Quotes of All Topics . Occasions . Authors
I'm gonna say this and I really mean it - I'm very thankful that I'm not a huge star. I've all the stardom and celebrity that I can handle. But I also have peace and quiet. I am left alone. And I am not recognized everywhere I go and it's perfect. I can come and fill the theatres and I get on stage ... people say: "Well, oh yeah, that must be him," you know?
I get guilty when I spend money on silly things like clothes and stuff. Having experienced a completely different extreme of wealth, and I don't mean me being poor or rich, I mean knowing that 40 quid that gets spent on a pair of shoes could go a long way for a family in Georgia for a week or even a month, having experienced that, you're a bit more [guilty].
I think for the most part men have always been the aggressors sexually. Through time immemorial they've always been in control. So I think sex is equated with power in a way, and that's scary in a way. It's scary for men that women would have that power, and I think it's scary for women to have that power - or to have that power and be sexy at the same time.
I would never discredit anyone that is working their way up on a show like "American Idol." I think they work so hard overcoming all of the obstacles to get on the show in the first place and then every week they are judged in front of all of America... I give them complete credit for getting up on stage... I think they deserve all the success that they get.
For me the two biggest issues are climate change and animal welfare/animal agriculture. And oddly enough animal agriculture is such a contributor to climate change. According to the United Nations, 25% of climate change comes from animal agriculture, so every car, bus, boat, truck, airplane combined has less CO2 and methane emissions than animal agriculture.
Any art that you are playing based on effort, loses something. I think that most of the time it should be something that happens, and you are inspired, and you just feel and follow your instincts. The best chiseled sculptures happen when the sculptor looks at the stone and says "I saw this sculpture in the stone, and I had to get it out." It's not contrived.
On the plane, an eight-year-old with an excess of testosterone keeps running across my feet. Finally I grab him by his T-shirt and say, very sweetly, 'Listen, darling, if you don't stop trampling me I'm going to make you sit on my lap while I tell you my entire life story. Including a lot of details about drug rehab and my divorce.' He goes back to his seat.
Think about all of the families where the father is a doctor and the son is a doctor or generations of coal miners. Why did they go into that line of work? Because that's what they were taught. Or was it in their genes? It's not an either/or question. It's both. I was inclined in that way. I was sensitive to music and poetry, and it was around me growing up.
I write a lot of more instrumental music than I do vocal music. It's because I come out of a background of playing piano and then playing sax for a number of years. I kind of got into rock backwards. A lot of guys go into rock and then get sick of it and then go into something else. I came the other way, so I've always just had a lot more stuff lying around.
I think that you have to experience darkness to feel empathy. For all of my failings - and I have many - I do have a complete ability to emphasize with people. And that all goes down to being "other." When you're young you think otherness is a state only you possess. When you get older you realize, "Actually, there's so many of us." In that we find community.
I'm definitely an anomaly, but I'm making things. They're selling, say, martinis, and I'm kind of making vintage Riesling. People aren't going to sit there very often, not your average public, and your average music-business monster is not going to take the time to notice the overtones and the undertones inside the flavor. They'd rather just have the martini.
You don't pigeonhole yourself, people pigeonhole you. If the world is not at a place yet where it can just be like, "This music is gay and it's music," then it's not my fault that it gets pigeonholed, it's not the people in the band's fault, it's because people won't just let music be music, people who need to put a name on something or to critique something.
I'm a little nervous. Definitely. Especially coming from an album like Biophilia, which was about the universe. This is more of a traditional singer/songwriter thing. When I started writing, I fought against it. I thought it was way too boring and predictable. But most of the time, it just happens; there's nothing you can do. You have to let it be what it is.
I write a lot of songs about being in love, how beautiful women are but I've definitely experienced that other side of love where you're in a situation where you love a girl so much but you just know for a fact that she doesn't love you the same. "Grenade" is the extreme way of saying "I'd do anything for you and why can't I feel you would do the same for me?
I am one of those sort of "lesser" types, those sensitive types, those people who wouldn't have made it on their own if other people hadn't helped them. A straightforward capitalist society would've cut them off and let them die. So I was saved by my friends and by my family and by people who cared about me, and by modern psychotherapy that cared about women.
And if she asks you why you can tell her that I told you That I'm tired of Castles in the Air I've got a dream I want the world to share in castle walls Just leave me to despair Hills of forest green where the mountains touch the sky A dream come true, I'll live there 'til I die I'm asking you, to say my last good-bye The love we knew, ain't worth another try
I just don't really listen to music. I'm probably missing out, but I don't want to know what everybody else is doing. Nobody is strong enough to not be influenced. And I don't mean influenced by copying - I'd be influenced because I wouldn't want to do what someone else is doing. I want to be able to do whatever I feel like doing and not worry about anything.
