Quotes of All Topics . Occasions . Authors
Keeping fans loyal is a delicate balance. Therein lies the challenge for any band that's more than a couple albums deep. It's like, how do you continue to make records that are representative of who you are that your fans will recognize as your band, while still trying to push things forward and present new sounds for people.
I feel like my life right now is so crazy; there's no time to dwell on difficult things. You just have to figure out how to fix it or get past it because there is no time to do anything else. Being a mom to a toddler, my career, and my husband's career - all of our worlds just kind of colliding at once, you just make it work.
I did most of my volunteer work when I was in college because I knew of more ways to get involved. In high school, we'd do things like, there was a homeless shelter near our hometown and our church group decorated one of the rooms. In college, I was in a sorority, and we did a lot of things, like pick up trash on the highway.
I didn't start until I was 21, and most people I know were 13 when they had their first guitar - I missed that time where you sit in your bedroom all day for years and accidentally you're doing classical training, although you're not thinking of it that way. It's not as easy, as you get older, to do all that kind of practice.
Sometimes it's nice to be able to reflect on the music itself and then write lyrics that I feel anyone can relate to. It's not my dreaming tree that is dead. The feeling of a loss of hope is universal. There are moments that we've all felt a little bit of it, so I don't think it is something that is too hard to identify with.
This is no condemnation of Chuck Berry, who I greatly admire. But Chuck Berry's music will not translate as well to orchestration because of its very three-chord rock 'n' roll nature. It is the music of the artists that are more pretentious, pompous or closer to the kind of big dramatic stylings that orchestras are good with.
One day, I went to buy something for my dad at the shops, and I heard a song by Nat King Cole called 'Stardust Melody.' It was like I went into a trance or something. I forgot all about my dad sending me to the shop. When I got home, I explained to him what happened. I thought I was going to get a whipping, but he understood.
If I should stay I would only be in your way So I'll go, but I know I'll think of you each step of the way And I will always love you I will always love you Bitter sweet Memories That's all I am taking with me Good-bye. Please don't cry We both know that I'm not What you need But I will always love you I will always love you.
No matter who weaves in and out of your life, regardless of the quality of those deep friendships and familyships, I'm the only common denominator at this point who's been with me the whole time. And there's this sense of trying to make sense of that ultimate solitude. It's not a negative or even a positive. It's just a fact.
I feel my job as an artist is to drive people to country radio. That's my job as a country artist. So these streaming places, especially these on-demand streaming places, where you can just push a button and hear it as many times as you want, like YouTube, any of that stuff, that's taking all the ears away from country radio.
You don't get any mixtapes, you know, 'cause I don't like my voice in there. I want to be that, but that's just not me, you know. And I'm very impatient; if I don't do it right, I'll be like, well, 'Ok that's the best I'm gonna do it.' Because I feel like if you take too much time on something, you lose the motivation for it.
When I went to do "Carson" that night, they wanted us to do two songs, but we were a brand new band. "Conga" hadn't even hit the top 10 yet. They go, "Do you think you could do something that people know, because we want you to do a second song, but not two originals, because we don't want to lose the audience, just in case."
Christian music was music that I grew up listening to that I can't say has had much of an impact on anything I have done in my adult life. Maybe Christianity has, but certainly not the bullshit Christian music I was listening to when I was 12. To me there's not much substance in that music. I don't have a message or anything.
I sung from an early age and I was always given nice parts in school musicals, but I definitely wasn't the golden girl. I didn't have the guts. You've got to have a real confidence in yourself to be like: "I'm gonna be a singer and write songs." I never thought it would go anywhere because it's so unattainable to be a singer.
Back in my mid-20s I was told I'd never be able to have children as I wasn't having periods. Doctors tried to start up my monthly cycles, but when nothing worked, they actually offered me a hysterectomy. Without it, they said I might get ovarian cancer in the future. I chose not to have the operation, and am so glad I didn't.
Most of the time, particularly with this record, 'The Light of the Sun,' I really just been standing in front of a microphone and blacking out musically, you know. I'd come back a couple hours later and there's six songs from beginning to end, you know? I don't know what I'm going to say. I don't know how I'm going to say it.
