Quotes of All Topics . Occasions . Authors
When Sondheim was visiting the Library of Congress, where the manuscript of 'Porgy and Bess' is housed, he was so overcome with emotion while holding the score in his hands that he shed a tear. He shed several tears, but one of the tears actually fell onto the original manuscript. And he was horrified.
I love the traditional music of all our islands - Scotland, England, Ireland and Wales , but I suppose I'm viewed pretty much as an English songwriter and I'm going to try and do an English album, and I wouldn't be ashamed or embarrassed to do Scarborough Fair and Spencer the Rover and stuff like that.
I think 'pop' can be a bit of a dirty word. People are very cool in Australia. They don't like to admit that they like pop. There are people who listen to Triple J and cool stuff like that, but commercial radio is massive, and if you look at the sales of the pop songs every week, people love pop music.
I don't take off as many days as most other producers and songwriters, so I'm working every single day, and I do songs every day. So it's just about finding time, scheduling, getting in and cutting the records. I make it happen and that's the name of the game. It's no excuses - you gotta figure it out.
There's a fundamental disconnection in society in the way we live, this way we live that we take so for granted, and we've become very separate from one another and we don't really take lot of time to realize that. And the math is overwhelming to the point of despair, but the answers could be so simple.
Icon. What is an icon? When someone is iconic it means they have established a certain kind of legacy possibly, and I think it does come with time. It's something in the arts, I feel. Maybe not, maybe it doesn't have to be in the arts exactly. I'm not really sure. But I don't think you are born an icon.
I want each poem to be ambiguous enough that its meaning can shift, depending on the reader's own frame of reference, and depending on the reader's mood. That's why negative capability matters; if the poet stops short of fully controlling each poem's meaning, the reader can make the poem his or her own.
I think everybody has a moment in their career where you have to test whether it was right or wrong. We've all been there. I've looked back at performances of my own, where only you know if it is something you want to repeat. As long as you know when it's not right that you don't repeat it all the time.
I wasn't popular in school, I was Mexican, I was all these inappropriate things. I started playing the ukulele and taking it to school, and I realized people liked listening to it. I would play it to comfort myself at home, and I'd play rhythm and blues songs that had four chords. That's how it started.
When I'm happy, when I'm enjoying life, I'm home, I'm surfing, I'm spending time with my wife, my friends and I'm not thinking about the pain. And then the moment I encounter something that feels difficult, I feel like that's when, for me, I turn to writing and thinking and maybe a song comes from that.
I have never called myself an opera singer. Other people do, but I always call myself a classical singer. I'd love to do opera, but I'm still too young and I don't want to do it until I'm ready. I realise that when I do that it's going to be... up for discussion, shall we say, so I want to get it right.
Before I had a kid, I was off in some kind of cosmic state all of the time, and thinking about the world beyond, thinking about intellectual stuff. And then, after I had a kid, just the whole process of giving birth is just so earthy and grounding and insane and it's all just an intense physical ordeal.
I've begun to realize, as I'm getting older, that I was taught to go for a certain kind of stillness to get things done. I missed that in my life. I loved my grandmother's property, out in South Georgia right above the Florida line, so I just thought I'd find some property where I could feel that again.
I get asked that a lot: "What do you think your role is, with all the people that look up to you?" I'm an entertainer, you know? I'm not trying to bombard anybody with anything, but at the same time, face-to-face or in real life, if I'm talking to some kid, I have opinions just like everybody else does.
I had a good, sound upbringing with sensible people around me. I was brought up by intelligent parents. My mother always said to me, "You've got to work at your career and you've got to be good at it. Okay, you've had a bit of success but that's not longevity. You've got to really work for a long time."
I love dressing up. I like going out and buying some crazy stuff. I like stuff that's new, innovative and weird. I just pick out stuff that is unique and anything that I'm really diggin'. I don't really care if it's kind of out there. That's what I'm about. I like picking stuff that is really different.
Making music has been connected to one of my greatest heartaches, because my own music has never quite connected with audiences. But it was this heartache that pushed me to explore other artistic avenues, like writing and filmmaking, and I ultimately feel most at home in a multidisciplinary environment.
