Naked Gun movies. We wrote a script and made jokes that I'm sure were terrible and showed clips of The Naked Gun without permission.
I think the best thing you can do when you go and see a movie is to bring somebody along who really enjoys the film with you. I think this is one of those movies... it wouldn't be their first choice. But once they're in there and they see the enjoyment that not only they're getting, but also their wife or their girlfriend then it makes for a much more pleasant evening after the movie!
Something you discover as a writer is that actresses who are successful are incredibly smart. For some reason, there's this myth that if you're a beautiful actress, you're not bright, you're a puppet. But it's completely the opposite. These are people with a finely tuned sense of story, and who are also strong and articulate. You have to be, to be a woman holding your own on TV and film sets.
Although here - Los Angeles 2014 - we can have a lighthearted movie about romance and living your life without persecution, that freedom does not exist in the rest of the world and not even in the rest of our country. There are places where they are going backward, away from freedom. Places where same-sex couples are beaten, killed, not allowed to raise families, forced to hide their lifestyle.
I think where Playground is heading is deeper into that marriage between stage, film and television, with the increasing number of people in the film business working in television, obviously something that we were very influential in starting and doing at HBO. And I think that that's the focus of where I see the company moving forward, continuing to explore that intersection of all that talent.
I love stories where the impossible appears believable, plausible and real. Maybe it's silly, but it's one of the reasons Michael Crichton's writing always appealed to me: he took outlandish ideas and made them seem completely within the realm of possibility. I remember reading "Jurassic Park" and feeling like: "Oh, yeah - no, that's totally happening right now. They're bringing back dinosaurs!"
During a rehearsal of Beethoven's Ninth Symphony the members of the orchestra were so overwhelmingly moved by the conducting of Arturo Toscanini that they rose as one man and applauded him. When the spontaneous cheering has subsided, Toscanini turned to his men, tears glistening in his eyes. "Please . . . please! Don't do this! You see, gentlemen, it isn't me you should applaud. It's Beethoven!"
When Babe Didrickson Zaharias, often called the 'athletic phenomenon of all time,' won the British woman's gold tournament, people said of her what they had said many times before: "Oh, she's an automatic champion, a natural athlete." When Babe started golfing in earnest thirteen years ago she hit as many as 1,000 balls in one afternoon, playing until her hands were so sore they had to be taped.
I didn't wake up one day and say, I have to tell O.J.'s Simpson story. But what drew me to it wasn't what people have focused on over the last 20 years - meaning, the question of innocence or guilt, nor the spectacle of the trial. I was more interested in the history that led up to that point in time in 1994, which would help explain what exactly went into making the trial as fascinating as it was.
With mockumentaries, the conceit is that the characters are being interviewed, so you can start a scene and cut to a character looking at the camera and saying, "I'm working on this project," instead of having to figure out ways for people to talk naturally about what they're doing. You see this problem in pilots - people end up explaining things to each other that they'd never explain in real life.
I would love to see any one of those people again [Erik Palladino, Paul Schulze, Ian Reed Kesler, even Malcolm-Jamal Warner, Carly Pope,], and I definitely suspect we will see at least one or more of them again, but other than, obviously, Carly Pope, because we leave off anticipating seeing her again [in Suits], of the other ones, we have to figure out a way to make them come back and we haven't yet.
Well, you know, going into any project, especially with a fan base as vocal and passionate as something as "Star Wars," you will have groups of people who will find issues with whatever it is you're doing. But our job was to tell the best story we could about characters that we loved, and we knew that we needed to go backwards to go forwards, and we needed to go back to a feeling and a place and a time.
What this country needs is more people to inspire others with confidence, and fewer people to discourage any initiative in the right direction more to get into the thick of things, fewer to sit on the sidelines, merely finding fault more to point out what's right with the world, and fewer to keep harping on what's wrong with it and more who are interested in lighting candles, and fewer who blow them out.
