Quotes of All Topics . Occasions . Authors
I've always considered myself a failure: I feel I've never done anything wholly right. [...] Everybody will tell you, "Oh no, how can you say that, because ten thousand people clap you on a night?" But part of that is reflex action and part of it is because you're reasonably good. But if you're great, that's a different thing.
There is a lot of fun to be had when you try and fit as many words as you can within a three-minute song, but there is also a lot of fun in trying to get that message across in three words, or better yet when the music can overpower the words and convey something really pure and perfect that affects our psycho-emotional space.
Restoration ecology is experimental science, a science of love and altruism. In its attempts to reverse the processes of ecosystem degradation it runs exactly counter to the market system, to land speculation, to the whole cultural attitude of regarding the Earth as commodity rather than community. It is a soft-souled science.
If they want to come out and watch me paint or dig potatoes or mend fences, I don't care. I don't do interviews not because I have anything to hide, but when you retire, the word has a meaning to me. It's a place in life, a part of the journey. You just don't quit work. You develop an attitude where you can do what you please.
Education was a given, only because of the way I was raised. Truth be told, I thought, at 15 years old, I should go and get a record deal and drop out of school, and my parents would have had none of that. I'm grateful now that my parents were pushing me in that way, because I wasn't mature enough on so many levels to do that.
I was born in Evanston, Illinois. I spent my elementary and part of my junior high school years in a D.C. suburb. And then I spent my high school years in Minnesota. And then I spent my college years in Colorado. And then I spent some time living in China. And then I spent three years in Vermont before moving down to Nashville.
Whenever I visited China in the past, the relationships always felt superficial; there was no time where I felt those moments of conflict and delight that make you feel close to another person. But since I started touring there in 2004, I would always collaborate with local musicians, and that opened up a new level of intimacy.
I learned mainly through television, but I learned how to do mosaic, where you can buy stones or things of that nature. But also where you bust the tile to decorate pots for flowers or table tops. Lots of different things. Wherever you want it, you can mosaic just about anything. It took me about two weeks to do a big birdbath.
Alzheimer's is a horrible thing. Some people are naive about it. They think, 'Oh it's just your memory,' but my mother was in terrible pain. Your body closes down. She didn't know if she'd eaten or if she wanted to eat. She couldn't remember how to walk. Towards the end, she didn't know us. It came gradually, then it got worse.
I'm like a bumper car. When I did an infomercial I was fodder for every TV comedy show. I couldn't get a job. People said I was a huge joke. I've been a joke so many times. I've been on my way out since I started, but I'm strong-willed. My mother is so much tougher than I am and my grandmother is so much tougher than my mother.
Culturally, now, we're really tight around death, and as a result I think people miss out on a lot of the beautiful aspects of the end of life process that can be very helpful for the grieving process, that can be a really beautiful part of transition of life that we don't get to experience because it's not in the conversation.
The whole idea is you can't sit around and do nothing. You have to get up and start living one day at a time. That's what I did my entire career. You can't sit around and say, 'Oh, poor me. Nobody likes me. Nobody is giving me a job.' You have to get up and go. If you sit at home and do nothing, that is what is going to happen.
At school, I'd sing in groups in the locker room or in the bathroom, which was like an echo chamber. The problem is I didn't know how to get started singing professionally. The pool hall was my Facebook. I'd hang out there to keep up with what was going on and to let people know where I could be reached if singing jobs came up.
To me, a critic is someone who gets paid for their opinion, and they're entitled to that opinion but I don't really put a lot of stock into their opinion. I'm going to cut the kind of records and the kind of songs that I like, and the kind of things that I enjoy doing. If critics dig it, that's fine, if they don't, that's fine.
We call them impact songs, and people buy impact songs. But you just never know what those songs are going to be. One of those songs that really went through the roof for us was 'Big Green Tractor,' which I thought was kind of a fun little ditty song that I never in a million years thought would be as big as it was. But it was.
Most of the people I hang out with who sing love it, and they just want to do it until they die. I still look forward to the performances. And believe it or not, they're all kind of different. Even though you sing the same songs, and maybe you go to the same venues, it just feels completely different every time you go on stage.
