Quotes of All Topics . Occasions . Authors
In fine arts, when you make a painting, it's just a painting. But if you make a painting in the entertainment industry, it can be an album cover or a t-shirt or a logo. I like that entertainment has this usefulness - that it's ultimately trying to make a bunch of people feel something, and to think about life and be able to use things that were so simple and direct but potentially have a really powerful effect.
The thing about being on the majors, from the beginning, going into this, I was like, "I'm not going to be treated like a factory," because that's never the way it was done before. You're talking about a major label, we're talking about serious business; you're not an artist anymore, you're a business, you have to work in terms of product, you have to release a product, and I don't really think that way at all.
I would love to see a revival of what we had against the war in the '60s - we could do these teach-ins on the internet, live and split screen, and have real in-depth debate between people that are on the "other" side of issues - nuclear, gun control, whatever. We could really be having a much more democratically involved and exciting debate with people emailing their questions and having a virtual town meeting.
That was always what I felt was the beauty of Rock 'n' Roll, it was entertainment and showbiz yet it had the idea of the voice of the people, it had an essence to it which was socially motivated. Not that I want to change to world, you know? But it was sort of relevant to real life, it involved the real essence of poetry or the real essence of fine art. But it was also entertainment. That was the real vitality.
In the hierarchy of instruments, if you're a harpist, you're considered someone with a brain much more than if you're a singer. Even though singers, particularly singers who can play piano... If you go to the office of career development, you can get a gig much easier. Still, musicians tend to look down on you. I think they've got some nerve, because if they could sing, they would do it, but most of them can't.
I don't believe in failure. I believe every setback is an opportunity to learn, regroup, get stronger, and try again. This is my motto: Rejection is God's protection. When people feel that they have failed, it's usually because somebody or something caused them to feel that way and taste defeat. I refuse to dwell on that. Yes, it sucks at first, and the feeling is valid, but it all happens for a reason. Let go.
Paul ascended into the third heavens and he could understand the THREE PRINCIPLE ROUNDS of Jacobs ladder - the telestial, the terrestrial, and the celestial glories or kingdoms, when Paul saw and heard things which were not lawful to utter. I COULD EXPLAIN A HUNDREDFOLD MORE THAN I EVER HAVE of the glories of the kingdoms manifested to me in the vision were I permitted and were the people ready to receive them.
That song [You Got To Make It Through The World] came from a vibe I picked up from an old blues singer named Bo Carter. My lady was making a film as a thesis for U.C.L.A. and she wanted me to write a song to depict this character. The movie had something to do with bootlegging and stuff like that. I found this Bo Carter record and he was just saying something about making it to the woods or something like that.
The moth don't care when he sees the flame He might get burned, but he's in the game And once he's in, he can't go back He'll beat his wings till he burns them black No, the moth don't care when he sees the flame The moth don't care if the flame is real 'Cause flame and moth got a sweetheart deal And nothing fuels a good flirtation Like need and anger and desperation No, the moth don't care if the flame is real.
I think when a society has such a profoundly dark and awful evil such as slavery in its history, then it leaves scars that are very, very deep. And unless we collectively address them and really put our effort to healing them, they'll perpetuate. The United States of America are still suffering from the echoes of slavery. I think we're still reeling from all the pain that is a result of it, and that's a reality.
It was such a thrill. I found the roughest, toughest girls who love to party. They study and work all day in the Agricultural world and college and then they party. I met one girl at 3 am and she was so drunk and said 'l have to get up and cut a sheep's throat at 9 am.' I met another who was a wool classer. She said 'I can drink to 4 in the morning and class wool from 6 am. So I wrote Girls Out There about them.
I'm not the kind of guy who walks around with a notebook writing lyrics. For me, melody and song structure come first and foremost. Unless the melody gets stuck in my head, I'll move on. Once I have the musical idea pretty firm, I just try to write words that are incredibly honest and relate to my life on that given night. I'll sit with the music on my headphones and pen and paper all night long until it's done.
