Quotes of All Topics . Occasions . Authors
"Everything must change, everything must stay the same." Those are good words to have circling around in my head. I just wish that I was able to deal with them, not by singing, but by helping myself. But singing helps, too.
There's nothing I really wanted to do in life that I wasn't able to get good at. That's my skill. I'm not really specifically talented at anything except for the ability to learn. That's what I do. That's what I'm here for.
I know that people everywhere listen to hip-hop, but especially being from the South, you really get that influence. You go out, you party, and it's just always there. Also, I grew up listening and loving reggae music, too.
I started writing "Peace Trail" here in Colorado, then I went back to California. I had a few other tunes going around in my head, so I had a couple of them finished after a few days and then I wanted to go into the studio.
I won't eat frozen food and I like to know where my food has come from. I don't like anything going in my body that's from a packet. I used to eat microwave ready meals, because we were so busy, but now I like to eat clean.
We love the great Disney songs - they have always inspired us in our work and in our lives! But for 'Let It Go,' we looked elsewhere - to powerful female singer-songwriters like Tori Amos, Aimee Mann, Sara Bareilles, Adele.
I guess I'm in a state of becoming. Even though I've had a full career and I've been around a long time, it's like dinosaurs are coming back. It's all new. I'm having to be on my own and seeing how exciting life can be now.
It's interesting when you've been a partner with someone for so long. So now to sing solo and starting all over again I am learning that I am more bodacious than I thought. I don't know where it's coming from but I am glad.
Bands like R.E.M. and even The Replacements, during that initial wave of college rock, would sell 40, 50, 100,000 copies of a record, and that would be seen as extremely successful - and definitely enough to keep doing more.
I grew up and learnt to hold my own. My mum was doing two people's jobs. It makes you grow up early. There's less people to talk to, less close people, innit? You're going to end up being lonely because you think a bit more.
I'm comfortable singing jazz. The only thing I was concerned about is that everybody, even in jazz, has their own style. To me, the queen of doodling was Ella Fitzgerald, and scatting is something I never thought I could do.
I was kind of a little redneck growing up, living on a farm, and running around in the country. I developed hillbilly tendencies, but I wanted to listen to something a little more meaningful than "Redneck Woman" or whatever.
It's very hard to go from the intense self-criticism you need to have during previews to all of a sudden letting go of it and trying to enjoy the moment, but I'm doing my best and I'm finally beginning to relax a little bit.
You can't show somebody what it's like to experience loss, but you can soundtrack it and help them experience their own loss. I am so lucky to have this venue to be able to say and talk about all the stuff I've been through.
With Fountains Of Wayne, I almost always start with lyrics - maybe not the entire lyric, but I almost always need a couplet or something, and then I work from there. With Ivy, it's much more about the atmosphere and the vibe.
I don't like not saying anything. I don't like having a wall between me and the audience. I want to break down that wall and communicate with the people in the room, 'cause we're there together and we're having a nice moment.
I wish I was in de land ob cotton, Ole times dar am not forgotten, Look-a-way! Look-a-way! Look-a-way, Dixie Land! * * * * * Den I wish I was in Dixie, Hooray! Hooray! In Dixie Land I'll take my stand To lib and die in Dixie.
Well, I'm very dyslexic, so I can't read music. It means I never know where I'm at so it's different every single time. I know when it works though. I might end up doing a bosa nova version of Bad Day when I get to Australia!
I don't like definitions, but if there is a definition of freedom, it would be when you have control over your reality to transform it, to change it, rather than having it imposed upon you. You can't really ask for more than.
Rather than relying on my skills, the musical ability of my band or the technical expertise of our production team, I want to learn to rely on the leading of the Holy Spirit. Only then will our churches come alive in worship.
What makes something pop? It's really just the bed it's placed in. If I grab melodies by Black Sabbath or Metallica and take them out of their musical bed and put them into a pop context, it's not like they wouldn't translate.
'Creeping Death' - that was a special song for me as a kid, because that was the one that every single Jewish kid thought, 'Oh, Metallica wrote a song for us. He wrote it about the exodus of the Jews from Egypt under slavery.'
There's a lot of songs and songwriters out there - you have to make something stand out to pitch songs. Sometimes you have to be bold and just try something different. And just stick with it - don't give up if nothing happens.
People will have a problem with whatever you do. At the end of the day, nobody can determine what you need to do in order to be successful and why would you listen to someone who is not successful tell you what you need to do?
I like the idea that a song can be about a romantic relationship, but it can also about a relationship to your career, or a relationship to your city. It can be about a person, but at the same time it can be about a situation.