I think people hear the words 'transcendental meditation' and 'paganism,' and that's almost worse because it's real. Those are real things. Those are absolute energies. Satanism is like Halloween. Transcendental meditation and having a realization of how we really are - whether we want to be or not - we live in a pagan culture.
I think that nothing is impossible when you want to fulfill a dream. A lot of people will tell you that you can't do it, that you don't have what it takes, but if it is in your heart and you feel it, there is nothing that will stop you. It is like the sun - you can't block it: it will shine regardless, if that is what you want.
I was on Twitter and I saw that I had over 1,000 responses and I was like "OK, something happened," so I opened it and it was like "Charice on Glee!" I didn't get an e-mail from the show so I wasn't tweeting at that time. I just watched my fans tweet. And then after about 30 minutes the show e-mailed me and said congratulations.
Ray Cappo never tried to convert me into a Krishna, although one of his cohorts probably did. I think it was just about being wrapped up in this thing. Hardcore, at one point, meant everything to me. Now you look back, and I still think it's cool, but to some extent I grew out of it. Other things became a bigger priority for me.
You always draw from your roots. I'm influenced by everything I hear and see, and that includes music today, but obviously I go back to my early influences: Stevie Wonder, Parliament, Earth, Wind & Fire, Ohio Players, Average White Band. Those kind of artists are what I look to. When I hear that stuff on the radio, I turn it up!
Album sales have collapsed, with few artists making money from albums; touring is more lucrative. But I'm 53 now and won't be able to tour forever, so a logical step is to get into writing film scores. Trouble is, you need to be somewhere which has a big film industry - another reason why I'm thinking about living in California.
I don't follow anything blindly. I have to know the entire thing, if I have to get in to it. It might sound funny to you, but it's like using English language. I use an English word only when I know its meaning and understand its connotation. You won't hear me say, 'What's up, dude' or anything like that just for the heck of it.
Kids are so busy with different things and are occupied with other things, so when they do find themselves to be creative, it's often that they can be creative in the kitchen and they get the opportunity to bond with family, friends and talk. It just opens up their lines of communication. We need that now for these young people.
When I met someone who I thought was really talented, I would just be like, Wow! How did you get that way? And I met a lot of people who would just do anything to claw their way to the top, and it was just shocking and awful for me to see that for the first time. And now I live in Manhattan so I have become desensitized to that.
The nice thing about us lot is that what we do is of no consequence. We don't do things that are important; we spend our lives doing things which are not important. That's what's nice about us, we're not pompous. We never do anything very bad that's gonna change the world. We're not serious, we're butterflies. We live for a day.
I think being a little older and a little more determined and being a little more evolved in my case and maturity in the kind of music I was doing and how I was doing it really helped to keep me grounded and with an audience that could appreciate what I was doing, who grew with me and evolved with me and kept me alive and around.
Dad's fear, especially when I was 18, was that, in the music industry in the U.K., there wasn't really anybody I would aspire to who was of black origin and who was successful. It was mainly black American musicians in the charts and, at that age, I think you look for someone you can identify with, and there wasn't really anyone.
I like to focus on making the music sound simple and true, and very lush and full. I think music should take you to somewhere else where you have the space to contemplate or exercise your imagination. All the while you should be feeling real good, like when you have a delicious and decadent meal, macaroni and cheese or foie gras.
Heaven Is Whenever - the Christian version of reward, the ultimate reward of heaven. I guess what I'm trying to say is this is happening every day. We're blessed always. There is struggle and there is suffering in our lives, but understanding that is part of our lives - a part that just is. Suffering is a part of the joy of life.
In art, at a certain level, there is no 'better than.' It's just about trying to operate for yourself on the most supreme level, artistically, that you can and hoping that people get it. Trusting that, just because of the way people are built and how interconnected we are, greatness will translate and symmetry will be recognised.
But the most dangerous thing in the world in the world is to run the risk of waking up one morning and realizing suddenly that all this time you've been living without really and truly living and by then it's too late. When you wake up to that kind of realization, it's too late for wishes and regrets. It's even too late to dream.
I try to treat all my fans as if they're the stars, and make them feel as important as they make me feel. A lot of times I'll pull them on stage to help me sing songs. I wouldn't have my house, my fame or my career without them voting for me and appreciating this talent that God blessed me with. I just want to share it every day.
