Quotes of All Topics . Occasions . Authors
I was introduced to lots of great music through my local record store. It was a place where people knew music and they knew me, and could make great suggestions and discoveries. Whether it is in the physical world or on-line, the value of a great and knowledgeable record store has not gone away
In Korea, when I started, there wasn't a trend where people chose to be both actors and singers. I was the first to do both. It was a great deal hard work, but I got a lot of support and love from my audience. And for me to receive the same treatment overseas, I felt that I was also very lucky.
The mind has so many pictures Why can't I sleep with my eyes open? The mind has so many memories Can you remember what it looks like when I cry? I'm trying, trying to tell you All that I can in a sweet and velvet tongue But no words ever could sell you Sell you on me after all that I have done.
I find I am more interested in the villain-type roles because they can be so much more complex than just the villain. I don't think anybody sees them as evil per se. They show how close we are to one another. It's an untapped area of art. And I think, physically, I'm not going to play the hero.
I was born in Faridabad but brought up in Delhi and Mumbai. My father had been living hand-to-mouth and literally slept on railway platforms when he came to Mumbai for the first time to become a film singer. My parents were both singers; they sang together and fell in love due to their singing.
Most of the time I ask, "Why have I forsaken God?" I look at myself and ask that question when probably the better question is to say, "Where are you God, and I'll let you in." Instead of thinking that you've abandoned God, push yourself in the other direction like, "God, how can I get closer?"
There's a difference in how I feel when I'm travelling and when I'm sitting still. I've been doing it for such a long time it has become a part of my life. It gets a bit hectic depending on where I am, you know, like there's different parts of the world that's more stimulating than other parts.
I think I've been addicted to openness since long before my rock career. I was terrible as a teenager. I used to go out of my way to make people uncomfortable with personal details. I was always fascinated by the idea that we have these weird, random boundaries between what we do and don't show.
Michael Buble is seriously my favorite entertainer. Have you ever seen the guy in concert? He's hilarious. Women love him. Guys want to meet him. He has everything that I wish I could do onstage. And I'm guessin' he's a good-lookin' guy - although he's not one of 'People' magazine's sexiest men.
We were playing a fair, and a few people were handing me stuffed animals and flowers, but one person handed me a paper sack. So I took all the stuff back to the bus. I put the sack in my lap and opened it, and a live iguana jumped out of the sack and onto my shirt. I screamed like a little girl!
You just have to know your story from the beginning. You have to know what you're going for and be honest with people about that. Don't sit there and say you're gonna be a DIY punk band for your whole life and then move on to arenas; you can't do that because then people don't trust you anymore.
How could you not learn from Cher with her work ethic and the way she commands attention when she walks into a room, but exudes such peaceful tranquility and love for everyone. She just makes you feel warm and welcome and more inspired to do a better job because you want to step up to the plate.
I'm comfortable with my body and it was a creative choice. I know that might make some women feel uncomfortable, but we need to stick together instead of getting angry at each other for our choices. I think women are sensual, beautiful beings, and I feel empowered when I express myself sexually.
When I was growing up, there was nobody in my family - not even my mother - who I could look to and be like, 'I know you've never said anything homophobic.' So, you know, you worry about people in the business who you've heard talk that way. Some of my heroes coming up talk recklessly like that.
I don't think it's an ethical or moral issue, or even that people are stupid, but I do feel like as a culture things are out of balance, perverted, and inverted. Things that are ridiculous are worshipped, and things that are important are ridiculed. I think that's something worth thinking about.
I'm from Milwaukee, Wisconsin. I moved to L.A. when I was about eleven years old. I always go back to Milwaukee whenever I can. Just chill with my grandpa and my grandmother and just be with family, be with people that were there before I got a million views on YouTube because of my music video.
I went to Seattle as just another geek in the food chain, thinking, "Well, in my own puny little way, I'd rather be a part of history than just sit and watch it on TV." So, the fact that so many people are starting to ask the right questions and rack their brains for solutions does give me hope.
