Quotes of All Topics . Occasions . Authors
I got very lucky that some of the things that I wanted to work did work. Not because I knew what I was doing, just through dumb luck, it just looked beautiful and sounded great and captured some magical mood. And you just have to hope that you get lucky when you do big things like making a movie, or something.
When I was younger I would go to the airport with my friends and drive out 2 A.M., 3 A.M. in the morning and just hang out until sunrise watching planes fly in and fly out. Just sit there and dream about how, one day, that's going to be us in those flights. We're gonna be one of those people with places to go.
Because of Billy Joel, I've been playing piano since I was knee high. The house was always full of music, so of course he's influenced me, but I think I've also developed my own sound. He's also been really good about giving me advice, which I think has helped me really stay true to what I want to do musically.
I had a number of different labels. A lot of people assumed I was gay because I was wearing a man's suit, and one had to learn that it's OK, people will do that, and you don't always have to explain it one hundred percent, because they're never going to accept what your own interpretation is. It's all illusory.
I just love how everyone with that Motown sound seemed to come from a two-block radius from the actual original location. The original location was a house, and then when they outgrew it, they bought the house next door and the house next door and the house next door until they had seven houses on the same lot.
We started making independent records. We started in '94 until about 2000 when just kind of just did it ourselves... We'd write our own songs. No one cared... At some point, we decided to try and write our own original stuff and one of the last independent records is when we wrote the song 'I Can Only Imagine.'
There's lots of flaws and frailties and cracks in the armor, and nobody wants to put themselves out there as some kind of Joan of Arc because none of us can live up to that, but I'm grateful to be a role model and be respected because I have a whole slew of people, men and women, that I feel the same way about.
I was in the hospital for a month and a half of my first-grade year, so I missed a lot of school. I remember that I returned home from the hospital and there was a bicycle waiting for me in front of the house, a yellow and red bicycle with a big banana seat on it. This was 1980, and it's still my favorite bike.
When I run into a person or a kid that comes up and gives me the spiel about, 'Hey, I got your record at this time in my life, and it really helped me,' that stuff totally still rings true. If you're standing there talking to someone, it's really easy to tell if they're being authentic or not. And that's great.
I think that obviously the quest for purpose, or meaning, or understanding to existence is something that I always think about, always deal with. I guess everybody does - that existential crisis of human condition. It's nothing new. But I'd love to come across something that really made me believe in something.
The thing with me is, about that - about rock and all that - years and years of crate-digging, listening to old music, you kind of start to connect the dots. And I was seeing the thread that was connecting everything together, which is pretty much the blues. And everything soul or funk kind of starts with that.
I don't want to stand in front of a whole lot of fakeys. If I'm going to meet someone and say hello, I want to feel like I'm really meeting that person, not a masked version. I want to give that to people when they meet me. You don't have to like it. I'm not looking for you to like it; I'm looking to be myself.
I think being a singer-songwriter... your job is to tell a story that other people can't really tell themselves. And I really hope that people kinda go: "This happened once and I kind of like this song because I relate to it..." So if at least one of my songs over this tour's that song, then that's really cool.
Ah, if only a few more massacres would suffice To sort it all out once and for all With so many uprisings and so many fallen heads In Paradise we should all be by now! But the wished-for Golden Age is endlessly postponed The gods remain so thirsty, they are insatiable Thus it is death, an endless cycle of death
I think that with albums these days, as long as you are moving forward and not trying to re-create things and looking back, albums are like living breathing things. They change, they evolve and it's this big thing that you are trying to get out to people. To me, whatever you can do to get it out there, do that.
I'm interested in creating a little sound world for songs, really crafting it, building it, and making it like a little doll's house with little things inside it, staircases and rooms and everything kind of relates to everything else. I've never seen it as drums, bass, guitar and vocals in very separate spaces.
Of course, I have a different vested interest in the gay community, because I am gay, and I would certainly enjoy the tax advantages that straight people have, and the inheritance advantages, and things like Social Security, but I've always been a civil rights advocate across the board. That's how I was raised.
