Quotes of All Topics . Occasions . Authors
The only person that can give up on you is yourself. People will always say no but you gotta keep trying. As long as you are above the ground there's opportunity. Utilize your time and be serious about your craft. Don't forget to PRACTICE! Be serious about your goals. Understand you have to be talented. Don't seek the impossible be realistic!
I think, a lot of times when you meet someone, you feel like you need to appear like you're not interested in them so that they'll be more interested in you. But what happens when you start showing him that you actually like him? What's he gonna do then? Play the tape forward; how do you keep a guy like that? I don't want to sign up for that.
The fabulous side of Taboo was dressing up and dancing like no one was watching you. There were no rules. You had Jeffrey Hinton playing every kind of music. It was like going back to when I used to deejay at Planet in '79, where you'd mix in nutty things like hip-hop or reggae or The Sound of Music [1965] or other film soundtracks - whatever.
I talk to my fan club members, and I blog, and they know what's going on. But as far as Twitter, I'll be in a restaurant, and I'll get home, and somebody tweeted, and they talked about what I ordered and what I was wearing. In some cases, that could be dangerous, because you don't want everybody to know where you are every second of every day.
It's not about being thin, it's about being healthy. And when you are a child you like to eat all these unhealthy things like chocolate and sweets. Oh my God. I love strawberries dipped in chocolate and Lion bars and Toffee Crisps - and as you grow up, you have to learn that those things are only good in moderation or you will become very fat.
My wife and I both grew up with parents who were very young. Her mom was, I think, 17 or 18 when she was born; my mom was 15 when I was born. So, as we got older, we started thinking a lot about that - about the time that those people missed because we came along when we did and because they devoted so much of their lives to taking care of us.
When I wake up, I always thank God. I'm grateful for another day, and he's allowed me this tiny thing that we should be appreciative of. As long as you know who you are, everything else will be OK. No one else can intervene or interfere or affect you, because you control your destiny, you control your tone, you control everything in your life.
For me, a wake-up playlist completely depends on what mood I'm in. If I need to get into action pretty quick, it will be between Beyonce and Miles Davis. I'm a massive Beyonce fan, and all of her anthems will do it for me. And Miles Davis, because I grew up hearing his music because my dad played it a lot, so that will always be special to me.
What is most original in a man's nature is often that which is most desperate. Thus new systems are forced on the world by men who simply cannot bear the pain of living with what is. Creators care nothing for their systems except that they be unique. If Hitler had been born in Nazi Germany he wouldn't have been content to enjoy the atmosphere.
The Psblurtex is an 18-inch long anaconda that hides in the gentlemen's outfitting departments of Amazonian stores and is often bought by mistake since its colors are those of the London Reform Club. Once tied around its victim's neck, it strangles him gently and then claims the insurance before running off to Germany where it lives in hiding.
Guilty pleasure implies that it's something that I feel guilty for watching... people tell me I should feel guilty for watching because I'm too old to watch it, but I don't give a damn: I love everything on Cartoon Network from 'Adventure Time' to 'The Adventures of Gumball', 'Teen Titans'... all those shows that are for my kids, I like those!
I was just thinking of Rush. I went to see Rush a few years ago, because my record label guy in the States really wanted to go. We had crazy good seats. It was fascinating watching the crowd - mostly men - who were so moved by these really esoteric lyrics. I don't know Neil Peart's lyrics super well, but they're not that straightforward to me.
My whole world changed when Michael Jackson brought out the Bad album when I was about eight or nine. He took over my whole life and from then on I wanted to be Michael Jackson. I watched his videos for hours and learned how to dance like him. I would push back the chairs in the room and learn his dance moves. I even taught myself to moonwalk.
If the songs were in lumps, then you would expect to understand what was going on in the plot. Which is not a realistic goal. And also the instrumentation is different for every show, so it's more varied sonically. And people are free to make up their own plots, of course. There are pretty dense and complicated plots, and they're simple songs.
I think that being good to people - you'll never regret that. Maybe you'll get walked all over, maybe you'll get tricked, maybe you'll get fooled, but I think it's so much better to be kind to people and to trust people rather then to have your guard up and say mean things to people. You never want to be the reason that someone else feels bad.
When I was around 13 or 14, I started getting really into songwriting. And one day, I was rooting through my mum's old tapes and records, and I found 'Grace' by Jeff Buckley. I remember so vividly the first time I put it on. It blew my mind: his voice, the way he could play the guitar. I must have listened to the album over and over for weeks.
