Quotes of All Topics . Occasions . Authors
I was freaking out when Brooks & Dunn were breaking up. I thought 'We play a ton of rodeos, and I thought this was such a cowboy deal, and I don't wear a hat. They might not think I'm a cowboy. That might sound ridiculous to a lot of people, but apparently, it meant something to me. I wound up with a cowboy tattoo from my elbow to my wrist.
Brazil is a country I hold very dearly. I've got followers there who I've been interacting with for years, as well as fellow artists like Ivete Sangalo, and it also has huge figures like Pele. I'd love to go to that World Cup - I'm not sure in what capacity, but I'll definitely be there. I know that nobody wants to miss it, least of all me.
Dealing with boys at work and being the only girl can be challenging. I have my insecurities, but I've learned I have to be a good sport. I have to be able to take certain jokes and not take them personally. There are jokes made almost every second of the day. I had to develop a tough hide. You know, the music industry is dominated by guys.
Every girl on the planet has insecurities. It helps me to know that some of the most beautiful people in the world wake up some days and don't think they're pretty. As sad as that is, it's good to know that a problem you think is your own is actually something every girl faces. Happiness and confidence are the prettiest things you can wear.
A lot of people ask me, 'How did you have the courage to walk up to record labels when you were 12 or 13 and jump right into the music industry?' It's because I knew I could never feel the kind of rejection that I felt in middle school. Because in the music industry, if they're gonna say no to you, at least they're gonna be polite about it.
Making my way downtown, walking fast, faces pass, and I'm home bound. Staring blankly ahead, just making my way, making a way, through the crowd. And I need you, and I miss you, and now I wonder... If I could fall, into the sky. do you think time, would pass me by? 'Cause you know I'd walk a thousand miles, if I could, just see you tonight.
I had no idea of being a star, all I knew was that I wanted to be a great actress, I wanted to work as an actress. So I thought the way I would be a great actress was to sing and dance first. Lay a foundation - get my foot in the door, and then undoubtedly, of course, I would be offered great roles as soon as I grew up enough to handle them.
Especially girls, but any kids exposed to music programs and arts programs do much better on their tests. They have a better chance of going to college. They can focus better. You know, we're not just automatons learning how to work machines and do engineering and math and science. All of that's great, but you've got to build a whole person.
It's really important to me to promote worthy causes. But not in a heavy, obligatory, responsibility way. I really admired that as a kid, learning about the 'Elton John AIDS Foundation.' And I was obsessed with The Indigo Girls. And they are the consummate activist group, always reaching out, especially to Native causes and things like that.
It never occurred to me that I was important enough to have some politician go out of his way to silence me. I only found out about it in the '80s by accident - a broadcaster announced they received letters of commendation from the White House for having suppressed my music. My career was so highly impacted in the U.S. it will never recover.
In my little world, I'm very protected 'cause I'm treated like the idiot I am by my buddies. But, a little bit outside that world, people sometimes expect heavy things from me. For a little time, I tried to appease and not disappoint people but in the end you're just going to kill yourself and fail if you're trying to give more than you are.
We need to show how we really are and how we really are is that I'm the Dad, that's the Mom, these are the kids. This is how you respect us. It's "Yes Sir", "No Sir", "Yes Mam" and "No Mam". We don't see a lot of that on TV, so I just want to give an example and show examples on how a family should be versus how families are portrayed on TV.
My deal is that I pay more attention to whatever job I have than the relationships I have. Now, if I had considered my job to be a wife and mother, then I would have been pretty good at it. But I didn't consider it a job. I thought it was like brushing your teeth - it's not fun, it's just something you do to keep your teeth from falling out.
We don't have to live up to the expectations of others. Passion is personal. As long as our passion is fueled with the right stuff then keep on plodding forward. I'll never be Mark Twain or Tom Clancy. But that's okay, because neither of them could teach you to mix a boundless number of grays, or where to place the catch light in a portrait.
When I finished performing 'I Won't Give Up' for the first time, I opened my eyes, and I think there was maybe six people in there when I started, and when I finished there was about 30 people, all standing around with their jaws dropped in complete silence. I said, 'Okay, I think this song has some power to it.' So coffee shops work for me.
If you listen to soul music, or R&B music, or Blues music, a lot of that came from church music and spiritual music, and music has always been a really really powerful tool that people have used to get them closer to God - whatever they define God as. And for me that's always been part of what drew me to it and keeps me coming back for more.
