'Savior Of Nothing' calls out the would-be social justice warriors of the world who become so enveloped in fighting so passionately that they become exactly what they're trying to correct. They preach acceptance so much they become unaccepting.

I know I've been called the Louis Vuitton Don ... I've been called a lot of names ... Due to what happened, so severely, when the red shoes hit the runway, I was forced to change my name to Martin Louis Vuitton the King, Jr. Address me as such.

Inspiration is everywhere - film, television, newspapers, novels, overheard conversations, whatever you can tap into. It's out there, and I've been at this long enough to know that it won't always just come to me; sometimes I have to go get it.

Initially, I was very much concerned with having absolute control. But as time has gone by, I'm not. I mean, the whole first record was really just how I spent my free time: stoned and drinking coffee in my house, spending three hours on a song.

As a kid, I felt I had it bad - and people where I came from did - but if I'd been in a similar position in America, it could've been 10 times worse. We have the NHS. We don't have slums like I've seen in the Deep south, or shocking intolerance.

But for me to have the opportunity to stand in front of a bunch of executives and present myself, I had to hustle in my own way. I can't tell you how frustrating it was that they didn't get that. No joke - I'd leave meetings crying all the time.

It would probably be better if I got involved in fewer things just because I'd have more time to write for my own purposes... But if somebody calls you up with a really cool project, it's hard to just say 'no' because you don't feel like working.

As a songwriter and as a vocalist, Adele is amazing. You have that. But then there's something about her that's just very honest. I feel like so many people across the board can relate to her and who she is. She's just so appealing and very real.

Ledisi means to come here, to bring forth. It’s a Nigerian word and it’s from the Yorubu culture, I believe, and my parents named me, my dad and my mom, and really my dad, and I had no choice in that. That’s my real name and that’s what it means.

If you're a poet and you're using rhyme, rhyme generates ideas. If you're a songwriter and you're using melody and words together, they bounce off each other in interesting ways that you couldn't get otherwise, because you do things unexpectedly.

But I studied art in Belgium from the age of 17 to 18, and I learned French when I was there. Very reluctantly so. I didn't do a very good job. For the first six months I was very depressed and couldn't speak to anyone, and then it kinda hits you.

I don't really class myself as a musician, I can make music but I'm not the greatest technically. There were other people who were technically better than me in school but I knew how I wanted to sound and all I needed was to work out how to do it.

We all have a responsibility, and since I've been so wonderfully blessed, I really want to share and to make life at least a little better. So every chance I get to share the gospel or uplift people, I will take full advantage of that opportunity.

If you stand still in any city long enough, you see everyone pass you by. So you're in Chicago. If you stand on the corner of Belmont and Clark, and you do that for three years, you'll pretty much have seen everybody in Chicago pass that junction.

Warwick Castle, built of the very centuries, cannot be expected to alter with time's 'brief hours and weeks' - at least, with so few of them as fall to one poor mortal's lot. From visit to visit, I find it as unchanged as the multiplication table.

Although I'm known for my long, colorful locs, I still don't take my hair too seriously. I experiment a lot, dyeing it and constantly switching styles to grab attention. My hair is one of my best accessories and changing it helps express who I am.

This is the 21st century, we are a highly evolved race, our capabilities are so great compared to what we are doing. We have been lulled into addiction and everything is built around it and you have to break out of it and think outside of the box.

I think it's become such a part of younger people's daily life to have the instant access to each other that it sometimes gets a little presumptuous. People feel like it's OK, for example, to email you with some weird personal criticism they have.

I don't want to become this lazy person, a guy who thinks in terms of New Year's resolutions. I really do want to see a change in myself in certain ways, but I want to figure out exactly what they are and not have it be like a diet that I'm trying.

I think we as a band, as individuals, understand that all popular music stems from blues and jazz and even pop, but rock 'n' roll especially comes from blues. What we're trying to do is play rock 'n' roll, but other people call it different things.

I found it easy to produce. I'm not the musical guy. I can't read and play music like that, but put some drums and a sample in front of me and I can whip it up nice, and I'll work out some keys and find some interesting instruments to put under it.

I really liked the sound of some projects that Jon Brion had worked on. I was always considered this crazy hothead kid, but I would always just go and just really break bread with someone who I respected. I will completely bow to anybody I respect.

I don't have to perform to stay in the public eye anymore. I really don't. I am who I am and what I do on musical stage these days really makes no difference at all. I already have all the momentum there. I am only doing it because I love to do it.

When I get into the moment of actually feeling like I want to write, to finish something, I do what I've always read authors do, and park myself at a desk and bang things out for three hours. And if I have to throw it all away, I throw it all away.

I've been connected to the most culturally important albums of the past four years, the most influential artists of the past ten years. You have like, Steve Jobs, Walt Disney, Henry Ford, Howard Hughes, Nicolas Ghesquière, Anna Wintour, David Stern.