My experience with record labels throughout my career has generally fallen into wishing I could do things that they're not built to do, whether it be arguing about having a nicer package - because I do believe some people care about that - to trying to always bank on art-versus-the-easy-commerce route; there's always been headbutting involved.
If I had to pick one social action I could encourage all my friends, family and fans to do, it would be to teach a child. One, to educate them about good music, but two, because that kind of relationship helps build a bond. When you share music with somebody, that then becomes your link to them. Music is what connects a lot of us, over borders.
If you do nothing, if a mother doesn't come for care, if she breastfeeds her baby, the chances of the baby getting HIV are about 40%. So it's about the difference between 40% and zero. This is almost totally preventable. But it requires mothers coming for care and getting the medicines they need, and getting the education and support they need.
You marry your friends when you stay with your friends. It's hard enough to find a good roommate, let alone a good person you can live with and fall in love with at the same time. You might as well just take your roommate, if you can find one, and marry them. I mean, if you can find somebody that doesn't drive you crazy, I would say marry that.
I knew that people were going to talk about it, I knew it was embarrassing, and I knew it was a big deal. But did I think that it was going to be this thing that followed me for, you know, the next years to come? I guarantee you, 25 years from now, I'll be known as the girl that lip synced on 'SNL.' But, you know, it was a weird thing. Not fun.
Twenty-seven people sang 'Wind Beneath My Wings' before I got around to it. A lot of people saw the movie that I sang it in, Beaches, and what they came away with was that song. They turned to their loved ones and said, 'You know, you are the wind beneath my wings!' The song expressed how they felt in a way a simple 'I love you' would not have.
We're looking at the singular condition of poverty. All the other individual problems spring from that condition... doesn't matter if it's death, aid, trade, AIDS, famine, instability, governance, corruption or war. All of that is poverty. Our problem is that everybody tries to heal each of the individual aspects of poverty, not poverty itself.
Then Jesus introduced Himself to me. Though my birth certificate reads 1983, I reckon I was born in 1999, when I met Jesus - not in a church or on a camp or through people, but alone in my bedroom with an open Bible and a tangible revelation that the Son of God was not only real, but alive and awesome and stronger than the chains that bound me.
But Stacie Orrico was my childhood hero. I was about 12 when I found her music. She is a contemporary Christian artist, and I can honestly tell you that I don't think I'd have a soulful voice if I didn't listen to Stacie. I wanted to sound just like her growing up, and to this day I STILL think I sound a little bit like her. But she is AMAZING!
We live very wonderful, privileged lives, and we're very lucky and fortunate, but it doesn't mean we stop caring. With Brexit and everything, and then Donald Trump running for president, of course, we were like, "Is this really happening? No, of course not, it's never gonna happen." It's impossible to not affected by the craziness of the world.
I imagine that when I am creating a song or a project or an album or putting some clothing together or cooking a meal, whatever it is, I don't really have a recipe. The fun part is to throw that big piece of clay in the middle of the table as hard as I can, and whatever shape it takes, that's what shape it takes, and then I start to carve away.
When I'm playing music I'm usually not thinking of surfing, just because I'm usually thinking about the chords and the lyrics, and sometimes that messes me up 'cause you'll start thinking, "Wait, how am I doing this?" But when I'm surfing, I'm usually thinking about music - whether it's an idea for a new song, or just singing a song in my head.
I don't think love is a tricky issue at all. Love is best understood when we share: Share time, energy, food, resources, insights, information, whatever. It's usually thought of as something that exists between two people, but that's just because it's easier to see and feel in the space between them. Each person is sharing a lot with the other.
With Tinder and all these other things, there's always this kind of illusion with infinite choices. There's something very cool about saying, 'Oh, I actually really care about this person, and I want to commit to loving this person and being loyal to this person.' You can't get that from the kind of infinite multiple choices that are out there.
I was working the Gulf of Mexico on oil rigs, flying helicopters. I'd lost my family to my years of failing as a songwriter. All I had were bills, child support, and grief. And I was about to get fired for not letting 24 hours go between the throttle and the bottle. It looked like I'd trashed my act. But there was something liberating about it.
If you have a problem at that level where there is hatred, prejudice, and anger, that has nothing to do with the other person. What is wrong with you that you are feeling that way? Look at yourself. Quite often it is their upbringing or their parent's problems. You got to get free. At some point you have to take responsibility for your actions.
It was a dance of masks and every mask was perfect because every mask was a real face and every face was a real mask so there was no mask and there was no face for there was but one dance in which there was but one mask but one true face which was the same and which was a thing without a name which changed and changed into itself over and over.
