Quotes of All Topics . Occasions . Authors
If you're playing a fictional character, you can create a character, you can sort of take certain liberties. And when you're playing a real person who's actually standing there watching you, you know, it's - you do feel a weight. You know, you feel an obligation to not only be - to give the best performance that you can, but to make sure that you represent this person.
Wherever possible, home is by far the best nest until at least eight, ten or twelve. Psychologists and psychiatrists who understand child development would prefer an even later age. In a reasonably warm home, parent-child responses, the true ABC's of sound education, are likely to be a hundred times more frequent than the average teacher-child responses in a classroom.
I approach song writing three different ways. One way is where I write the initial melody and lyrics first and then take it in to the producer to collaborate. Another way is where the producer sends me his initial musical track ideas and then I write the lyrics and melody over his track. The third way is where we just jam out in the studio and see what we come up with.
I have an extremely difficult time wrapping my head around such a tragic event as the Elementary school massacre in Connecticut and unbelievable sadness for the parents, families and co-workers effected by this tragedy. We are ALL touched by this either directly or indirectly.... May hearts be comforted at such a devastating time. The world is with you.... I know I am.
The thing I've been talking about with daughter is the idea of - and I'm talking about essentially in America - the possibility of, a lost generation. I've been listening to a lot of music - as a fan, as a critic, as somebody who likes to dance - but I hear, you know, within these songs and half the people I hear, these philosophies encoded and embedded in these songs.
I think, with music in general, people just inevitably connect with feeling. The opportunity to hear expressed feeling. That's what has always drawn me towards music. It's something where, by connecting to someone else's voice, I feel less lonely. I feel more alive. I feel more connected to the world and to the rest of humanity. Sometimes a voice can be like a lifeline.
I did all the usual things. I think I did everything that everybody else does. I did auditions. I went to see people. I went to see the right people in some instances, the wrong people in others. The wrong time in others. The right time in others. Nothing seemed to make any difference. I quit 5 times! I always went back to try again when circumstances came around to it.
I think when you're drinking you don't have the clarity to think about things. It's not easy to talk about obviously but I think quitting drinking was one of the most important decisions I've ever made for myself. It's not easy, especially when I'm touring and everyone is partying and I'm backstage playing Scrabble or drawing in my notebook because I'm a total nerd now.
Talk to strangers when the family fails and friends lead you astray when Buddha laughs and Jesus weeps and it turns out God is gay. 'Cause angels and messiahs love can come in many forms: in the hallways of your projects, or the fat girl in your dorm, and when you finally take the time to see what they’re about perhaps you find them lonely or their wisdom trips you out.
Today I felt like a part of something awesome, the human race. I know it can be ugly; it really is in so many ways. But today there was nothing ugly to see, just people trying to be better. And maybe that's the key. Not resolutions and forgotten promises, but instead a commitment to do this year a little better than the last. I'm feeling good about this one. I really am.
Anyway, this huge Lena Dunham interview in Playboy. It felt like a shifting, of some kind. This new female archetype - this new, powerful, honest, non-pandering kind of female is becoming more powerful than whatever else has been rocking it for the past 10 years. I heard that Hugh Hefner's daughter is taking over. Which, if a woman is running Playboy, something is right.
And all the world is football-shaped It's just for me to kick in space And I can see, hear, smell, touch, taste And I've got one, two, three, four, five Senses working overtime Trying to take this all in I've got one, two, three, four, five Senses working overtime Trying to taste the difference 'tween a lemon and a lime Pain and pleasure and the church bells softly chime.
As you work on something, whether it's a painting or a piece of music, it's going to evolve. A relationship is like that too. I don't have to think, What can I do to spice up my marriage? Because as time goes on, she changes, I change. I'm not married to the same girl I met by the pool. I love this woman more than I loved the person I married, but just in a different way.
I remember someone once saying, "Pete, you know you really should take voice lessons." And I said, "Well, if I could find any voice teacher that could teach me to sing like Lead Belly I'd spend every cent to study under him." But every time you'd go to a voice teacher, he'd teach you to warble, as if you'd want to be an opera singer, and that's not what I'm interested in.
It's a whole nother aspect of this life that most people have no idea about. There's the loved ones, the wives, the girlfriends, the children. Some of the people out here are fathers and mothers. Whether you mean to or not, you end up neglecting your family in a lot of ways. Even if you do your best to keep in touch, the fact of the matter is that you're physically absent.
There's somewhat of a real fascination with American bands and American mythology in London, so I think we've tapped into some of that. Maybe because of the way the press works or whatever, they have extremely knowledgeable music fans over there. People who will sit there and talk to you about some record that came out in 1967 out of Memphis that you've never heard before.
I'm thinking of doing everything now, including this stupid act of waiting for someone in front of their house so you should do the same. You have no thoughts of becoming the little mermaid, so that's why I'll be come the little mermaid instead. I'll be right next to you as if I am not there and disappear like foam. So right now, I am the one shamelessly hanging on to you.
