Quotes of All Topics . Occasions . Authors
Most of the time, the lyrics are kind of like my secret messages to my friends or my boyfriend or my mom or my dad. I would never tell them that these songs are about them or which specific lyric is about somebody. Often, when I sit down to write a lyric, it is in the heat of the moment, and something has just happened.
Early on, I had to structure my ideas of success around things like, 'Can I go back and listen to the record months or years after I made it and still get some enjoyment out of it?' Or 'Have I said what I wanted to say on this album? Did it connect with people on a personal level, even if it's a small number of people?'
How long have you been sitting in the darkness? You forget. You know you're getting hard to be with and you're crying every time you turn around. Oh my crazy baby, try to hold on tight. Oh my crazy baby, don't put out the light. And your hands are shaking something awful as your worries crawl around inside your clothes.
My father claimed no political affiliation. He supported Al Gore because he knew him as a human being. He supported Lamar Alexander, who was the governor of Tennessee, who was a Republican. It was based on the individual. He didn't believe in politics. He based his support for someone on their heart and their integrity.
Well, Jeff Buckley for me is one of the greatest singers I've ever heard. And the reason why is he has an amazing range, amazing emotional power in his voice. And the music he put around it also just had this passion and this soul to it and this spirit to it that very few artists have, and he passed at a very young age.
Even if you can sing or even if you can write a song, it takes a lot of determination, it takes some kind of thick skin, because you got to persevere despite the fact that people tell you you shouldn't do this or you shouldn't do that or you're not good enough or your style's too different. I've heard all of that stuff.
I source images and ideas from different parts of my experiences, and sometimes they are things that are made-up, or just appear out of nowhere, like out of a dream or an image that I've seen in a book, or even the title of a book that I'm staring at on a shelf. It's a good way to write songs, just stare at a bookshelf!
'Friends With Benefits': it feels like a two-hander to me, but it is a big movie, and this is the first straightforward male I've been able to play. I would describe my character in 'The Social Network' as a kind of sociopath. I would describe my character in 'Bad Teacher' as... just a weirdo. But this is a male's male.
I can't run no more with that lawless crowd while the killers in high places say their prayers out loud. But they've summoned, they've summoned up a thundercloud and they're going to hear from me. Ring the bells that still can ring Forget your perfect offering There is a crack in everything That's how the light gets in.
Writers are great lovers. They fall in love with other writers. That's how they learn to write. They take on a writer, read everything by him or her, read it over again until they understand how the writer moves, pauses, and sees. That's what being a lover is: stepping out of yourself, stepping into someone else's skin.
I've always been doing stuff, being creative. But I got to the point where I starting to feel this longing, craving, itchy feeling - which was the first sign that it was time. I've made a few attempts to make other solo records, but when I've looked back at the body of work I've always felt like I was never quite there.
My upbringing was faith-based, but we believed you should love all others as you want to be loved, because everyone should be treated equally. That's helped me have an understanding of people on different journeys and in different walks of life. At the end of the day, we're all the same, because we all want to be loved.
I think you can totally be a totally normal kid from the suburbs of Chicago and go off and play shows. It's one of those things that when you go home, you're still the nerd you were when you left, and your parents still get to yell at you about cleaning up your room, and your girlfriend still drags you to the pet store.
I'm confused that there is a lack of faith in listening to and deciding what is a great song and instead going for these formulaic, bad songs over and over again. But that's what happened when people from beverage companies bought record labels and radio stations as opposed to people who love music owning record labels.
I remember the first time I was booked into a jazz club. I was scared to death. I'm not a jazz artist. So I got to the club and spotted this big poster saying, 'Richie Havens, folk jazz artist.' Then I'd go to a rock club and I'm billed as a 'folk rock performer' and in the blues clubs I'd be a 'folk blues entertainer.'
They talk about the American Dream. I still believe in that. I still believe that this is a great country, where great things can happen, where anybody can become president of the United States. Just that simple statement there defines so much about the whole business of liberty and freedom and the pursuit of happiness.
You listen to Bob Dylan and you can't help but think of the 60s, it's very relational and if artists are true artists and not just mere musicians they need to be truthful because the music doesn't come from them, it comes from the universe and it's to be shared. At best, we're skilled presenters, and I say that at best.
