Quotes of All Topics . Occasions . Authors
I don't know what I would have done without believing in God. His support gives me power and energy to continue to be optimistic, to smile, not to be depressed. Sometimes, if things are not going so well, I don't cry. I say maybe it's meant to be.
I said to George, 'Why don't you manage me?' He looked at me, a little bit surprised. Then he replied, 'Sure, Sass, I'll manage you, but it would be even better if we managed each other.' The next morning, we got our marriage license at the court.
I once bought a Manchester United hat, which I think was 12 shillings, and somebody ran up behind me and pulled it off and just ran ahead. I thought, 'It's a very cruel world, I'm not prepared for this'. And I decided to get my revenge on society.
The question of modernization is central to disturbances in the Middle East and in Africa. Everyone is after modernization, no matter where they come from. But you have to be careful about it, and more importantly, you have to have sense about it.
'Yellow Moon' was a poem. My wife at the time, Joel - she's dead now - it was our 25th anniversary. She had the chance to go on a cruise with her sister. And I'm home with the kids and looking up, and I saw the big moon, and I just started writing.
When I was growing in the Callope project, we had an oval parkway. Pavement ran around this whole thing. We'd skate or ride bicycles. There were benches and trees out there. It was paradise to us. They finished building it the same year I was born.
I don't understand how a musician can play 90 minutes on stage and then not dedicate a little bit of time to hang out at their merch table. It's not like digging a ditch or something; you're standing there thanking people for coming out to see you.
That's Tommy, this great producer who comes in contact with people and must have a mental library of personnel who are great for this and great for that, and he brought this whole group of musicians to the project that I'd never worked with before.
When there is a danceoff, it's scary thinking that someone's destiny or fate is in your hands. I actually always prefer it when the public decide on something rather than four individuals. 11 million people are a lot more powerful than four judges.
You get the feeling that on a lot of days the audience for most music would kind of rather not be faced with the artist, especially because we've been educated to think that the artist are these special creatures are otherwordly and aren't like us.
I still like being in North of England and I keep a place there. But there are a lot of things about the Continent that are to be preferred. The social institutions work better, women have a better position in society and the food is another thing.
You know, I was such a big Beatles fan, and when I'd buy a new album I'd invariably hate it the first time I heard it 'cause it was a mixture of absolute joy and absolute frustration. I couldn't grasp what they'd done, and I'd hate myself for that.
There's no doubt in my mind that people on the West Coast - L.A. particularly - and the East Coast have no clue at all about what's happening outside their own little bailiwick. And they think everybody is stupid because they are not sophisticated.
As a musician and a songwriter it is an act of the ego to believe that other people might be interested in your point of view. But it is usually an empathetic nature that gets you going in the first place. Music keeps the heart porous in many ways.
Talk to Arto Lindsay and I'm sure he's tired of people asking him about DNA; he's probably really into what he's doing now, which is good stuff. I guess I probably feel like that. But I'm obviously not comparing myself to someone as iconic as that.
I really want to write a novel. A few years ago I went so far as to do the cliché thing and rent this house in upstate [New York]. I still have the story, but I got 15,000, 20,000 words in and it was like, This is falling apart. I can't figure out.
I lived on the north side of Detroit. Right down the street from me there was a young man by the name of Smokey Robinson. I was very proud to live down the street from him because he was our only celebrity in town. He was singing with the Miracles.
I don't know what I feel about wearing my furs anymore. I worked so hard to have a fur coat, and I don't want to wear it anymore because I'm so wrapped up in the animals. I have real deep thoughts about it because I care about the world and nature.
My first manager was Gordon Mills, who I'd met right at the beginning. We shared a flat in London and traveled with rock bands doing one-nighters. Later, he became a songwriter and manager whose stable was Tom Jones, Gilbert O'Sullivan, and myself.
I became famous so quickly and so young - it was daunting. I was immature and I used to say some really stupid things in interviews. I never smiled on stage so I looked really serious, but it was because I hated my teeth and was incredibly nervous.
I used to put the vocals on top and piece it together. Now I start with the vocals and the string parts I write; the drums are kind of an afterthought. And who knows, maybe that will get boring, but right now that's the most interesting way for me.
I was writing music when we finished the last Walkmen record, Heaven, and a few of these songs may have even been started before Heaven was done. With The Walkmen we all wrote a lot of stuff alone, but then we'd start collaborating with each other.
"Straight Edge" was a song about my life. There was no structure, no premise as if I was forming a club. There were no tenets. I mean I wrote a song called "Straight Edge," I'll take that, but the song was about my life the way I wanted to live it.
I know that I'm definitely not a big big snob, and I know that at the times that I am a diva I know I'm being a diva. It's kind of annoying to know that you are. Because it's a person I do not want to be. So I'm trying my best not to become a jerk.
Only you and I can help the sun rise each coming morning. If we don't, it may drench itself out in sorrow. You special, miraculous, unrepeatable, fragile, fearful, tender, lost, sparkling ruby emerald jewel, rainbow splendor person. It's up to you.