Early on I was just a kid in a cowboy hat with a bunch of other guys in a room that were putting out some records. Now thank God, in the past 3 or 4 years, when.. it's really hard to burn an image of a face with a song these days. I think that the songs like 'Don't Happen Twice' and 'Young' were songs that helped me do that and I think that 'I Go Back'(did) that even more.
I don't record (any type of genre of music) that I didn't hear in my family's living room by the time I was 10. It just is my rule that I don't break because ... I can't do it authentically ... I really think that you're just hard-wiring (synapses) in your brain up until the age of maybe 12 or 10, and there are certain things you can't learn in an authentic way after that.
When you're young and you don't grow up with a silver spoon in your mouth, what do you do? You do stuff that you're positive about to help you better your family and your life. That's basically where I was. I wanted to sing, that's what I knew I could do. With that, I really didn't know what that meant. Along the journey I realized what that meant and why I wanted to sing.
I think, with music in general, people just inevitably connect with feeling. The opportunity to hear expressed feeling. And that's what has always drawn me towards music. It's something where, by connecting to someone else's voice, I feel less lonely. I feel more alive. I feel more connected to the world and to the rest of humanity. Sometimes a voice can be like a lifeline.
For me, when I think about Christ, I think about this iconoclastic man who lived and died for the broken. And the paramount underdog, which is basically turning the world on it’s head. Blessed are the poor and blessed are the hungry, blessed are the broken, all these things that feel very backwards in our fame, power, beauty, riches hungry world. That’s who Christ is to me.
If there's a world here in a hundred years, it's going to be saved by tens of millions of little things. The powers-that-be can break up any big thing they want. They can corrupt it or co-opt it from the inside, or they can attack it from the outside. But what are they going to do about 10 million little things? They break up two of them, and three more like them spring up!
I find artists like Tim Barry, Cory Branan, and Jenny Owen Youngs, these current artists that are doing what they're doing now are my idols, my generation's incredible songwriters. I've listened to so much music on the whole ride and I'm inspired by a lot of classic artists, but it's the people right next to me singing songs that are blowing my mind, if that makes any sense.
I don't think you can ever get used to being this famous. I've learnt how to keep things separate or at a distance. I've nothing to hide. But seeing this as work, like a job, means I can take a step back. It's me right now in front of you and in the papers but it's not all of me. If you give yourself entirely to the business, you'd end up going mad. And I'm not mad. Not yet.
I think people resist freedom because they're afraid of the unknown. But it's ironic....That unknown was once very well known. It's where our souls belong....The only solution is to confront them - confront yourself - with the greatest fear imaginable. Expose yourself to your deepest fear. After that, fear has no power, and fear of freedom shrinks and vanishes. You are free.
I meet a lot of characters in the islands, people who're running -- who're happier on a fishing boat than they are back home.When I first got down there,I don't know if I was running from a real bad heartbreak or running to something I thought would make me feel better.But since I've been spending time in the Caribbean, I've come to realize that I've got nothing to run from.
I keep trying to forget, but I must remember. And gather the scattered continents of a self, once whole. Before they plant flags and boundary my destiny. Push down the watered mountains that blemish this soiled soul before the valleys of my conscience get the best of me. I'll need a passport just to simply reach the rest of me. A vaccination for a lesser god's bleak history.
A deep analysis judges technology morally - from its conception and intention to the totality of its consequences, knowing that all "raw materials" once were someone's home or sustenance, that extraction and manufacture at industrial scale reduce landscapes and their human beings, that distribution, employment, and disposal of technologies change lives in unpredictable ways.
I am transgender, so 'he' is not appropriate and 'she' is problematic. I haven't been one to wage war with society to force people to address me a certain way. I let people make that decision for themselves. I don't identify as a man, so 'he' is silly in a way. Being called 'she' as a trans person, trans in the sense that I'm trans, is to be honoured in an aspect of yourself.
I have no agenda. I know what I love to do and that's my religion. That's what I recommend to everybody. I did not invent that very ancient idea: "Do what you love and you will never work in your life." It's the pure truth. I think it's also the goal of human existence to accumulate as much of that feeling as possible. You can find that concept in anywhere from yoga to Bible.
I think everybody is psychic. I think it's one of the things in our subconscious that, for some reason, we've convinced ourselves that it's not real or possible, and luckily, we're getting closer and closer, I think we're using technology to give us these psychic powers that we already had. It's sort of like the idea that you can't dream up something unless it already exists.
To be very fair, it was Ian Marsh and Martyn Ware who started The Human League. They brought Philip Oakey in to sing, primarily because Philip was very tall. So it started out as their vision. I don't think anyone ever thought it would be as big as it became. Music evolves and people were looking for something different. We came out at the right time and were just very lucky.
