Quotes of All Topics . Occasions . Authors
I was just burnt out. I didn't like the music business and I didn't like me. There's an element of falseness about the whole thing. Even things like doing an interview. It's not as though we just met in the pub and are having a chat - it's part of a process. If you do it all day, every day for years, you end up thinking: 'Who the hell am I?' I was lucky enough to make some money, enough to let me kick back. It was a great experience and it was nice to have a couple of No.1s but the best thing about it was that the money I made allowed me to have freedom and choice in my life.
There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art. ... A lot of my songs are very serious, I'm like dead serious about certain things and I feel that I'm writing about the world, through my own eyes. ... I have a love for simple basic song structure, although sometimes you'd never know it. ... Most of the songs I wrote at night. I would just wake in the middle of the night. That's when I found the space to write.
Well. There was noting to be done for it. Things had happened as they did, time's arrow had yet to be reversed by humans, done was done. If a man spent his life looking over his shoulder at every possible branching of his path he could have taken, he would never accomplish anything. One must learn from history so as not to repeat it, but one must not waste one's energy or time worrying about what might have been. Sorry . . . but people die every day and the galaxy continues on quite well without them. Consider yourself lucky you are one of those as yet unselected by the Fates.
In America there's a tendency to write the same book over and over because that's what sells. So in a way, my success in America has come at the expense of what I do. I haven't sold out, and I haven't taken the popular road to writing a best-selling book. I've really bucked the system. So it was necessary for me not to go and find the easy fans, the ones who want something digestible and fast with a happy ending that they can read over and over again no matter how many different books it is. I had to find fans who really wanted to think. Worldwide they all have that in common.
We had so many milestones in America. We were on our way to universal healthcare. We had gay marriage. We were talking about gender fluidity and trans issues openly and discussing them with respect. It was almost to the point where educating people about transgender rights wasn't an issue. We were including trans people as a normal part of our conversations instead of seeing their presence as this shocking thing to the system. We forgot that those things can be taken away from you because there are people in the world that, for whatever f - king reason, can't live and let live.
There are two kinds of music. One comes from the strings of a guitar, the other from the strings of the heart. One sound comes from a chamber orchestra, the other from the beating of the heart's chamber. One comes from an instrument of graphite and wood, the other from an organ of flesh and blood. This loftier music I speak of tonight is more pleasing than the notes of the most gifted composers, more moving than a marching band, more harmonious than a thousand voices joined in hymn and more powerful than all the world's percussion instruments combined. That sweet sound of love.
I always try to write a song, I never just want to write a record. Originally I was not writing songs for myself. ....And I can say this, most of the people who have recorded my songs are songwriters themselves. ... Even if I don't release it myself, somebody else might hear it and want to record it. When you write a song, it gives it that potential. When you write a song, a song has longevity. ... So I wanted to sing inspirational music, and that's exactly how I approached it-only the words have been changed to declare my relationship with God. Songwriting is my gift from God.
When I was growing up, I didn't really know much about being popular or cliques or anything like that. In elementary school and middle school, you start to kind of realize what it's all about. There are cool kids, and then there's you, and you're just trying to figure out where you fit in.I learned a lot about acceptance and rejection,Those are the themes that you'll find spread throughout my music and weaved in throughout all of the lyrics. I really know what it's like to be accepted, and I also know what it's like to be rejected. And those are lessons I learned in Wyomissing.
How can we accept a situation in which there are no longer orchestras, choruses, libraries or art classes to nourish our children? We need more support for the arts, not less -- particularly to make this rich world available to young people whose vision is choked by a stark reality. How many children, who have no other outlet in their lives for their grief, have found solace in an instrument to play or a canvas to paint on? When you take into consideration the development of the human heart, soul and imagination, don't the arts take on just as much importance as math or science?
