Quotes of All Topics . Occasions . Authors
If you're somebody who writes songs or writes fiction, a writer that people pay for your opinion in any way, you shouldn't be the least bit uncomfortable giving it to them. People want songwriters to tell them how they think and how they feel. That's what a song is. That's what I want to hear in a song.
I have a lot of my mother in me, but I was just born with the same parts as my father. I don't sound like him. I mean, I can do an impression of him right now, and I do not sound like him. I sound like me. My sense of rhythm I learned from my mother. My melodies, I think sometimes, I get from my mother.
My parents divorced when I was 3 years old. They had a lounge act in Las Vegas, where I was born. The band broke up and the marriage dissolved, and my mother, my sister and I moved to Southern California. And I didn't see my dad a lot growing up; he was on the road a lot. I'd see him every couple years.
I ask you not to judge me for my weakness. The only way I can endure is to be in a place where I will never see you, never be haunted by the possibility of seeing you with him. I need to be somewhere where sheer necessity forces you from my thoughts minute by minute, hour by hour, I cannot do that here.
My mother did a fried vegetable dish called 'stuff.' It's fried potatoes and carrots. Then you add bell peppers, mushrooms and other softer vegetables. At the end you add onion. Then, you steam the dish with hot pepper cheese on the top and it melts down through the dish. It's delicious. It's wonderful.
No matter what your age and no matter where you come from, everyone can change the world in some way, whether it's being a mentor to someone younger than you or someone that doesn't have as much experience as you. If you're passionate enough, you can do whatever you want and definitely change the world.
My kids are obviously growing up very privileged, but I want them to have a servant's heart. We do community service as a family, and I also call them out on things like getting impatient when they stand in line - because they hardly ever have to. But that's just the reality of what they were born into.
I'm in a very close-knit, very, very tight family. My grandmother had 13 kids, so we had a lot of family like 50, 60 grandchildren and we all lived in Jersey, relatively in the same area. So every time there was something, my entire family was there. And I just believed everybody's family was like that.
I have loved music so much from when I was little and I don't know whether it was because I saw my dad doing it and then I got the idea, I don't know what came first... But I always had a hairbrush in the mirror singing. I was always with him backstage; I would go out and be pulled in for the last song.
Life and love inspire me. I think reinventing yourself is vital to your survival as an artist and a human being. I know it’s cliché to say about me at this point, but it’s true. My curiosity definitely is the driving force in my life and career. When you stop learning, engaging and growing, you’re dead.
I travel the world visiting global health programs as an ambassador for the global health organization, PSI, and sometimes the disconnect I see is truly striking: people can get cold Coca Cola, but far too infrequently malaria drugs; most own mobile phones, but don't have equal access to pre-natal care.
I'm not interested in the being the next indie hipster scene or in how skinny my jeans can be. That's not my thing. I'm interested in arenas. That was the magic of the music I grew up listening to. Being a rocknroll front man is all I've ever wanted since I was 10 years old. I give it everything I have.
It's good that people come to the shows because there's nothing fashionable about Swans. Never has been, really. We've never been part of a scene. So the people that come are really there for the music. Fortunately, there's a lot of young people and a burgeoning female contingent, which is good as well.
I don't think I would have made 'Blank Project; if I hadn't made 'Cherry Thing.' I think that was a real rebirth in a way, and a remembrance of how I like to make music best, the most. Like being in a more chaotic place, maybe. Like a place of making and being creative where the mistakes can be left in.
I lost about 60 pounds. I don't really have a moment specifically that made me do it. I remember little things, like, when I was in Japan, I remember looking around at the portion sizes of a fast food restaurant and being like, 'Well, this has something to do with it.' Americans definitely eat too much.
I wanted a woman, at first, with a classy side but with a really wild, crazy side. I wanted that because I'm wild and crazy sometimes. But that was then. Now I need less wild and crazy, like, a little bit of that element, but more class. A woman that's responsible and that wants to take care of herself.
