Quotes of All Topics . Occasions . Authors
The older I get, the more I think it's this listening. You listen for it, and you have a bit of patience. And it'll come until it sounds - to me, the best songs I've written, I think, are ones that I can't hear anything - any of myself in it. It sounds like a cover song, like somebody else's song - really something you've stolen wholesale off a radio that you've listened to in someone else's flat.
There are times when I want to be plainspoken about my feelings in a song. But there are other times when it's really good to try and get my head around different kinds of song structures, or maybe I might get turned on by trying to write a song that would fit in this one scene in a movie. And by the end of all this, you just end up with a bunch of different ideas. And songs are really just ideas.
I think when you commit to somebody, and you take them off the market, right, I think it is your job as a woman or as a man to ... I don't think you should ever say no. I'm talking about if you're tired or somebody's like 'I'm tired.' No, because at the end of the day you took that person off of the market. They can't go and be with someone else because they're with you. So, don't you ever say no.
My philosophy on writing a song for myself is that I always, always, always want to write a song. I always want to write a song. I realize that as a record producer or a singer or whatever I might not, if I recorded on myself or someone else, the first time out I might not give it the right treatment, so that the world or many people will accept it and it'll be a public hit, or anything like that.
People ask me this a lot, what a song's about.... I do think analyzing a song can be interesting, although it doesn't necessarily get to the point. It's a whole other side activity. I do like making a thing into pictures. If I get an abstract idea and all the words in it don't represent tangible things, I might try to take the idea and make it into a picture, create a little scene there, an image.
You can't really get the full joy out of life unless you really go for it. You just have to go into it and stay under some kind of hope or illusion that it's going to work. But as you get older, or the more experiences you have, or whatever it is that tells you how this stuff works, you also know that if you go all the way into it, there's the risk of losing everything but you don't have a choice.
I kind of dropped a lot of bad habits about three years ago and became kind of accidentally straight-edge. I don't have Xs on my hands, but I guess if I wanted to go back to calling myself straight-edge, I could. Around that same time I started running. I never saw myself as the kind of person who would become a runner. It seemed unfathomable to me that I would ever run three miles, let alone 26.2.
I enjoy the freedom of living alone and not having anyone interfere with my belongings. I mean, I'm quite a selfish human being. I think being in the public eye and growing up, it's made me quite selfish in some respects. I can be extremely generous with friends, but in relationships I can be quite mean in terms of my time and my affections. I take people for granted, and I'm trying not to do that.
If we want happiness, I think we should follow classic Greek wisdom and live with areté. The word directly translates as 'excellence' or 'virtue,' but has a deeper meaning — something closer to 'expressing the highest version of ourselves.' When we're showing up fully moment to moment, there's no room for regret/anxiety/disillusionment, just a whole lot of happiness. Here's to getting our areté on!
I'm a recording artist who's traveled around the world so I have different opportunities than other people and people may decide how I should use my opportunities because my opportunities are public whereas I can't decide how people should use their opportunities because their opportunities are private. That's what we're dealing with - people feeling like they should be able to control celebrities.
Some of us have such incredible things that can keep us from acting. We have the luxury of drinking such good wine, and having such good information at our fingertips. I can look up anything on my computer. And I can call any friend at the drop of a hat on my cell phone. And I can have beautiful clothing and great food in a world where people are being tortured. I have some responsibility for that.
I was a child of the '60s basically, which is a real blank. I really started growing up, I think, in the '70s. I'm a glam-rock kid. But Dublin, Ireland in those days was a very dark place, as in it was a very poor, almost third world. Economically, the whole world is going through a recession at the moment. In the '60s, '70s, and the '80s in Ireland was a real recession. It wasn't a pleasant place.
I'd been sick on tour for about two years with this medical anomaly that doctors couldn't figure out. That's a big part of my life: I just feel really sick a lot of the time and can't figure out why. I'd gotten these shots in Russia, where we'd just been. It was just heavy. It's just heavy performing for people who really care about you, and you don't really care that much about yourself sometimes.
