Quotes of All Topics . Occasions . Authors
I started to write the song. And I was in Gladewater, Texas, one night with Carl Perkins and I said, I've got a good idea for a song. And I sang him the first verse that I had written, and I said it's called "Because You're Mine." And he said, "I Walk The Line" is a better title, so I changed it to "I Walk The Line."
I do consider myself a competitive person, but I'm not competitive to the point where I will do anything to win. I wouldn't step on somebody just to get to the next level. I would have to do it fair and square. I'm kind of competitive in a way to where I like to figure out things myself, and if I need help, I'll ask.
The people that are really from the hood - and I'm raising my hand right now, you can't see that - we wanna get out the hood. We don't want to go back. We don't want to gang bang, we don't wanna do none of that. We wanna make it out! Like Jay Z did. We should be billionaires and owning businesses and stuff like that.
I think that I identify with Philadelphia for a lot of reasons. Without even thinking about it, I called myself 'Philly's Constant Hitmaker' when I first got a MySpace, before I had any real hits. It was kind of just a funny slogan, basically lifted from the Rolling Stones' first album, 'England's Newest Hit Makers.'
Believe me, I love commerce as much as the rest of the readers of 'Businessweek.' But in art, you have to be true to yourself and your musical vision. People have known me well for a long time, so if I was chasing a trend and doing something that wasn't authentic to who I am, they would know it in just a few seconds.
When I first was trying to play the clubs around Houston to start playing my own songs, songwriters like Eric Taylor and Vince Bell and Townes Van Zandt and Don Sanders were just really encouraging to me and would let me sit in with them during their sets and introduce me to the person that owned and booked the club.
Here are white men poised to run big marijuana businesses, dreaming of cashing in big—big money, big businesses selling weed—after 40 years of impoverished black kids getting prison time for selling weed, and their families and futures destroyed. Now, white men are planning to get rich doing precisely the same thing?
I can see how weird I was. One day I decided the school needed a Christmas tree and spent hours dragging this huge beast of a tree into school. No one was pleased. I got two weeks detention because I was 45 minutes late and had made a big mess of leaves and soil all over the building. All the kids just laughed at me.
I think that, for a lot of us, the closer we get to showing people who we really are, that's where we feel the most uncomfortable, the most vulnerable. But it's also where the healthiest growth comes from. Like when I can really open myself up to someone and show someone who I really am, it's amazing when it happens.
Working with other people, it's hard to get them to make it sound like what you have in mind. Also, it's really expensive to get your tracks produced, so I thought if I could learn how to do it myself, I could make five albums in a month and it would be free, it would be me, and it would be everything that I'm doing.
I've enjoyed every age I've been, and each has had its own individual merit. Every laugh line, every scar, is a badge I wear to show I've been present, the inner rings of my personal tree trunk that I display proudly for all to see. Nowadays, I don't want a "perfect" face and body; I want to wear the life I've lived.
I'm going to be doing solo stuff. The idea is to do 'small' and 'off my beaten path,' or go back to an old, beaten path - do some smaller things that I haven't done in 15 or 20 years. Just to sort of get my feet wet, because I haven't done my own material for a couple of years - I've been doing a lot of other things.
You know, they say you can reduce genius to someone who spent 10,000 hours trying to get good at something. I'm not claiming either one of those. I haven't done anything for 10,000 hours but sleep. But you do stuff enough, you get better at it. Usually it's a simple thing like that. Essentially, a brainless endeavor.
You're always thinking, "What does that add up to?" You can't really get a handle on it. I was curious. I felt like it would be an interesting challenge for me to write down what I'd seen and done and learned - all the convolutions captured in one item that I could look at and get some grip on what the hell happened.
A year before I met Mark Brydon - he was the one I used to make all the music with in Moloko - I was living in Sheffield with a guy who was studying architecture. I used to go to his college and crash the lectures there. I had enrolled to do a fine art course, but then I met Mark, and we signed a record deal instead.
I don't go to celebrity parties a lot. I don't really enjoy them because I really like going for it in parties. And sometimes at celebrity parties, there is no dancing on tables because people... it can be a little judgmental at times. So I tend not to go unless it is Taylor Swift's birthday party; then it's amazing.
