...I think there's only one [thing] that anybody teaches, and this is character. And I think that whether you are teaching history, math, or biology, or music, what you are really doing is, you are helping to shape the character of that person who is your student... Music is such a wonderful teaching tool, because while you are developing musical skills, that student can learn a lot about discipline [and] cooperation.

I have more dumb luck thank anybody I know. There must be a convey of guardian angels working twenty-four hours a day looking after me[...] Like the night I first got to Nashville that I laid down in the middle of Broadway, waiting to get run over. It didn't happen [...] I could swear they were keeping me alive just to see what I'd get next, I'm glad they feel that way. I'm trying to help them a little more this days.

You oil field workers, come and listen to me I'm goin' to tell you a story about old John D. That company union made a fool out of me. That company union don't charge no dues It leaves you a-singing them Rockefeller blues. That company union made a fool out of me. Takes that good ole C.I.O., boys To keep that oil a-rollin', rollin' over the sea. Takes that good ole C.I.O., boys To keep that oil a-rollin' over the sea.

I had to sit with my senses. This clear, beautiful intuition took over. I knew exactly how I felt, and I wasn't confused or clouded or compromised. I realized that none of my feelings had diminished, but I might have to lose someone I truly loved. I didn't want to run away from Claire, but I knew drug addiction was strong enough that I had to be willing, if need be, to let go of the person I'd just fallen in love with.

Let us turn our thoughts today to Martin Luther King and recognize that there are ties between us, all men and women living on the Earth. Ties of hope and love, sister and brotherhood, that we are bound together in our desire to see the world become a place in which our children can grow free and strong. We are bound together by the task that stands before us and the road that lies ahead. We are bound and we are bound.

We all should choose our friends carefully. I used to think that no one could know me better than somebody else, because you're inside yourself, your body, you can't see yourself. If you think like that, you surround yourself with other people who are willing to tell you who you are, which are usually judgmental people ... we should really surround ourselves with the ones that adore us and believe in the highest of us.

Being blonde is definitely a different state of mind. I can't really put my finger on it, but the artifice of being blonde has some incredible sort of sexual connotation. Men really respond to it. I love blonde hair but it really does something different to you. I feel more grounded when I have dark hair, and I feel more ethereal when I have light hair. It's unexplainable. I also feel more Italian when my hair is dark.

When you have mental illness you don't have a plaster or a cast or a crutch, that let everyone know that you have the illness, so people expect the same of you as from anyone else and when you are different they give you a hard time and they think you're being difficult or they think you're being a pain in the ass and they're horrible to you. You spend your life in Ireland trying to hide that you have a mental illness.

I know musicians who think that drumming and guitaring can be very meditative, but singing is different because when you think about things, you put words to them. So I try to just stay present most of the time, I try not to let my mind wander and I also try not to clear my mind. I like to still have thought and be aware of people and whatever that's happening, but I also like to just focus on the words that I'm saying.

The kind of organic wave, the way that waves move, and I'm not just talking about feminism, the way that a social movement might rise like a wave. It's harder to build any kind of wave now. Things are important to you and then they recede within a day. That's the only thing that keeps me from believing that there's going to be any one organic big wave; although the Americana (music) thing has been happening for a while.

You certainly don't hear any country music on pop radio today. But for a while you did, and it was a lovely thing to have all the different genres of music cohabitating the Top 40 - the folk sound, The Beatles, the British sound, the Motown sounds, that kind of light country - it was a welcome relief after a few hard rock records. Everyone was sharing the airwaves, and I think it was a beautiful time for American music.

I just want the songs to have the staying power as my favorite songs. If you listen to any Hank Williams song, when you're in a good mood, it's going to put you in a better mood. If you happen to be bummed-out, you're going to feel maybe a little more bummed-out and better at the same time. At any time in my life, his music has had meaning and value to me. If a song can shape-shift in that way, that's a sign of success.

I've studied Kabbalah, as you know, for many years, so there are a lot of things I do that one would associate with practising Judaism. I hear the Torah every Saturday. I observe Shabbat. I say certain prayers. My son was bar mitzvahed. So this appears like I'm Jewish, but these rituals are connected to what I describe as the Tree of Life consciousness and have more to do with the idea of being an Israelite, not Jewish.