To tell you the truth, the nomination for the Rock and Roll Hall of Fame totally surprised me. I had no idea that was coming. I know a lot of people like to say it's enough just to be nominated. But I've been nominated for so many things, I'd like to get this one. I think it's a long shot, considering I never had a No. 1 rock n' roll record.
My family was always playing music; I always enjoyed it. My cousin, who is a little older than me, he started playing music, so I wanted to, also. I asked my dad for a guitar, and he got me a banjo, so that was my introduction to playing. I played it like a guitar. I had a few lessons, learned out a few chords, and figured it out right away.
In a way, the songs are written to be performed. I put them on records, but I'm always thinking about how an audience would react to it. I realized at age 7 that I wanted to be a performer, and I used to do that, and occasionally I'll get an acting job. I don't really make much of a living as an actor, but it's fun to do it when I get a job.
I always think about the simplest things in a relationship that have frustrated me. It always sort of comes down to communication. Even something as simple as probably the worst thing that could happen is, 'Where do you want to go to dinner?' 'I dunno. Where do you want to go to dinner?' 'I dunno.' That might be the worst thing in the world.
I wrote a book called ‘Dancing The Dream’. It was more autobiographical than Moonwalk, which I did with Mrs. Onassis. It wasn’t full of gossip and scandal and all that trash that people write, so I don’t think people paid much attention to it, but it came from my heart. It was essays, thoughts and things that I’ve thought about while on tour
I lived in Italy for quite a while and married an Italian woman. While there, I immersed myself in the complete culture: the music, art, literature, film, food, and history. It's easy to fall in love with. As a country, Italy does a good job of holding onto its rich traditions and culture. There's a real lack of embracing history in America.
Intellectually, human beings and animals may be different, but it's pretty obvious that animals have a rich emotional life and that they feel joy and pain. It's easy to forget the connection between a hamburger and the cow it came from. But I forced myself to acknowledge the fact that every time I ate a hamburger, a cow had ceased to breathe
Steven's [Sebring] presence was not threatening; he told me that if I never wanted the footage to be seen by anyone, he would give it to me. So I had nothing to lose and everything to gain, and what I gained was his supportive energy and the supportive energy of his wife, who was sometimes the one schlepping the equipment or doing the sound.
I was an apprentice television engineer when I decided to pack it up and go full-time, much to my father's disgust. But I'm still interested and I like messing about with TV. I can't deny it ... TV engineering was the job I'd wanted at the time, and I got what I wanted. But in the long-term it would have been second best to being a musician.
I lived in the States from 1996 till 2000. I attended the Berklee College of Music in Boston in 1997. But I wasn't the most hard-working student. I rarely went to school. At that time, I seriously doubted that you could learn creativity in school. Music isn't something you can just learn from other people. Sometimes I regret missing classes.
Your personal life, your professional life, and your creative life are all intertwined. I went through a few very difficult years where I felt like a failure. But it was actually really important for me to go through that. Struggle, for me, is the most inspirational thing in the world at the end of the day - as long as you treat it that way.
I'll never believe that Americans have racticed in our history anything close to the purest form of democracy of the world. Because there are lots of democracies around the world that function better than ours does. It's always been that way. There's some truth to the idea that it's rigged, but there is a way that it's supposed to work that.
I think people just feel me. Whenever they listen to the music, it's just coming out. I think you can hear what I put into it. A lot of it is God. You can use stuff to where you want it. Like I pray to God, and I asked for direction early on, and he gave me so much. It's like rappers and soul singers is taking to me. That's both sides of me.
It's a funny thing. I'll be in my home town of Columbus at a restaurant or something, and the waiter maybe asks, 'What do you do?' and I say, 'Oh, I'm in a band... Twenty One Pilots,' and he'll say, 'Cool, I'll check it out. I never heard of them.' And then I say, 'In September we're playing the Schottenstein Center,' and it's like, 'What?!'
There's a lot of different ways that a song would be a challenge to parody. There are a lot of songs that would ostensibly be a good candidate for parody, yet I can't think of a clever enough idea. Some songs are too repetitive for me to be able to fashion a humorous set of lyrics around. Some songs flat-out just don't work creatively for me.
I think from a major-label perspective, if you were on the flip side of things and that's the world you were used to working in, your interpretation could be, "Oh, they're having trouble writing songs," when really it's like, "No, I'm not ready to write songs, I don't want to write a song right now, if I did write a song, it would be forced."
Here is my prescription to heal all wounds. Watch the film 'Funny Girl' at least five times, eat at least 45 chocolate bars, and hang out with all those friends you blew off to hang out with your ex. I truly believe that, through a combination of Nutella, old pals and Barbra Streisand, we can achieve happiness and, very probably, world peace.