I love New York. I first came here with my Mom when I was in 9th grade. I took the subway for the first time and the doors closed between me and my Mom, and I was so scared. I could see her through the window and I didn't know what to do. I got off at the next stop and she caught up to me, but I couldn't stop crying.
You make decisions, and that's what separates art from some other pop music. It doesn't mean that you can't make an embarrassing amount of money, for a borderline Marxist, doing something that you love, but it does mean that this huge pool of money that was out there when I started making records in the '80s is gone.
When you talk about bad luck and you talk about the things that create those circumstances and you talk about what it takes to overcome those circumstances and naturally to me includes, you know, a faith, a very strong faith. It should because through good times and through bad times there is one thing that relieves.
For me, 'The Social Network' isn't about Facebook. It certainly isn't about how people use it. It's about a flawed character and his pursuit of that grand idea that defines him and validates his life and how far he'll go to get it, and the repercussions that come as a result of that - what he gives up in the process.
I think that I work hard to make my music as a diary for new generations who find out about it years later. They can go through the history and see a trail. It's straight and narrow, you can see the growth and understand that I'm not afraid to give you honesty and be honest about anything that has to do with my story.
Some makeup companies have really good recycling policies, and it's worth finding out whether your favourites are among them. With MAC, for instance, you can take any of your old makeup containers into its shops, and the sweetest deal is that, once you've racked up six containers, you get a free lipstick or lip gloss.
I want to make the IKEA of clothes for fat girls and boys. Cheap, affordable, basic - but ethically made. Basics, you know? Like Spanx - I'm still confused as to why retailers haven't ripped them off yet and done it well. It's because they don't understand the basics behind it. I love Spanx. I'm wearing 'em right now!
The people who are out to destroy the environment think they're going to get away with it. Are they breathing different air than we're breathing? Are they eating different food? I mean, where do they think they're going to go? What do they think is going to be better than what they have destroyed? I just don't get it.
When people would ask me what I’m addicted to, I always said ‘music.’ And while they’d laugh it off like it’s a cliché, I’m actually a complete shopaholic when it comes to records. I’d literally buy 10 albums a week for years, so when I went to that Virgin Records and it said ‘going out of business,’ my heart stopped.
I have been really heartened by how much coverage there has been about inequality of pay across the board, between the entertainment industry and almost every industry worldwide. And just the problem of young women not getting an education, not being able to have an equal position in the cultures all around the world.
I'm just glad that I'm the musical equivalent of a character actress, because blues singers can keep singing and having an audience at 35, and someone like Madonna's gonna have to find something else to do, 'cos I don't care how pointy those bras are that she wears, they're still gonna look a little odd when she's 55!
I am thinking of George Michael's family, friends and fans. He was so loved and I hope he knew it because the sadness today is beyond words. Devastating. What a beautiful voice he had and his music will live on as a testament to his talent. I can't believe he is gone. I hope the Buddha will hold him in his arms. NMRK.
There was this moment in 2003 when I was asked to do a fundraiser for someone who was speaking out against the Iraq war when nobody was. I said, "I will do a fundraiser for that guy." And then my friend John Hall, from the band Orleans...He ran for Congress in my district and won. I did a bunch of fundraisers for him.
Longevity is something I never gave a second thought to. I guess it's the shadow of growing up in post WWII, but I never believed I would live past 20. Here I am though... a senior citizen... my voice and heart are stronger than ever, but boredom is the greatest enemy so I have to be careful not to slip over the edge.
I think I'm better at live shows than I used to be because I'm way more comfortable with the uncomfortable pauses between songs. Now, rather than trying to talk or do a costume change, I'll use those moments for myself. I listen to what other people are playing, or just rest, or dance, even though I don't know how to.
We don't have a long of natural resources as a country; we have a very beautiful country. Visually, I mean, everyone goes on about it's green, it's the mountains and the rivers and it's clean and it's not that populated. It is stunningly beautiful, but we've no oil. We've no coal. We've no money. We just have Ireland.