The biggest shock when I lost it all was the realization that so much of my life had been out of my control. When I started to make the money back, I vowed that it would never happen again. I bought things only when I could afford them. There was no big mortgage, no cars on hire purchase. I remember buying a TR6 sports car for £6,000, and funnily enough it gave me more pleasure than the Porsche ever had.
I'm always my own worst enemy. I'm like, 'Every show's my last.' I'm a lunatic, but that's my own issue. If I had time, I'd spend it in therapy, let's be honest. But I don't, so I'll remain crazy. But the truth is, you want it to be good for the audience, TV Guide. Because a lot of times as a producer you put so much into your shows and when you see the network putting stuff into it too, it gets exciting.
My main qualm about TV criticism has been when people review TV the way they review movies. They watch the pilot, and write a definitive review of the show. The obvious analogy is that you don't read the first eight pages of a book and then talk about whether the book works or not. People want so desperately in this day and age to declare something thumbs-up or thumbs-down that they declare it immediately.
I'm afraid, as true as love is, it is tested by circumstance and sometimes you don't make the best choices. As much as the fans claim [that] all they want is just want people sitting around and having a nice time together, trust me, you would not be watching the show if there wasn't conflict, if there wasn't drama, if there wasn't jeopardy. And it's not just physical jeopardy, it's romantic jeopardy as well.
In one of the decisive battles of World War I, disastrous reports poured into the headquarters of Marshal Foch, the commander of the Allied forces. The great general never lost heart. When things were at their worst, he drafted his famous order which is now in all textbooks of military strategy: "My center is giving way, my right is pushed back, my left is wavering. The situation is excellent. I shall attack!"
They [candidates] say, "I don't want to say anything controversial." And so nobody covers them. Then they blame the journalists, saying "Why don't they write down what I said?" In congressional races, 90 percent of the time the answer is, "Because you are boring and you don't have anything that makes me interested in listening to you. Why the heck should somebody write it down? There's nothing here worth hearing."
I will say that what’s been funny is, since the lightsaber’s come out, I cannot tell you how many contradictory emails I have received from people who have both defended it with unbelievably detailed graphicsI’ve gotten things that are nuts, and I’ve gotten people who’ve shown how it’ll kill you and how it doesn’t make any sense. It’s been the funniest thing to see the arguments that have developed over this thing.
I have seen that the American Dream is a reality - and I would love to feel the British Dream is also a reality. To enable that, we have to bring back some common sense and encourage family values, a proper sense of justice and make people believe they have a decent chance to build a business or career for themselves. I see this moment as a fantastic opportunity to restore this, because I believe Britain Has Talent.
I feel like I learn every day how I can be a better producer or writer or storyteller. The thing that keeps me the most balanced is just going home every day and getting my ass kicked by my kids, and having a wife who is the most wonderfully/brutally honest person I've ever met. I think that that is always the first lens through which I see the world. For everything else, I'm just grateful for the people I work with.
A young man, just beginning the study of musical composition, once went to Mozart and asked him the formula for developing the theme of a symphony. Mozart suggested that a symphony was rather an ambitious project for a beginner: perhaps the young man might better try his hand at something simpler first. "But you were writing symphonies when you were my age." the student protested. "Yes, but I didn't have to ask how."
In Holman Hunt's painting, "The Light of the World, "Christ is shown in a garden at midnight, holding a lantern in His left hand. With His right hand He is knocking on a heavily paneled door. When the painting was unveiled, a critic remarked to the painter, "Mr. Hunt, the work is unfinished. There is no handle on the door." "That," Hunt answered, "is the door to the human heart. It can be opened only from the inside."
Cyber Leader: Daleks, be warned. You have declared war upon the Cybermen. Dalek Sec: This is not war - this is pest control! Cyber Leader: We have five million Cybermen. How many are you? Dalek Sec: Four. Cyber Leader: You would destroy the Cybermen with four Daleks? Dalek Sec: We would destroy the Cybermen with one Dalek! You superior in only one respect. Cyber Leader: What is that? Dalek Sec: You are better at dying.
