Quotes of All Topics . Occasions . Authors
When you're actually boxing, unless it's a proper grudge match, it's less about beating the person up and more about being better within yourself. Being patient, timing things, like chess, so really, it's as much down to you as what the other person does - and that's life.
You know, when I was a kid waiting on the bus, I remember that was when I imagined my life. I imagined everything that I was gonna be when I grew up and I imagined all of these amazing journeys and amazing people I'd meet. Of course, all of it has kind of come to fruition.
Song writing is about the male-female relationship. Yes, there are songs of, of brotherhood and politics but very rarely do we write about computers or, there are car songs, cars are cool. But even in the car songs, it's, ah, usually gets down to me and my baby and my car.
There was a time Michael Jackson couldn't get his video on MTV because he was considered to be 'urban.' The Michael Jackson. So I literally have to be the Michael Jackson of apparel in order to break down the doors for everyone who will come after I'm gone, after I'm dead.
Playing live is so weird because I go out there and I try so hard to give something, which will be recognized. And in turn, something will be given to me, there'll be some kind of shared moment in that. So it's very affectively intense - so much longing and lack of control.
I think I'm a whole lot to handle. I definitely am, on every aspect. I'm the video director. I'm the graphics designer. I'm the rapper. I'm the visionary. I'm the music producer. I'm the executive producer. I'm just going to end it off to be poetic: I'm the future of music.
I was ill. I was told I was stressed, so I had to get everything checked out. I didn't think I was, but someone told me I was. As a result, I went to get a blood test. I'd never had one before, so I held my breath when I was getting it done. That caused me to go into a fit.
Now I'm at a point where I decided I'm going to be in the studio for a while, at least until I finish this record I'm working on now. I should have two, three, four of the sessions that I had that were similar to the sessions for Peace Trail before I have a complete record.
I'm sorry, I'm not very knowledgeable about the plastic model industry, so I can't answer that question. Unfortunately, I can't really make a statement on the plastic scale modeling kits, probably because I'd be eradicated from the industry if I made my true feelings known.
I got into gambling when I was playing a casino. I was a hermit in those days. I would go onstage, go to my room, or if we had to travel, I'd get in a car or a plane, whatever. But I didn't do anything. One day, this friend of mine said, 'Do you want to play some blackjack?'
I grew up wearing black arm-bands when the hunger strikers died. I went on those marches. I grew up basically a Provo, though I never obviously got into any activities. I was writing 'IRA, Brits out' on walls all over where I grew up, but that was a false sense of Irishness.
I think meditating on tour is integral. It's a priority, because everything is so chaotic, and the calmer you stay, the calmer everybody is. Sometimes I do it hotel lobbies, or in corners, and I try to find moments. It's not ideal when people come out and almost step on you.
Don't let your cool stand in the way of being soulful. Life is too short. Too short to hate. Too short to judge. Too short not to live for. Don't let anything or anyone get the best of you or your heart and mind. If you are going down... go down swinging, singing, and loving.
I'm not stupid, I realise selling it is not as important as it used to be that way, I think it's more important to get your music out there and if people want to hear it an mp3 form or whatever I'm fine with that, I just don't enjoy the sound of it at home for personal taste.
I see all that celebrity stuff now as whatever, man. What's more important is that everyday people are liking my music, it's got to that stage. I've worked really hard for a long time for it to come to this point, where I'm putting smiles on people's faces, and I'm loving it.
You know, albums are a funny thing. They're not like an intellectual decision. It's a collection of your kind of musings. Like it's a collection of your diary entries and you pick which one's gonna make the most sense together and you put out a record and you sort of live it.
Now I've a hope that will surely endure after the passing of time. I have a future in heaven for sure; there in those mansions sublime. And it's because of that wonderful day when at the cross I believed. Riches eternal and blessings supernal from His precious hand I received
That's very cool. Well, that's great. If I were to cater to Kanye, he would know that I'm catering to him. The fact that I make what I make - he gets it. He gets the quality and he respects it. And I think that's the key, why I work all the time is to do that. That's the fun.
When I first started playing, I definitely had a younger scum-punk crowd, but as my music developed more and after I started playing electric guitar - you'd think it would be opposite - but a lot of people were like, "You've changed." And I have more of an older audience now.
Each song has its own secret that's different from another song, and each has its own life. Sometimes it has to be teased out, whereas other times it might come fast. There are no laws about songwriting or producing. It depends on what you're doing, not just who you're doing.
As a kid, I was always listening to music. I would just go in to my room and put on an album, read the lyrics, and just spend hours and hours in there. Plus, my sister Laurie played piano (in fact she taught me my first few notes) so music was always around one way or another.
From a literary standpoint, I've been loving Raymond Carver's short stories, William Carlos Williams' poems, Richard Siken's 'Crush', John Fante, and Jim Harrison's book of ghazals. I love film and photography too, so many of my songs are very image rich from those influences.
Every time I'd go out drinking I was looking for something new. But it was the same every time. I'd wake up in some bed with some person, I had a hangover and a show to do. And the truth is, it was the same every time. But now life is... pretty interesting without the alcohol.
I always said I would have gone in to psychology, or maybe the FBI. I'm really in to and interested in humans and their minds and emotions. I think that's another reason I like songwriting. It's amazing the stories you can tell about someone, just from a little people watching
My goal is just to be respected as a man when I walk down the street with my family. I don't care what your job is, you're not gonna talk down to me, you're not gonna try to get a rise out of me. I'm a man first. And in establishing that, some interesting things have happened.