I've always been very spiritual, since I was a very, very young child. The older I get, I'm reading more, I'm experiencing more, and so that's all reflected in all of my music. All of my fans are pretty familiar with me and my beliefs. It's all about connecting to yourself and sticking to your own spirituality.
Heartbreak was the impetus to me writing poems and music in the first place. Over the years, I had my heart broken so badly that if I didn't find a way to get all the pain out, I was going to lose my mind. I was crazy! Like, wanting to slash tires and smash car windows. Crazy! I was so hurt that I had to write.
We're weird roman candles burning bright at both ends. At the end of the road's where this story begins. Where the green of the gulf meets the blue of the sea. What makes it all happen is still a mystery to me. But those crazy days and those crazy ways, we never want to undo. We'll be together, now and forever.
Personally (and I believe I can speak for my sisters on this), I am against any organization or individual who believes they are superior to and/or may wish harm upon another because of race, ethnic background, religion, or sexual orientation. We also believe in the potential unification of humanity as a whole.
When I was first starting out in the music industry, I was always coupled in the same sentence with Jessica Simpson, Britney Spears and Christina Aguilera - and I was probably the worst of them. I think a lot of people back then thought, 'Mandy Moore... she'll probably go back to where she came from in a year.'
And I can tell by the way you're searching For something you can't even name That you haven't been able to come to the table Simply glad that you came And when you feel like this try to imagine That we're all like frail boats on the sea Just scanning the night for that great guiding light Announcing the Jubilee
I think everyone should understand history of segregation the same way we had to go to school and read about George Washington. I believe this generation should know their history and they should know that the struggle's not over yet. For instance, you can't get the cover of a magazine if your skin is too dark.
If I'm going to be the best in what I do, I have to study what I'm doing, I have to see what I'm doing. I have to see it, I have to hear it. I'm just starting to appreciate myself - not starting, but appreciating myself in a way where I can look at myself back in a movie or listen to myself as much as I do now.
Van Morrison is probably, at this point in time, my biggest influence as a vocalist. When we were making our last album I had a vinyl copy of 'Veedon Fleece' in the vocal booth in front of me, in the dorky sense. I think there were candles around, which is really tacky, but hey, I needed to channel Van the Man!
I have a hard time taking myself seriously. My band the New Pornographers doesn't take me seriously, which is why I love them. We can't stand up there and pretend. What we're doing is really important to me and it's my job and I love it, but I can't just stand there unflinchingly noble in front of the audience.
A lot of men do have a fear of my ultra-femininity. Sometimes people say I look like a drag queen, that I look scary, but I think that's a fear of my confidence. Most women in contemporary culture pare down their femininity, so there's a slight androgyny about them, and I think men have got used to seeing that.
In every political community there are varying shades of political opinion. One of the shadiest of these is the liberals. An outspoken group on many subjects. Ten degrees to the left of center in good times. Ten degrees to the right of center if it affects them personally. Here, then, is a lesson in safe logic.
I'm not big on dark chocolate, but I do have a sweet tooth, so it gets me in trouble. I love warm chocolate chip cookies with ice cream. Then there's this chocolate pie my mom makes for me every year for my birthday. She's been making it since I was younger, and there's nothing like it. It's really so, so good!
Most of my fans know I love video games. I say it in every interview, so they know. But one thing that I like doing is skateboarding, I like jet skiing, skydiving. It's like a huge roller coaster ride. Like forty seconds of free-falling. That's some of the stuff I love, daredevil stuff. I like horseback riding.
We did 'The Conversation' on the Zeus network because we already are on TV and we felt like us being our own therapists could work. We tried it. We just gave it a shot since we already on blast and everybody creating their own stories about what they see. Just tried to give it a shot. Did it help? I don't know.
There is this strange fog of being a young man that I would refer to as soft time. Time does not go forward there. It's a series of doors that kind of wind back into one another, like a series of doors in the upper floor of a house. You revisit the same lessons over and over again, or you choose to ignore them.