The songs themselves sometimes have messages and people can read into them different ways, but I try to use concerts as a way to gather people and then have information there. I think that's important to find that balance, a way to be able to turn people on to things at the shows, but also just have it be an entertainment experience for people who just want to hear music and dance and don't want the extra stuff.
Backstage at the Grand Ole Opry, I got on my knees and told her that I was going to marry her some day. We were both married to someone else at the time. ‘Ring Of Fire’—June and Merle Kilgore wrote that song for me-that’s the way our love affair was. We fell madly in love and we worked together all the time, toured together all the time, and when the tour was over we both had to go home to other people. It hurt.
I've never thought of myself as a singer anyway. . . I've been free from those considerations because so many people over the years told me I don't have a voice. I kind of bought that. I never thought that much about it to begin with. I knew I didn't have one of the great voices. As my Damon Runyanesque lawyer used to say, "none of you guys can sing. If I want to hear singing, I'll go to the Metropolitan Opera."
We as Americans are completely obsessed and wrapped up in a lot of the wrong values - looking good, having cash in the bank, being perceived as rich, famous and successful or just being famous... It's the most superficial part of the American dream and who would know better than me? The only thing that's going to bring you happiness is love and how you treat your fellow man and having compassion for one another.
So you can be about your business, and then on it comes again. And this time you're ready, and you've got a wine glass or something. And you put the glass up to the wall, and you can hear through the wall a little bit more of the song - maybe just the middle bit this time. You know, you managed to get in a little bit of the end. And so it goes on until - because you just got to - you really just want to sing it.
There are times when I'm caught up in everything and I have to say to myself, "Please feel good; please feel better; everything's okay; you're fine; things aren't falling apart; take a second; get back to a place where you realize that you don't actually have real problems." That happens. You never know when those tables are gonna turn... For me, confidence is something that can come crashing down in one second.
I don't think I'd be a party girl [even if I were] in college. When I was in high school, I remember seeing girls crying in the bathroom every Monday about what they did at a party that weekend. I never wanted to be that girl crying in the bathroom. But there are certain things that I would like to do but can't. Sometimes I don't get invited to things because my friends know it's going to be a hassle to take me.
My experience with being on a record label over the years has been when both of your agendas are in sync, and they're the same goal, it's great to have another army of people and resources and money. But most of the time, they're not the same. Their agenda is just simply to sell plastic discs at any cost, and yours is to preserve - at least in my case - your integrity, and hopefully sell some plastic discs, too.
I've been in America for almost ten years. I've had many parts of the American experience. I've been all over this country and seen many different parts of it. It's just that I'm not an American. I've never become an American. I'm talking about the whole thing-psychologically, citizenship, the whole trip. Of course I've definitely been influenced by America-I'm definitely influenced by the music and the culture.
I always try and stay one step ahead of people, not looking like I looked like last week, so I can be as anonymous as possible and part of it is just for me. It is fun to just come up with new and bizarre colors for each area of your body and things like that, but there are some parts of it that I just keep wanting to negate myself. I hate waking up in the morning and recognizing the woman in the bathroom mirror.
You can connect with anybody nowadays. You can literally go on there and leave a message for Oprah Winfrey. If you want to say something to Hillary Clinton, you can tweet her! That's something I don't think anybody saw coming. It's also a way for people who aren't Oprah or Hillary to make a name for themselves and let people know they're out there. It's not exclusive to people who get lucky in life. It's amazing.
Bowie mattered to me. He reinvented himself so many times - it must have been a daring statement to do that, risking failure. And hanging out with him and seeing him like that - he's my dad's age, born in the same month - when you find someone who's been through a really dark period, which most of his music I care about is from, Low, Lodger, "Heroes" era.... But he came out of it and made something that mattered.
Those of us who grew up in the '50s and '60s, we had the dream that this could be turned around, and the earth could be back in balance, and that we could level the playing field with men and women and pay, and you know, minority groups having equal opportunity. We just magically thought this was all going to happen: we were going to have clean food, and organic this, and conscious that, and it just didn't happen.
