Quotes of All Topics . Occasions . Authors
I've seen a couple white girls coming to my concerts wearing head wraps, and I think they look so cute. It's kind of sad to see that people are really into separation, trying to separate everybody and making a clear division of 'us against you,' even with fashion. That sucks. It's not the way the world is supposed to be.
When my hair is curly, I use Suave coconut conditioner. It's not a leave-in, but I use it like one. It is so light and really brings out my hair's curl. A lot of leave-ins are too heavy, but this one is just perfect. When it's straight, I love Frederick Fekkai Tech Shampoo & Conditioner and their Olive Oil glossing cream.
I get very frustrated when I hear women saying, "Oh, feminism is passé," because I think feminism means empowerment. Men can be feminists, too! Many men are feminists. We need feminism. It's not against men; it's about the empowerment of women. It's the respect of women - giving women equal rights, the same opportunities.
The dark night of the soul for me was one night in Florida, when I had been on the road for about four years and I realized that everybody around me was on my payroll, that my old friends hadn't been in touch with me and my family didn't know where to get me. I was a very unhappy guy and it was because I was really alone.
I start songs all the time. If I weren't so lazy, I would finish them. It's like when I have a deadline I have to. I always feel very lucky that I am forced to make records at certain times. If I was forced to make 2 records a year, I would write twice as many songs. I can't make myself finish something unless I am forced
Even if the whole human race dies off because we keep fighting and killing each other and being heartless, the planet will take care of itself. Eventually, after millions of years, it will cleanse itself, and new life forms, maybe better ones, will come. Meanwhile, we'll have gotten exactly what we deserved: annihilation.
Nobody taught me to play bottleneck. I just saw it and taught myself. I got an old bottle and steamed the label off, put it on the wrong finger, I basically did everything wrong until I met some of the Blues legends early in my career who taught me another way. I didn't have anyone to tell me women didn't play bottleneck.
To be honest, for me, my main workout is when I'm on stage. Even though I make pop music, I don't think I perform in the classic 'pop star' sort of way. I'm very active on stage; I always end up dripping in sweat afterwards. It's always like a full-on, wild performance, so that's pretty much like my exercise, I would say.
When I'm at home or in the studio, I have a 1963 Martin. It's a D-28, and I love that guitar. I write on that guitar, and it's the first guitar that I put a pickup in and ran through an amplifier, splitting the signal to the amplifier and a DI or in the studio mic'ing it traditionally and putting an amp in the other room.
The word spirit comes from the Latin word for "breath" - spiritu - and the origin of the word spirituality has to do with breath and life force, the mysteries of the ancients and all this. The word is very suspect in much of the art world - the Western art world. Certainly, spirituality has become divorced from religious.
When I was asked to compose a score for... 'Palo Alto,' I first thought to myself, 'What is the house that these characters would want to live in?' I wanted to paint a picture and color scheme that I could work around. I gently apply different daubs to see what fits to match the color I have in mind with these characters.
All roads lead to 'American Pie.' 'As American as apple pie' was the saying. It was some kind of a big American song that I wanted to write, which would be a conclusion for my show and bring all the songs home, which it still does. I can go anywhere I want with American music and come home to that. And it all makes sense.
I suppose when I started playing guitar, it was the means to an end. I never thought of myself as a fully fledged guitar instrumentalist. And my early excursions on the electric guitar were curtailed when Eric Clapton came on the scene, and I decided I was never going to be in the same arena as a Clapton or a Peter Green.
I like to sit in front of the computer, going through files of music, and recording the final vocals, guitars and what- nots. But the windows are always open and you can hear the crickets, birds, chickens, and even the sound of rain hitting the studio. The farm is a great place to hang out in, learn from and create music.
I went to university and studied English literature, and I forgot about music. I was gonna be a journalist. But then I decided to try and be a backing singer, and my mum was like, "Go for it." If that didn't work, I was gonna go to law school. I was just being boringly sensible; trying to be a singer felt a bit indulgent.
After I had my daughter, I kind of got comfortable with motherhood and had time to focus on something else then I started "Sailing Souls" with Fisticuffs, who produced the majority of the mixtape. I just wanted to put out something, like it wasnt really for, you know exposure or to get a deal or really anything like that.