The cross is a very powerful symbol and it symbolizes suffering, but it also is connected to a person who was loving and sharing and his message was about unconditional love. I tried to take a powerful image and use it to draw attention to a situation that needs attention. For me, we all need to be Jesus in our time. Jesus' message was to love your neighbor as yourself and these are people in need.
I don't think people talk about mental illness a lot, but they need to know it's OK to talk about how they are feeling. People are afraid of telling the truth because they think it's going to hurt everyone around them. I've kept so much inside that I've literally lost it. I wish more people would get help when they feel like they need it-- not just to look to medicine, but to the support of others.
Kids are probably frustrated and egos are too much involved and kids don't know how to get together and be kids and start a group and it's kind of sad because I feel like if you come out with three or four people in the beginning, you can be protected and everybody can shield each other. Before you get out there by yourself and get all these people coming at you. I just think it's not really there.
We have a stewardship responsibility to keep ourselves healthy physically and emotionally. If we don't, we cannot carry out our obligations to God, to family, to our employer, or to others. With this in mind, we put limits on the extent to which we allow others to abuse us. Doing right will mean abuse part of the time; that goes with the turf. But inviting abuse or failing to deal with it is wrong.
I salute to you Commander and I sneeze 'Cause I have Now an Allergy To your policies it seems Where have we gone wrong America? Mr. Lincoln we can't seem to find you anywhere out of the millions From the deserts To the mountains Over prairies To the shores Is this just the Madness of King George Yo George Is this just the Madness of King George Yo George Well you have the whole Nation on all fours.
What I want to avoid is staying at the same place. As I improve in skills, musical interpretations, and acting, I am able to approach each element of my programs with perfection. As Im preparing, I build momentum and confidence until I reach a peak of concentration. It is the moment that I feel my best. Then I can bring out one hundred percent, which makes me satisfied with myself. This is my goal.
When I was 11 years old and I was on a road trip with my family. I turned to my dad and said, "Do you believe in Adam and Eve?" And he said he didn't think so. I remember that felt like a slap in the face, because if my parents questioned Adam and Eve, then they potentially questioned everything within Catholicism. Eventually that idea led to my feeling liberated, but at that time it was very scary.
And if you listen to Irish music, they say that kilts came from the middle east. So really I'm an Arab. If you listen to the way someone like Sinead O'Connor sang. It could be Muslim. You know that angst that sort of ****. That wail. I think it's in our genes. I think certain stuff is in our genes, like nobody can dance like a black guy. It's in their genes. So we don't have oil, but we have poetry.
My whole life at a certain point was studio, hotel, stage, hotel, stage, studio, stage, hotel, studio, stage. I was expressing everything from my past, everything that I had experienced prior to that studio stage time, and it was like you have to go back to the well, in order to give someone something to drink. I felt like a cistern, dried up and like there was nothing more. And it was so beautiful.
The fact is that everyone at the labels wants to do what everyone else is doing. You have to look like her; you have to be like her; you have to sing like her, and no one can express themselves. I look at Rihanna and I am so proud of her. She speaks loudly! You have to stand up and clap. She expresses herself through fashion. She actually can sing. And her songs mean something, even to me, you know?
I kind of grew up a guitar nerd and I tried to figure out how to shred on an acoustic guitar as a kid, while listening to jazz or whatever. So that is kind of a different thing and my church background, growing up with worship kind of the ground that I learned how to play music from. Those are all odd ways of growing up, compared to most people, so I think the music has plenty of uniqueness in that.
I started going to Bible school really early in life. Being raised a Jehovah's Witness, I had to read the Bible over and over. These stories were so horrifying and really difficult to reconcile. For me, Noah wasn't the story of the graham cracker box with the little animals it was horrifying. I would ask the same questions as a child. "Well, what about the little kids? What about the dogs and cats?"
