I do less-fanciful reality. I celebrate the fat, the ugly, the women who can't get guys. I'm not trying to entertain you; I'm trying to make you passionate.

My life honestly isn't as weird as people think it is. I work longer hours, maybe I have a bit more money, but fundamentally, I'm not really that different.

You sounded like Dolly parton on helium." (After kristy lee cook of season 7 on american idol,sang her country rendition of the Beatles'"Eight Days A Week.)

I didn't realise how important stupid people are in your life, because you ask yourself, what made stupid people so stupid? What made them the way they are?

I am quite miserable because I'm never satisfied with what I've got. You're always looking for that next high, and that is what I would define as happiness.

All I know is that I've made some big screw-ups, and I've done some things that have done all right. I just keep trying to learn from the mistakes I've made.

Screenplays are the hardest thing to try to get right. They look so simple when they work, but they really destroy your brain cells trying to get them there.

There is a young and impressionable mind out there that is hungry for information. It has latched on to an electronic tube as its main source of nourishment.

Some people, their whole lives, are just injustice collectors. They’re going to find new injustices every day. That’s what they do, and that’s what they are.

I've had Botox, but then again pretty much everyone I know has. To me, Botox is no more unusual than toothpaste. It works. You do it once a year - who cares?

I was more of a Star Wars kid, actually. I always thought Star Trek was a lot of talk, and it felt a little self-important. It was hard for me to get into it.

I don't write these stories for the rewards that come back to me. I write them because I have to write them. It's a sickness on some level. It's a compulsion.

It used to be for writers that that six seasons and a movie thing, that's the holy grail as writers - your series goes eight, 10 seasons, you're set for life.

I think it's because I'm unpredictable. I view every situation, every race, and every candidate differently I try not to rely on something that worked before.

You can only make so much money in life and only enjoy so many creature comforts. The important thing is to do something meaningful-to leave something behind.

I don't want to tell a 15 or 14 year old what they should be doing. I want them to tell me. And that's what I got when I met Justin Bieber for the first time.

Human beings are complicated. O.J. Simpson is a testament to that. Just because he stood on trial accused of murder doesn't mean he can't be a generous person.

Don't forget, I've been fired by studios; I'm not the studio's guy. I'm a guy who can work with studios, but if you ask any studio, I stand up to these people.

People who are difficult, whether they're getting their $10 million or $10,000, are going to be difficult no matter what. It really just depends on the person.

You really don't settle on an idea until you're really sure it's the best idea. Then once you settle on it you commit to it entirely. That was always the plan.

If you have a great idea that can translate elsewhere, then that's where the scalability comes in - and that's where you can actually start to make real money.

All business is basically about customers and marketing and making money and capitalism and winning and promoting it and having something someone really wants.

I love pressure situations. I won't run for cover, and I'll try to take as much of the heat as possible. Because I feel I can stand it better than most people.

I work out three or four times a week, I have Botox, take tons of vitamins and vitamin infusions - if you believe that these things work, you will feel better.

Obviously with the Internet and increased access to other means of watching shows, the audience has dispersed and is all over the place and that is a challenge.

My goal is always to make something unpredictable that feels inevitable in the end. It's getting harder to do that. Audiences are so sophisticated and so smart.

I think that 'Fox & Friends' audience is going to increase. That franchise in the morning is very important to any television operation because they make money.

I want everybody in the news business to think of ABC before they go any place else. If it costs us an extra few thousand dollars to do that, what does it mean?

I'm not sure who has the right to say that you have better taste than somebody else, because essentially what you're doing is calling millions of people morons.

I have deep respect for people's individual faith, but when faith gets connected to the machinery of state, or the machinery of hate, I find it very confronting.

I can't think of one person who is on TV who isn't vain. It's the nature of the beast. If you are on TV then you have a vanity, for sure. Just admit it! Why not?

For me, it is important to not just tell the audience how the story ended today, but to give a glimpse into how other people's stories might go on, in the future.

How many times have you been out for a beer or dinner and people are coming up with business ideas? Everybody wants to think they've got that great business idea.

Fox News has a very-high-income audience, and I think that any business channel automatically draws that. We're not gonna reach for a lower financial demographic.

If I had to say who is the number-one most powerful figure is in reality TV, it's very easy. It is the general public. They're the only people who have power now.

When it is perceived that a show has gone awry, the pressure is staggering, and as a writer caught in that storm, it feels like you are being attacked by jackals.

I'm not as optimistic as Gene Roddenberry was. I fall somewhere in the middle. But as a romantic, I like to think things are going to get bigger rather than worse.

I think that even if you're wondering if two characters are ever going to kiss, drawing out the inevitability is part of the fun. Whatever the genre happens to be.

I would far rather add a character who generates strong feelings than someone who just kind of floats along, generating medium-warmth smiles of gentle affirmation.

The prospect of being a father made me ask myself a question. How do you know what kind of adult your child will turn out to be? And how much can you control that?

If you're running because you want a job that's prestigious or because you have this vague knowledge that you're better than everybody else, you're easier to beat.

I don't think the news department will have to lie down and play dead like it has in the past. By and large the network has been understanding, but then so have I.

I love graphic design. I love working with design, and I love storytelling, so I've been working on a children's book for a while, and I'd like to see that through.

I don't try and write strong female characters or strong male characters, I just try and write, hopefully, strong characters and sometimes they happen to be female.

I mean, my dad's a television producer, and I knew I could get a job as an assistant or a reader with one of his friends, but it wasn't exactly what I wanted to do.

It is so often true that whether a person carries with him an atmosphere of gloom and depression or one of confidence and courage depends on his individual outlook.

I remember just weeping my way through the 'Friday Night Lights' finale with my best friend and just being so happy all the way through because it was so beautiful.

I had a moment where I wrote a movie script, and it was my first movie job, and I was very excited to do it, and my only goal was really not to get fired off of it.

I think you have to judge everything based on your personal taste. And if that means being critical, so be it. I hate political correctness. I absolutely loathe it.

Hill Street Blues might have been the first television show that had a memory. One episode after another was part of a cumulative experience shared by the audience.

Share This Page