All these years later, I have almost no memory of the shows themselves. It's a blur. I remember my jogging runs better - that was my way of getting my energy together. I used to try to get to the arena as late as possible; otherwise, I'd just be pacing around, waiting to go on.
I started off playing by ear, and being around a bunch of musicians and playing in the streets and in the different parades and, then, I got accepted to go to New Orleans Center for Creative Artists ... it's where Wynton Marsalis, Harry Connick, Jr. and all those guys went out.
What's funny about my voice is, no matter what I sing, I sound like I'm really sad. I don't even mean to do it, it's just something my voice has. I think that's one of the reasons why Okkervil has been dubbed as really mopey - I have this tone to my voice that sounds like that.
For years, I was stuck behind a keyboard rig. When I started playing guitar onstage, it was a bit of a release - not to be stuck in one spot the whole night. It's really enjoyable having the freedom to move around. You just have to remember to end up somewhere near a microphone.
We rest here while we can, but we hear the ocean calling in our dreams, And we know by the morning, the wind will fill our sails to test the seams, The calm is on the water and part of us would linger by the shore, For ships are safe in harbor, but that's not what ships are for.
I have done whole projects with Scoop Deville, I like to basically work with a single producer. I always just worked on a bunch of songs, and then put them together, whether it was an EP or another project. None of them were mixtapes where I was rapping over other peoples beats.
I don't have a problem working 14 hours a day and still have ears and have a brain to mix afterwards. But I don't have the same strength to actively pursue and stay enthused about things like literature and movies and a social life - things that enhance the music, and the person.
When I was a young teenager, it was all about The Clash for me and that sort of English punk stuff. Then the Clash led me to all these other kinds of music: classic rock, Stevie Wonder, world music, and Brazilian music. I got serious about jazz when I was probably about 14 or 15.
My father was a very religious person. And he prayed five times a day. And he did that throughout his relationship with Ataturk - at a time when it was very brave to do because Ataturk was cutting off the heads of the imams. And people thought that that was foolhardy of my father.
The first generation from the '50s that were in 1650 [Broadway] were pretty much all crooks, I mean just out and out crooks. And the next generation had a little more finesse. But I mean those first wave of people, you know, definitely would take all your money, no doubt about it.
We started very slow in America. It was small acoustic shows. We played places like Los Angeles, New York and Chicago and everywhere there has been a great reaction. It has been really lovely. They listen to the lyrics and the melody over there and the reaction has been fantastic.
I just close my eyes and act like I'm a 3-year-old. I try to get as close to a childlike level as possible because we were all artists back then. So you just close your eyes and think back to when you were as young as you can remember and had the least barriers to your creativity.
When my husband gives me this ultimatum, "You either stop singing, or you move out," then it became very clear that what I needed to do - not just because I wanted to sing, but because I didn't want to live with anybody who issued ultimatums to me like that - would be to move out.
In a way, I'm kind of a bystander looking at this phenomenon that is ABBA, which is still around, and that I thought would be finished in 1981 and forgotten. I'm amazed how this could happen, and I don't know why it happened. I'm just grateful and humble. I just sit back and enjoy.
I've figured out that I don't want to spend all of my spare time trying to make money. But, with things like fame or internet presence - things you cannot cash in at the bank - there is still a sense that more is better and that your career should be following a certain trajectory.
If someone uses the amount of time I spend in the public eye as criteria for what my music could possibly mean to them, they probably should take a long, hard look in the mirror and figure out why they need to think they're so special. Because I don't think anybody is that special.
Just as eunuchs will never know aesthetics as applied to the selection of beautiful women, so neither will pure rationalists ever know ethics, nor will they ever succeed in defining happiness, for happiness is a thing that is lived and felt, not a thing that is reasoned or defined.
It's just for some reason I've got just as many fans that only like me when I'm yelling or being funny or whatnot, and jumping up and down on a pogo stick while playing a fancy lead guitar. And they get mad when I sing a heartfelt emotional song and if there's an album full of them.
I'm always fighting either to have a house work with us or to head a house. It's a lifestyle I can totally see: the future, modern Versailles, modern Versace, modern Calabasas, paparazzi, celebrity language. I just want to build a collection that's around me and my wife and my kids.
I'm just happy that I'm able to take care of what I need to take care of, live, and do the thing that I love the most and that is to sing. People want to hear it, buy it, see it, hold it, record it, bootleg it. It's fine with me as long as it's good but when it's bad I'm in trouble!
When you first sit down to write the first song, until you've maybe got three or four under your belt, it's always, to me, like a mountain to climb. You look at that one blank piece of paper and you think, `God, how many songs do I have to write here?' It always feels like pressure.
That is why every brother and sister will react differently according to how they learn to defend themselves and adapt to different circumstances. When our parents are constantly fighting, when there is disharmony, disrespect, and lies, we learn the emotional way of being like them.
She's not impressed by your fancy car. She got a body so she's snotty and she don't care who you are. So don't get mad and dis her reputation Callin' her a floozy, any conversation. Mad grammar, backstabber, girls they wanna be her. But like Stevie Wonder, none of y'all can see her!
We are not living in the '80s or '90s. We are living in the age of technology. If you want to be in business, you can't be intimidated by the Internet - you have got to dive in there head first. You can find out how to start your business. Everything you need to learn is right there.
Music to me, still to this day, is this wide open landscape of potential sounds (and I have more words for it now as a grown person), but as a little kid I used to think, "oh, you can just make up melodies and sometimes when you make certain melodies it makes you feel a certain way."