I don't know how much more what I've done is any more important than what Ella Fitzgerald did. Ella crossed those lines, as did George Benson before me. There've been lots of people who brought a pop audience to jazz because they were able to link the two and give people easy access to the world of jazz.
I want you to be happy, you're my best friend. But it's so hard to let you go now with all that could have been. I'll always have the memories. She'll always have you. Fate has a way of changing just when you don't want it to. Throw away the chains, let love fly away. Till love comes again, I'll be okay.
If I was having a bad day, or if something was really getting me down -- boy troubles, whatever -- I wanted to go out and get a new piercing. It was definitely a release for me. Something that made me feel a little more strong or empowered. Because it was something that had to do with me and no one else.
When I went to Japan I sang in Japanese; when I went to Greece I sang in Greek. When I went to Spain, I sang in Spanish. I couldn't speak it very well, but I sang, I was beautiful in singing it. These things just constantly attracted people to the uniqueness of who I was and the way in which I performed.
It's different for every song. But for 'Say Something,' I think it was Chad who had an idea on guitar, and I had an idea on piano for different songs, and we just married them together. We bounce things off each other constantly and kind of massage all these ideas into a three and a half minute pop song.
Calling has this weight that somehow we think that your calling is fixed. That your calling is this line that you’ve finally found and now you're on that track and that’s what you’re gonna do forever and maybe that's the case. But I feel like calling has much more to to do with the moment that you’re in.
People can think whatever they want to think because I'm steadily taking my checks to the bank, steadily putting food in my babies' bellies and raising them the best that I can. I'm really getting to the point where I honestly don't care what people think because they probably wish they were in my shoes.
I can't see going onstage wearing a long-sleeve shirt in the dead of summer. I work out hard during the day with a trainer who monitors everything I put in my mouth when I'm on tour. When I first got a record deal, you can tell by my early album covers that working out wasn't that much a part of my life.
When I was younger, I used to look at movie stars with pencil-thin noses and think about a nose job. I've got a grown-up baby nose; it's not chiseled and structured. Then I saw how beautiful Audrey Tatou was in 'Amelie' and thought, 'She's got a nose like mine, and if she can have a baby nose, so can I.'
We love trans women; all of us know that drag wouldn't be an art form without trans women. I know that, RuPaul knows that, everybody in the gay community knows that. Trans women have always been a part of and the face of drag. And I can guarantee trans women will always be a part of 'RuPaul's Drag Race.'
I didn't have much, but I was always happy to share what I did have. It seemed like every African that came to New York City would show up at my apartment door at dinnertime, and I couldn't turn them away. I wasn't much older than any of them, but they started calling me 'Mama Africa' and the name stuck.
When I've lost weight, some fans get very upset because they want me to stay curvy. But my own self-worth and wellness regime has to do with my well-being and longevity, so if I make the choice to take care of myself, and the outcome is losing weight, it's disappointing that there might be some backlash.
I’m always the same. Whether I’m solo or with Big Bang, the one thing I have to do is sing and dance. I started solo activities with the things I did well with Big Bang, and I’ll show the things I learned while doing solo through Big Bang. Wherever I go and whatever I do, I am Taeyang and Dong Young Bae.
The world keeps turnin' It gets merry like a merry go 'round It gets cold like a frozen winter Well I change like summer fall But I know love is all in all Seeds we're always sowing The grace is always blowing We've just got to lift the sail And we're bound to hit the shore We'll finally calm this storm.
The most important thing I want to get across is that maintaining weight loss is just hard. It takes a dedication to exercise and eating right most of the time. I'm not saying I don't enjoy the days that I'm not eating chocolate cake. But I do particularly like those days when I am eating chocolate cake.
The key is to just focus on the spots where the love is real, because you can just drive yourself crazy focusing on the negativity, focusing on the relationships that are irreparable and just aren't going to work, trying to convince the haters that you are indeed lovable. So much of that is wasted energy.
What really turns me on about technology is not just the ability to get more songs on MP3 players. The revolution - this revolution - is much bigger than that. I hope, I believe. What turns me on about the digital age, what excites me personally, is that you have closed the gap between dreaming and doing.