In less than a century we experienced great movement. The youth movement! The labor movement! The civil rights movement! The peace movement! The solidarity movement! The women's movement! The disability movement! The disarmament movement! The gay rights movement! The environmental movement! Movement! Transformation! Is there any reason to believe we are done?
Thanks to music I have found a deeper connection to an otherwise elusive God. Thru music I get to commune directly, and daily. On a side note to readers, any service or craft you give your heart to will give you the same effect. Don't be afraid to work less and play more! We are human. We didn't come here to hold down a dayjob. We came here to live and learn!
At (UNHCR's) headquarters, I met extraordinary people, men and women, especially from the emergency team, who shared with me their passion, their dedication and their commitment to this organisation and refugees. They told me about the daily difficulties they have to face and also the joy they felt when they managed to save a person whose life was threatened.
Roy Orbison was one of the genuinely nicest persons I've ever known. With one of the most beautiful voices in the history of recorded music he could easily have had an opera star's ego, but he was one of the humblest, kindest, sweetest human beings to grace this planet. This in spite of the enormous tragedies in his life. A brave, beautiful blessing of a man.
When I make music, I play it, I produce it, I write it. It's a very self-centered thing, not in a negative way. But I primarily work by myself, that's my process. When I'm acting, I'm there to serve the director and the character. I'm here to give you what you need. Communicate that to me and I will do what I need to do to get that. So that's what it's about.
We can program ourselves to be the person we want to be, whatever the subject matter is, live in it by a mental physical program - a system of learning and doing. Studying all the greats in that field and becoming greater. I believe we are powerful, but we don't use our minds to full capacity. Your mind is powerful enough to help you attain whatever you want.
The Wizard Of Oz" has secrets that are just too much. Or "Peter Pan" – the whole 'lost boys' thing is just incredible. They’re not childlike at all, they’re really, really deep; you can rule your life by them. Or say 'child-like', because children are the most brilliant people of all, that’s why they relate to those stories so well. Fairy-tales are wonderful.
Sometimes people will think, I need to have pre-sanctioned spiritual joy. Getting joy from my contemplative meditation practice or getting joy from reading Thich Nhat Hahn books. Those things can be joyful but I think it’s the small, simple joys of playing with dogs or having sex with someone you love or going for a walk outside, stuff that we tend to ignore.
I think our particular sound has come by just not adhering to any specific sound. For us, it's about the song, and being able to fit in to what is appropriate. When we sit down, we're not talking about what type of band we're gonna be within a specific genre - there's a uniqueness to all of us individually that throws putting anything in a box out the window.
When we look at cities across the country, Cincinnati, for example, where they have come under DOJ guidance with a consent decree, we see that, over time, there has been a transformation in the relationship between the police and the community, where now they have a partnership and true collaborative policing, co-policing, to make the community safer overall.
I do craft songs, that this is designed. It's almost like the song was written to produce this desired effect. And it probably really works for somebody. It's maybe somebody's favorite tune, and it's really hard to come down on that, even if I feel a little embarrassed for it. Because some songs are written like a commercial, and that can be a little strange.
It is our duty to prefer the service of the poor to everything else and to offer such service as quickly as possible. If a needy person requires medicine or other help during prayer time, do whatever has to be done with peace of mind. Offer the deed to God as your prayer.... Charity is certainly greater than any rule. Moreover, all rules must lead to charity.
It took the love of a good man [to heal]. When I was reverting back into my, let's say, perversions, he would say: 'Let's go get an ice cream. I am not going to enable you. If you can only come as a wanton woman for hire, because you feel dirty and shamed, then no. Women are goddesses.' And I know that and I believe that. I chose a man who believed that, too.
When you're listening to a recording, you're supposedly listening to some aspect of the past in the present as you travel slowly into the future, but you also know there's a very strong likelihood that the future of that recording, whether you made it or whether you're listening to a Led Zeppelin record, is going to continue probably far beyond where you are.
My music doesn't really sound like punk music, it's acoustic. And it doesn't really sound like folk music 'cause I'm thrashing too hard and emoting a little too much for the sort of introspective, respectful, sort-of folk genre thing. I'm really into punk and folk as music that comes out of communities and is very genuine and very immediate and not commercial.
I don't go into any album with a concept or a deliberate direction. It's more letting the best music that really appeals to me at the time, the best songs that I find after many months and years of search and sifting through my collection, and asking radio people and journalists. It's really an ongoing search that's as much daunting as it is somewhat exciting.
