Quotes of All Topics . Occasions . Authors
There's a gratification that comes from performing in front of a live audience, and you can't replicate that with anything else. In the studio, the creation part of this business is fun. But, when you see the fans letting you know that they enjoy what you're doing, that's why I keep doing what I do.
I think that when you're young, you carry the weight of the world on your shoulders. You're anxious; the world seems like a scary place. You don't know where you're going to fit in, what you're gonna do with your life - but actually, life has a way of sorting itself out, and universal law takes over.
I've watched so many women, from Kathleen Hanna all the way up to Taylor Swift, whether they're pop artists or rock stars or fine artists or writers, it is the subhistory of female artists that if you're going to make art, you're also going to have a full-time job of defending your right to make art.
If, you know, all your life you're making films or whatever, and somehow along the way you lose meaning in whatever you're doing when you're making the films, they're just not the same as they used to be to you. That doesn't mean your life is over; it just means maybe go try to live a different life.
The way I approach this thing, when I started to get my head screwed on straight and really trying to make something of myself as an artist, when I was 19 or 20, it became more about function for me. Like, what is this song doing to you? What is the function of this type of artform? What is it doing?
I went to school to learn to be a hairdresser. I worked at a wholesale florist, where I delivered to florists all over New Jersey. I'd come home and go out to work down at the Shore. The early jobs, I remember, were $5, $6 a night. And I lived in the projects right until the time I became successful.
I'd come home from school alone with those teenage blues and I'd put on Frank Sinatra's It was a very good year. Here was this mature man singing about the cycle of his life, and as a kid I felt the emotions of it already. It has since been a touchstone for me whenever I want to experiment musically.
The first thing I do every day when I wake up is thank God for letting me make it through the night and giving me another day of life - just because sometimes I wake up, and I cannot believe I'm doing what I'm doing. I just thank Him. I don't know how I deserve it, but it's completely because of Him.
Don't decide that you're going to be a writer or musician and just expect it to happen because it's a big gamble and a lot less predictable than a conventional job. But you do increase the likelihood of success by working as hard as you can and holding yourself to the highest standard you can muster.
Arguably, the relationship between Liza Minnelli and Judy Garland is one of the great mother-daughter sagas of all time. Certainly, for certain people, and a lot of them, Liza is the bigger star. Liza is the more kind of viable legend, shall we say. Then there's the other camp, where Judy is the one.
I keep a lot of my old baseball hats, and if you look in the hats I've had since I started pitching, you'll see 'Philippians 4:13′ written on the brim. That's the Scripture that gets me through the day because sometimes you can't do it all by yourself. You can't do it on your own, so you lean on Him.
I keep a lot of my old baseball hats, and if you look in the hats I've had since I started pitching, you'll see 'Philippians 4:13' written on the brim. That's the Scripture that gets me through the day because sometimes you can't do it all by yourself. You can't do it on your own, so you lean on Him.
We don't have all this gay-bashing crime. You don't see that. It's not there. That is not really happening in Jamaica. But because a few artists basically sing it and put records out and the media runs with it, then the stigma becomes big, and now we're trapped with that whole thing. It's really sad.
I want to utilize social media to elevate the consciousness of those people who feel like all they want from social media is to be famous. Like, you can actually be a voice. You can actually say something that's inspiring and not just make people feel like you need to buy things and be a certain way.
If anything good came out of 9/11, to me, was that people were so cynical about the world - all you hear about on the news is all the bad stuff everyday, but what was refreshing to me was after that, you saw how many good people there are out there. For every one bad one, there's a thousand good ones.
Sometimes I don't tell the truth, which is telling the truth about not telling the truth. I think people don't tell the truth when they're afraid that something bad's going to happen if they tell the truth. I say things all the time that I could really get into trouble for, but they kind of blow over.
You always get nervous on stage because when you get up there, you want to do great. The crowd has you pumped up so there are always a little bit of butterflies. That's all part of it. But as far as getting stage fright, clamming up there, not generally, I just enjoy it on stage and have a great time.