I was working in a church in Florida as a youth intern, which means I really didn't do much other than staple stuff. I'm from Dallas, Texas, and every time my grandmother would call-she would call me any time of the day-I'd be home answering the phone. She was like, "What do you do all day?" and sarcastically I would say, "Well, I'm trying to chalk off the next year to spend time finding a band name." And she said, "Well mercy me, why don't you get a real job?" I thought, "Wait a minute. That's the perfect name." That kind of freed up my year but that's where the name came from.
For any healthy relationship to work you have to be able have that time to spend with your friends. And to have a healthy relationship with your friends - and to be honest, if they "know you", pardon the pun, then they'll understand that you need to spend time with your partner. If people are pulling at you from both sides then maybe there's something a little off balance within the relationship. But it also depends on how you are as a person. You need to set the guidelines quite clearly, and say "I need my friends im my life. I got with you, but my friends are part of me also".
Women face a lot of challenges every day - we have to stand firm in our walk and our intentions - but there are times when that weight feels too heavy, feels like a load that I just can't bear that day. I try to work through that in my art, whatever medium that might be. My live performance is based around the color red, and all the things that communicates as a woman to the world - fiery, really vocal, present, almost a kind of stubborn color - and redefining it as being very complex. Being able to express that complexity, I'm getting a lot better at that the older I've gotten.
Up until the rise of electronic music, if you were a musician in Portugal or Germany or Italy or Japan, and you didn't sing in English, you really were limited: You could be successful in the country where people understood your language. The world of electronic music is completely international. You have DJs from Finland making huge records for people in New Zealand, DJs in South Korea making huge records for people in France. By the fact that it doesn't cost anything to make, and that it transcends language, nation it accidentally accomplishes a lot of really remarkable things.
What is forgiving? Forgiving is giving up all claim on one who had hurt you and letting go of the emotional consequences of the hurt. How can we do that? It's done at the price of beating back our pride. By nature we are selfish. Forgiving, by definition, is unselfish. Being hurt by another person wounds our pride. Pride stands in the way of forgiving. We cannot forgive without God's help. It might be possible for us to forgive something inconsequential without God's help; but in significant matters, we are unlikely to accomplish anything without God's involvement in the process.
I'm actually cautiously optimistic that Donald Trump will be so bad that he will force America to wake up and realise that forcing America to vote for right wing Republicans is always a terrible idea. It's never been a good idea, but what happened here is you have a president like Obama who gives you eight years of relative stability and prosperity, and people forget that Republicans are just terrible, not just for the country but for the planet. Maybe this is America's equivalent of bottoming out, like a crystal meth addict going on one last big run before they have to get sober.
Our role as artist is more controversial now because there are those, claiming the absolute authority of religion, who detest much of our work as much as they detest most of our politics. Instead of rationally debating subjects like abortion or gay rights, they condemn as immoral those who favor choice and tolerance. They disown their own dark side and magnify everyone else's until, at the extreme, doctors are murdered in the name of protecting life. I wonder, who is this God they invoke, who is so petty and mean? Is God really against gun control and food stamps for poor children?
This is sad. I just think it’s a little ridiculous we are still only looking at the surface of one another. Red hair? Blue hair? Pink? Blonde? Short? Long? Whatever. We might as well shave our heads. Hair has nothing to do with the reason we playing music. It’s a style. Something that will never last as long as the songs we play and the words we sing. Listen up ladies in bands, I’m so proud to be one of you and I don’t care if we all look exactly alike or if we are all carbon copies of each other. We have things to say and it’s up to us to get people to not just look but to LISTEN!
Our mother always taught us to be in control of our voice and our bodies and our work, and she showed us that through her example. If she conjured up an idea, there was not one element of that idea that she was not going to have her hand in. She was not going to hand that over to someone. And I think it's been an interesting thing to navigate, especially watching you do the same in all aspects of your work: Society labels that a control freak, an obsessive woman, or someone who has an inability to trust her team or to empower other people to do the work, which is completely untrue.