I think when you write every song on your album - it's like having eleven or twelve children. It's hard to say I like this one song more or I like that one more. I love every song on the album. What's happening is that I'm hoping that everyone will be very satisfied. I think the single "Good Girl" will be adored by the people in the urban world and I think the "Best of Me" will be loved by people in the pop world.
That's sort of what I try to do with music: to harness whatever energy is already there and see where that momentum takes me. Sometimes you're spinning that oncoming momentum in a different direction, or sometimes you're coercing it to consider itself, or sometimes you're holding it up to a mirror. But I don't really like to interrupt and come in and destroy everything and start all over. I'm not that kind of guy.
As I grow older, what I find interesting is that I get experience with pain, different types of pain, and I start to see the lovely hilarity of life. Things that were once so crushing take on a different essence. I move through it at a faster rate. It's like traveling: it opens my eyes. My process is to allow myself to have it and to not judge myself or the situation too much, and then to create something with it.
(Talks about her grandmother Marjorie Finlay)"She was actually a recording star in Puerto Rico when my mom was growing up. My mom was always stuck sitting backstage somewhere or sitting in a front row, watching a performance her entire childhood. She thought that when her mom stopped performing she was relieved of those duties, but all I wanted to do was sing, ever since I was born, so she's always been backstage.
There’s nothing more embarrassing than a person who tries to guess what the great American public would like, makes a compromise for the first time, and falls flat on his face… I would rather be a failure on my own terms than a success on someone else’s. That’s a difficult statement to live up to, but then I’ve always believed that the way you affect your audience is more important than how many of them are there.
I try to encourage young people to follow their dreams. Even if you're born in an urban community it's always something available to you whether it be a dance class or whether you do really good in school and you can get a scholarship. So if you just put your mind to it and if you educate people enough and they know that they can find resources to help them get to where they need to go then that's really important.
My support group - my mom, my dad, my sisters, my brothers-in-law, my immediate nieces and nephews, my immediate family like Aunt Donna - I know I can trust them. Most of the other people...they never called me before, they never said "I love you" before, they never wanted to take a picture with me at family reunions. It's like, don't do it now...You win the lottery and all of a sudden everybody's your best friend.
I'm living in a world that was created a hundred years ago with vaudeville and people traveling around and medicine shows and things and making live music on stage and I'm still doing that. I like it that way. I like to present something to people that's had 40 years of being honed and perfected. It's something that you're not going to find with an artist who's been around for two or three years, or even ten years.
Grief is like the wake behind a boat. It starts out as a huge wave that follows close behind you and is big enough to swamp and drown you if you suddenly stop moving forward. But if you do keep moving, the big wake will eventually dissipate. And after a long time, the waters of your life get calm again, and that is when the memories of those who have left begin to shine as bright and as enduring as the stars above.
I was watching an interview with Martin Scorcese concerning Raging Bull, which is one of my favorite films, and he was talking about how he'd worked with a lot of guys who weren't quote-unquote "actors," like Joe Pesce and Frank Vincent. Scorcese was very smart in the way that he cast, because you don't know where you're going to find the right person who can carry a role and summon that emotion you're looking for.
One of the scariest things to me was, I really feel like I'm a pretty even-keeled person with a good outlook and respect level, but in that environment, deep within the character, you see how easy it is to go to that place because you're one-upping each other and it's this heavy environment filled with young men trying to make an impression. It's dangerous. It's something that I became very conscious of afterwards.
I think the gift of music is it's intuitive capability. I think music is a powerful medium because it co-inspires. It inspires the artist who then inspires the listener, and it's a back-and-forth process. Because it's intuitive, the truth has to be defined intuitively. It can't be preached, it can't be pushed. It's got to normally go across organically and make someone feel something, and that's the power of music.
I'd take out a joint and light it. First, just faking it. Then I started lighting live joints, passing them around to the band, you know. I was great, it relieved all my tensions. And I ended up with the greatest supply of grass ever. Other acts up and down the Strip heard about what I was doing - Little Anthony and the Imperials, people like that - and started sending me the best dope in the world. I never ran out.