I first knew Laurie Lewis by her considerable reputation as a fiddle player and a writer of songs. When an opportunity came along to sing with her I seized it. Getting to know her as a singer and a person has been pure pleasure. Her voice is a rare combination of grit and grace, strength and delicacy. Her stories are always true.
I remember when A love Supreme was released - I heard it at a friends house. ... Man it was incredible. That record sounded different than the rest. I was trying to gather my spirituality together, trying to get an understanding of life ..... I felt Coltrane was the first musician who made a transition from one side to the other.
'RuPaul's Drag Race'... is very little about boys who dress up in girls' clothing: it's very much about grit, integrity, heart, power of perseverance, and the power of love. It's also opening a dialogue up about the persecution and the marginalization of trans people, of queer people, of gender non-binary and gender fluid people.
It's taken me a long, long time to figure out how to deal with negativity, because it used to really upset me. I was always that girl that, if I was performing in the club and there was one person not paying attention or not liking me, the whole club could be packed with people loving me, but I'd be obsessed with that one person.
For performances I have my favorite go to's like Prince, Donna Summer, Vanity 6, Sheila E, but it also depends on the type of show I am giving. I could pull references from Broadway musicals, Rock Steady Crew, a Jamaican dancehall or gentlemen's club, etc. all within one show. It truly is a playground with no restrictions for me.
I do not believe in mixing of the races. You can quote me. I don't believe in it, and I never have. I've never changed. I've never changed my hair. I've never changed my color, I have always been proud of myself, and my fans are proud of me for remaining the way I've always been. I married a white man one time, but he was a creep
We've lived through a time in which people have felt they could forge their own future and make a better world. We may not have achieved our dreams in the time frame that we once believed was realistic, but the magnitude of what is yet to be achieved only confirms the importance of our commitment. Knowing this, we can't stop now.
My mother's songs are really turning out to be masterpieces. I have inherited this incredible legacy and am so fortunate to bathe in her sensibilities. It is tinged with tragedy. I'd much rather she was here in person, but there is still a positive force to come out of her death and that is having the gift of music that she gave.
I think in everything we did, there's a sense of tension and a sense of things pulling in a different way. It's interesting calling it "beat music". That's quite true, the rhythm is up to the fore, it's got a slap bass, and it's got "funk" in the title. But I think there's always a level of irony when we did those kind of things.
You see something happen to a population whereby everyone adopts something that's just preposterous in a way that makes it normal instantly. If any one person prior to the rash of puka shells, for example, was seen wearing puka shells, he would look like an idiot. But when everyone is wearing them, it instantly makes them normal.
I can be. I do not normally try to be. In fact, there have been some reviews - which I've loved - that said I didn't try to sell my show on sex, that I sang my show. On the other hand, I know I'm cute. I can dance. I don't have a bad figure. I know exactly what I am. I'm certainly no great beauty. I know exactly how far I can go.
I sang in a reggae band. And then there was a soul band where I sang back-up vocals and some lead. And I was also in a women's a capella group. And I was in the gospel choir at school. Actually, I've always been in choirs. Or some kind of group. Just because I love singing so much. But I truthfully never thought of it as a career.
If you're going to make work and you're going to write and you're going to put yourself out there and perform, you will be belittled, you will be insulted, you will be called a standard collection of names, you will be accused, and you just have to stand there and continue to work and find a way to not let those things poison you.
I live in Nashville, and I don't know how many people there would call me country. I really started in punk and anti-folk, but one of the reasons I originally gravitated towards country music is because most of those songs only use three chords. That was the easiest place for me to start, but I'm always trying to expand what I do.
Traveling all over the country and all over the world, I think you've got a lot of pop acts and a lot of rock acts that are making a point of traveling to different places and making people aware of their music and their shows and the whole deal and I think country music has always sort of stayed, for the most part, in the states.
I feel somewhat privileged because I often feel very sorry for kids. I often feel very sorry for 20-year-olds and teens who grew up with the internet and have grown up completely connected because, for me, people like me know what it was to struggle, but it wasn't a struggle. It was great! It was fantastic. The thrill of the hunt.
You've got to deal with the world with all of its troubles, while you've still got this alternate image. It's not about being in a different place or being in heaven, it's about seeing the world through magical eyes for a moment, and then being back in that same world, and everything is dull and gray. Having to remember the color.