Over the last 10 years, there have been so many incredible albums created in bedrooms by people who never would've gotten an album deal. People keep thinking of professional music studios like they've always been this way for hundreds of years, but they're very much a child of the 70s. Even the interior is very 70s. Everything's brown and it's wood - somebody told me the wood panels are all by the same company. We're always mourning things that have died. It's a bit much sometimes. These studios have no fresh air, and there's this unwritten rule that they don't have windows, either.
Looking at the world through the sunset in your eyes, traveling the train through clear Moroccan skies. Ducks and pigs and chickens call, animal carpet wall to wall, American ladies five-foot tall in blue. Sweeping cobwebs from the edges of my mind, had to get away to see what we could find. Hope the days that lie ahead, bring us back to where they've led, listen not to what's been said to you. Wouldn't you know we're riding on the Marrakesh Express? Wouldn't you know we're riding on the Marrakesh Express, they're taking me to Marrakesh. All aboard the train, all aboard the train...
Even if chords are simple, they should rub. They should have dissonances in them. I've always used a lot of alternate bass lines, suspensions, widely spaced voicings. Dfferent textures to get very warm chords. Sometimes you're setting up strange chords by placing a chord in front of it that's going to set it off like a diamond in a gold band. It's not just finding interesting chords, it's how you sequence them, like stringing together pearls on a string. ... Interesting chords will compel interesting melodies. It's very hard to write a boring melody to an interesting chord sequence.
When it comes to staying myself - my career isn't my life, it doesn't come home with me. So it's a piece of piss staying grounded and not being changed by it. The same things I've always liked still satisfy me. My team's the same and my group of friends are the same. Of course I'm bowled over by people's response to 21, and when I meet artists I love, it blows my mind. But it baffles me as well. I go home and my best friend laughs at me, rather than going to a celebrity-studded party to rub shoulders with people who know me but who I don't know. I'm Z-list when it comes to that sh**.
Friends can be incredible sometimes, but have you ever had a friend that can be really annoying or really mean to you? Friends shouldn't stab you in the back. Have you ever wondered if your friend has ever said stuff about you to their other friends? It gets pretty intimidating sometimes to think about that. What I'm saying is to find your friends that are real. Don't keep the ones that are fake and are just friends with you for what you have. Be strong. Don't take no for an answer. Never back down. Stand up for what you believe in. Friends are great to have, but just be cautious. (.
The late '90s were a really bad time for people trying to be rock stars, you know what I mean? It seemed like everyone was a one-hit wonder on the radio. We had friends who had a hit single on the radio and sold 500,000 records, and then they couldn't get arrested a year later. I had this feeling at the time that that was not possible anymore, so the idea of becoming the biggest band in the country—it seemed laughable. I felt that having those sort of ambitions was foolish, because there was no way that was going to be possible. If you saw it that way, you were just deluding yourself.
It's like I'll sit down and put my hands on the piano or the guitar, and then I'll hear a sound or I'll feel a chord that will resonate and then I'll get something happening in my voice. My voice is like a car that I get into and drive but I don't know where I'm going. And I record everything. And often, I sort of get into a state, a creative state that is, where I'm just feeling around melodically, and playing things off the top of my head. Then I go back and listen to it and for the first time, hear what I just did. It's like Elvis has left the building while the thing is happening.
These days I keep a journal, so I'm constantly sketching down my thoughts, or lines that come to me...ideas for songs. And then when I have a moment to myself, I'll sit down with my guitar and open my journal, and start kind of massaging things together, and see if a song takes shape. Or sometimes, I'll just be hanging out with my guitar and come up with a chord progression or a lick, and that'll sort of sit around for a while waiting to marry itself to some words. So it's sort of haphazard and it's like...junk culture. I go around finding shiny objects and I glue them together laughs.
If I like hardcore straight-edge punk music, gentle psychedelic folk music, gangster rap, indie-rock with a lot of guitar pedals, and I find inspiration from all these things in different songs of mine, shouldn't I be allowed to make any of this kind of music that I want? And it's the same for the comic books, why should I only make autobiographical stories? Or only political stories? Or only superhero stories? Or only comedy stories? I am a bit creatively desperate, when I sit with a pen and paper I am desperate for ANY idea that makes me excited, I don't care what kind of idea it is!