Both of my parents are teachers. One is in the Waldorf school system in Louisville, Ky., and the other runs a music school. I grew up with loving, supportive, encouraging parents that let me make my own world, and I wish that for every single child.

When I write a song, I always start on acoustic guitar, because that's a good test of a song, when it's really open and bare. You can often mislead yourself if you start with computers and samples and programming because you can disguise a bad song.

Aren’t we all animals at the end of the day? I like to show that side of me, but in a respectful way. I’m just expressing myself. It’s all about feeling good and confident about yourself, and not letting anyone else tell you what you can or can't do.

There's this unspoken thing that you have to wear a tux and some kind of nice dress. There are all these ethical rules, but I'm sure if you came to the Oscars in ripped jeans and a t-shirt they wouldn't throw you out. You would just look like a fool.

It's rooted in things that maybe older people or people my age remember as being rock music. But at the same time, I don't think we're stuck in the past or retro. I think we've tried to push ourselves and experiment with what we can call Wilco music.

O beautiful for spacious skies, . . . O beautiful for heroes proved In liberating strife, Who more than self their country loved, And mercy more than life! America! America! May God thy gold refine, Til all success be nobleness And every gain divine!

A Strat was a thing of wonder .. when I was 14 or 15, the Shadows were a big influence, and they had the first Strats that came to England. I like to play all kinds of guitars, but I wasn't getting the sound I really wanted until I got a Stratocaster

I was a good sight reader and I could sing two or three of these jingles a day. An orchestra would come in for half an hour, and then the singers would come in and knock 'em out, and go on to the next one. I was the voice of Budweiser and Almond Joy.

We'd been noticing how much more important the internet had become - once information is out there in the world now, anyone can get it. Since that was beginning to happen with the record anyway, we figured, OK, let's just stream it for free ourselves.

If you look at any religious description of hell, it is the same as human society, the way we dream. Hell is a place of suffering, a place of fear, a place of war and violence, a place of judgment and no justice, a place of punishment that never ends.

I think there's an audience for The Wombles at almost all levels. We thought it was going to be confined to people in their late twenties, early thirties, who remembered it from before - they were maybe 10 or 12 in the Seventies when it was happening.

It's injustice. It's wrong. [The pipeline companies] didn't get the permission. They didn't do the things they should have done in the first place. They tried to just bully their way through there and they got stopped. But they're not really stopping.

I think in most cases, when you're writing a song, you're just making up a little story, and you're not really thinking about making a point one way or another about it. You're just coming up with a little scenario and seeing it through, and that's it.

My concern is to keep religion and the state separated. I don't think that religion and politics go together. When you see political decisions colored by religion, decisions that affect us all... I thought: 'I do not want to go back to medieval times.'

If you're walking through the Union Square subway station - New Yorkers know it's obnoxious and crowded, and in the summer it's too hot - there are always amazing musicians playing, and sometimes there are multiple, different musicians set up in there.

Sadness is a very interesting idea, this idea of sadness being some kind of default setting that artists will go into. And then I started thinking about this idea of sadness and happiness, and the idea that sadness is very loud, and happiness is quiet.

No secret that I enjoy motor sports and cars in particular, building cars, building custom cars. Part of that scene. I love the flow of the cars and I love the art part of them. I love the sleekness and the uniqueness of each car that you can dream up.

It just takes the faith of a little seed to make a way through what might to be impossibility, and the ability will match the occasion. The outcome will defy explanation. The liberation will not be televised when it arrives like lightning in the skies.

I did learn eventually - perhaps far too late - to respect the talent I have. For a lot of years out there, I was just bashing on to the next thing and not really thinking about it too much. That's what we do. But I'm learning to appreciate the moment.

As far as the lyrics go, I think I was negotiating a moment in my life where I didn't feel happy. I think I had some existential frustration and I was wrestling with that on a few different levels. I was feeling like I wanted to change a lot of things.

I never thought of myself as being a good songwriter. There are a ton of other people that are good songwriters, but I don't think I'm in the club. What I do well is perform, sometimes sing pretty good, and accompany myself well and arrange fairly well.

I was doing experimental noise-based music and I learned a number of things about performance. I was playing small shows - sometimes without a PA - where people couldn't really hear me so I relied a lot on physicality and a sense of discomfort and risk.

I was captured by the songs as much as the singer. They grabbed my heart. The reality of Country Music moved me. Even when I was a kid, I liked the sad songs... songs that talked about true life. I recognized this music as a simple plea. It beckoned me.

Sound continues to be a mystery to me, in that one could create infinite songs focusing on the same subject, but depending on the melody, instrument choice, minor or major key, time signature, etc., each song could elicit an entirely different response.

I could never be in a situation with a job where I was not allowed to listen to music all day. I would rather work at a fast food restaurant where I could turn on the radio all day rather than be in a situation where I have to sneak and listen to music.

Share This Page