I could never work in a recording studio where you have this lovely view and a beach and the waves are crashing. For me, it's all about being in a tiny room with little windows. It's almost like you have to be in a prison. And you can create beauty when you're in that sort of deprived environment, which is a re-creation of your formative years.
Throughout my life, there's just periods when I write and periods when I don't. I don't feel like anything's really blocked. "Writer's block" sounds so dramatic and worrisome, and I don't worry about it. I know deep down that I'm a writer, and it's just a matter of time until it comes back, and when it does, it'll be good like it's always been.
It's an interesting thing. When you're young you often ask people what they want to do when they're older, then you meet them years later and they're not doing that. I didn't want that. I didn't want to be a singer, but I just believed and knew somehow that I'd be in showbiz, although I had no idea how I was going to do it. Dreams do come true.
I approach the film business the way I feel about self-esteem. It's something that has to be maintained. That's kind of how I feel about positive roles in Hollywood. They have to be maintained. You have to purposefully, intentionally try to make the right type of films. And the more people that do that, the more things will continue to improve.
I suppose I've always done my share of crying, especially when there's no other way to contain my feelings. I know that men ain't supposed to cry, but I think that's wrong. Crying's always been a way for me to get things out which are buried deep, deep down. When I sing, I often cry. Crying is feeling, and feeling is being human. Oh yes, I cry.
When I wrote for Jordan Knight, I was 17 or 18, they were pretty much the only songs I was writing. By the time people like Christina or Usher came around, I was able to know that I was writing for different points of view and people that might not want to say certain things. So you have to be considerate of whichever artist you're writing for.
I love when rappers have a off-beat, very abstract timing, and he certainly did.And any rapper who really approaches rapping with the art form of songwriting melodically - I know a bunch of rappers who actually go in before they write the lyrics and come up with the melody. And you can hear and feel that difference so much when that's the case.
Music is art, and art is important and rare. Important, rare things are valuable. Valuable things should be paid for. It’s my opinion that music should not be free, and my prediction is that individual artists and their labels will someday decide what an album’s price point is. I hope they don’t underestimate themselves or undervalue their art.
I wanted to escape Small Town U.S.A. To dismiss the boundaries, to explore. My life experience came from watching movies, TV, and reading books and magazines. When your culture comes from watching TV everyday, you're bombarded with images of things that seem cool, places that seem interesting, people who have jobs and careers and opportunities.
For me, surfing is as close a connection I can have with Mother Nature. To surf, you're riding a pulse of energy from Mother Nature. And it's strong. It's real. It's there. And you're dancing with that. You're connecting with that. You're might be the only person in the history of the universe that connects with that particular pulse of energy.
I think when someone blindly projects and it's showing up in the form of envy or hate - and I actually think they're synonymous - that's when I feel the most afraid and disconnected and vulnerable. Like whenever I don't feel safe in my own hands, in terms of my not being tender or merciful with myself, or when we're treating each other that way.
I read a comment that made me think I should stop singing for a while. And I didn't want to stop singing, because it was the only thing I loved. At first I thought, "Maybe I'll get better and eventually please the person who wrote about my singing." But then I thought, "I probably will never please this person. I should just do what pleases me."
Going for constant growth is not actually delivering a decent standard of living and the prospect of your children having a better life than you do. That is the key thing that politics needs to deliver: a better life for your children. That's why people are taking their lives in their hands and crossing the Mediterranean and the English Channel.
There was a f**king review in f**king Melody Maker [of the first BOSSANOVA single, 'Velouria'] - 'Sounds like someone's been taking singing lessons'. Like, motherf**king A! I am the singer. Who do sing SONGS. It's like I never sang before; like I was - I don't know - reading PROSE on my previous records and now I sing. EXCUUUUUUSE me for singing
What can government do? They can listen to their own people. But I'll tell you what citizens can do, when we elect one of these people - whether we think it's a good guy or a bozo - you got to stay on the case. You don't vote and go home and give them the keys to the car, he'll drive you right off a cliff. You have to help people to stay honest.
At the end of the day, I think that music lovers are going to love me. I think the pop songs that are on my album will be loved by the pop listeners and the R&B songs will be loved by the R&B people. I think that each song has a broad enough sound that I won't be pigeon holed. At the same time I think it is appealing to many different audiences.
A lot of the time, I write a lot of angry stuff, but then I don't want to be a finger-pointer - I'd rather be a cheerleader than a judge. I don't want to preach as if I'm in some position of righteousness, but I do want to speak my mind and scream at the clouds and shout out of the pit of hopelessness that I sometimes think the human race is in.