Everyone feels awkward, everyone feels uncomfortable, everyone gets older, everyone gets lonely, everyone gets sick, everyone eventually dies. You’re at the Aspen Ideas Fest, and you have these really smart, really accomplished people who pretend like they’ve somehow figured out a way to bypass the human condition. We live in this culture where there are so many things that want us to pretend that we’re not truly human.

I think that part of being human is being alone, and being lonely. I think one of the stresses on a lot of our friendships is that we require the people we love to take away that loneliness. and they really can't. And so, when we still feel lonely, even in the company of people we love, we become angry with them because they don't do what we think they're supposed to. Which is really something that they can't do for us.

I write songs. Then I record them. And later, maybe I perform them on stage. That's what I do. That's my job. Simple. I don't feel comfortable doing interviews. My profession is music, and writing songs. I like to do it, but I hate to talk about it...Music is spiritual. The music business is not. Being famous was extremely disappointing for me. When I became famous it was a complete drag and it is still a complete drag.

I think the biggest faults that bands tend to have in terms of drama or breaking up is bands don't learn people's personalities. When you spend as much time with people obviously it's going to rub off, and you are going to get to know the way people are. You can make sure day to day people are accommodated to and people feel positive about the experience, then you can stay together as a band, at least that is my opinion.

I don't kid myself in thinking that I'm on the front lines. I know the people who are on the front lines. I mean there are people in some freakin' significant places making on-the-ground social front line change. I've marched. I've put feet on the ground for what I believe and what I'm against with no compromise. And there are people who are risking a whole hell of a lot more than me to make change, that's for damn sure.

I don't want to preach, but I would like to see metal become more of a united thing. I'm tired of people breaking things down into categories like thrash metal and death metal. I think people tend to stick to one category, and I want people to support all kinds of bands, whether it be Slayer or Queensryche or Death. I miss the days when it was acceptable to listen to everything from Priest and Maiden to Slayer and Venom.

I wanted to know why people follow rules blindly, or why girls had to act a certain way and boys didn't. Why could boys ask girls out and girls not ask guys out? Why did girls have to shave their legs and guys didn't? Why did society, like, set everything up the way they did? My whole adolescence was full of unanswered whys. Because they never got answered, I just kept lighting fires everywhere - metaphorically speaking.

You only have so much time in the day. At the end of the day, you don't want to see the thing that suffers be your family, or your kids, or your home life. It's hard to balance, but that's not anything unique to us and that's probably true for most busy, active, working parents. You know, it's just about finding time, it's about balance, it's about walking the line and making sure you're keeping your priorities in order.

God notices you. The fact is he can't take his eyes off of you. However badly you think of yourself, God is crazy about you. God is in love with you. Some of us even fear that someday we'll do something so bad that he won't notice us anymore. Well, let me tell you, God loves you completely. And he knew us at our worst before he ever began to love us at all. And in the love of God there are no degrees, there is only love.

I'm the most passionate about pushing the realization that there's the joy of love and kindness and sharing, all of these basic qualities, on people who are suffering from adulthood. By these people, I mean, I really feel bad. I think that in their sadness, they're destroying the world. The way that they're destroying the world manifests itself in all these various causes that you have banding together all over the place.

Look, Here are we On this starry night staring into space. And I must say I feel as small as dust Lying down here. What point could there be troubling? Head down wondering what will Become of me, Why concern we cannot see But no reason to abandon it. Time is short but that's all right, Maybe I'll go in the middle of the night. Take your hands from your eyes, my love, Everything must end some time, Don't burn the day away.

I have no idea how I do anything. I never have. You know I just started playing guitar and started singing and started working on this act that I would call "Don McLean" when I was probably in high school. And I have been doing this for 40 years, adding songs and writing things, cobbling together albums, doing live things, you know, albums and tours. And then I have records on the charts. I have no idea how this happened.