I saw Damien Rice in Dublin when I was 13, and that inspired me to want to pursue being a songwriter... I practised relentlessly and started recording my own EPs. At 16 I moved to London and played any gigs I could, selling CDs from my rucksack to fund recording the next, and it snowballed from there.
I've always had a theory that whenever guys and gals start swinging, they begin to lose interest in conquering the world. They just want a comfortable pad and stereo and wheels, and their thoughts turn to the good things of life - not to war. They loosen up, they live and they're more apt to let live.
There are more than 300,000 families in the Gulf region that lost their homes and are waiting for peace of mind. The hurricane exposed the sad reality of poverty in America. We saw, in all its horrific detail, the vulnerabilities of living in inadequate housing and the heartbreak of losing one's home.
I started writing songs when I was real young, when I was 3 years old. The piano spoke to me - I don't remember when I wasn't playing piano. My second grade talent show was the first time I performed my own thing. I dressed up as Dracula and played a song called 'Monster Rock' that I wrote. And I won.
Trenchmouth, really great band. Here's a photo of them in 1979 playing the Valley Green projects. It was an incredible, unusual experience. We ran a cord through the window and plugged the PA and amps into that and played right in the courtyard. It was an incredible experience. It was just local kids.
I think the one I'm most proud of as a songwriter is 'Breaking Your Heart' because it was just a different style for me. It was very - I feel like it was very old-timey Patsy Cline. It's got a very '50s feel to it, and I pushed myself to write those lyrics very intimately with my co-writer Ted Bruner.
In the beginning we were creating our music, ourselves, every night . . . starting with a few outlines, maybe a few words for a song. Sometimes we worked out in Venice, looking at the surf. We were together a lot and it was good times for all of us. Acid, sun, friends, the ocean, and poetry and music.
With 'Believe' bringing really big success for me outside of the U.K. for the first time, it meant I have been touring around the world and that led to a gap from the studio. I really feel like the gap has done me the world of good. Throughout that time I was able to collect songs that I really loved.
I have to say that when I first started singing, I didn't think it was a very noble profession. I worked for people like Robert Kennedy and I thought: 'Wow, that's what it's about. That's how you change the world.' And then I watched that disintegrate in front of my eyes, and it was very discouraging.
Women are denied masturbation even more severely than men and that's another method of control-they're not taught to please themselves.... Most women-it takes them a while to warm up to the "situation" but once they get into it, I'm sure they're going to get just as hooked as-well, everyone I know is!
One of my biggest heroes in music has been David Bowie. He's said, `I'm going to be a painter now, or I'm going to do some films,' and his audience is very forgiving, because they understand him as an artist. Whether you agree or like the result, you respect that he's expressing his artistic feelings.
I stopped taking drugs [in 1983]. There were a lot of things that led up to it. One thing was that a lover died. An ex of mine died in a car wreck and I was really trashed when I found out about it and I couldn't cry. I woke up the next morning and I said, "That's it," so I quit then. It was horrible.
I agree with Ru that it'll never be mainstream, because mainstream means everybody knows it, everybody loves it, everybody accepts it. That's never gonna happen with drag, but it's definitely become more mainstreamed for people that never knew anything about it, being opened up to it as a form of art.
No matter what as an artist that's always what you want to do, you want to connect to the audience, you want to be able to send whatever message it is that you're singing about, you want to be able to convey that - and not make them feel - you want them to feel it, you want them to feel what you feel.
I am lucky to have the greatest band and when you add a symphony orchestra to the mix it brings all of my songs to a whole new level. I wouldn't say I really change what I do but, having those talented musicians behind me, along with my band, really makes the songs so much bigger and more fun to sing.
I just remember music always being a part of my life. I was never like, "I'm gonna be a rock star," or "I'm gonna be in a band." It was more "I just play piano, and I'm always going to play piano. That's who I am and that's cool." I think music became so ingrained in me that it was not even my choice.