I love working with Angel Deradoorian, she's a joy to work with. She's fab at singing and she has a real... she has an understanding that's both intellectual and emotional about singing, that I think that very few people have.
The whole point of Lady Gaga is that anyone can do it. A few years ago she was a nobody. She talks about how it's important for people to know that by sheer force of will they can bring about anything they want in their lives.
Some of the most remarkable and profound worship encounters I've experienced have happened in churches with no production, no lighting, no exciting visuals or amplification, sometimes with not even a single musical instrument.
I generally prefer to come in to the studio with a fully written song and then work on the arrangement with the band. Sometimes even the arrangements are pretty much already worked out in my head, but other times we experiment.
We've always used that as a goal - the record that literally every single track on it could be a hit. A record that breaks doors down, that opens up new opportunities to us, that helps you achieve true immortality as an artist.
Sometimes people chat loosely. Sometimes people just speak their minds and what's on their mind ain't necessarily real or facts, so I don't take it too serious. I'm more interested in making the music, I don't really play that.
Well having a partner in crime helps a lot! But honestly it doesn't take much to get me psyched. The stage is where I'm most at home, and that has been the case since I was very young. It's where I feel most myself and at ease.
I love opera so much. I would never go back to doing it, but I love to listen - I'm grateful for it. I studied diction, breathing control, phrasing, why the song means something. You want to bring that across to your listeners.
I don't like the feeling of being unhappy. I don't like the feeling of being unsure about myself, or uncertain with where something's going - I would rather turn away. I just can't feel like that ever again. It's just horrible.
I'm seldom restricted by anything because I don't know how to restrict myself. It's a blessing and a curse. I feel a lot of support from people in Iceland, especially from people that are content with themselves and their life.
It's very exciting to have a festival in the heart of Boston. It's an amazing experience to be in a city and to be able to walk in and out of a festival. I think that's part of what's going to make Boston Calling really special.
If I'm receiving an email from a stranger, I usually like it to be properly thoughtful and explanatory, and not just hitting someone up for a casual favor out of the blue who you've never met before. I really believe in manners.
One of my favorite places in San-Francisco is Aunt Charlies drag show. You pay $3 and see shows that literally give you goose bumps and bring you to tears. As a performer, you know they're giving 100% and you can't help but cry.
As a busker, one thing that does not work is self-consciousness. A busker needs to be working. A busker needs to shed all ego and get down to work. Play your songs, play them well, earn your money, and don't get in people's way.
I'm always feeling like I don't belong, no matter where I am. So I'm just searching for a family nonstop, and sometimes I find it in the mosh pit, sometimes I find it when I'm doing some French TV show with the president's wife.
Let's face it songs are about love, which is, I love you, I don't love you, come here, go away, I miss you, I don't miss you. I'm lonely. I'm not lonely. It's, it's all about affairs of the heart. And we can all relate to those.
I think you can refine what you do, and become more consistent. And you write better songs that have a better shape and a better feeling. You evolve into and out of things, and go through stages, but, ultimately, you do improve.
My favorite experiences have all been finding myself at one point in a timeline and going in both directions, just discovering at my own pace. If I could admit to be playing some kind of long game, and strategizing this, I would.
We can teach about hip-hop history, we can teach about legends, hip-hop theory. It's been around so long that text books can be written about it. This is a perfect time to capitalize on and get kids excited about music education.
I find it odd seeing a DJ playing to huge audiences. I know that people have been doing it for a while, but the fact that it's been embraced so much in America now and it's become like this new, big thing, I find it slightly odd.
I do one take; I never overdubbed twice. I know there's stuff that isn't perfect, but it doesn't matter: Nothing is perfect, and there is a magic there that is undeniable because of the fact that we don't care about those things.
I think when we were starting out, it was more about imitating our songwriting heroes. We would try to write songs like Neil Finn, or we would try to write songs like Ray Davies, or we would try to write songs like Glenn Tilbrook.
One of the degrees I have is in business, and I was a healthcare administrator that ran a 365-bed skilled nursing facility for years and generated several million dollars a year profit for them. So I have a background in business.
I'm definitely not proud of some of the stuff I did as a youth, but that's where my mind-frame was at one point in my life, and I can't pretend those things didn't happen. I'm not glorifying them, I'm trying to make them into art.
A lot of people are very sacred with their ideas, and there is something to protecting yourself in that way, but there's also something to idea sharing, or being the person who makes the mistake in public so people can study that.