Music was not always my fan. Sometimes there were lean years, years where I was uncertain if I was doing the right or wrong thing. And years where there wasn't the acceptance, years of economic hardships, and failures. That's when you get to know either who you are, what you're made of, or what's inside of you. If you don't probe deeper, you'll never know, and you can't go on.
I want the music to be heard as close to when I made it, as much as possible. I don't want to get into some "future of the music industry" thing, or where I stand on digital this or that, but I think it's ridiculous that a lot of people in the industry plan so far ahead that it makes a lot of improvisation impossible and makes a lot of people's expectations fixed and not fluid.
I was keenly aware that I didn't want to draw on too many typically doomed aspects of the fated singer. Whether it's Judy Garland or Norma Desmond, there is this tragic quality to older women that one can revel in, and you want it to be more three-dimensional than that. So it was important for the character to be strong and resilient, because there are so many victims in opera.
Small groups have always been the locus of change. What they do, in a sometimes offhand way, is constellate new cultural forms and give birth to the unexpected. Sometimes the talk is the thing, sometimes the feeling. When we risk talking about something we really care about it's infectious. Like any good infection, such talk can produce heat, a fever of intellectual excitement.
My art and my self-expression in any form has always been an attempt towards sincerity, honesty, and empathy for others. For a multitude of reasons both professional and personal I no longer feel that this is possible within [Crystal Castles]. Although this is the end of the band, I hope my fans will embrace me as a solo artist in the same way they have embraced Crystal Castles.
I got out of that immediately was that now, all of a sudden, rock music had become a spectator sport, that corporate labels and their bands were the new establishment, and punk was there to fight them the way the activist hippies must have fought what the establishment must have been ten years before. And it was interesting to see the reactions in different parts of the country.
If your heart takes more pleasure in reading novels, or watching TV, or going to the movies, or talking to friends, rather than just sitting alone with God and embracing Him, sharing His cares and His burdens, weeping and rejoicing with Him, then how are you going to handle forever and ever in His presence? You'd be bored to tears in heaven, if you're not ecstatic about God now!
I remember once Prince dropped by to see me when I was in Minneapolis and I was sick, with a bag of cough drops and a spoon of cough medicine. I said to him, "Hey, can I have another spoon of that? It's just over the counter," and he'd go, "No, I didn't come here to start up new drug addictions for you." And I was like, "C'mon, give me that bottle!" He was very watchful over me.
The choice that I made was from my best music, for the songs that I knew that the public liked. Then, when I recorded my new songs I found that my old material had not faded, it was still current, the music was good and the songs were great. I sat in my house and listened, got the chills, and I thought, how great is that? It hasn't dated, it hasn't gone anywhere, and it's great.
It's fine for people to say, "If you can't stand the heat and if you can't stand the criticism, then just don't use the Internet"; unfortunately, that is not an option. The Internet is where we make our living and where we make our work, especially if we're independents and we cannot afford to not engage, because that's where our business is driving from. It's just not an option.
If I've learned anything over the past 5 years, it's that you do not know where you're going to be tomorrow. You have to make decisions based on that; it's almost pointless. So, you know, whether I learned, I think I'm pretty aware, pretty conscious of that point to live in the moment. It's a hard lesson, but it's like, I'm trying to learn to quiet my mind down, know what I mean?
The funny thing is that the studio that we recorded in was the same studio that Frank Sinatra and Bing Crosby and Nat King Cole used to warm up their voices in before they went across the street to CBS Radio. The owner has preserved it exactly the way it was in 1925. It was such a perfect coincidence that we were doing music inspired by that stuff in that room. It was incredible.
The problem being: for years I was struggling - first to prove that I had any talent, then to create some skills and finally to fulfil it reasonably. But then once I got there it was, "OK. I did that, but I want to be happy." And that's a whole different deal. It's kind of like a dance. Being active seems to help. I'm 70, so sometimes a little voice is going, "Just take it easy".
There are good guys, and there are congressional people who are good guys, and I certainly vote in those elections. You know, my fondest dream would be if Obama, when he got out of office, decided he was going to go back and organize on the streets. He'd be the only person I could imagine who could really create a movement similar to what King did, and God knows we need that now.
There's always going to be someone prettier, smarter, funnier, better than you - something - but you're you. And no one can take that away from you. Every single person in this world is unique and special and worth something. You can become anything you want to. We just live in a society where they love to kick people when they're down, and they love to put a label on everything.
I can't help but react to the painful realities of the two-tiered society we live in, where the signs of poverty and inequity are everywhere. Almost twenty five percent of our children live at or below the poverty line. We expect the no-option life cycle of the poor to be interrupted by the weak social safety net and then wonder why building more jails doesn't solve the problems.
I don't have anything to say about the guy [Muddy Waters], you know. Treat me all right. But I can this: they are jealous hearted, you know. Are jealous hearted musicians, you know. See, if you can't do like your songs, get kinda jealous of you. Like you, like they think you better than them and all that, but I don't fool with those kind of peoples, you know. I ain't got the time.