I believe in highlighting the 'greatness' that I see in every single woman that I come across. There is such beauty in variety. It may not always be evident, when you look at a woman, where her greatness lies. But the truth is that the greatness of women is reflected in the very essence of who we are.
It's too bad that there aren't as many light comedies around in the movies as there were when I was making pictures like 'The Bachelor and the Bobby-Soxer.' The boys are just not writing them. Many writers are more serious now than they used to be, and that's showing up in all phases of entertainment.
I think I'm fairly good with money, but I've developed some strange tics - in shops I don't like to go to the counter unless I've got at least two things to buy. If I'm walking around with just one thing in my hand I'll put it back and wait a few weeks because that doesn't seem like a proper purchase.
I think that social media is a really good way to stay in touch with the people who are following you, and I think it's nice to have that very direct relationship with them - you don't necessarily need a middleman or woman. A lot of people, when I meet them, I recognize them by their profile pictures.
I've had an ambition to be somebody since I was 13 years old because I wanted to help my family. I wanted to hurry and grow up so I could make enough money to buy my father a big car and my mother a beautiful home with an electric washing machine and all those things she used to see in the newspapers.
I've always felt like an outsider across the board, since day one. The challenge has been to simply not pay attention to my outsider or insider status and just do the work and play the shows and connect with the people. And not even bother to play this game of keeping score, which is what destroys you.
Men find powerful women so threatening, and finding a partner was starting to look laughable, because I would be really attracted to guys and they would just be so threatened and I didn't like feeling threatening, I didn't want to feel threatened, I didn't want to feel like I was towering over anybody.
Sometimes people come up and say, "You have this line in this song and it meant a lot to me." You don't always remember that line as the one. You're putting part of your human being on the page so people are going to have different responses - the other humans are going to connect with different parts.
I saw Damien Rice in Dublin when I was 13, and that inspired me to want to pursue being a songwriter... I practised relentlessly and started recording my own EPs. At 16, I moved to London and played any gigs I could, selling CDs from my rucksack to fund recording the next, and it snowballed from there.
I'm a natural piano player. So all the practicing I do at this point is in my head. If I don't play for a year, my chops aren't going to get any worse. I've spent my time playing scales, and I don't necessarily want to play any faster than I play. So everything I do at this point is more philosophical.
I've had a tremendous career and I get more phone calls from people who've been on 'X Factor' asking how they get on the ships. The ships are a very lucrative job for any singer and I would advise any singer to go and work on them and try it for a while. If you are not good enough, you will not get on.
When I was a kid, we went to St. Augustine, Fla., and I was lying on the couch one night with a Q-tip, cleaning my ear out after I'd taken a shower. I hit my arm on something, jabbed the Q-tip through my ear drum, busted my ear drum and couldn't get back in the water the rest of the time we were there.
I had an amazing childhood and always loved to sing and dance, but there were moments where I had ups and downs with my health that often tested me as it does many people. I've never hidden the fact that my health was sometimes not on my side, but I've never let it define me or deter me from my dreams.
You wake up, you wake up, another day, you wake up, you wake up, traffic still moving at the same speed, our eyes looking at the same speed, our minds thinking at the same speed, I wanna see movement, I wanna see change. I wanna wake up for real. I wanna wake up. I wanna wake up. We were meant to live.
Being classically trained gave me the real foundation for music. It's so important in my life. Why was I influenced by all these styles of music? Because it gave me a sense of freedom. It made me feel like I could put my hand in a colored bag and pull out a different colored candy and have fun with it.
The short story and the truth is that I was taking vocal lessons here in New York... One day, instead of my lesson, the piano player and I went into a studio... and we put down some demos... Those demos got to Quincy Jones through an agent... He listened to them, he called me, and we started to record.
The grief of a child is always terrible. It is bottomless, without hope. A child has no past and no future. It just lives in the present moment - wholeheartedly. If the present moment spells disaster, the child suffers it with his whole heart, his whole soul, his whole strength, his whole little being.