A lot of things encouraged me to start my label. I think it's very important for an artist to know how many records they've sold and where they've sold. I know that I have never been treated the way I'm supposed to be treated - like an artist. That's why I do things for myself. I feel like I'm a free man.
I think it's important to be able to write stuff that's personal to you and stuff that you'll really be able to understand what you're singing about and be able to truly sing it. Because if you're singing a song that someone's written for you and you really can't relate to it, it's hard to sing that song.
The food thing is crazy to me. In this town the beer thing is also crazy to me. Frankly even with Brightest Young Things, it's such a celebration of [beer and food], all this stuff. I don't think it's bad or evil, but there's something out of bounds. It's like, "A bar opened!" Who cares? Think about that.
Miami is nothing like me, and thats why I need to be here - its the opposite. Im practical, where this place is moody, Im stolid in my interior, where this place has a certain flair, and Im materialistic in a sense that this place is fundamentally spiritual - theres a quicksilver quality about this place.
If I'm not feeling so hot during the day - maybe I couldn't sleep, and the kids are wearing me out, and I'm not feeling very cute - I might go and curl my hair and put on some lipstick and put some fun music on. And that builds my confidence. It's the small things. You have to find out what works for you.
I think despair and cynicism are two different things. On the flip side of hope is despair. Belief and doubt are the same thing, in that to believe something you have to actively doubt the opposite. And from my perspective, that's the deep end. You're dealing with the unknown; you're dealing with mystery.
I'm interested in just about anything that's right for my voice, and that's a good fit for my personality in the part as well. 'Evita' has always been a dream part for me, but it's really, really high to sing. I'd love to do Elphaba - heck, I'd even do Glinda. For me, I'd do anything to get into 'Wicked!'
My best artist friend is definitely Jason Aldean. He and I really get along great and are really great friends. It's fun to tour with a buddy and somebody that I just enjoy hanging out with. If we weren't touring together, we'd be hunting in the off-season still and knocking around doing stuff, certainly.
What I have seen in the past 10 years of traveling- performing at a church one day and a casino the next- is that a lot of people in the church want to be entertained, and people in casinos want to be ministered to. That's hard to understand, but I see a hunger in the world that I don't see in the church.
That's how we grew up - kinda like Pops would put his drums, his percussion and instruments into the car and we would just go to a facility in the Bay Area and he would say to us, 'You think we have it bad? There are people worse off than we are. Let's go give back to the kids.' And that's how we grew up.
Doo-wop is the true music to me, man. Doo-wop was what nurtured me and grew me into who I am, and I guess even when I was in school, the teacher probably thought I had ADD or something every day, because I'd be beating on the desks, singing like the Flamingos or the Spaniels or Clyde McPhatter or somebody.
I still have a pretty lively audience in German and across Europe. And I continue to say, 'Thank you, God,' for making me smart enough to avoid getting hit by trucks and going out and finding myself an audience abroad. Which includes Asia - from Jakarta to Japan. Working hard at finding an audience abroad.
I'm touched by the Beatles. I want some of the music I do to reflect that. Here I am. I love Sly Stone and James Brown and Stevie Wonder, and I want my music to reflect some of that. Here I am. I'm touched by Jon Hendricks. I want some of my music to reflect that. And when I write, you're going to hear it.
If a quote of two individuals looks identical or almost similar to make it difficult to know as who said it first to be Mr. Right, then it is perhaps sensible to give credit for the same to one who travels in life light by choice and not compulsions than other who is too eager to board on a success flight.
So okay, I don't want to be a traitor to my generation and all, but I don't get how guys dress today. I mean, come on, it looks like they just fell out of bed and put on some baggy pants and take their greasy hair-ew!-and cover it up with a backwards cap and like, we're expected to swoon? I don't think so.
A lot of times, that's hard to capture: what you sound like in person versus what you sound like on record. If I had total control, I would do a lot of the old songs - not only my songs but Sam Cooke songs, Luther Vandross, melody songs. That's what I would really do if I had an opportunity to do a record.