Anytime someone uses one of my songs for anything - a ceremony or a sacred moment - that, to me, is a high honor. I'm proud of the song at that point because I'm trying to write something for humans - whichever humans want to get on board and put this in their soundtrack to their soul's development or spiritual lives.
I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.
Common is one of the nicest people I've ever met, and to describe him as a vile rapper because he has an opinion... just says a lot about the state of America. You are allowed to have an opinion in the United States - he's never harmed anybody, he just has an opinion about a president that wasn't good for our country.
If I was a person that felt success is money, and for some people it is, I won't yuck someone's yum - if that's your thing, that's your thing. Go for it. Make as much money as you can. I don't care. Not my thing. My thing is something else. So I don't miss that. At all. Who needs it? How much money do you really need?
If someone else was in the room, I wouldn't feel comfortable doing what I wanted to do. I would try to play something that the other person or people would love or would like, at least. Nothing was true because I was not playing what I wanted, and they were not listening to anything that was coming from anywhere true.
I believe in Amy Winehouse. I know she’s not with us anymore but I believe she was who she was and in that way she got it right. I would say an actress like Lauren Bacall also got it right. She never let anyone persuade her to be something she wasn't. She was strong. She always looked like she knew what she was doing.
I have a younger brother and sister who actually play in my band, and we were always into Disney music, big time. The first time I heard myself sing was when I recorded myself singing a Disney song. I remember it because it was awful, and I didn't expect to hear that. I think it was 'A Whole New World' from 'Aladdin.'
I actually love Twitter and Instagram. I do think it's so strange to think that 20 years ago, people would never have known personal stuff about musicians and actors, but I like it. As long as I don't obsessively overshare, it's OK. And when I do overshare, it's just, like, me saying, 'I've got $7 in my bank account!'
I cannot save the world; that's not what I'm trying to do. I guess I'm just trying to walk the walk and be an example to those that want it. Not everybody does, but if Mary J. Blige can come out of that same hole you were in, then you can do it, too - that's my goal: to do that without saying it, but actually live it.
We have this really retro vibe and style of songwriting and, personally, I wasn't embracing the current state of music until I fell in love with hip-hop. It felt good to suddenly embrace where music was headed, and I think hip-hop is the best at that, because it feels so progressive and everybody wants to be the best.
All of the agreed-upon pariahs throughout pop-culture history put their identities into the thing we decry. And yet we derive our own identities from the act of hating. We connect on the things we are disappointed in. Some may argue that nothing in history gathers a crowd like complaining about Lady Gaga's meat dress.
There is nothing cooler than to have them singing your words back to you. The last show I did, I was kind of nervous about putting the mic out there, because you're not sure how it's going to go. But I did, and they sang the whole chorus. I thought, 'Holy crap! That is the coolest feeling.' It's the biggest rush ever.
I've been thinking a lot about space. It was one of those slow-motion realisations how little we are, how far we are from everything else in our solar system. This idea of distance started kind of haunting me. How do you go forth and accomplish things but not end up leaving everything you started out with in the dust?
I was given this beautiful coffee table book of Soviet architecture for my birthday. It has a lot of holiday camps, swimming pools, theatres, and buildings that were built for leisure activities. Incredible architecture in the most obscure places. It's a little bit sad, because a lot of it has been left to fall apart.
Sometimes you see these people who are just so—God—so affected by all of it, where ambition has taken precedence over happiness. But when I meet people who really embody this serenity of knowing that they have had an amazing life—James Taylor, Kris Kristofferson, and Ethel Kennedy... They just seem to be effervescent.
Most songwriting like poetry takes a careful selection of words. Sometimes you're just channeling something and a selection of words come out that you wouldn't normally say, but you come up with an assortment of words that are really special. It just makes sense even if it's normally how you wouldn't express yourself.
Many other artists who sing about hope think that it is something every single person carries within himself. I'm not so sure if that's true. For me, hope is the little light guiding you the way, which reminds you that life does have a sense, that you have goals. To believe in that is often more easily said than done.
'The Haunted Man' is about communication barriers between men and women, and in that song it's a woman's wait for her husband to come back from war. The vision for me was of a group of men and women on the opposite sides of two cliffs, trying to move or sing to each other and communicate, but they're kind of misfiring.