The separation of families to me is very close to my heart because we lived that as immigrants. I strongly feel that we all connected, and having felt people's love and support first-hand through difficult moments in my life, makes me feel it's our responsibility to help one another. I am privileged to help in some way, and I will always take that opportunity.
Taxi drivers used to ask me what kind of music I did and I'd say, well, it's kind of jazz, soul, classical - but that makes no sense to anyone. Now I say I just write my own songs. I thought I had to help people get me, but I don't think they need to be spoon-fed. If you connect with me that is cool. I don't need the whole world to feel like I am a soul angel.
Since our online libraries are so extensive, we think we can make all the right decisions about our personal health and well-being by pushing buttons. It's not intuitive anymore. That's the internet. Before the net, we would have gone to the community or our families to see what we should do. We often feel more isolated on our own little islands because of it.
I watch a lot of crime shows. The head investigator always said to the crime solver, "What do you say?" And inevitably the other has to say something like, "Well I'm thinking he was shot in the neck with a certain gun and he seemed to be running." The solver has to picture what he's seeing first, and then express his own observations. The writer does the same.
I was raised in a musical family - 5 girls and 1 boy - so all of us girls don't do gender. We were all made to believe that we could do anything we wanted and so we did. One of my early bands was with my sisters. I didn't really come across a lot of problems because I just didn't see it. I took myself seriously and so everyone else did too - this is my mantra.
There were a couple of times where I shot things, or started off in one mode and thought, "Well, I really didn't want to do that." I would just change my mind. And frankly, I don't think anybody really cared. I didn't have some producer that had given me $10 million, demanding results. I could just kind of do whatever I thought was right, and move in that way.
I have definitely been in experiences where my girlfriends have outgrown me and that's ok and I think that I should be inspired by that to know that it's time to move on - it's time to evolve as well and I think that should be inspirational to other people. They shouldn't feel stifled and feel like oh we can't grow up, we can't move on - change is a good thing.
I feel like it's me singing back to myself as a younger person and saying have confidence in being a bit different. I really felt I didn't fit in. My dad was from the Caribbean, my mum was English, we lived in quite a white area but we were quite poor, but also quite brainy, and I was a really, really skinny child so I felt a bit awkward about all these things.
I think that G-O-D is like the answer to a formula for creating life. Or some kind of energy or antigravity. It's like the answer to an equation and it's become mythical over the years. But at one time we all knew what it was. I don't know when it was exactly, but that was the ancient knowledge. It's become diffused as it was handed down and turned into myth.
What I like to do with music is make people feel better. Make people realize that all humans have the same problems, more or less. A lot of people deal with the same thing. A lot of times people think problems are specific to them and they if they hear a song about a problem common to them, they feel good because they know that someone else has gone through it.
I'm obsessed with beards. First of all, beards make you look like more of an animal. Second, I kind of like biting beards; it's a pastime of mine. And when I make out with a dude who has a beard - who are the only kinds of dudes I make out with - then my glitter gets stuck in their beards, and then no other chick will make out with them for at least three days.
I used to play my records aloud until one night my mother was like, "This is too loud. I'm not having it," and so I put on headphones. But the headphones didn't stretch all the way to my bed from the record player, so I had to sleep on the floor in order to hear the records. I slept on the floor right next to the record player until I was probably 19 years old.
Our music is always a reflection of where we are in a society. That's what enables so many people to do what they do. So my advice is to work at your craft. Be the best you can be at your craft and do it sincerely. Even in the world we live in today, that will give you longevity. At the end of the day, I want the quality of my work to stand, not how much I did.
Back in the day, even if they were singing about the same things, each artist was unique. That's why I try to stay away from the big-name producers, so I can prove that it's not about the producer, it's about the artist. A lot of R&B artists have gotten away from being artists and are just chasing after the next hot producer and it all starts to sound the same.
Being scared is normal. My technique for erasing it is facing it. Be afraid and brave. Be nervous and courageous. The first few minutes of being scared is your test to see if you're really serious about reaching a goal. Push through anxiety and come out victorious. Fear is just a test. Honor the feeling. Know it's there. Know it's temporary. Face it to erase it.
Earlier in my career I just thought "I'm not very confident, I don't like singing to people." But people had some faith in me, and here we are. Sometimes I think "Oh maybe I should just be a backing singer." But I've got an amazing team of people who tell me to shut up when I'm like "Oh god, I can't do it." But now, I can't really imagine it being the other way.
My mother was determined that I was going to leave the farm and do well in life. And she thought with the gift, I might be able to do that. So she took in washing. She got a washing machine in 1942 as soon as we got electricity and she took in washing. She washed the schoolteacher's clothes and anybody she could and sent me for singing lessons for $3 per lesson.