My parents taught me never to judge others based on whom they love, what color their skin is, or their religion. Why make life miserable for someone when you can use your energy for good? We don't need to share the same opinions as others, but we need to be respectful. When you hear people making hateful comments, stand up to them. Point out what a waste it is to hate, and you could open their eyes.
They have removed the struggle to find anything. And therefore there is no genuine sense of discovery. Struggle is the first thing we know getting along the birth canal, out in the world. It's pretty basic. Book store owners and record store owners used to be oracles, in that way; you'd go in this dusty old place and they might point you toward something that would change your life. All that's gone.
Whether we like it or not, we live in a post-ideological world. That's how a Donald Trump can get through. He has no ideology at all: in that sense, he's a bit like Mussolini. I think that ultimately Trump will lose the election and in the process destroy the Republican party - but then I'm an optimist, ha ha ha! So he might not lose. He might be in charge of the largest nuclear arsenal in the world!
There are lots of poster children for angst. But there aren't many poster children for cool angst. Everybody thinks it's cool if you're the bad girl. But what about the people who are really not feeling that great? Why can't I get up in front of millions of people, as a person who represents my generation, and tell them that I'm angry? Who puts these limits on what my personality should be in public?
Build a good name. Keep your name clean. Don’t make compromises, don’t worry about making a bunch of money or being successful. Be concerned about doing good work. Protect your work and if you build a good name, eventually that name will be its own currency. Life is like a roller coaster ride, it is never going to be perfect. It is going to have perfect moments and rough spots, but it’s all worth it.
The bible is very resonant. It has everything, creation, betrayal, lust, poetry, prophecy, sacrifice. All great things are in the bible and all great writers have drawn from it and more than people realise, whether Shakespeare, Herman Melville or Bob Dylan. Of course there are stories that are still relevant and inspiring; lessons that need to be taught over and over again. And they give people hope.
Your fingertips across my skin, The palm trees swaying in the wind, Images. You sang me Spanish lullabies, The sweetest sadness in your eyes, Clever trick... I cannot go to the ocean, I cannot drive the streets at night, I cannot wake up in the morning without you on my mind, So now you're gone and I'm haunted, And I bet you are just fine. Did I make it that easy to walk right in and out of my life?..
There's a little less pressure in doing a solo tour, in some ways a simpler setup. A little bit more relaxed. But then also there's also - doing the big tours is exciting, because you get to put on the big show and everything. But I don't know if I would prefer one over the other. I guess it's no secret that I just don't like touring in general, but it's sort of the reality of the business these days.
We can't all be stars; we can't all be leaders. We are all God's creatures, living life, and we have that God light in us and we're supposed to let it shine. And not everybody wants to be like me and stick their neck out to get up on stage and perform. There are those like me, but there are also those that are of a shyer nature. And they're smarter than most of us that are out there showing our asses.
You take all the time to write a song: you have to let it ooze on out by its natural self and that is pretty time consuming. Then you teach it to the band so everybody gets all the parts. Then you rehearse it and road test it, and all that. Then you get to the studio and there is a new guy in the band who calls himself the producer, right? Huh. He either makes it or breaks it usually before nightfall.
The reason I did the name change is simple. I wrote a bunch of autobiographical material and I was really enjoying myself doing it, and in two of the songs I quote two different people (referring to me as Mr. Stace). And it just hit me at some point that it was ludicrous for me to think of myself as Wesley Stace, publish novels as Wesley Stace, be Wesley Stace and not have it released as Wesley Stace.
We believe in a single fundamental idea that describes better than most textbooks and any speech that I could write what a proper government should be: the idea of family, mutuality, the sharing of benefits and burdens for the good of all, feeling one another's pain, sharing one another's blessings — reasonably, honestly, fairly, without respect to race, or sex, or geography, or political affiliation.
I'm getting offers for movie stuff. But it shows how facile the movie industry is. I mean, they don't know I can act. I guess they like my record and think I have a nice complexion? I don't know. How many people work and wait tables to get that break? I really don't feel entitled. Everything's so corrupt, you know? Especially the tastemakers. I trust the American public much more than the tastemakers.
