Quotes of All Topics . Occasions . Authors
I feel like Nashville has watched me grow up in front of them, which is cool, but it kind of sucks at the same time because you get pigeonholed, like, 'Oh, she's the girl with the long hair that wears fairy dresses.' That was me at one point because I was new and I was young. But we all grow up.
When you make that choice of stepping out and facing the issue of disclosure, you do create this kind of self-imposed negative fear. It's unfortunate it still happens today. 'Do I step out and say I'm a gay guy?' But you have got to do it and live your life on your terms and no one else's terms.
My influences are jazz, blues, European classical music; they are rock music and pop music. So many kinds of music. World music from different countries like India and China. I think that would be a shame not to take advantage and do something... not unique, because I don't have this pretension.
Stepping back into theatre, a childhood dream, I always felt like I would be onstage. I hadn't imagined myself in a composer role... I find it so satisfying to be behind the scenes and writing the music and watching it elevated and characterized by different voices than my own. It's so exciting.
So a part of you is broken when that’s gone. And part of you wants to have that rebellious feeling where you’re just like, forget it — I can do anything I want. I’ve tried it, and I’ve never been that girl. I’m always going to be the girl you want to take home to your parents, not for the night.
Jiyong hyung's mind can go wild and think a lot of things. This was my first time writing my own lyrics so I only thought about myself, but Jiyong hyung won't do that. He'll think, 'Ah, this type of rap suits T.O.P., this part suits Seungri.' That's how he writes lyrics, but I can't do that yet.
I was without my own place for nearly two years. It's such a cliche to be a homeless musician in New York, but luckily, I had amazing friends who let me stay with them. I visited my parents a lot. It's not like I was sleeping in my car, though I might have done that once... But it was by choice!
I've never written for anybody else. For me, it was a challenge. I write for me. I don't write for anybody else. And what was good about it was that I was writing for somebody I knew. I knew what my mother thinks and how she feels. So it was finding that creative spirit to write about my mother.
In my life, I was always floating around the edge of the dark side and saying what if take it a little bit too far, and who says you have to stop there, and what's behind the next door. Maybe you gain a wisdom from examining those things. But after a while, you get too far down in the quicksand.
When the ghost comes round at midnight Well you both can have some fun He can drive you mad, he can make you sad He can keep you from the sun When they take him down, he'll be both safe and sound And the hand does fit the glove And no matter what they tell you, There's good and evil in everyone.
You make the world - with enough strength and enough luck you make the world that you live in. If you accept that there's participation to be done and an existence to be had - I tend to think there is only one way I want to go through this existence and that's with my eyes open and my chest out.
The whole idea of emotions being something we can't escape as humans, but that deep suffering that comes from resisting them, we can move out of that just by not resisting anymore. But it takes a really brave warrior soul to sit there in these emotions that admittedly don't feel good in the body.
'You're not alone' can be a great thing to hear when you're feeling quite despondent and alienated from the world and yourself. But if you're someone who's been completely overwrought with the intensity of life and the world, getting some space to be alone can be one of the things you crave most.
I know that sounds almost horribly cheesy, but that is what has to happen if you're gonna make a relationship work for a long time: You have to keep learning new things that are interesting about this person or having them catch you off guard and have these little moments of intense appreciation.
I'm very aware of the chemistry. It's something you can't take for granted. I'm very thankful for it and I recognise the power of its reality in all of our lives. Some people don't and it's a mistake not to because people throw away god-given special chemistry that's very rare, very hard to find.
If the song was upbeat, we'd get out a funky Harry Connick, Jr. album, some Louis Prima big band, or a Bob Wills swing record for inspiration and swing for the fence, hoping to get that 'soundtrack to your life' vibe. And if it was a slow song, we'd go the other way and really make it worshipful.
The piano is just a different animal. It's expensive, it's big, it's heavy, and it doesn't fit in the mix easily. Everyone grew up with a piano in their living room, so rocking out on the piano was accessible - it wasn't an upper-class thing. Now pianos have become very much a piece of furniture.