The first step to be taken by one who wishes to follow Christ is, according to Our Lord’s own words, that of renouncing himself - that is, his own senses, his own passions, his own will, his own judgement, and all the movements of nature, making to God a sacrifice of all these things, and of all their acts, which are surely sacrifices very acceptable to the Lord. And we must never grow weary of this; for if anyone having, so to speak, one foot already in Heaven, should abandon this exercise, when the time should come for him to put the other there, he would run much risk of being lost.
What we are saying is, we've got three aluminum factories, let's work with that, we cannot change that. Why not have the Icelandic people who are educated in high-tech and work already in those factories in the higher paid jobs, why not let them build little companies who are totally Icelandic with the knowledge they have? Then they get the money and it stays in the country. Then we can support the biotech companies and the food companies and all these clusters. I think that if you want to be an environmentalist in Iceland, these are the things you've got to be putting your energy into.
Over time, I started becoming more aware of the vastness and complexity of the universe, which led me away from any sort of conventional Christianity. I still love the teachings of Christ, but I also believe that the human condition prevents us from having any true objective knowledge of the universe. All human belief systems are inherently flawed. If I had to label myself now, I'd call myself a Taoist-Christian-agnostic quantum mechanic. Also, there's nothing in the actual Bible that limits a Christian in their interest in science. Anti-science is a function of ignorant fundamentalism.
Art, if it can be ascribed value, is most valuable when its beauty (and the beauty of the truth it tells) bewilders, confounds, defies evil itself; it does so by making what has been unmade; it subverts the spirit of the age; it mends the heart by whispering mysteries the mind alone can’t fathom; it fulfills its highest calling when into all the clamor of Hell it tells the unbearable, beautiful, truth that Christ has died, Christ is risen, and Christ will come again. None of these songs and stories matter if the beauty they’re adding to isn’t the kind of beauty that redeems and reclaims.
I guess early on in my Christian walk, you know, people said to me, "Never question God" you know? But actually I just found Him to be such a good Father. He's such a good Father and He spoke to me in amazing ways that I'm sure I never would have learned some of these things on mountaintops, you know? I thought I knew how much he loved me, but then one day He asked me "What do you believe?" And I'm like, "I believe this and this and this and this" you know. I was a very good Christian in all my answers, and then he said, "No, no, what do you believe, Daughter, about how much I love you?"
I have always considered myself a fast learner. I try to retain and absorb as much information and knowledge about the [music] business as I can. I don't want to just sit back and have other people do the hard work for me. I try to be involved in every process of my career as possible. I run my own social media, record, and try to vocal produce myself as much as possible, write my own songs, style myself, and learn the business side. If I didn't do acting or music, I was going to school for business. God has put me on this path and I can honestly say I wake up every day doing what I love.
When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.
We had similar interests with Derek Rowan and Paul Hewson; it sounds really pretentious at 12, 13 year old kids were like into art and poetry, but we were. We weren't into football, we were into making music or being into music and painting and stuff like that. And we called this sort of little gang Lypton Village and we made up imaginary games and this is one day we'll form bands and one day we'll make movies and one day we'll do this and one day we'll do that. A lot of kids do this in their own way, except 25, 30 years later legend happens because some of us have become quite well known.
When I was a kid--10, 11, 12, 13--the thing I wanted most in the world was a best friend. I wanted to be important to people; to have people that understood me. I wanted to just be close to somebody. And back then, a thought would go through my head almost constantly: "There's never gonna be a room someplace where there's a group of people sitting around, having fun, hanging out, where one of them goes, 'You know what would be great? We should call Fiona. Yeah, that would be good.' That'll never happen. There's nothing interesting about me." I just felt like I was a sad little boring thing.
