Quotes of All Topics . Occasions . Authors
I did some feature work, then tried TV. I was always very aware that the only power that you have is the power of options. If the film industry dries up, then you focus on the TV or the books. For me, it was always about what story do I want to tell next?
If you're a content brand, you have to be in every place your audience is. Sometimes your audience is on the couch and wants to watch a 30-minute show, and sometimes they're checking their Facebook feed and want to see something that's only a minute long.
Everybody fears the unknown. But I have a strong feeling there's something bigger than us. I don't think all this exists because some rocks happened to collide. I'm at peace. When it comes, I'll be fine, calm. I'll miss life, though. Especially my family.
It is my contention that most people are not mugged every day, that most people in this world do not encounter violence every day. I think we prepare people for violence, and I think just as importantly we prepare people for the definition of being gentle.
We heard recently the touching story of a young flier who was killed in action. Before he died, he had time to scrawl only a few words as a brief final message to his parents back home. The note read: "Dear Mom and Pop; I had time to say my prayers. Jack."
I’ve spent more than two decades speaking to women through magazines. What’s so exciting about Yahoo is that I can inspire and connect with hundreds of millions more women, and bring them the magic of the fashion world in ways they haven’t yet experienced.
I very much like Kenya. It's hard to beat the Masai Mara and the idea of ballooning across it. I have a great time at Lewa. There's more rhinos than you'll find anywhere. A great part for the children is you can ride horses with the giraffes and the zebra.
One of the greatest freedoms of living in America is being able to ask the question: "If I could do anything I wanted with my life - money being no object - what would I do?" In many parts of the world, people don't have the luxury of asking that question.
They understand what their market is and who they should be selling records to, and most importantly, they know the kind of artist that they want to be, but they have to do it themselves. You don't want a 13-year-old singing some awful song from a musical.
The reasons why executives are scared of social selling are well documented. That being said, there are some hugely successful global business leaders using social selling tactics incredibly well - some of which even admit they could not operate without it!
When I was a little kid - and even still - I loved magic tricks. When I saw how movies got made - at least had a glimpse when I went on the Universal Studios tour with my grandfather, I remember feeling like this was another means by which I could do magic.
In South Africa, where HIV-positive children are often shunned, we have an HIV-positive Muppet to teach children to be friendly with children with HIV. But they use local actors. And it's not always a street. Sometimes it's 'Sesame Plaza,' or 'Sesame Tree.'
A novel is a relationship, you know? When you read a book, the writer has done half the work, and you're doing half the work. You're providing the imagination, the words are turning into pictures in your mind, there's an active relationship that's going on.
A novel is a relationship, you know? When you read a book, the writer has done half the work, and you're doing half the work. You're providing the imagination; the words are turning into pictures in your mind. There's an active relationship that's going on.
I think normative or binary lenses for seeing bodies often crush or delegitimize other felt physical experiences of being and desiring. I've found that such inadequate ways of understanding bodies can be - but aren't always - based on biological perspectives.
When I was in politics, I always got accused of image-making and trying to make them something they weren't. Truth was - and nobody ever discovered it, although I was in that business for twenty years - what I was trying to do was to get them to be themselves.
I think she [Gina Torres] loved being on the show [Suits], and we'd loved having her. She wanted to do it to some degree sooner rather than later, so we tried to figure out a way to make it work for both of us so that she could enjoy her life a little bit more.
Don't do another show just because someone thinks that there's a dollar to be earned there. Do it because you love the characters, and you love the world, and you really, truly feel both the fans and you as a storyteller can benefit from having the second show.
The welfare state has bred a generation of obnoxious, drug-addled criminals and ne'er-do-wells. It has also, incidentally, burdened what was once the world's biggest, most dynamic economy with the dead weight of an obstructive and vastly expensive state machine.
Steven wrote to me today, saying, 'Don't you feel like sticking your head out of the window and yelling, "I DON'T KNOW WHAT I'M DOING!!!"' Yes, absolutely. Solidarity. Fear is always the same. Different worries with different scripts, but the same baseline fear.
There's something about a supernatural universe that you would think would actually make it easier to create tension and build conflict and have big scares and big ideas and big sequences. And that's true in a lot of ways. You can pick the best idea out of a hat.
I'm not sure if we're going to or not because what happens is I'd always love to see certain characters back, there's so many. Some of it has to do with, if we want them back, are they available and the other aspect is do they fit with the storyline we're telling.
It took me some time to realize television, for someone like me, was the perfect medium. I like to produce, I like to be detail-orientated, I like to be in charge of a lot of things, and I like to be a storyteller. It's kind of the perfect gig for someone like me.
Cynicism doesn't have its way in series finales. My emotional desire when I watch a series come to an end is to be crying and laughing and cheering as the final credits roll, feeling like I just got delivered the happy ending, whether the plot ends happily or not.
I always feel like you can take a genre that has a familiar structure to it and then reinvent it as a character piece. Suddenly, what's old is new again. With 'Fargo,' I adapted a movie without any of the characters or the story. Yet somehow it feels like 'Fargo.'