What I like about Japanese venues is that the front barrier is right up against the stage, so when you're bending over, they're right there in front of you. In some European festivals, they're so paranoid, you need a taxi to go and touch the crowd!
I am a woman, a mother, a daughter, a friend, a human being as any other human. I just happen to write songs and perform them, and I am lucky to be able to make a living with my music. Other than that, I smile, laugh, and cry, like any other woman.
I don't know any other lifestyle. I get up in the morning and I really do feel that the world is my oyster, and I start that way, the same as I would if I were preparing to write a song: put a blank piece of paper up on the piano and you go for it.
I have nothing but the best memories of growing up in New Jersey. Of course, I grew up in a nice town, a suburb. But Tenafly was right next to Englewood, which had a tremendous amount of racial tension in the '60s. So I was aware of the real world.
I can't fight for no man because that means I'm fighting for your uncertainty about me and our relationship, so what kind of sense does that make? Honey, there are too many men in this world, and there's bound to be one who's truly checking for me.
Your musical soul is like facets of a jewel, and you stick out one facet at a time ... (and) I tend to work real hard on whatever it is I do, to get it up to speed, up to a professional level. I tend to bury myself in one thing for years at a time.
When you look into the eyes of your people out there that came to see you, that's when it's like, 'Yep, this is what it's all about.' This is why we don't sleep, and this is why we write songs and try to be the best. This moment right here onstage.
I love all holiday music. My two favorites would probably be Donny Hathaway's "This Christmas" and Nat King Cole's "The Christmas Song." They epitomize Christmas for me. Those two recordings will never be touched. That's why I've never redone them.
I was 15 years old, taken out into a parking lot on the set of 'Donny & Marie,' and at the time I was 5-foot-5 and 103 pounds - like, nothing. I was told I was an embarrassment to my family and the show would be canceled if I didn't lose 10 pounds.
I want be an entertainer that doesn't just work in one specific field, but a variety of things. If I become an artist that influences people in many different directions and aspects, I think I would be satisfied for having achieved my biggest goal.
Being independent gives me freedom to creatively be great. Standing on your own doesn't always get major exposure or support, but because I make music from a pure place, I am more so excited and relieved that it actually gets out into the universe.
I wouldn't compare myself to any past Idol contestant, because I don't feel like I am like any of them. Maybe stories are cool but my story is different from most people's story. I don't like to compare myself to other people, I like to just be me.
My first impression when I made it through was 'Good, because I'm going to prove to you that I deserve to be here', because they told me that sometimes I lack confidence in my performance and sometimes I'm not as consistent as they'd like me to be.
People are combining traditions like never before and finding somehow a fundamental unity for this human race of ours. I think working with each other as Jeff Haynes has done here-we may be surprised to find what deeper unity all human beings have.
A sense of reverence is necessary for psychological health. If a person has no sense of reverence, no feeling that there is anyone or anything that inspires awe, it cuts the personality off completely from the nourishing springs of the unconscious.
I waited, and I’m sure Elvis did too, for each Ricky Nelson record like we would a Chuck Berry record or a Fats Domino record, to see what was going on. I used to say to some of the guys that Ricky Nelson learned to sing on million selling records.
I think that anybody, once we leave Jamaica, automatically, any citizen becomes an ambassador for the flag, for Jamiaca. It's a country that's so rich in culture. We even have a bobsled team, and we ain't even got snow. We do everything in extreme.
As long as I'm living, I'm always going to try and become and get to whatever is next. Even when I become this one thing, when I get there, I'm going to try and become something else. As human beings, as long as we're alive, we're forever becoming.
When I first went on the 'Johnny Carson show', the band did not want me, and Carson did not want me. If the audience had not received 'Tiptoe' so overwhelmingly, I do not believe Carson would have let me come over to be on the panel after the song.
Benny and Bjorn, I suppose, already had an idea of which one was going to sing the lead. I mean, they knew perfectly well our ranges and which kind of voice they wanted on a specific song. And sometimes, I envied the choice of Agnetha, I must admit.
With all singers, insecurity is your best security. That's why we're such loud people and why we walk all funny. You think, 'Are people interested?' But I think our band has something and they know we don't just put albums out. We do think about it.
As a musician and a songwriter, it is an act of the ego to believe that other people might be interested in your point of view. But it is usually an empathetic nature that gets you going in the first place. Music keeps the heart porous in many ways.
I love what I'm doing here but I hate being away from home. I hate it. I look forward to one day raising a family myself, and I really look forward to children but when that day comes, I don't want to be an absent dad. I'm already an absent husband.
Well, it's my age group, anywhere from, I'd say 30 to 70. The biggest comment I get about the book is how honest it is and that people can relate to my circumstances going across the line. Anybody could learn and deal with this book from reading it.
One of my earliest memories... I knew three full verses of the Star Spangled Banner when I was seven or eight years old. And one of the nuns discovered this phenomenon and I was actually sent around from classroom to classroom to do the whole thing.