My beauty ethos? Well, I'd love to tell you it's something like 'less is more,' but honestly, it all starts with happiness. If only someone could bottle that up - when I'm happy, I'm at my most radiant and glowing. It does me better than any product ever could. And I stand by how cheesy and cliched that sounds.
I was really proactive in trying to heal my family. I wouldn't give up. My whole life was about trying to get my father healthier, and there were moments when he was healthier. Then someone would give him a drink. I always felt if he had one person in his life who supported his healthy side, he'd be on his way.
We ought to deal kindly with all, and to manifest those qualities which spring naturally from a heart tender and full of Christian charity; such as affability, love and humility. These virtues serve wonderfully to gain the hearts of men, and to encourage them to embrace things that are more repugnant to nature.
We're Americans. I don't consider us to be evil, I just don't think we know any better. We're a really young culture. We're hillbillies, and the rest of the world sees us that way. I travel all over the world, and probably the only worse rednecks than us are the Australians. And they're an even younger country.
You can draw inspiration from anything. If you're a good storyteller, you can take a dirty look somebody gives you, or if a guy you used to have flirtations with starts dating a new girl, or somebody you're casually talking to says something that makes you so mad - you can create an entire scenario around that.
I take my craft seriously, of course, but I don't feel the need to always play a certain character or a certain part or persona. I'm not going to cut something out of my life because it's not 'my image.' I want to be open enough that if I love something, I can do it, and it will add to myself as an entertainer.
The thing that is cool about my come up is that I dealt with fame and having money gradually. It didn't happen overnight. It was something that took a while to happen. It was something that humbled me and made me very appreciative of my blessings more than I would have been if it had happened faster and easier.
The job of the jazz people is to take it as far as it will go and that's what they're doing. But in the process of taking it out there, there has to be some times when they're not getting it right. It all depends on what you dig. I personally don't think the fusion of jazz with the heaviness of rock is working.
There's nothing that compares to watching that final of Charles Mee’s 'The Glory of the World' play at BAM17 to 20 minute sequence in one sitting. It fills you with a giddy energy watching that. Then, being gifted with the silence that follows...I've never had a theatrical experience like that before, I'm sure.
I want to be very authentic when I perform, because I feel like I owe that to people listening. You can't go through the motions on music like this. You are making people feel a certain way, that you are not feeling yourself. It's like saying "I want you guys to cry, but I don't really care," which isn't right.
You learn so much about yourself as an artist. I never would have thought that I could sing every night, you know? Travel and perform every single night, and travel to another city the next day and do it all over again? You learn a lot of new things about yourself, and you make a lot of connections with people.
I meet a lot of people who are awkward around me now. I was always embarrassed about that; the more attention I got, the less I wanted it and the more it would manifest in a physical way and I would be hunched over about it. I'm just starting to realise now that it's not my problem, it's somebody else's problem.
I'm an untrained musician. Untrained musicians don't really have any music theory, they don't have a lot of rules. We break the rules, but it's mostly because we don't know what the rules are. It's easy for us to go to certain places, so I'm not surprised that a lot of people were amused by my songwriting style.
I'm always looking to rock out. But it isn't really about rocking out versus being mellow, in terms of your personal satisfaction. In the end, you just want to be good. When you look at something that's really good, it might be Iggy Pop or it might be Leonard Cohen. Whatever it is, you want it to be really good.
Leigh [Bowery] affected a posh English voice and elongated his vowels, and you never knew if he was being sincere or mocking you. If I ever commented on one of his outfits he would snip, "Oh, thank you, Mr. Boy George. I do value your opinion." And then he would spin and make some ridiculous noise and mince off.
I love being an enigma. Every time I'm tempted to respond to someone who tries to put me in a box, politically - you know, someone who gets on the Internet and says, you're pro-gun, or you're anti-gun - I stop and say to myself, 'This is great; this is what I wanted. I wanted to be the guy you can't figure out.'
I remember doing "As Cool As I Am" and Steve Miller, the producer, saying "I really hear a drum loop here. I want to play it for you." When I wrote it, I thought, "This isn't going to sound very folky. I don't think it's going to go with mandolins and banjos." Then he played the loop for me and it sounded right.