I went to visit Alcatraz years ago when I was on tour with the Pistols, and I really liked the atmosphere of the place. I genuinely, really, thoroughly enjoyed the whole morning there. I just liked the quietness and stillness of what is basically a cruel prison complex. I still found some kind of joy in that. That's how I am.
What makes most people comfortable is some sort of sense of nostalgia. I grew up in a small town, and I could count my friends on one hand, and I still live that way. I think I'll die in a small town. When I can't move my bones around a stage any more, you'll find me living in a place that's spread out and rural and spacious.
Some of the songs are inspired by personal things that have happened. Others have been inspired by other people's stories, you know, like someone that witnesses something and so I tell the story through my own eyes. And some songs are just about how I feel about the world and others about the places that we have travelled to.
We’ve learned that it will take more than one generation to bring about change. The fight for civil rights has developed into a broader concern for human rights, and that encompasses a great many people and countries. Those of us who live in a democracy have a responsibility to be the voice for those whose voices are stilled.
If leading worship is just about bringing a group of people into a room so we can get goosebumps and sing songs together, there's not much value in that. But if leading worship is a means to an end, that we leave this place as a different kind of people, as part of a new humanity that God wants to create... then that matters.
I have a lot of analog. I think a lot of people do. There are a lot of people that are re-discovering it. I still have a lot of my old records from back in the day. It's a joy to play things like Junior Wells' 'Hoodoo Man Blues,' and John Mayall & The Blues Breakers with Eric Clapton. There's a warmth that you can still feel.
With my quick success, I didn't have time to learn the ropes of the music business. Because my first record was such a hit, I was terribly spoiled and I thought I couldn't do anything wrong. I was also desperate to make tons of money because of my responsibility to my daughter. And there was no longer any joy in making music.
When I'm writing [songs], some days the pen just goes. I'm not in charge and I'm almost listening outside of it. That's when I realize that we all have to start looking at life as a gift. It's like listening to a color and believing that these colors have soul mates and once you get them all together the painting is complete.
And I really suspect that of all the things we think we want to know, the only thing we really want to know is that we are loved. And if Jesus means anything, he means that you are loved. I hope you know that. And I hope you stop worrying about all the stuff you don't know, because I don't think it amounts to a hill of beans.
When I'm awake, I don't want to go to sleep. I don't want the hassle of turning the light off, putting my head down and then all the thoughts. I don't want all those thoughts... thoughts feed on thoughts feed on thoughts feed on thoughts feed on thoughts and I'm: 'I don't want this'. I have to knock myself out to go to sleep.
My mother smokes me out. We'll get these long periods of me thinking I'm too busy to call her up or e-mail her, and she'll send me something. My mom's a real whiner. I love her to death, but she always sends me these 'woe is me' things. I think she might be Jewish. I'm not sure. She's Baptist-Jewish, which is a double whammy.
There was a band in San Diego, Bluegrass Etc, that played a weekly gig. My parents would take my brother and me every Saturday night for 7 or 8 years. Sean and I started taking lessons with them and they gave us a great foundation in bluegrass instrumentation. They were the lens through which I saw music for a very long time.
Lately I haven't been able to write for the guitar - it'll usually start out with a melody on the bass, and I'll layer vocals. I just can't really physically hear the guitar anymore, so I'll just go into GarageBand and play around with the keys. I'll sit on a melody or some lyrics for a really long time and just play with it.
Mazomanie doesn't even have a stoplight, so it doesn't do a lot. But the cheese curds there are unbelievable. I've never had them anywhere else, even at places in California that claim to have the real thing. There's a cheese factory in Arena, Mazomanie's neighboring town, and they'll give you fresh curds that are so amazing.
The idea that murder victims' families are best served by continuing the cycle of violence is something that I consider to be not only a lie, but criminally negligent. You lie to victims' families when you tell them they're going to receive closure if they participate in the process and witness the execution of a human being.
The main thing you worry about is just coming up with songs at all. I don't sit down and write stuff like certain writers do. They think about what they are going to write first and then they write it. I just get what comes in at me. It's like I'm a musician and if I can keep my mitt on, I can catch the balls that come at me.
That's what it is-it's jazz. It's just jazz. That's what the whole thing is about to me. It's about what's happening right now in this context. This conversation is jazz to a certain extent. It's improvisation. What appeals to me about music is the improvization. That's what I don't like about the media-they're not living it.
