Maybe there are times when mystery is more important than knowledge. I realized that the white page is a magic box. Ultimately, the mistery box is all of us. Ubiquitous technologies. What comes next ? Mystery as catalyst for imagination.

When you're telling taut, tight storytelling that has any kind of built-in plot twist elements, you tend to want to stack everything up on top of itself as opposed to letting things breathe and be languid in terms of the passage of time.

Linda McCartney sausages were my favorite. Theyre much better than eating real sausages and you dont have to contemplate half way through exactly whats inside them. ... You can have them, a bit of fried bread, tinned tomatoes. Delicious.

My heart, my lungs, my blood - they've all been checked. I remember one of the doctors almost being disappointed when he showed me the results because he couldn't wait to tell me what smoking was doing to me. But there was nothing there.

There's this common sense idea that in order to appeal to the biggest number of people, you have to write something very general, but my experience is the more specific you make something, the more people respond to it, in a very odd way.

Mockumentary formats are great for a couple of things. One of them is delivering the toughest part of any sitcom episode, what writers call "pipe" - the nuts and bolts of the story where you explain what's happening, the boring plot stuff.

All Internet comedy is niche comedy. If you do an Internet video about Halo, every Halo fan will send it to every other Halo fan. But if you did an episode of a network comedy that parodied Halo, most of your audience wouldn't even get it.

It also has to do with how you look and how you sound. If you look like a mean SOB who's putting the other person down, that's different than if you're inquiring about the process they go through to make a decision on behalf of the public.

I guess the idea of not wanting to choose to direct a film, for which I've not read a script. It's a tough decision to make without seeing any pages. That's not to say that I don't have all the faith in the world in the spectacular writers.

I do think that at a certain point, the reboot sequel mode has to give way to original ideas and back to a place where, you know, films are, you know, a medium and the cinema is a place you go to see something that is, you know, wholly new.

It is an incredible thing to see how many crazy things get thrown out that people then often write commentaries about how happy they are or how disappointed they are about something that's completely false. But, it's a lot of noise, frankly.

Showrunning is an arrogant job. You have to be arrogant and hold yourself strong in order for people to hear you. Confidence partners with arrogance. The only person you have to trust is yourself. The only instinct you can trust is your own.

Writing isn't just a job that stops at six thirty... It's a mad, sexy, sad, scary, ruthless, joyful, and utterly, utterly personal thing. There's not the writer and then me; there's just me. All of my life connects to the writing. All of it.

The joke of being a showrunner is that people ask how you get it all done, and you don't. The list of things I don't get done in a given day is longer than the list of things I do. And one of the things that's first to go is watching dailies.

I learned in America that Americans are into results. Americans don't care where you came from, what your family did, what school you graduated from. They care about if you can deliver the results. That's what makes America the country it is.

There is no late-night comedy. You watch comedy, you watch whenever you want to tune on. You can it in the middle of the night. You can it in the morning. It's all comedy. They just label it late-night comedy so they don't have to pay as much.

I love TV. I love being behind the scenes on a TV show but there's something about, I don't know there's something very special when you've signed an artist and that first record comes in and it's a good record. It is an indescribable feeling.

Music should always be polarizing. What one person likes, somebody else hates. And I hate that kind of snobbery in pop music. The fact that so many people are getting upset over this one song is hysterical. And if people like it, that's great.

I see myself as a first-draft writer, so when I sit down to write something, the first draft is usually pretty close to the end draft. There will be some tweaks along the way, but it's not like I'll go 20 pages and throw it out and start again.

'Legion' is meant to be a show that is a state of mind. But the problem with TV is that there are commercials. There's a hypnotic quality to the way we put it together. I need to get you out of your life in the first seven minutes of that show.

In fact, I had a series of offers which would have brought me a lot of money to make films and package TV programs. There were people who said to me, we'll put a million dollars in your bank account tomorrow, which is a hard thing to turn down.

I'm an impatient guy and tend not to like to stay with one thing for a long time. I'll never be able to write as many scripts as I did for "Felicity" or "Alias" ever again. I'm just too impatient these days. I want to get on to the next project.

You know, we didn't want to kill anyone, but we knew that "Star Wars" is a generational tale. It always is. And for it to have some guts and some resonance and true stakes, I don't think that everyone could have come through the story unscathed.

I think it's the source material. 27 Dresses was a famous book, and Devil Wears Prada was also a wonderful book, so it's coming out of the novelists who are really creating these wonderful female characters that we want to see on the big screen.

I wanted people to talk about the finale of 'The Vampire Diaries' as one of their favorites, which is a lofty ambition, but it certainly drove me hard creatively to make sure that we had put as much thought and love into it as we possibly could.

You can get people the qualifications; But you can't teach them the qualities they're going to need. You can't teach integrity, a drive for excellence, refusal to quit under pressure. It's too late to build that into people you're going to hire.