I have to say when a man lives for himself, it's hard to live with him. That's pretty much the story of all my divorces. I've been making records since I was 22 and done things my way, and it's hard for me to compromise. And of course, to have a successful relationship, one has to compromise. Sometimes I'm not good at it.
'Celebrity' is sort of an idea. I mean, I get to do something extraordinary, but I don't think it makes me extraordinary. That's my opinion. I like to be an artist; I like to do things that are involved in the arts, but I don't think it makes me more special than a doctor, for example. A doctor is an extraordinary person.
I spend a lot of time working and with my family, so I don't have much time around the edges to do much else. I don't really listen to a great deal of music. I love music, but since I spend a lot of time in the studio, we probably watch a movie rather than listen to albums. I get to hear stuff, but not on the grand scale.
Sometimes it's hard for me to dress for normal situations. A lot of the time I'm either performing or travelling - so what I wear is either really fun or just really comfortable. For anything in between I think, 'Oh God, I don't know how to dress myself. But when I get on stage I'm just like, 'I can wear anything I want!'
I'm not afraid to talk about God and it's something I have a faith in. But I feel his presence more in those really profound, quiet moments of solitude. I can't seem to get those as much around here in Nashville, so I go to seek them out. Iceland is probably the closest I ever felt to it. That place did a lot for my soul.
Well I work up Sunday morning, With no way to hold my head that didn't hurt, And the beer I had for breakfast wasn't bad, So I had one more for dessert. Then I fumbled through my closet for my clothes, And found my cleanest dirty shirt. An' I shaved my face and combed my hair, An' stumbled down the stairs to meet the day.
Life, the moment. Where the magic is. That's what really keeps me motivated, alive, hungry. I'm still as excited and motivated now as I was twenty-five years ago, and that's because I really live for those moments. And that's where the art comes from, that's where the music is born, that's where it all appears. I love it.
Some writing is a really nice solitary process, in a way, because you can be a little self-conscious around other people. If it's just you, and you're at your favorite piano, or whatever instrument, and you feel comfortable, then somehow, I always feel like it's opening a door and letting whatever is to pass through pass.
I'm not a comedian. I'm not a show host. I'm a musician. That's why I've turned down offers to host the Grammy Awards and the American Music Awards. Is it really entertaining for me to get up there and crack a few weak jokes and force people to laugh because I'm Michael Jackson, when I know in my heart that I'm not funny?
Being in two full-time rock bands is pretty impossible. I love to tour but I have a dog and I want to see him. And, being a songwriter, you have to have experiences and do things. You can't just go on tour all the time, otherwise you get nothing to write about. It's finally at a point where the balance is perfectly right.
There are two types of bands - there are the ones that are basically solo projects anyways, where there's clearly the one guy who's driving the ship and everyone else is just along for the ride. And then there was my band, where you have a few very disparate-taste, creative people who kind of meet in the middle somewhere.
I didn't want any middle-of-the-road creep. I always wanted the toughest guy in school, the guy from south Philly who wore tight black pants. Y'know, the guy who carried the umbrella and wore white shirts with real thin black ties. I was really nuts over this guy named Butchie Magic 'cause he let me carry his switchblade.
I look at John Lee Hooker and Muddy Waters, guys who had a fantastic longevity, and I learned something from them. They didn't try to sell records. They weren't saying, 'Ok, what can I write, what can I do in the studio that will sell?' They were just doing their thing, and people picked up on it. I like the idea of that.
Because of my pride in my Scottish heritage, I used to say things like 'I don't mind buying a round of drinks but I don't buy two'. It was something I joked about which has come back to bite me on the ----. I'm shrewd about money, I invest well, and look after it. But it's in my nature to be generous. I look after people.
My intentions have been, and are always, to just really get behind what my ideas are musically and to just ride this thing out, cause it feels good, and I think for the most part it's good music. Even when it's not, I'd like to still search for something that could be even like a little bit mind-blowing or shocking to me.
My drummer right now, who was also the first drummer in Weeping Tile, Jon McCann, told me that [Hip drummer] Johnny Fay took drum lessons from [McCann's] dad, who taught a lot of the drummers in Kingston. He said that when he was in Grade 9, the Hip were the model; the goal was to get an agent and gig as much as possible.