The horrible thing about Death of princess Diana - the sacrificial lamb, which she was. And I believe, in a sense, John Kennedy, Jr. was the same thing. These are people that we loved so much that we drove them berserk with all the attention and they basically didn't have any particular stellar talents. They were just in some kind of a position somewhere where we fixed on them and they became, literally, sacrificial lambs

I tend to share whatever I know in general. I've never been a person to horde information for the sake of my own skin, you know what I mean? Not share so somebody doesn't take your job, I've never had that kind of insecurity. I also had a management company, too, so we were always one of those companies that shared information with our artists. Whatever they wanted to know, as much as they wanted to know, they could know.

When you create stuff, you're always going to be progressing and where you're at a year down the line, as the creator, it's always going to feel immature. You're going to notice the flaws and the things that you've learned in that year aren't going to be there. So, I think it's important to see stuff as a capture of time - that's what I was doing at that time - and not be ashamed of it. That's how I try to approach music.

Q: What’s hard for you? A: Mostly I straddle reality and the imagination. My reality needs imagination like a bulb needs a socket. My imagination needs reality like a blind man needs a cane. Math is hard. Reading a map. Following orders. Carpentry. Electronics. Plumbing. Remembering things correctly. Straight lines. Sheet rock. Finding a safety pin. Patience with others. Ordering in Chinese. Stereo instructions in German.

Albert Lee and I have become real close friends, and he comes out anytime I'm in the L.A. area, and he'll sit in for the whole show ! ... we've got a habit of doing that ... in Austin Redd Volkaert does the same thing ... it's fun ... I love to make it a guitar thing and the audience doesn't know any different - they think he's some new band member they don't know. They don't realize Albert's the reason we all play Teles!.

My reaction to Radiohead isn't as simple as jealousy. Jealousy just burns; Radiohead infuriate me. But if it were only that, I wouldn't go back and listen to those records again and again. Listening to Radiohead makes me fell like I'm a Salieri to their Mozart. Yorke's lyrics make me want to give up. I could never in my wildest dreams find something as beautiful as they find for a single song - let alone album after album.

When we speak our words to God with thanksgiving and release them with the faith that our requests will be granted, we put ourselves in a position to receive. God does not change and nature's laws are absolute and impartial. Thus, prayer has the potential for changing us. It connects us with God's spirit, and it is the key to His kingdom. Whatever your religious persuasion, it's a good thing to start every day with prayer.

I think you can see the evolution of me as an artist, and just becoming confident and coming into my own and becoming my own person throughout each mixtape. One thing I could learn from looking back at my old mixtapes, what I could learn from my old self, is just to keep that hunger and that drive and that feeling of an underdog and also the feeling of being a fan, still lookin up to people - you just want to impress them.

This sounds cheesy but when I would get in discussions with people about religion or spirituality, a lot of people would say, "I believe God is nature, there's God in that tree" - and I would think, What the hell are they on about? But it was about four or five years ago in Hawaii where that all made sense to me and I got it all, and I felt God was in the trees and in the grass and the flowers, and I completely understood.

When I was eleven I stopped dreaming the dreams that didn't come true, I stopped talking to people who didn't listen, I lost hope and I retreated. I assumed that the root of the problem was that I was too strange for the real world. That being the case, I created a charming and dynamic personality to make the necessary forays into the Outside, and I kept my strangeness for myself; my own peculiar jewels under lock and key.

I went to so many record labels - name any one - and they all turned me down. For some reason I just got the thumbs down for years and years. It sounds like I'm making that up, but it's true. I'm too serious about music and my creations to take just any kind of deal. There were a couple of companies that wanted to put me with a producer, and I said, "Well, I just produced my last album," and I wasn't about to go backwards.

I was in the Air Force a while and they had what they call "policing the area." That's where you looked around and if there's anything wrong here, there, anywhere, you took care of your own area. And I think that's a pretty good thing to go by. If everyone just takes care of their own area then we won't have any problems. Be here. Be present. Wherever you are, be there. And look around you and see what needs to be changed.

I get scripts all the time, but I read this [Baggage Claim] thoroughly, and I loved it. It was light hearted, cute, sweet, and funny. I told my agent that I liked the script, but I did let my acceptance of the role slide a little, until I was watching television one day; scrolling through the stations, and there was this play. And I don't like plays made for the screen. But, this one, "Suddenly Single", caught my attention.