The first one I remember singing on stage was 'Somewhere Out There' from 'An American Tail.' I was around 7, and my choir teacher at school asked me if I would sing it. My parents told me that I needed to move around the stage, so for the entire time I just walked back and forth from side to side while I was singing - there's videotape of it.
When I was young, I had an 'aha' moment in church. There was a thing called testimony service, and somebody would sing a song, and everyone else would join in, finding a note where they fit. During one of those, a light went on in my head. In that moment, I heard everything - Parliament, the Staple Singers, Curtis Mayfield, Prince - in there.
I've struggled enough in my life to be appreciated and understood. I've had to go against all kinds of people through the years just to be myself. I think everybody should be allowed to be who they are, and to love who they love. I don't think we should be judgmental. Lord, I've got enough problems of my own to pass judgment on somebody else.
I hadn't even released my first proper single when I started to feel the strain of attention. But I don't believe that it was the attention that was giving me panic attacks. I think it was everything in my life colliding at the same time. It really did get to a serious point where I couldn't even walk down the street without getting the pain.
I think I've owned all the models of iPods so far. And these days between my iPod, iPhone and my personal laptop computer, I'm someone who is very, very grateful for all the ways to listen to music and completely switch off from people around me and listen to the music in detail, which is very hard to do if you're in a room with other people.
But I'm pretty lucky with my voice. When I first started touring I went to see a woman to give me some coaching on how not to lose my voice. And she was just saying really your voice is a muscle so if you're using it all the time you should actually come back from tour with a stronger voice than you left with. And that's really how I find it.
I was not ambitious as a child. My father encouraged me to enter competitions and contests, which became very much part of my life. I was not the typical teenager. I was very closed, shy and didn't hangout with my friends at disco's. My parents wanted me at home. Singing became my life, I traveled a lot on the job, and my job became my dream.
I think the ultimate challenge is to have some kind of style and grace, even though you haven't got money, or standing in society, or formal education. I had a very middle, lower-middle class sort of upbringing, but I identify with people who've had, at some point in their lives to struggle to survive. It adds another color to your character.
Everybody wants to write a hit song, but in Nashville people want to write the best song, which was my original intention as a singer/songwriter. ... I left because I could no longer make records that sounded less and less like me. I tried to please people instead of believing in my own strength, until the only thing I could do was walk away.
What I was going for in the first two albums I didn't necessarily achieve. Because I was young and because it was my first time out. And the second album was such a 'quickie' sort of 'Let's just get it over with!' But the kind of music I make, there's a lot of subtlety in it. And I think it takes a couple of listens to actually really get it.
I think every once in a while country has lost its way, but found its way back. It's always going to drift away from the traditional side, but then find a way to return. There's room for all kinds of influences be it pop, blues, gospel or whatever. But I will always say that I think we need more traditional country music coming down the pike.
I was naive in that I thought I could just sing and perform and do what I had always wanted to do all my life. But I wasn't ready for all the added dramas that came along. There were times I fell out of love with music and thought about walking away. I thought I was happier when I was that girl at home in my bedroom singing into my hairbrush.
You make something, and you really have fun with it, and you try to put emotion in it, and at the end of the day, you have no idea how the tide is going to fall. You don't know if everyone's going to like it, if everyone's going to hate it, if it's going to be like you're a media darling, or all of a sudden you're a sellout. You have no idea.
No offence to Hugh MacLennan, but you don't even have to know or understand any deep philosophy that's being espoused, you can just have the feeling of those words together, and that you know them and can sing along with that melody with your fist up in the air. It's a wild vehicle for sentiment, because it's so powerful on the musical front.
I think one of the reasons I've had success in hip-hop is that I can bring out vulnerability in people who are generally seen as tough guys. To me, when a hip-hop musician always plays tough, I find it annoying because I know they're not really like that - there's something deeper and vulnerable. There has to be, because they're human beings.
I actually produced other people's vocals for a long time when I first signed my publishing deal and I had just sort of decided that I only wanted to be a writer. I would be in all of these writing sessions, and a lot of times my publisher would say, "You should get a demo singer to sing it because then it doesn't identify as a Solange song."
Morals, principles and laws are when faith is reduced to standards and those standards basically just bind us, and we become prejudicial, racist, self-serving when we're guided by these laws... When a developed country uses Christianity in its policies, in government, in maintaining corporate wealth, that's a bastardized rendering of a faith.