The first time I got a chance to meet Michael was onstage at Madison Square Garden. There were tons of people on the stage, and I just remember losing my mind. Like, Oh my God, that's Michael Jackson right there. I was just over his right shoulder. And then when I finally got a chance to get on the stage with him, I was just shut down. He had the type of magic that you just bowed to. I just said, "I love you, and I know you've heard it a million and one times from fans all over the world, but you've meant so much to me as an entertainer, and I love you, and I've admired you all these years.
When I listen to Airplanes record, it takes me back. I remember a lot of my thought processes when I was 20 or 21, writing those songs and recording that record. I wonder what I was thinking when I was trying to say a particular thing. I hear some of the weird little nuances in the recording; I can hear what the room sounded like. I remember what it smelled like. I can remember sitting up in guitarist Chris Walla's bedroom and for the first time in my life having this realization like, "Maybe I can do this. Maybe I can make music that in some capacity people will enjoy and come see me play."
I went from being a casual songwriter who wore big sweatshirts and leggings every day to someone telling me I was going to be a pop star who's on camera every day. I didn't know a lot about fashion because I had kind of given up on my relationship with clothes. Now, I have a stylist that's shown me the right places I can show off my body - but I still stick to my comfort zone in fittings. I want to be covered and I think I can be sexy fully covered. That learning process has been helping me with my confidence. And I follow actresses and singers who post on social media about being confident.
When I think about the things that cause me pain or the things that cause me trouble or frustration, it's not people asking for my autograph; it's people breaking my heart. That happens to you whether you've sold millions of records or whether you're taking classes at college. You're going to believe people when they say that they love you. I don't leave out details when I write songs about that. I try to make my songs as personal as possible because, ultimately, my music started out as just trying to turn my diary entries into something that was a piece of music. And that has never changed.
There's an old poem by Neruda that I've always been captivated by, and one of the lines in it has stuck with me ever since the first time I read it. It says "love is so short, forgetting is so long." It's a line I've related to in my saddest moments, when I needed to know someone else had felt that exact same way. And when we're trying to move on, the moments we always go back to aren't the mundane ones. They are the moments you saw sparks that weren't really there, felt stars aligning without having any proof, saw your future before it happened, and then saw it slip away without any warning.
[A]s soon as you try and take a song from your mind into piano and voice and into the real world, something gets lost and it's like a moment where, in that moment you forget how it was and it's this new way. And then when you make a record, even those ideas that you had, then those get all turned and changed. So in the end, I think, it just becomes it's own thing and really I think a song could be recorded a million different ways and so what my records are, it just happened like that, but it's not like, this is how I planned it from the very beginning because I have no idea, I can't remember.
I'm sort of old-fashioned in the sense that I like to write something that I feel I could just perform alone, obviously, because I do that a lot in concert. So I try to make a song where there is as much that is as distinct as I can get it, just if I'm playing it or if I'm singing it. That makes me really do a lot of stuff in the guitar work when I sit and try to figure out how to indicate what sort of dynamic I'm aiming for. Where, rhythmically, I want to go. That's sort of what ties a lot of different records together, is that it's usually always based around me singing and playing a guitar.
As we grow up we learn that even the person that wasnt supposed to ever let you down probably will. You will have your heart broken probably more than once and it gets harder every time. You'll break hearts too, so remember how it felt when yours was broken. You'll fight with your best friend. You'll blame a new love for things an old one did. You'll cry because time is passing too fast, and youll eventually lose someone you love, so take many pictures, laugh too much and love like you've never been hurt because every sixty seconds you spend upset is one minute of happiness you'll never get back.
Any young, aspiring musicians out there, if music is what you want to do, if music is what you love and your passion. It doesn't take a fragrance, it's not about the tabloids, it's about you putting in the work, practicing every day, practicing your vocals, practicing your instrument, practicing songwriting. Hopefully one day you write the song the whole world wants to get down to. I promise you, if you go out there and sing and you put your heart and soul into it and you follow your dream, one day you're going to be sitting next to Ellen DeGeneres talking about how you broke records and rocked the Super Bowl.