I thought the first two seasons of America's Got Talent were good. I think this one is the best one by a mile because they - you see the difference this year, I think, with the crowd being effectively the fourth judge. But most importantly, I think that these shows have to have a relevance because if you're not finding stars at the back of these shows - whether it's Idol or Got Talent - they're a complete waste of time.
'Star Wars: Episode IV - A New Hope' (1977) is probably the most influential film of my generation. That work was the personification of good and evil and the way it opened up the world to space adventure, the way westerns had to our parents' generations, it left an indelible imprint. So, in a way, everything that any of us does is somehow directly or indirectly affected by the experience of seeing those first three films.
The Metropolitan Museum of Art some time ago held a display of contemporary art at which $52,000 was awarded to American sculptors, painters, and artists in allied fields. The award for the best painting went to the canvas of an Illinois artist. It was described as "a macabre, detailed work showing a closed door bearing a funeral wreath." Equally striking was the work's title: "That which I should have done, I did not do."
There are challenges as far as underfunding in various parts of the city. But spirit and sense of community is so much stronger in the places we've been. In Hollywood and Beverly Hills for example, people stay to themselves and live away from others in their gated communities. Despite being a native West Angelino, I had never really felt a strong sense of community until "South Of Wilshire". I now feel it because of the show.
There was no news in the Dan Rather piece. They didn't say [to Bush]: "We found a piece of paper that was overlooked in the 300,000 pieces of paper that were covered in the Iran-Contra hearings, and we have a piece of news we'd like to ask you about." CBS decided to create a media event and cover it in its own fashion. This was unprecedented in American history. CBS cancelled two-thirds of the newscast... to get a guy and take him out.
Whatever is being investigated, created or produced now, in movies or TV, needs to consider the context in which it is being distributed. It's not a vacuum. There are certain universal themes of love, conflict, loyalty or family that are everlasting and that need to be presented in a way that makes it feel relevant, even if it's a period piece. You need to consider what context that film, that story and those characters are being seen in.
I was always looking to be entertained. We lead such full lives and a lot of us don't lead very pleasant lives and don't like what we do... My dad worked his whole life as a salesman and that wasn't what he really wanted to do. He looked forward to two weeks vacation every year and he used to say to me, 'Whatever you do, make sure you do something you really like so you don't just have your vacation to look forward to.' And I love movies.
There's something about looking at Super 8 films that is so evocative. You could argue it's the resolution of the film somehow because they aren't crystal clear and perfect,so there is a kind of gauzy layer between you and what you see. You could argue it's the silence of them. You could say it's the sound of the projector that creates a moodiness. But there's something about looking at analog movies that's infinitely more powerful than digital.
An old Arabian fable tells of a prince imprisoned in a castle which had thirteen windows. Twelve of these windows overlooked lovely scenes, while the thirteenth looked down on the black ash heaps of the city. Ignoring the twelve windows, the prince always looked out through the thirteenth. It is so often true that whether a person carries with him an atmosphere of gloom and depression or one of confidence and courage depends on his individual outlook.
American television is a huge product that is exported around the world and what that means is that what our movies and films say about who women [are] has global ramifications. There is a burden and a responsibility when you are someone who is very aware of how far we've yet to travel in granting women equal rights and equal respect and you are creating cultural products. You have to be responsible and be aware of the message that you are sending out.
The basic idea is that there is this group that, over the centuries, has learned to control reincarnation. John's character stumbles into that realization, and it's a lot closer to him than he would ever have wanted to know. It's a metaphor for when you get in a fight with your significant other and you go, "Who is this?," or you look in the mirror and go, "Why did I say that?" It's the intruder. When you threw a temper tantrum at two years old, it's them.
If you really want to break it down, on a small movie everybody knows that they're there for artistic reasons to do something special to make something amazing, and they're not going to get their normal hotel and they're not going to get their trailer, but they're willing to forgo that - and of course the salary - because they want to do something really special. On a big movie, most people are getting paid a lot of money, and so they're there to do the work.