Why me? Why did this happen? How could I be in Westlife and then have nothing to show for it financially at the end of it? But it's like, why not me? That's just life. It's tough. There's a lot more problems in the world. There are a lot of people who would wish to God they had my problem instead of having a sick child.
I would say that nobody is going to work harder for your career than yourself - the one with the vision. No matter how many people you hire, nobody is going to get is as much as yourself does. So it's really important to be your own leader at all times and not hand it all off, otherwise the whole empire will fall apart.
I felt like my favorite writers have almost musical hooks in their work, whether it's poetry or a hook at the end of a chapter that makes you want to read the next one. And I think that my favorite writers definitely have something musical about what they do, in saying something so relatable and universal and so simple.
When David Fincher called me up a few years ago and said, 'Hey, I'd like you to score this film 'The Social Network,' I said, 'I'm flattered, but I really don't have any real experience scoring films, and I'd rather not screw it up on a high-profile project. And I like you and I don't want to compromise our friendship.'
On the whole, it bums me out that lyrics seem to be written as afterthoughts nowadays. Not sure why this is, but hopefully things will come around again and bands will once again want to "communicate" "ideas" with their audience, and not just content themselves with providing attitude and atmosphere with clichés on top.
If you tell certain people that you like Kerouac, they assume that's all you read, like you don't know anything else about literature. I recognize all the things that people dislike about the way he writes - his tone and the sentimentality of it all. But those books were there for me at a very important point in my life.
I don't feel that all the great songs have been written. I do feel that where we are now, certainly with rock & roll music, is that so much of it is variations on themes. But I think that it's one's particular creativity and individuality that comes out within that variation on a particular theme that makes a song great.
My father left us when I was 10, so I had to make enough money for us to be able to live in a house because my brother went in the service during Vietnam and I was sole support of my mother. And she had no skills, really, except to clean other people's houses. So I had to have a bunch of jobs, you know, as well as music.
I never have thought I was beautiful and I never can get beautiful enough. I'm always doing whatever I can to look as good as I can, nipping and tucking if necessary. When you're older, you probably look more bizarre to people. But I don't care. I'm just totally convinced that it's more important that I be happy with me.
All I tell artists is, 'Do what you love. Never let anybody talk you into changing what your musical idea is just to try to get a hit, because you're chasing your tail that way. It's not going to happen, and if you're successful, you have to do it the rest of your life. Stay true to it and do it for the sake of the art.'
When I was in my teenage years, I went to sign up as a cadet entrant to the police force but was at the very last moment rejected, just as I was about to sign my name on the dotted line. I won't get into why that happened, but it was a moment where it could've been predetermined then that I was off to become a policeman.
Sometimes you just get in there and force yourself to work, and maybe something good will come out, ya know? Deadlines and things make you creative. Opportunity and telling yourself you have all the time in the world, all the money in the world, all the colors in the palette, anything you want-that just kills creativity.
Smart art galleries know it's not the words on paper but the emotion in the piece that makes clients pull out the credit card or check book. The gallery's number one concern is will this stuff sell? What your bio, artist's statement or resume articulates will be of no help if you don't make art that connects with buyers.
Recently, John and I got to go to Selma and perform it on the same bridge that Martin Luther King walked over. Once a landmark of a divided nation, the spirit of this bridge now for all people regardless of race, gender, sexual orientation or social status. This bridge was built on hope and welded with compassion. Common
Oh, I think country has changed tremendously. I think country has totally changed. Country music when I was a kid was Hank Williams. If you put Hank and Elvis together, there wasn't that musical difference. But as the Beatles showed up and the English invasion, I think country music got pretty far away from rock n' roll.
Not yet, but I do wanna work with Leona Lewis. I love her, she's so sweet! I think she's working on her album as well so I'd love to do a nice powerful female duet with her. I think our voices would blend really well. There's a couple of other people I'd love to work with - like Fergie, Justin Timberlake and Alicia Keys.
I've totally learned in this process that 99% of the time, your gut is right, and you know what's right for you. I know exactly what's right for my career and for my art, and sometimes, even if the whole room is saying, 'Don't do that, don't do that,' you know that doing that is going to be good for you, in the long run.