In the end, the most important thing is to be true to yourself and those you love and work hard. I mean, work like there's no tomorrow. Train. Strive. I mean, really train and cultivate your talent to the highest degree. Be the best at what you do. Get to know more about your field than anybody alive. Use the tools of your trade, if it's books or a floor to dance on or a body of water to swim in. Whatever it is, it's yours.

I have a real soft spot for flying saucer songs and Frenkenstein songs. When I was a kid the first record I ever really liked was called "The Mummy", and the flip-side was called "The Beat Generation" which Richard Hell later re-wrote as "The Blank Generation". I thought it was the greatest thing I had ever heard. I didn't like Elvis much then, but I was very young. When I was a kid I used to play that monster all the time!

It gets better. It seems hard, you know, I think being different is always gonna be a tough climb. There's always gonna be people that are scared of it. But at the end of the day you give those bullies, those people, that are so ignorant, if you give them the power to affect you, you're letting them win. And they don't deserve that. What you're doing by being yourself is you're keeping it real, and you're being really brave.

I really, really enjoy fitting words together - but I only enjoy it when it's easy, when it sort of rolls along by itself. I never erase anything [and] I hardly ever write anything down... The song will be finished before I write it down... I won't write a song unless it serves me in some way, unless I feel I have to write the song to make myself feel better. If you're not overflowing with something, there's nothing to give.

Sometimes touring can warp reality because you're never in one place long enough to get a feel for it. You don't interact with people long enough to know what real life is. That's why a lot of artists write songs about longing and missing people when they're on the road. I do my best to keep my mind open and I read a lot when I'm on tour, so I hope I have good things to write about. I'm constantly in the songwriting process.

What I do now is all my dad's fault, because he bought me a guitar as a boy, for no apparent reason. ... I wrote some of my best love songs ever when I was unhappy and my saddest love songs when I was very much in love. When I wrote 'You're in My Heart', which is an uplifting song, I had just broken up with-Now who had I broken up with?. ... Half the battle is selling music, not singing it. It's the image, not what you sing.

Playing live is about going for it .. it's about bringing it ... you should see a bunch of people trying out stuff, actually performing, instead of learning the record and recreating it note for note. I can't play the show the same way every night .. I really need to be in a creative environment, every night or I'll go nuts ... my manager accuses me of singing just long enough to get me to my next guitar solo - which is true.

When you're dying and your life is flashing before your eyes, you're gonna be thinking about the great things that you did, the horrible things that you did and the emotional impact that someone had on you and that you had on somebody else. Those are the things that are relevant. To have some sort of emotional impact that transcends your time, that's great. As long as you don't mess it up by being undignified when you're old.

Seems like just yesterday, you were a part of me. I used to stand so tall, I used to be so strong; your arms around me tight, everything felt so right - unbreakable, like nothing could go wrong. Now I can't breathe. No, I can't sleep; I'm barely hanging on. Here I am, once again, I'm torn into pieces. Can't deny it, can't pretend, just thought you were the one. Broken up, deep inside, but you won't get to see the tears I cry.

Writin songs is like a mystery. The most difficult thing to do is have a good idea. If you have a decent idea, the songs are the easy part. Actually having something to say is the hard part. If you get an idea for a song, then it pulls you along. There are just some ideas that you get that are really hard to edit out; it's hard to stop thinking about some bad ideas. So you just finish it and you end up putting it on a record.

L I K E is like a bunch of dandelion seeds falling beautifully on the ground. It's a soft and good feeling but can come and go at any time L O V E is when those same dandelion seeds become firmly rooted sowing its seeds and growing another dandelion on the spot. It takes a lot of energy to grow the dandelion like protecting it from the wind and giving it water and sunlight but it becomes very precious and beautiful in the end

With the artists that I named - Michael Jackson, Janet Jackson, Madonna, every time they come out with a new album, something's slightly different. In the case of Madonna, she'll come with one joint that'll be left, and then come totally right, but it's always hot. She's just got style. So, at the end, I want my name to be up there with those artists; for people to say, he's one of those iconic figures you can't put in a box.

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