I think that I have grown a lot as an artist. I have been writing about my experiences of love and overcoming the struggles that I have faced in the music industry. I have so much more to tell my fans, and I know so much more about myself. It is crazy how much I have grown over these past years.
I think being nice and being safe is unfair to yourself when you have big dreams as a woman. I think you have to prepare yourself that not everyone in this world has the same personality... The one thing I've chosen to be great at in my life is singing - so why not be proud that I'm great at it?
When it comes to racial issues, I'm very passionate about young girls just loving who they are in their own skin. Because I remember going to an all-white school and being the only black girl in an all-white school, think - looking around me, thinking there's no one else here that looks like me.
My job is to confront apathy and confront all the forces that tend to batter each of us down with all kind of oppression, even self-oppression. I consider that the main job of the art that I do- to rattle the cage, wake people up, wake myself up, confront all that would conspire to keep us down.
I distinctly remember a conversation with my band in the van where I was having a complete meltdown. It was 1984, I think, and I was huddled in the back corner of our van and saying, "I can't do this. I can't do this. I can't do this." I didn't want to play any more shows. I just wanted to stop.
It wasn't fun to go to school, because we had to wear these blue things around our necks. We had to join the Pioneer Society, and we had to salute with our hands over our eyes. Even then, I was thinking for myself. I thought this wasn't so different from the way the Nazis had conditioned people.
I believe the time will come when the whole definition of pop music will change. It will get to the point where a song will not be a good song until it has a high level of creativity in writing and performance. In other words, in order to be popular, songs will have to meet these high standards.
My family and friends were definitely the key to my recovery. One thing that I do suggest is that anyone dealing with a life-threatening illness like cancer choose a point person for people to call to find out how you are doing - a sister, brother, mother, father, daughter, son, or close friend.
One day I looked in the mirror, and I wasn't happy. If you're not feeling good mentally, emotionally and physically, you're just a mess - and that's the point I felt like. It was a change in attitude and a shift in lifestyle. There's no crazy diet; I train six days a week, and I eat really well.
We didn't want to worry about the formula that has been implanted into our brains - this verse/pre-chorus/chorus format. When we were writing 'The Papercut Chronicles,' we had no idea about any of that. We didn't know how to count bars or how to write what's considered a well-formatted pop song.
I guarantee, that if I am elected, I will take over the White House, hang out, shoot pool, scratch my ass, and not do a damn thing . . . Which is to say, if you want something done, don't come to me to do it for you; you got to get together and figure out how to do it yourselves. Is that a deal?
I didn't grow up in one of those restrictive Christian households where you couldn't do this or that. We were brought up with a great collection of good morals and good values, but we also had fun. We'd go to church on Sunday, but then have ice cream, roller skate or play in the park afterwards.
I used to always sing my way into the movies and the basketball games or whatever. I'd sing for whoever's on the door, and they'd let me in. I used to think I was Nat King Cole back in the day, you know. So I'd sing something like, 'Mona Lisa, Mona Lisa, men have named you,' and they'd let me in.
I want to live in a world where Miley (or any female musician) can twerk wildly at 20, wear a full-cover floral hippie mumu at 37, show up at 47 in see-through latex, and pose semi-naked, like Keith & co, on the cover of Rolling Stone at 57 and be APPLAUDED for being so comfortable with her body.
What's the first thing I remember about the University of New Brunswick? That's easy. The year before I had gone to Mount St. Vincent in Halifax, which was an all girls' school. That didn't really work out for me. But at UNB, there were six or seven men for every woman, which suited me just fine.
With a stroke of love on the canvas of my soul I'm painting a perfect world with shades of Michelangelo With each promise made in every heart that knows we can live in a perfect world in shades of Michelangelo I hear songs of children echo in the sky I hear songs of children a tomorrow so bright!