I've really been sort of focused on acting and I feel really lucky because great projects sort of keep coming my way. I guess the criteria that I look for, it gets increasingly difficult because when you have the privilege of working with someone like Diane [Keaton], it's kind of like, 'Well, where do you go from there.'
When I play, I open up. I'm in the heat of the performance and it's a healing thing. It's great! It's like a spiritual elevation that occurs when you're playing and becoming one with the instrument or players on the stage. It takes on this incredible feeling of levitating and the molecules spin differently in the moment.
I lived in Italy for a number of years and I was really digging around trying to get my hands dirty, trying to learn about Italian music. And what I ended up gravitating towards was this stuff from the '50s and '60s and maybe early '70s, where there were these incredibly talented pop singers that weren't using pop bands.
Hope is such a powerful thing. We all have hope for different things, but I think sometimes we need to share our hope with other people. We're sometimes in our own issues, and it isolates us, but when we come together and encourage each other and give a little bit of hope, it can, like it says in the song, go a long way.
When I was a kid about joining the Peace Corps. It said it was "the hardest job you'll ever love." This is what parenting is, as far as I'm concerned. This is parenting. That is the friggin' Peace Corps. Because you don't love doing this - this is the thing you love the most in your life, it's the best thing you ever do.
You have total freedom. It's like, if you do a solo record, there are no restrictions and you can do whatever you want, good or bad. You can have these passing fancies where you go in to the studio one day and you want to do something like what you did on the way in. That's dangerous. You have to have some sort of focus.
I always loved all kinds of music. I would watch musicals a lot as a kid, on TV, watch the Fred Astaire movies. I'd watch 'The Wizard of Oz.' I was a big Jerry Lewis fan, and they'd have these big bands and someone singing - some siren, or some guy singing some gorgeous song. I was always enamored of that style of music.
Do I believe in aliens? No. I think there could be. Do I believe in God? No, I think there could be. Do I believe that Jesus actually existed? No. I think he could have done. A few things I've seen. A few things I've read. A few things I've watched have sparked my interest. Do I think it could all be rubbish? Yeah. I do.
My family endured a big crisis after my father's business went bankrupt and we went from having a comfortable life to having virtually nothing. I saw from that moment how fragile and precarious life can be and you have to work very hard not just to survive but also to accomplish something in life and fulfill your dreams.
When they'd been on the run, with death maybe lying in wait around any corner, they had never been more alive. When each day might be your last, it made a big difference. You couldn't maintain that state forever, of course; the stress would eat you alive, but putting yourself at risk did bring out your best-or your worst
My siblings and I were raised like tenants, to be honest. There was a total absence of intimacy in my family, though there was still a great deal of camaraderie among the kids. Things were set up almost like a business, and it had to be managed that way because we were really poor, and there were a lot of mouths to feed.
If I had to give my younger self some advice, I think it would be that you have to laugh at things-things that scare you, things that intimidate you, things that hurt you, When you're humiliated, when you're rejected, you have to be able to take these bad experiences you have and turn them into a great dinner party joke.
It's [a miscarriage] all very thief-in-the-night. No one really knows what to say. You go into the emergency room, you think you're going to be a mum and you walk out empty. It's all neat and tidy, there's this potential being in your life and you're empty - all cleaned up and put back together, but completely shattered.
What's important is that people realize that I can't be put into a box musically. I've studied all forms of music; I know probably more Jay-Z songs than the biggest Jay-Z fan. I've studied R. Kelly to the Isley Brothers to Stevie Wonder to Sting and Sade. You don't have one personality every day. You don't have one mood.
I don't love the way I look. Nobody does, and if they do, I don't want to be that person's friend. But we all know what we're insecure about. The question I had as I was writing was, 'How are these things affecting the way I live? How am I compensating because I don't like this about myself? What do I do to cover it up?'
I think the more music becomes something you could simply download and have on your iPod, I think to a lot of people that is plenty, but to some people, they still want these artifacts that are touchable, and you can smell them, and look at them, and hold them and just have other dimensions of experience with this music.