I went back to my ex a couple of times, and regardless of how many times you hear from your parents or your best friends or whoever that 'Oh, you should let it go and be over it and let him go. Move past it and find somebody new.' Regardless of the advice that you're given, you kind of have to do whatever makes you happy.
'Everything To Me' is about everything that's important. It's about my wife, my kids, it's about life, about being happy. It's about life in general, you know, about not knowing what's going to be around the corner, but you've got to enjoy it and enjoy the things you have. My wife, my kids, my health, and stuff like that.
When I'm getting to know someone, I look for someone who has passions that I respect, like his career. Someone who loves what he does is really attractive. In high school, I used to think it was "like sooooo cool" if a guy had an awesome car. Now none of that matters. These days I look for character and honesty and trust.
When one doesn’t want the limelight, but is also creative in developing whatever it is they are, then you can have two equal people that aren’t competing against each other. I think when you are in the same field, it’s difficult to leave it outside and not compete. Then when the doors are closed, that pervades everything.
When one doesn't want the limelight, but is also creative in developing whatever it is they are, then you can have two equal people that aren't competing against each other. I think when you are in the same field, it's difficult to leave it outside and not compete. Then when the doors are closed; that pervades everything.
If I only had 24 hours to live, I'd most likely spend it letting people know I loved them, and trying to make things right with whoever things were wrong with. One thing about life, man, once you're gone, the only true impact you have is on the lives you affected positively, no matter how many hit songs or movies you had.
Somebody's going to hear a song that will key in a nerve or something in their experience that represents their own vision. And the next person is going to see it completely different. So even what it means to me is probably irrelevant. It's totally irrelevant. What matters is what it means to each person listening to it.
Making money is awesome and fun as hell, but they're saying, "Well, you're offered a whole lot of money to do this," and it's like, well, I do want the money, but I don't really do that - like headline a big festival or something like that. I could go there and do that, but it isn't really what I do. It feels weird to me.
I grew up in a middle class household with parents, went to good schools, and never feared for anything, never wanted for anything that was really important. For all of us living in this world, all of us who have the resources, for us to not dedicate ourselves to giving something back, is to leave the world a lesser place.
The worst thing someone gets is isolated. Isolation is the darkest part of any condition. You can live with almost any condition if you're living within a community of people who can share a common understanding. We create these communities from women who share common conditions, and those mothers carry each other through.
Distribution has really changed. You can make a record with a laptop in the morning and have it up on YouTube in the afternoon and be a star overnight. The talent on YouTube is incredible, and it can spread like wildfire. The downside is that it's very hard to convince the younger generation that they should pay for music.
I went back to DJ'ing in 1987, and it's been an incredible second career for me. Plus, it's almost a parallel universe. If you don't go to underground clubs, you wouldn't know what I do or who I am. So there's been a whole new audience of people that don't even know I'm that 'Boy George', the one their mother used to like.
My favorite thing about guitar, and the thing that always drew me to it when I was first learning to play it, was those moments when you think you know what it might sound like, but you don't, and then you hit it, and it's a total surprise. You hear it with really fresh ears. Alternate tunings, for me, they give that back.
I find a therapy in playing music, in many different ways. At this point, I'm incredibly grateful for the relationship that it's given me with the men that I play music with. It's a great journey, and I'm really grateful for that. And also, being able to scream at the top of my lungs in front of people is very therapeutic.
I went to bed hungry many nights as a child. It was a Dream that dressed me up when I was ragged, and it was a Dream that filled me up when I was hungry. Now it's my Dream to see that no child in this world ever goes hungry, certainly not here in America, the most bountiful country in the world. We can do better...we must!
I'm such an incredibly, stupidly sensitive person that everything that happens to me, I experience it really intensely. I feel everything very deeply. And when you feel things deeply and you think about things a lot and you think about how you feel, you learn a lot about yourself. And when you know yourself, you know life.
Obviously I know if you're putting yourself out there, saying, 'Hey! Listen to my music!,' with pictures of yourself in the magazines, then people are going to judge you. 'I hate her music. I hate her hair. I hate her production. I hate her videos.' Fine: don't care. That's the great thing about art: it's not for everyone.
As I get older, my perspective changes, and I just see how relationships aren't always what they appear to be. It's one of those sad but true things. We can see sometimes when people are becoming distant in all the things that create breaking apart, as painful as it is, and at the same time, still appreciating that person.