When I was a kid I started a baseball team. I was a terrible player, but I put together a group of neighborhood kids. I started a hockey team. I put the kids together and got a sponsor. So I can always kind of organize people and get things done.

Normally if I go to one of these things I'm in and out in five minutes, but at Pride of Britain I stay to the end. It's a fantastic show. But it's incredibly hard on the night when you meet all the kids and hear their stories. They do get to you.

Too many journalists and scientists have built their careers on the global-warming alarm. Certain newspapers have staked their reputation on it. The death of this theory will be painful and ugly. But it will die. Because it is wrong, wrong, wrong.

Three hundred years ago a prisoner condemned to the Tower of London carved on the wall of his cell this sentiment to keep up his spirits during his long imprisonment: 'It is not adversity that kills, but the impatience with which we bear adversity.

When Sinead O'Connor tore up the picture of the Pope, you could hear a pin drop. I didn't know it was coming, obviously, because at dress, she had held up a picture of Balkan orphans, which I thought was really meaningful and what she wanted to do.

The danger of writing a so-called thriller is that in your last 100 pages, all of these really interesting characters you've created are just running away from something or toward something, but they're no longer capable of innovation or discovery.

Three hundred years ago a prisoner condemned to the Tower of London carved on the wall of his cell this sentiment to keep up his spirits during his long imprisonment: 'It is not adversity that kills, but the impatience with which we bear adversity.'

I hire people who can do their jobs and who will advise me of things they don't agree with. The worst thing you can do is get in a room with 14 people who say, "OK!" Then you really are making decisions about engineering and finance and other areas.

Maybe that's when bad scripts are written, when you choose the theme first. I consider that I've something to say when I've thought of a person, a moment, a single beat of the heart, that I think is true and interesting, and therefore should be seen.

I was slightly cynical of the American mentality before I came over here, but now I preach it. Here, no one's going to tear you down if you buy yourself a $300,000 car. They're likely to say: "Well, you probably worked hard for it. Good luck to you."

So much of television is incredibly predictable. You watch the first five minutes and you know where it's going to go. If you can just create an element of surprise in both the storytelling and tone of a show, you're going to be way ahead of the pack.

'Survivor' wouldn't have happened had I not gone out there and helped CBS to sell sponsors to finance the first one. Part of my thinking on 'Survivor' was that it should have rewards that are corporate brands. A Big Mac, one thimble-full of Coca-Cola.

There's a sense you get from the Coens' work, like 'No Country for Old Men,' where you put these characters in situations, and you just let this painful amount of time take place. Part of the tension is just how long it takes to get out of that scene.

There's something about the American people: They have such an innate sense of fairness that the red light goes on and the bells go off the second you approach that line. Any kind of personal attack is verboten. You shouldn't do it; it's not worth it.

I used to sneak 'General Hospital' when I was a kid. My cousin was my babysitter, and she watched it, so I got hooked on it. I wasn't supposed to be watching it, but I was so obsessed with it that I'd find ways, even as an 8-year-old, to get into that.

I grew up in a time where on things like 'The Red Skeleton Show' or even to a certain extent on 'The Carol Burnett Show,' people wrote in the breakouts or ad-libs. They were scripted to look spontaneous. So I always had a dislike of that kind of thing.

It's tough and it should be tough - it should never be easy to be given millions of pounds to make a drama. The coalition government is doing terrible things to the BBC, but drama will survive even if we end up putting on a play in a backroom of a pub.

I think the best singers in the world, historically, are American. Britain's got its fair share, as well, but some of the greatest singers, ever, whether you're talking about Whitney Houston or Mariah Carey or Aretha Franklin, are from the legacy here.

I finally get to the place where the book has matured in my mind and I can hardly wait to start writing it. Then I just sit down and I start. I hit the go button. I have an outline, which is 70 pages, but I don't look at it. I never have to look at it.

When I see someone in a military uniform I make it a point to approach them, shake their hand and say five words... 'thank you for your service.' 'Stars Earn Stripes' is a high energy, fun, action show, but at its heart it is all about those five words.

Well, I started years ago with Flashdance and we also did Coyote Ugly, so I have put my toe in the water before with romantic comedies. I love making them and I love making people laugh. That's a trademark that I don't think any producer would turn down.

I was in the Oval Office when Neil Armstrong landed on the moon because I was called in to coordinate the coverage. I got to thinking, 'We have a feed from the moon. We've got a feed from the Earth. I can set up the first interplanetary shot in history.'

Anything I shouldn't laugh at makes me laugh. I mean, I'm bad at that, when somebody is singing something terribly and I'm thinking to myself, 'If I laugh now, this is the absolute worst thing I could ever do,' and then I start laughing and I can't stop.

A high-school girl, seated next to a famous astronomer at a dinner party, struck up a conversation with him by asking: "What do you do for a living?" "I study astronomy," he replied. "Really? said the teenager, wide-eyed. "I finished astronomy last year."

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