Writing songs is no different than explaining to somebody what you dreamed last night: No one ever gives you crap for what you dreamed last night. "I was laying in my bed, and all of a sudden a stallion jumped on my bed and the next thing I know I was in Mars but it looked like my kitchen"... That's kind of what I do with my songs, write them in a dream-like manner. It's up to people to swallow it however they want.
I don't think I'm prepared for life in the spotlight. I don't even think I'm really prepared now, but I still don't really feel like I'm in the spotlight a lot. I'm not a household name. I'm not followed around by paparazzi. I still have a very normal life. I'd love as many people to know and like my music as possible, but there's something quite lovely about being able to still go and watch your boys play football.
I just have to remind myself that my daily quotidie in life has almost nothing to do with any aspect of my professional life as a public figure. And I think a lot of people get to that point - specifically, sort of getting comfortable looking out for yourself and taking care of yourself and defining yourself based on healthier criteria, and not criteria that's established by complete strangers that you've never met.
I would just be constantly writing all these zingers - like, 'Burn. That would really get her.' And I know people are going to obsess over who it's about, because they think they have all my relationships mapped out. But there's a reason there are not any overt call-outs in that song. My intent was not to create some gossip-fest. I wanted people to apply it to a situation where they felt betrayed in their own lives.
I like myself better when I'm writing regularly. ... I was influenced a lot by those around me-there was a lot of singing that went on in the cotton fields. ... I'm a country songwriter and we write cry-in-your-beer songs. That's what we do. Something that you can slow dance to...I never gave up on country music because I knew what I was doing was not that bad. ... Most of the stuff I've read about me has been true.
When you are on a major record label, you're just forced to think big. You are forced to think about things like "how many radio spins did we get this week?" or "how many albums did we sell across the country. Being independent, you are just focused on the city that you are playing in tonight. How many people can I meet and become friends with tonight. That's one of the great things about being an independent artist.
Fire is a symbol for so much. It's a symbol for change. It's a symbol for destruction. Out of the ashes of that comes an opportunity to start over. It's one of the greatest metaphors in nature that you can possibly lean on, especially as a songwriter. You're trying to describe either something coming to a complete and utter end or something that is in flux, or something that's on the verge of becoming something else.
For example, when someone does something really, really good one time but has a little mishap later, people will still say, "Ah, that person is not like that. He's a good person. Don't you know what he did last time?" It will become like that. Once you have achieved perfection, the rest will be "free". After that, you can do whatever you want so in order to reach my 100 potential, I have to have a resilient attitude.
Public people are definitely captives. It wasn't really my ambition, but that's what happened. If I could find another word that would be more precise, I'd tell that I'm captive of my need for acknowledgement. People ask me, "Isn't it terrible to be famous?" Not for me! I sort of need it. To be honest, I always enjoyed it. It's as if it gave me some structure. It's as if I needed someone else's eyes to look at myself.
We need to make sure that the laws we're passing are protecting people. And we should not be voting against something that makes progress just because it doesn't make as much progress as we'd like to see made. As much as I might like to see any number of issues progress in larger steps, I understand that some of these things happen in smaller steps. And so for that reason, progress is progress. And success is success.
I've been, I think, able to stay grounded in such a crazy business, and I attribute that a lot to my family, and especially to my mother. Because, you know, she just was always there to kind of remind me of what priorities should be. O.K., yes, I'm an artist, I'm a performer, but I'm a sister, I'm a daughter, I'm a granddaughter, I'm an aunt. Those things have to be as important, if not more important, than my career.
This business I'm in is different. It's special. The people around me feel like brothers and sisters. We hardly know each other, but we're that close; somehow there's been an immediate bonding between total strangers. We share each other's triumphs, and when one of us gets hurt, we all bleed - it's corny, I know, but it's true. I've never experienced anything like this before. It's great. It turns up the heat in life.