We imagined ourselves as the Sons of Liberty with a mission to preserve, protect, and project the revolutionary spirit of rock and roll. We feared that the music which had given us sustenance was in danger of spiritual starvation. We feared it losing its sense of purpose, we feared it falling into fattened hands, we feared it floundering in a mire of spectacle, finance, and vapid technical complexity.
The seeds of Illumination's origin sprang from an idea lead singer Philip Bailey had of collaborating with new generation of soul artists for his next solo album. The idea of illumination is vibrant and positive. Earth Wind Fire collaborating with the new soul movement made sense because the thrust of their music is still about playing instruments and utilizing vintage sounds, only in today's setting.
I love Nashville, but I miss the Gulf Coast, the wetlands, and the Delta of Lower Alabama every day. Magnolia Springs is a sweet little town in reality, but, in my heart, it is a kind of mythological oasis. I relive the memory every time I cross the Magnolia River. My memory is probably not accurate, but it's a wonderful memory. So Magnolia Springs lives in my heart as a beautiful, cool, watery place.
I enjoy being me; I always have done. I've seen people where it rules their lives, you know, who want to be thinner or have bigger boobs, and it wears them down. And I don't want that in my life. It's never been an issue - at least, I've never hung out with the sort of horrible people who would make it an issue. I have insecurities, of course, but I don't hang out with anyone who points them out to me.
The head sculptor, who became a mentor to me, said that the most important thing he'd ever learned was that you have to figure out what your number-one passion is and throw everything into that. And that if you didn't do that, then you're not really serving your purpose in the world, because you're not going to put that extra effort in. And I knew I loved music, so I just quit and decided to pursue it.
I've walked these streets, in a carnival of sights to see. All the cheap thrill seekers, the vendors & the dealers, they crowded around me. Have I been blind? Have I been lost, inside myself and my own mind? Hypnotized, mesmerized, by what my eyes have seen? I've walked these streets, in a spectacle of wealth & poverty. In the diamond market, the scarlet welcome carpet that they just rolled out for me.
One of the problems I see with these comics on television, particularly cable television, is, since you can say anything in terms of sex and scatological references and so on, therefore, you should do it. So they all limit themselves to these subjects and this vocabulary. My objection is that it is a lack of articulateness. Irreverence is easy, but what is hard is wit. Wit is what these comedians lack.
The influence that Oakland has on my sound is about 90%. There's so many different elements to Oakland. Of course you have the street elements, but then you also have the culture and there's so much culture around. It's a competitive city, it's full of just great artists and talent. It gave me the confidence, the passion, the realness I try my hardest to portray, so it has had about 90% influence on me.
When I went, I hadn't had very much time to have hopes or expectations. I knew very little about Nashville, and I think that was probably good. When I was there, I got really lucky - I ended up with people that just were amazing musicians, and that's the Nashville that I experienced. That is a big part of Nashville - there's a lot of musicians, and that makes it a very special place and shapes the city.
There's a marketing scheme that tells you that pregnancy and child rearing will make you into a moron, that your kids are only happy when you're buying them stuff. It's hard being a parent, but I laugh a lot and smile a lot and really enjoy it. The ratio of laughter to sadness is higher. There's part of me that wants to broadcast that. Parenting only affirmed what I already cared about, and that's good.
If you're in music for the right reasons, you don't pay much attention to the grueling industry. For sure, it's great to have your work appreciated, but it should never be the driving factor. If you don't depend solely on affirmation from the industry to continue to find love in what you do, then you can have as along of a career as you want. I've always been in this for the music and that won't change.
I had a professor one time... He said, 'Class, you will forget almost everything I will teach you in here, so please remember this: that God spoke to Balaam through his ass, and He has been speaking through asses ever since. So, if God should choose to speak through you, you need not think too highly of yourself. And, if on meeting someone, right away you recognize what they are, listen to them anyway'.