My father was an aspiring country singer and songwriter. He just didn't get that off that ground. I was afraid, very tentative to do anything with music for years. I didn't tell him I was playing in bands when I was away from home, because it had been such an unpleasant experience and a letdown for him.
If you're talking to an architect, he can look at a blank piece of paper, and once the initial design is there, the formula kicks in. Each room should have something unique and different about it - much the same way that in a song, every eight bars or so, a new piece of information should be introduced.
My mum and dad ran a family cafe in Sligo for 35 years and worked long hours. We grew up in a very hard-working family and had a lovely atmosphere, as we lived above the restaurant. It definitely made me want to work hard, whatever I chose to do. As the baby of seven kids, I was definitely a bit spoilt.
I was working through a lot of challenges at every angle of my life, and a lot of self-doubt, a lot of pity-partying. And I think every woman in her twenties has been there - where it feels like no matter what you are doing to fight through the thing that is holding you back, nothing can fill that void.
That seems like one of the differences in expectations of "serious" and "popular" music that you can actually depend on the liner notes to explain yourself? Yeah. Whereas in popular music you depend on photo shoots. A hardcore band who looked like Duran Duran would have to depend upon those liner notes.
I just love to play rock and roll. I love to write songs all the time about what's up on these streets. I write songs about people getting killed; I write songs about people getting beaten up; I write songsabout people getting taken to jail by the police; and I also write songs about love and happiness.
I love being middle-aged in general. I'm more at peace with myself now. I still have tormented times, but they are few and far between. You don't feel you have to be the centre of your world when you get older. Becoming a mother had been a turning point which stopped me from being the centre of my world.
I started school because I felt like, as a songwriter, I was operating solely on instinct, and I was having a hard time deciding exactly what words I wanted to use. I felt like I wanted to be a writer, and being a curious person, school felt like a way to solve the problems I was having with my own work.
I'm not a risk taker physically. I just have no interest in swinging myself off a mountaintop or parachute gliding or skiing down a totally vertical drop. These things don't interest me in the slightest, but I get so caught up in the color or the texture of the sounds of something. That's so funny to me.
Growing up, I listened to a lot of everything - I fell in love with music, when I discovered people like Lauryn Hill and Tracy Chapman, people whose voices I could really feel, people with a lot of soul. That's what I'm drawn to as a musician: Anybody that has their own voice and their own point of view.
And you realise you're doing a public service in making people happy - as a musician you can give people something a doctor, a lawyer, a politician cannot give them that. It's not scientific. It's spiritual - a good feeling. And although you don't know them personally, the audience are like your friends.
Elvis came along when I was 10. My father gave me a bass ukulele. I taught myself how to play from a book to play some chords, so I was laying down 'Hound Dog' and things like that when I was 10 years old in 1955. That's the way I was. My ear was glued to the radio. I knew right then what I wanted to do.
No one dislikes LL Cool J. If you meet LL Cool J, you fall in love with LL Cool J. LL and I had mutual friends, and he and I had always talked about doing something. My fans know LL's music. And I love him - we're blood brothers at this point. We've been through the fire together. I know no finer person.
A lot of people are really quick to say, "That song sounds like this." Or you - "He's tryin' to sound like this." And I'm always like, "You're damn right I am. That's how - that's why we're all here." You know, we all grew up idolizing another musician. That's how this works. That's how music is created.
I'm inspired to write songs in many different ways - it can come from a melody, a word or phrase or something I have seen on my travels around the world. It's one of the great bonuses of my job in that I get to meet so many people and experience different cultures and it would be hard not to be inspired.
If you're hungry, God is feeding. You know, if you're listening; He is speaking. And I think sometimes trouble and intense hardship can make us - it made me at times, you know, block our ears, shut our eyes, it's like too much. But actually He's speaking, He's encouraging us, He's loving us all the time.
I don't feel like I'm standing in a position where I have some right above other people to say what I think. We should all be talking to each other about what we think is important - whether we're in politics, or whether we're checking out at a grocery store. We shouldn't put walls up between each other.