Everybody has a language or code that they use with their wife or their girlfriend or boyfriend or what have you. It’s a language aside from the language they have with strangers. I’ve always been maybe an abuser of alliteration, but I’ve always loved it and I like how those words sound together.
Everybody has a language or code that they use with their wife or their girlfriend or boyfriend or what have you. It's a language aside from the language they have with strangers. I've always been maybe an abuser of alliteration, but I've always loved it and I like how those words sound together.
I think a lot of people who become music fans have that moment where they break from their parents' music, they break from the radio and MTV - at least in my generation, they did, and MTV isn't really a thing anymore. And you discover something that defines you, that is outside of the mainstream.
When it comes to partnership, some humans can make their lives alone - it's possible. But creatively, it's more like painting: you can't just use the same colours in every painting. It's just not an option. You can't take the same photograph every time and live with art forms with no differences.
I hardly ever go back to Florida. It's really hard to go back. I mean, I hated it so much. I didn't grow up in a great neighborhood, and it puts me back in that feeling of, "I want to get out immediately." That was kind of the push and what still pushes me, that I don't want to end up back there.
Reclaiming the word fat was the most empowering step in my progress. I stopped using it for insult or degradation and instead replaced it with truth, because the truth is that I am fat, and that's ok. So now when someone calls me fat, I agree, whereas before I would get embarrassed and emotional.
I have had UFO experiences, and yet, at the same time, I can easily be convinced that none of it is true. It's hard to say whether or not you're a believer. I've been interested in that subject matter, like lots of people. Perhaps foolishly, I've allowed some of that stuff to creep into my music.
I think we have responsibilities to be active in the things we believe in, regardless of what our job is. At least in my lifetime, there has been a tremendous combining of activism and music, that came up in the era of Pete Seeger and the Weavers and Joan Baez and Bob Dylan and Peter Paul & Mary.
When we were doing 'Live at Benaroya,' the song 'I Will' was hard to get through. I've always get a big lump in my throat when I sing that song. And also 'Before It Breaks.' So I'm just a different songwriter now. And the older I get, the more difficult it becomes to deliver those songs casually.
After my second-to-last record, 'The Greatest', I had gone on tour for a while, and I didn't play an instrument for about five years. And I got kind of - it's not self-esteem or whatever, or anger toward myself - but disappointed in myself that I hadn't been challenging myself to learn musically.
it's not until you become seriously ill and you nearly die and you're at home for 6 months, that you suddenly stop to realize that this isn't the way I intended it to be in the beginning. Everything that you've done falls away and start wondering why you went through all that rock business stuff.
I came upon a doctor who appeared in quite poor health. I said, 'There's nothing that I can do for you that you can't do for yourself.' He said, 'Oh yes you can. Just hold my hand. I think that that would help.' So I sat with him a while then I asked him how he felt. He said, 'I think I'm cured.'
Christmas my child, is love in action...When you love someone, you give to them, as God gives to us. The greatest gift He ever gave was the Person of His Son, sent to us in human form so that we might know what God the Father is really like! Every time we love, every time we give, it's Christmas.
As a musician, I don't think I'm the greatest guitar player. I'm a bigger fan of the drums than I am the guitar; I just happen to play guitar. I play drums almost every day at my house. I wrote a lot of songs behind the drum kit, just having the music and vocals in my head and playing the rhythm.
I took lessons for about everything you could imagine - gymnastics to karate to flute and piano. My mom always definitely kept me in some kind of class or program, but for guitar, I kinda gave up on then kinda just taught myself. Same thing with piano. I've never been good with following lessons.
The music that I first fell in love with was American music, really. Nothing against British acts - I love them and will forever - but on the whole, it was the art of American storytelling in the kind of folk and blues lyrics that, if you scratch a little bit, there's a heartbreaking story there.