I would love to do a Bond song, and I could have done a Bond song: I was offered a Bond theme, but I turned it down because I didn't like the song. But as it turned out, I was right anyway because the song was the only Bond theme that never became a hit, so I'm glad I wasn't associated with that!
Springsteen on that record started writing less about having your wind in your hair and turning the radio up and more about being dragged down by adult things. Regular people trying to get ahead. A little less mythical and romantic, and more real. It's a really spectacular record for that reason.
I use Jimmy Galanos gowns for real special occasions and things - television, special occasions where I know I'm being filmed. But I never really wear his gowns on stage. My stage gowns are more costumey. There's different levels of things that I wear.I would never wear my stage gowns to a party.
I think about Dischord. There's been a pretty consistent notion that Dischord have been some sort of "overlords" of the scene. Some people have felt 'they are too cool for us,' or 'they won't put this out,' etc. All we're doing is our own work, our own thing. That's all we've ever done. Our work.
My dad, a mathematician, raised me to believe that mathematics is beautiful, so math is a part of my imaginative terrain. In my late 20s I wrote several 11-line poems because I wanted to create poems that couldn't be uniformly divided into couplets, tercets, or quatrains, 11 being a prime number.
It's weird because when you initially write a song, you write it with no understanding that the world is maybe going to hear it one day. So when you go into the studio, you don't see the hundreds of people at a gig or the viewers on TV, you just write a song without any inhibitions or boundaries.
My grandma Ricky - that's where I got classic look from. She was the most stylish person ever. She had her own clothing store and even her furniture was stylish. I got my "Flashy, but classy" motto from her, too. Whenever she walked in the room, she was always the most stylish person in the room.
This sort of behavior is left to the psychotic, dogmatic, fundamentalist believers you see on your TV everyday letting off bombs and killing people in the name of God. Beliefs are dangerous. Beliefs allow the mind to stop functioning. A non-functioning mind is clinically dead. Believe in nothing.
All I can do is say I smell a rat. I don't know where it is or what kind of rat it is, but as an artist, I can express how. But I couldn't responsibly stand up and tell people which way to go, because then I'm just as guilty as the people who are telling everybody else what to do and where to go.
I knew [Kurt Cobain] and his daughter. And Courtney [Love] came and stayed at my house. R.E.M. worked on two records in Seattle and Peter Buck lived next door to Kurt and Courtney. So we all knew each other. I reached out to him with that project as an attempt to prevent what was going to happen.
If the United States and the United Nations truly want peace and security let them fulfill the hopes of the common people everywhere - let them work together to accomplish on a worldwide scale, precisely the kind of democratic association of free people which characterizes the Soviet Union today.
I started playing drums at about seven or eight. My mom used to let me play with the pots and pans, and instead of telling me to stop like most moms would, she just let me do it. So the noise kind of turned into music. From that point on, musically, that's what I want to do: start creating beats.
I am unable to watch the Olympics due to the blustering jingoism that drenches the event. Has England ever been quite so foul with patriotism? The 'dazzling royals' have, quite naturally, hi-jacked the Olympics for their own empirical needs, and no oppositional voice is allowed in the free press.
I think labels for the most part want to sign new discoveries so that that label alone is seen to be responsible for the rise of the artist. Not many labels want bands who have already made their mark, because their success is usually attributed to some other label somewhere else at another time.
It was my Mum who got me into singing properly - she knew I had to do something with my voice because she knew I was talented. She was the one who pushed me into joining a choir all those years ago, when I was about 12. I remember she told me to start with the choir and just see where it took me.
When I met with Peter Angell, the producer of the CD, we talked about my idea to do songs that I loved and songs that I wished I had recorded. Peter suggested that we pick some songs and see how they work with you and try to come up with arrangements and ideas about how you might want to do them.
A guy walks into a bar, orders a drink, sees a girl that catches his eye. Asks her if she wants another, they fall for each other and end up lovers. They laugh, cry, hold on tight and make it work for a little while, then one night her taillights fade out into the dark. And a guy walks into a bar