School of Rock. The best music school anywhere. This whole idea of getting kids not just taking lessons and learning notes and chords, but learning songs and playing with other young musicians, and getting out on stage... I was so impressed that my daughter Cheyenne goes to School of Rock on Long Island.
I still have my first paycheck. It was just, I think, a dollar or two that I got when I started as a songwriter with BMI, and I had some songs there that I had through the company, and in the mail I got this big old check for, like, a dollar and a half or something. Somebody had recorded one of my songs.
I never thought I'd say the sentence 'It was a real honour' - because that implies that you've done something pretty special. But now I've done that several times. Yesterday I was in Buckingham Palace - I actually met the Queen yesterday and that was an honour. I never thought I'd do something like that.
We all fall into biological and mental habits. It's an easy way for us to navigate day-to-day work and life, but it also doesn't do us any favours in terms of growing into wisdom, growing into a greater understanding of each other, growing into a deeper relationship - all the things that we really crave.
It is so important for me to keep authentic Cuban sounds alive. All of these great artists have changed the landscape of Latin music and it's an honor to have them on this album ["90 Millas," released in September of 2007]. I believe this album will expose a new generation to the richness of Cuban music.
When I think about the cause I'm most passionate about, it's all in my music all the time, because I'm always singing about the empowerment of women. Always, even when it's a little love song - it's still about the empowerment of women and this high spiritual nature of love. It's the biggest healer ever.
I have modes, mental modes that I get in, and when I'm on the road, I focus very much on doing the work. On playing the show, on being good every night. And part of me just gets switched off. The part that's very private and very personal and very intimate. That especially, that part of me gets shut off.
I thought I was the center of the world and that my parents had nothing to do with me, and I regret that. I wish I had been a little kinder to my family and been friends with them and let them into my life and shared with them the things I was doing rather than feel like I needed to do my life in secret.
I guess I just process death differently than some folks. Realizing you're not going to see that person again is always the most difficult part about it. But that feeling settles, and then you are glad you had that person in your life, and then the happiness and the sadness get all swirled up inside you.
Our band Stereophonics never wanted to release a couple records and be the biggest band in the world for 10 minutes. We always wanted to stand the test of time, and make great music that people would want to listen to and that music lasts. We'd looked up to artists and bands that had big back catalogues.
If your parents only listen to jazz or folk, you're like one of those trees you see in botanic gardens that have wire frames on them - you grow into that shape, you follow it or you have to break away from it. But I didn't have influences to embrace or kick against - I also had no idea what anything was.
I believe in free love and that's just how I feel. It's just my experience of being with different kinds of men and being born without a preference for a certain type of person. For me, that is my story in finding love in lots of different people, and that's been the second biggest influence in my music.
David knew that the very quality of his worship was not based on his own volition but on the object of his worship - the Father, Son and Holy Spirit. Though our affections for God may wax and wane, His character is unchanging! We even see David speaking to his own soul, demanding of it, "Bless the Lord!"
I have loved music so much from when I was little, and I don't know whether it was because I saw my dad doing it and then I got the idea; I don't know what came first... But I always had a hairbrush in the mirror singing. I was always with him backstage; I would go out and be pulled in for the last song.
Not only do we suffer from racism and sexism, but we also suffer from ageism. And that is that once you reach a certain age, you're not allowed to be adventurous, you're not allowed to be sexual and I think that's rather hideous. [...] I mean, is there a rule? Are you just supposed to die when you're 40?
I just find the people I want to work with and put it all together, and it's a lot of hard work, and all kinds of catastrophes happen, but I don't really get too much resistance. But when you make a movie, it seems like there's nothing but resistance. It's kind of a miracle that any movie ever gets made.
We have this window of opportunity; we have a chance to make something real happen. Something possible happen, to live beyond our fear, think about that, and help us. Help lift us up, help us fight this fight to change, - transform - this country in a fundamental way. This chance won't come around again.