There's a vacancy, won't you come to me And fill my empty spaces I'm a motel man in a promised land That's filled with empty faces So won't you bring your sorrows bring your dreams, It's a place for you to be There's no more tomorrow or that's how it seems Won't you come to me? I've got a vacancy
When I was 13 or 14, I took seven months off from touring. I did a lot of weekend gigs in Louisiana. We have fairs and festivals every weekend. But I took seven months off. That's when I really started digging deep. I wrote a couple songs that year that I still play every now and then for people.
I see more people taking on the cloak of accountability, more people tiring of the blame game. If we are all connected and our actions in Australia affect us in Istanbul, then we are all to blame and all to be healers. We can't blame lawyers anymore for the 'liability' vs. common sense imbalance.
I think there’s no greater joy than completing a song out of thin air. It’s like inventing something, but it’s invisible, you know? It’s weird. It amazes me. You can send it out in the world, and that’s the joy. It’s like giving birth to all these songs and letting them go like they’re your kids.
I struggle with how humankind ended up this way. We made ourselves slaves to money, and we all have to work and be a part of this thing when time is always ticking. And before we know it, a decade has gone by, and did I really get to do everything I wanted to do or say everything I wanted to say?
It's weird because I am accessible to people on Twitter, and I can choose to read good things or mean things, and people can reach out to me directly and tell me how much they hate me or love the song. It's a very strange new paradigm as an artist to find yourself among this kind of connectivity.
My main goal in life is to just be happy. I don't compromise my happiness for anything. If I find what makes me happy I'm going to do that. That's really going with the flow of life. As far as like the mainstream stuff, if my destiny takes me there and I end up going that route, then that's fine.
I did an internship at the Ardent theatre company in Philly after dropping out of college. I was earning $165 a week building sets and cleaning the toilets. Cleaning toilets is a good way of getting in touch with your creativity. That's when you find out if you got anything going on in your head.
With me, it's so eclectic and all over the map that no one knows what to expect, ... It may not be a great career move, but all these things - singing with the Funk Brothers and the Dead, singing a Dolly Parton song - is great. I'm welcome to all these different worlds, and that's been wonderful.
I'd become very involved in the production, so the albums were taking longer. So it was never a deliberate decision not to do live shows. A few times, I've thought about doing them again, but it's just kind of never happened. I've just sort of gone the path of becoming a recording artist I guess.
I wouldn't mind working in restaurants again because you build up a relationship with the customers. I'm really inspired by the mundane - it's often the most ordinary-looking people who have the best stories - and you can watch diners and study their idiosyncrasies without them being aware of it.
I grew up in a time when people believed in duty, honor and country. My grandfathers were both officers. My father was a General in the Air Force. My brother and I were both in the Army. I've always felt a kinship with soldiers; I think it's possible to support the warrior and be against the war.
My concept of successful living is escaping the matrix, as we've talked about. It has very little to do with what people think success is. I actually feel successful right now, even though I don't have an album out, or a video or a song on the radio, because I'm trying to be obedient to His will.
My mind was always very cluttered, so I took great pains to simplify my environment, because if my environment were half as cluttered as my mind, I wouldn't be able to make it from room to room. This system has just worked for me, even though I've had to sweat over every word. It's just my style.
When you start performing, you realize that you have to separate yourself from the pack. So I would never wear bell-bottoms, which everybody else was wearing. I had short hair - and to see a 21-year-old guy walk onstage without longish hair was, in itself, weird. Every entertainer needs a shtick.
Dad often told me, 'My job is to help my boss do his job and make him look good.' That was my dad's objective. Everything about the way he conducted himself was to communicate support for his superiors and respect for his coworkers. The way he dressed was his starting point in that communication.
I guess I have sort of an atypical relationship with my mom for someone my age, because I think I started so young with the music thing and I had my parents always on the road with me. So at a time when I think I should have been rebelling, like in high school, they were actually my best friends.