As I went walking I saw a sign there And on the sign it said "No Trespassing." But on the other side it didn't say nothing, That side was made for you and me. This land is your land, this land is my land From California to the New York island From the Redwood forest to the Gulf Stream waters This land was made for you and me.
I really like the idea of modesty. By the time I got into music, I was already wearing the scarf all the time, and it's really personal to me, my Muslim beliefs, so I decided to keep it and find a way to work around it. I don't see it as a restriction or limitation - I can still be me and get into music and be an entertainer.
I stand firm behind the belief that, for me, songwriting isn't something that I do or command, it happens to me. I can either choose to stop and acknowledge it, or put it off and hope that it won't fade away. 'That Wasn't Me' is no exception - it came together more quickly than any other song I have ever constructed on my own.
I went back and listened to the first three albums I made and tried to figure out what was special about them, why people keep going back to them. I think it was because I didn't know what I was doing. I had no idea if they were going to play it on the radio or anything. All I did was write songs, so that's what I got back to.
Nine planets round the sun, only one does the sun embrace. Upon this watered one, so much we take for granted; So let us sleep outside tonight, lay down in our mother's arms, for here we can rest safely ... One sweet world around a star is spinning One sweet world And in her breath I'm swimming, and here we will rest in peace.
I always had a very open mind and a very open heart. I always look for the good in everybody and the God in everybody. I play to that. And I just love people. I love the difference in people. I love getting to know people. I appreciate getting accepted myself, because I know I'm unusual. And I love the unusual in other people.
I've had such a great run with The Dutchess...and now this. You know, it is so interesting how in this business, the second you start dating they want to know if you're engaged. The second you're engaged they want to know when you're going to be married. The second you're married, they want to know when you're having children.
Passion is what convinced armies that had no chance to win - it's believing that something can happen. Reality is what you make it to be. And when you're the only one who can see the way the future is going to be, you can be the tool that bends, rips, shapes and paints the future the way you want it to be. That's true passion!
Being the only girl, I feel a lot of pressure. I try not to think about it, but I definitely get in the gym a lot more frequently towards awards season. The guys always look great. They're both great looking and wear a good suit and a great tie and some awesome shoes and they're good to go. I'm like, 'I don't know what to do!'
It's like these songs are your babies and you don't want anybody to think your babies are ugly! You never really know until you throw it out there if it's gonna take. And that is a really scary and vulnerable place to be, so having those songs be embraced is the best feeling in the world. That's been our dream our whole lives.
I've always been shy, but I see that as a good thing because it kept me focused on music. When I was in seventh grade, I asked my parents for a mobile recording system for Christmas, and I got it. I didn't come out of my room for years after that. I'd get invited to the movies and I'd say, 'I'm gonna finish a couple of demos.'
People are making a lot of music and higher and higher quality. I can't say the same thing for how people are listening to music. People are hearing music through terrible speakers, little computer speakers, there's a lot to get back to in terms of hi-fi and people listening to better quality, technically better quality music.
I think the first time I really heard poetry was in the schoolyard. Just the little limericks that kids say when they're jumping rope and playing games. I think that's the first time I heard rhyming words - I don't know if I'd call that the definitive poetry, but that's when I heard rhyming words said and not necessarily sung.
Since 'Idol' I've gotten used to having an amazing hair and make-up team around me, so I'm starting to get picky. I know what I like now and I'm happy to say 'Could we maybe change that?' if I don't like something. I don't yell or anything, but I think I could definitely start to act a little diva-ish when it comes to my look.
When I was a kid, I played basketball religiously. I begged my mom to get me voice lessons because I wanted to learn to sing the right way, but at the same time, I was playing Junior Olympic basketball, and I was playing point guard for my school. But I was wanting to get into entertainment, into music and film and television.
If I found out some gal was trying to steal my guy, I'd want to give her a black eye! Instead, I wrote this song. At the time I was writing each song [on this album], you could figure out the frame of mind I was in by listening closely. With every song I've ever recorded, I'm in it. I wouldn't write about it if I wasn't in it.
I find that the time that goes by is actually your best friend when you are making a record. The passing of time gives you perspective on what you recorded and what you wrote. If something sounds good to you 12 months after you recorded it then chances are pretty good that there's something valuable about the part or the song.