I was part of a writers' collective with 21 writers and filmmakers called the San Francisco Writers' Grotto. We had our own office space in this old converted dog and cat hospital, and we had a basketball hoop outside. I'd bring my dog to work every day and write.
As long asthe audience or the public perceives you to be sincere in your approach and not petty, they will think it's fair and they will wait for the other person's response. But if they sense it's petty or the slightest bit unfair, they'll turn on you right away.
It's cool to be a nerd. There's a general understanding that smartphones didn't come from jocks. The digital age was foreseen by a group of short-sleeved, buttoned-down, white-shirted guys and their female equivalents designing the very stuff that's now ubiquitous.
I look at 'Friday Night Lights' as one of my all-time favorite series finales, and that is what you want. After all the roads you've traveled with these people, you just want to know that they're going to be happy. I'm a big believer in shows that make that choice.
My mom never went to college, so she just assumed the writer identity, and that was always really inspiring to me. It's not something you need nine levels of education for. It's really an identity that you claim for yourself, and then you have to make yourself one.
When I started producing it was right at the beginning Channel 4 in England. Nicholas Nickelby which was my first credit as a producer was Contract 001 at Channel 4 - that was the start of independent production in England and the emergence of an independent sector.
Well, I feel that we're kind of fortunate that this book gives the whole world a lesson in economics and how to get out of the mess that we're all in. It's basic message is to try and stop spending as much and try to release some of your assets to pay off your debt.
I'm not a big fan of religion for that reason. But I am a true believer in God, and I have great faith, and I think that a spiritual connection with something is a really important part of our experience. That doesn't necessarily have anything to do with the church.
The feelings that we equate with love-feeling sick, feeling insecure, not eating-that's just lust getting in the way. It's your ego saying, 'I want to get laid' and 'I hope she likes me more than I like her.' Love is something that should be there in 20 years' time.
But if you cover the World Series on the news or do a feature on an Ali boxing match then all of a sudden ears go up all over the place and people say what the hell are you doing. The reason for that is that we're doing something that people are really interested in.
At heart, I'm really interested in this marriage of theater, film and television and I think what happened in the UK and obviously is happening here is that there's a convergence of talent kind of moving between the different disciplines and I find that very exciting.
The funny thing about the entertainment business is that we all feel like kids playing in a candy store, but we are entrusted with millions and millions and millions of dollars and an entire industry that can thrive or die on whether or not we do our jobs well or not.
'Ghost World' was such an incredibly difficult episode to find the right tone for. I remember at the time it was very divisive because some people hated it - they thought it was cheesy and hokey - and I loved it. When I saw it, I cried my head off, and I was so happy.
One of the reasons why when Elvis dies or the Son of Sam is captured ABC News' ratings go up is because people who don't normally watch news are watching then. The question is, do you want to attract people who don't watch network news or fight over the people who do?
I learned more about who I am and how to be a great worker - and a great artistic worker - from doing student theater. I was a stage manager. I was an assistant stage manager. I was on the running crew. I did probably 25 shows at Northwestern - all musicals, of course.
It's all about media culture and people on television, and that feeling comfortable, friendly, or warm toward a candidate [in the elections] is a reason people would emotionally attach themselves to that candidate. I get the mechanics of it, I just hate that it's true.
Reporters have a different point of view and a different job. Consequently, to the extent that you can help them turn in an interesting story that their editor is going to like and that's going to further their careers, they're going to give you more ink and cover you.
Television is a powerful medium that has to be used for something better than sitcoms and police shows. On the other hand, if you don't recognize the forces that play on what people watch and what they don't then you're a fool and you should be in a different business.
In a traditional TV show or movie, your hero is always where the action is. But in real life, at the end of the movie 'Fargo,' when Bill Macy is arrested, Marge is nowhere to be found because it's a different jurisdiction, and she wouldn't be there. I took that to heart.
I came here with nothing, with maybe a hundred bucks in my pocket and had to get a job. And these wealthy people who had made their money themselves, I worked for. It did show me what could be achieved in America, what's possible if you have some vision to take big risks.
People don't seem to make the connection between their tax money and the benefits that they get from their tax money, like free education, and the fire department, and police protection, and everything else. It drives me bonkers, because it's pretty straightforward to me.
I would never say no to continuing to explore the - somebody coined the phrase for me the other day, which I love - 'TVDU,' 'The 'Vampire Diaries' Universe.' I have no desire to exploit it, but I also know that there are plenty of opportunities for stories left to be told.
I'm attracted to ensembles: you get a lot of really good moving pieces. It's sort of like a horse race in a way, especially when you know that everyone is on this collision course. It's like, 'Who's going to make it?' And you can put people together in unexpected pairings.
If I go into a relationship with an artist, which at most is going to last five years, we have a 100-page contract covering every eventuality. Whereas with marriage you go into it with no contract, with laws that date back hundreds of years, and I don't think that's right.
We felt the time was right to open up the boundaries, and say to all of America, regardless of your age, whether you're 2, whether you're 100, regardless of what you believe your talent is - juggling, magic, singing - this is the show you can enter. It's as simple as that.